CLEAVER...................1 (0.000%)
Dust: Archaeology in the New World, Cleaver-Hume Press,	31701 CHAOS AND CREATION: - - - BIBLIOGRAPHY -
CLEAVING..................4 (0.000%)
Armenia, turning the waters red and cleaving the Earth in several places (1110 A.	36764 THE LATELY TORTURED EARTH: PART II: EXOTERRESTRIAL DROPS: Chapter 8 Falling Dust and Stone -
the Moon-making crust and the cleaving of the globe would take place quickly;	43129 THE LATELY TORTURED EARTH: PART IV: CRUSTAL TURBULENCE: Chapter 19 Expansion and Contraction -
the South Pole, losing momentum but cleaving the Earth rapidly at the full depth of the continental crust,	44450 THE LATELY TORTURED EARTH: PART V: RIFTS, RAFTS AND BASINS: Chapter 22 Fractures and Cleavages -
that he was thinking of Attus cleaving a whetstone with a razor. "	112711 KA: - - Chapter 1: AUGURY -
CLEFT.....................6 (0.001%)
that were swept into a rock cleft,	61749 HOMO SCHIZO I: - - Chapter 2: HOMINIDS IN HOLOGENESIS : PEKING MAN
that he had crouched in a cleft for fear of electrocution as Yahweh passed by.	87573 GODS FIRE: - - Chapter 3: CATASTROPHE AND DIVINE FIRES : YAHWEH'S ELECTRICAL FIRE CONGLOMERATE
so Moses enters a crevasse, a cleft,	89575 GODS FIRE: - - Chapter 5: LEGENDS AND MIRACLES -
Mount Parnassus. Parnassus has a huge cleft,	112790 KA: - - Chapter 1: AUGURY -
at the Castalian spring, in the cleft between the Phaedriades,	119404 KA: - - Chapter 21: THE DEATH OF KINGS -
without a guide, to the sheer cleft in the rock going down by brazen steps to the roots of the earth.	119502 KA: - - Chapter 21: THE DEATH OF KINGS -
CLEFTING..................1 (0.000%)
Britain nurtured a legend of the clefting of Earth 84 .	27288 CHAOS AND CREATION: - - CHAPTER 07: EARTH PARTURITION AND MOON BIRTH : WESTERN EUROPE
CLEFTS....................6 (0.001%)
fact scatter to the caves and clefts,	11059 COSMIC HERETICS: PART 2: - Chapter 8: HOMO SCHIZO MEETS GOD -
the ground. The jagged cracks of clefts are called rilles and are found by the thousands on the Moon.	35544 THE LATELY TORTURED EARTH: PART I: ATMOSPHERICS: Chapter 6 Cosmic and Terrestrial Lightning -
pores of the sand and into clefts between the rocks;	38279 THE LATELY TORTURED EARTH: PART II: EXOTERRESTRIAL DROPS: Chapter 10 Metals, Salt and Oil -
the females womb; TAL refers to clefts,	66453 HOMO SCHIZO I: - - Chapter 6: SCHIZOID INSTITUTIONS : PRIMORDIAL LANGUAGE
is another Erythrae in Asia Minor. Clefts in rock if possible combined with water,	113347 KA: - - Chapter 2: THE ELECTRIC ORACLES -
the moon was also marked with clefts and rifts' (W.	140483 THE VELIKOVSKY AFFAIR: PART 7: ADDITIONAL EXAMPLES OF CORRECT PROGNOSIS - - -
CLEMEN....................1 (0.000%)
the Signet Classic Shakespeare edition, ed. Clemen,	131683 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Notes (Shakespeare and Veliovsky)
CLEMENT...................2 (0.000%)
he was the Messiah, and Pope Clement VII granted him protection.	8490 COSMIC HERETICS: PART 1: - Chapter 4: A PROPER RESPECT FOR AUTHORITY -
deluge of fire 4 . Carli cites Clement of Alexandria for the observations that Stenelas,	35830 THE LATELY TORTURED EARTH: PART I: ATMOSPHERICS: Chapter 7 Fire and Ash -
CLEO......................2 (0.000%)
the muses, including history, who is Cleo:	25442 CHAOS AND CREATION: - - CHAPTER 06: THE URANIANS : THE CREATION OF MAN
Recollector" is the mother of history (Cleo).	127343 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 2: THE PALAETIOLOGY OF FEAR AND MEMORY : PART II: MEMORY
CLEOMBROTOS...............1 (0.000%)
may die, but not gods." 415: Cleombrotos,	116016 KA: - - Chapter 10: THE EVIDENCE FROM PLUTARCH -
CLEOPATRA.................84 (0.010%)
Valley, CA Anthes, Rudolf Anthony and Cleopatra anthropism anthropology anthropomorphism anthropophagy anthroposphere anti-semitism anticline Antillia antiparticle Antofagasta mudslide Anura anvil anxiety apastron apathy Aphek,	1540 QUANTAVOLUTION AND CATASTROPHE: PART 5: The Scope of Quantavolution - - -
Substructure of Shakespeare's Anthony and Cleopatra',"	32522 CHAOS AND CREATION: - - - BIBLIOGRAPHY -
Night's Dream and Anthony and Cleopatra,	76066 HOMO SCHIZO II: - - Chapter 7: THE GOOD, THE TRUE, AND THE BEAUTIFUL : SUBLIMATION AS PREFERABLE DISPLACEMENTS
1820), or Shakespeare's Antony and Cleopatra (Wolfe,	107895 THE BURNING OF TROY: PART 3: WORKING OF THE MIND: Chapter 19: THE 'UNCONSCIOUS' AS A LITERARY REVOLT AGAINST SCIENCE : DETAILED EXPOSITION OF THE PROJECT
Substructure of Shakespeare's Antony and Cleopatra,	108470 THE BURNING OF TROY: PART 3: WORKING OF THE MIND: Chapter 19: THE 'UNCONSCIOUS' AS A LITERARY REVOLT AGAINST SCIENCE : SELECTED BIBLIOGRAPHY OF PERTINENT WORKS
Substructure of Shakespeare's 'Anthony and Cleopatra'",	111374 THE BURNING OF TROY: PART 5: COMMUNICATING A SCIENTIFIC MODEL: Chapter 28: SYLLABI FOR QUANTAVOLUTION -
Dream, and the other, Antony and Cleopatra,	129206 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art
I turn now to Antony and Cleopatra,	130315 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art
Hercules and identified with Mars, as Cleopatra is with Venus and Isis.	130317 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art
