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CHOPPING..................2 (0.000%)
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| Because of the metabolic peculiarities, individual chopping rates are roughly inverse to their size. | 44911 THE LATELY TORTURED EARTH: PART V: RIFTS, RAFTS AND BASINS: Chapter 23 Canyons and Channels - |
| places we read of the gods chopping and piercing holes in the celestial ceiling, | 52520 SOLARIA-BINARIA: PART 1: ORIGIN AND DEVELOPMENT OF THE BINARY SYSTEM: Chapter 5: THE SAC AND ITS PLENUM : Notes on Chapter 5 |
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CHORAL....................3 (0.000%)
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| hit the target briefly and sharply: Choral lyric poetry naturally remained closer to its religious origins. | 78019 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 1: SACRED SCANDAL AND DISASTER Chapter 5: HOLY DREAMTIME : THE PIOUS DRAMATIST |
| C. in the city of Corinth. Choral odes in tragedy retained the Doric dialect of Dorian Corinth. | 115388 KA: - - Chapter 8: SKY AND STAGE - |
| dithyramb, another to panegyrics, one to choral odes, | 115624 KA: - - Chapter 8: SKY AND STAGE : POETIC INSPIRATION |
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CHORD.....................6 (0.001%)
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| moment his book struck a popular chord, | 10347 COSMIC HERETICS: PART 2: - Chapter 7: FROM VENUS WITH LOVE - |
| next good, and thereafter. The last chord is not yours to sound. | 19533 COSMIC HERETICS: PART 5: - Chapter 16: PRECURSORS OF QUANTAVOLUTION - |
| play the same musical trill or chord a thousand times and, | 66601 HOMO SCHIZO I: - - Chapter 6: SCHIZOID INSTITUTIONS : PSYCHOLOGY OF ORGANIZATION |
| that connects to the long spinal chord. | 71608 HOMO SCHIZO II: - - Chapter 3: BRAINWORK - |
| who insists upon playing the same chord a thousand times in succession. | 73124 HOMO SCHIZO II: - - Chapter 4: DISPLACEMENT AND OBSESSION : OBSESSIONS, COMPULSIONS, HABITS |
| literary art to "some very deep chord" in human nature that mythological criticism deals. | 131472 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art |
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CHORDE....................1 (0.000%)
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| have been named after him. Neate chorde is the lowest string (highest in pitch). | 114961 KA: - - Chapter 6: SKY LINKS : LEVIATHAN. |
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CHORDS....................7 (0.001%)
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| Love Affair begins. Striking his masterly chords in the prelude to singing his sweet song, | 76984 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 1: SACRED SCANDAL AND DISASTER Chapter 2: THE SONG OF LOVE : THE SONG LITERALLY RENDERED IN ENGLISH VERSE |
| and panic. The rhythms and the chords keep our feeling under control, | 77297 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 1: SACRED SCANDAL AND DISASTER Chapter 3: THE LOVE AFFAIR AS THE MASK OF TRAGEDY : AN ANCIENT PRIEST EXPLAINS |
| When the singer, Demodocus , "struck the chords in prelude," | 77731 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 1: SACRED SCANDAL AND DISASTER Chapter 5: HOLY DREAMTIME - |
| for it was chanted to the chords of a lyre, | 77781 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 1: SACRED SCANDAL AND DISASTER Chapter 5: HOLY DREAMTIME : THE SCANDALOUS LITTLE PIECE |
| harp. "The harp, that had seven chords, | 84107 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 3: THERAPY FOR GROUP FEAR Chapter 15: THE BIRTH AND DEATH OF MEMORY : AMNESIAC PHILOSOPHERS |
| works touch a number of universal chords, | 131518 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art |
| with any satisfactory precision what those chords might be. | 131520 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art |
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CHORE.....................2 (0.000%)
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| It'll save you doing the chore. | 6272 COSMIC HERETICS: - - - FOREWORD: : IN SEARCH OF TIMES PAST |
| hobby would have to become a chore. | 17377 COSMIC HERETICS: PART 4: - Chapter 14: THE FOIBLES OF HERETICS - |
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CHOREOGRAPHER.............2 (0.000%)
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| that he was a fully experienced choreographer and dramatist, | 78008 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 1: SACRED SCANDAL AND DISASTER Chapter 5: HOLY DREAMTIME : THE PIOUS DRAMATIST |
| the dead. The chief actor and choreographer was Larth Matves. | 123901 - A FIRE NOT BLOWN: - - Chapter 16: THE DANCE - |
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CHOREOGRAPHIC.............1 (0.000%)
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| animal, a god, or a hero.) Choreographic rhythms have their model outside of the profane life of man; | 77906 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 1: SACRED SCANDAL AND DISASTER Chapter 5: HOLY DREAMTIME : BURLESQUE OR RELIGION? |
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CHOREOGRAPHY..............1 (0.000%)