loud as Mars, 2.2.6. Cleopatra,	130321 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art
left him, 4.3.15-16. Cleopatra is both Isis and Venus.	130341 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art
event are recalled for us in Cleopatra's exclamation Melt Egypt into Nile,	130365 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art
is always called in Antony and Cleopatra - was to become Augustus,	130389 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art
we can see that Antony and Cleopatra are presented as heavenly bodies,	130410 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art
the general action in Antony and Cleopatra is clearly catastrophic,	130418 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art
s proximity or distance directly affects Cleopatra's brilliance,	130423 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art
ground covered by floods, and of Cleopatra's passions,	130433 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art
When Antony protests his love to Cleopatra,	130451 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art
her influence, 1.3.70-71. Cleopatra is the serpent of old Nile,	130452 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art
errancy, his flight from orbit, to Cleopatra's astrophysical influence,	130498 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art
hell 3.13.145-147. and Cleopatra's apparent treason appears to obscure the Moon and foretell Mars' destruction.	130513 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art
s fortunes seem to improve, and Cleopatra becomes his Sun -O thou day o' th' world,	130526 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art
soundly defeated, and it appears that Cleopatra has truly betrayed him this time.	130546 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art
is with the failing Antony, who Cleopatra says is more mad Than Telamon for his shield;	130551 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art
noticeably. When Anton is told of Cleopatra's alleged death,	130577 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art
relevant imagery becomes violently catastrophic. When Cleopatra,	130597 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art
would have to decline, or set. Cleopatra remembers Antony as a figure of cosmic climension and stability,	130659 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art
ruler of the skies, or, as Cleopatra calls him,	130683 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art
There remains, then, the death of Cleopatra.	130684 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art
includes, at the very instant of Cleopatra's passing,	130716 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art
merely celestial associations surrounding Antony and Cleopatra in this way,	130744 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art
product of opposed images. Egypt - and Cleopatra - are constantly associated with water 45 .	130828 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art
and therefore Octavius is the Sun, Cleopatra the Comet,	130854 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art
Antony abandons his duty to pursue Cleopatra,	130861 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art
s need to break out of Cleopatra's sphere of influence 51 .	130868 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art
He then centered his world on Cleopatra and so lost his former role.	130871 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art
so lost its previous role. With Cleopatra,	130874 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art
radically different, for the images surrounding Cleopatra's death are conversely of steadiness and constancy 52 .	130876 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art
was ruined because he became inconstant. Cleopatra was inconstant,	130878 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art
to Velikovsky's Venus and Mars. Cleopatra's stature increases as she dies,	130882 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art
death halts chance and change for Cleopatra.	130913 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art
says the attraction between Antony and Cleopatra produces ......	130931 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art
the play. To them, Antony and Cleopatra,	130938 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art
s political defeat and his and Cleopatra's individual tragedy are both set within the context of a larger process,	130944 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art
be a play like Antony and Cleopatra,	130957 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art
materials back to their true source. Cleopatra,	130979 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art
is associated with serpents, notes Davidson, Cleopatra's Egypt is hideously fertile,	130998 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art
we have the serpent, a poisonous Cleopatra and the destruction of Eden in one passage.	131011 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art
stability. This also accords well with Cleopatra's role as Eve to Antony's as Adam,	131018 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art
be seen in terms of discord ... Cleopatra likewise is in one sense also-viewed by Shakespeare as a major source of discord within the ancient Roman world 66 .	131037 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art
see that the Renaissance picture of Cleopatra is much like Velikovsky's picture of Venus.	131041 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art
of Venus. Next, we look at Cleopatra's effect upon Antony.	131044 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art
us, that Antony's attraction to Cleopatra debilitated him.	131045 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art
net, which recalls Antony caught in Cleopatra's strong Egyptian fetters,	131058 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art
drawn erratically to the East, to Cleopatra,	131068 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art
to Venus, or Antony's to Cleopatra,	131079 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art
Shakespeare's depiction of Antony and Cleopatra 73 .	131089 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art
depiction of Antony and Cleopatra 73 . Cleopatra is thus pictured as the Fatal Woman who destroys the male,	131091 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art
evil temptress, a celestial prostitute and Cleopatra.	131103 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art
status in the Roman Empire, for Cleopatra-Venus is a captive ruler,	131106 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art
ruler, but he is subdued by Cleopatra,	131107 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art
men" (III. vii. 69-70) 76 . Cleopatra is described as ...	131113 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art
masters Venus." 80 Yet, despite Venus-Cleopatra's role as a disrupter of order,	131136 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art
of the martial Antony and wanton Cleopatra will lead historically to the end of the conflict between the triumvirs and to the harmony of "universal peace" into which will be born the Prince of Peace 81 .	131144 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art
of future peace as Antony and Cleopatra are close to their destruction.	131151 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art
essay, Davidson observes To be sure, Cleopatra,	131199 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art
of the lives of Antony and Cleopatra 85 .	131216 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art
Cleopatra 85 . Italics the writer's Cleopatra is transformed,	131220 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art
now afford to do it, because Cleopatra is no longer a wandering comet,	131231 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art
of man, for . . . the immortality which Cleopatra,	131236 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art
common Venus, who stood behind the Cleopatra whose mind always had been focused on the delight associated with generation,	131242 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art
upon transforming the destructive passion which Cleopatra represents into its seeming opposite 89 .	131250 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art
At the death of "Herculean Antony," Cleopatra laments that the gods have "stol'n our jewel" (IV.	131256 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art
star in the heavens toward which Cleopatra may now steer her course 90 .	131257 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art
bride trimmed for her husband." Thus Cleopatra,	131272 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art
beginning of the play, Antony and Cleopatra had wanted to create their own private new heaven and new earth,	131278 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art
from menace to safety. Antony and Cleopatra have been made to exchange dangerous mortality for safe immortality,	131291 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art
the planets for which Antony and Cleopatra stand are being punished through their human representatives,	131297 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art
and the worst to Antony and Cleopatra,	131305 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art
and line numbers from Antony and Cleopatra refer to the Signet Classic edition,	131742 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Notes (Shakespeare and Veliovsky)
New York, 1964). 26. Antony and Cleopatra,	131745 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Notes (Shakespeare and Veliovsky)
33. Lee, Robin, Shakespeare: Antony and Cleopatra.	131761 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Notes (Shakespeare and Veliovsky)
Ibid, Page 56. 56. Antony and Cleopatra,	131808 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Notes (Shakespeare and Veliovsky)
xxxv. 57. Davidson, Clifford, 'Antony and Cleopatra':	131810 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Notes (Shakespeare and Veliovsky)