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| s rhymes chiliasm chimpanzee China Chinese choreography Chinook wind Chipewa indians Chiron chlorophyl Christian, | 2182 QUANTAVOLUTION AND CATASTROPHE: PART 5: The Scope of Quantavolution - - - |
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CHORES....................2 (0.000%)
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| and afterwards to return to everyday chores, | 69238 HOMO SCHIZO II: - - Chapter 1: THE NORMALLY INSANE - |
| as well and carrying on the chores of living), | 104909 THE BURNING OF TROY: PART 1: HISTORICAL DISTURBANCES: Chapter 8: THE OBLITERATION OF HUMAN SIGNS - |
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CHOREUO...................1 (0.000%)
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| words for dancing, skairo, skirtao, orcheomai, choreuo, | 119866 KA: - - Chapter 22: LIVING WITH ELECTRICITY : DANCE |
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CHORON....................2 (0.000%)
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| the holy floor with their feet (choron theion, | 115677 KA: - - Chapter 8: SKY AND STAGE : PASSAGES THAT SHED LIGHT ON GREEK TRAGEDY |
| The dancers strike the holy floor choron theion with their feet. | 124025 - A FIRE NOT BLOWN: - - Chapter 16: THE DANCE - |
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CHOROS....................7 (0.001%)
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| their feet (marmarygas). According to Hesychius, choros is the same as kuklos and stephanos, | 115680 KA: - - Chapter 8: SKY AND STAGE : PASSAGES THAT SHED LIGHT ON GREEK TRAGEDY |
| the floor where it is performed. Choros kuklikos dithyramb. | 115683 KA: - - Chapter 8: SKY AND STAGE : PASSAGES THAT SHED LIGHT ON GREEK TRAGEDY |
| The word for a dancing floor, choros, | 122351 - A FIRE NOT BLOWN: - - Chapter 07: THE LABYRINTH AND AXE - |
| then becomes confrontational like a tragic choros, | 124023 - A FIRE NOT BLOWN: - - Chapter 16: THE DANCE - |
| of their feet. According to Hesychius, choros is the same as kuklos and stephanos, | 124026 - A FIRE NOT BLOWN: - - Chapter 16: THE DANCE - |
| kuklos and stephanos, circle and crown. Choros is especially the round dance of the dithyramb, | 124027 - A FIRE NOT BLOWN: - - Chapter 16: THE DANCE - |
| the floor where it is performed. Choros kuklikos is a dithyramb. | 124028 - A FIRE NOT BLOWN: - - Chapter 16: THE DANCE - |
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CHORTLING.................1 (0.000%)
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| heretics in 1983, and amid some chortling, | 17619 COSMIC HERETICS: PART 4: - Chapter 14: THE FOIBLES OF HERETICS - |
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CHORUS....................42 (0.005%)
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| time he would prepare a Verdi chorus for brass instruments. | 19424 COSMIC HERETICS: PART 5: - Chapter 16: PRECURSORS OF QUANTAVOLUTION - |
| s ancient tragic drama, Thyestes, the chorus chants of the shocking fiery passage of Phaeton in his solar chariot, | 63795 HOMO SCHIZO I: - - Chapter 3: MECHANICS OF HUMANIZATION : SOCIAL IMPRINTING |
| a corps de ballet or a chorus that will interpret the narrative of the singer (but we do not mean exclusively) through the medium of movements and dance figures. | 77938 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 1: SACRED SCANDAL AND DISASTER Chapter 5: HOLY DREAMTIME : THE PIOUS DRAMATIST |
| harsh pains upon him." 19 The chorus of this Mycenaean drama moved directly into the classical Greek chorus, | 77999 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 1: SACRED SCANDAL AND DISASTER Chapter 5: HOLY DREAMTIME : THE PIOUS DRAMATIST |
| moved directly into the classical Greek chorus, | 77999 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 1: SACRED SCANDAL AND DISASTER Chapter 5: HOLY DREAMTIME : THE PIOUS DRAMATIST |
| out that the dancing circle and chorus carried from Minoan to the classical Greek theater. | 79152 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 2: GODS, PLANETS, MADNESS Chapter 7: CRAZY HEROES OF DARK TIMES : THE CART BEFORE THE HORSE |
| Orestes. In Sophocle's Antigone, the chorus chants of Gaia, " | 82121 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 2: GODS, PLANETS, MADNESS Chapter 12: THE LAUGHING GODS : POSEIDON |
| ask the god's advice. The chorus say: " | 113366 KA: - - Chapter 2: THE ELECTRIC ORACLES - |
| to you. The Bacchae, 596. The chorus exclaim: " | 113680 KA: - - Chapter 3: DIONYSUS - |
| Line 626: The stranger tells the chorus how he escaped from prison in Pentheus's palace. | 113683 KA: - - Chapter 3: DIONYSUS - |
| announcing the fate of Pentheus, the chorus make a few comments, | 113726 KA: - - Chapter 3: DIONYSUS - |
| a fragment from The Cretans: The chorus address King Minos: " | 113776 KA: - - Chapter 3: DIONYSUS - |
| the Blest. Euripides, Hyppolytus 732: The chorus wish that they were under the lofty cliffs, | 114050 KA: - - Chapter 4: AMBER, ARK, AND EL - |
| and elegant shoes. Last came a chorus of girls with branches. | 114261 KA: - - Chapter 5: DEITIES OF DELPHI - |
| mounted it and spoke to the chorus. | 115232 KA: - - Chapter 7: SACRIFICE : THE SACRIFICE OF GOATS. |
| was a circular movement of the chorus, | 115381 KA: - - Chapter 8: SKY AND STAGE - |
| of Aeschylus, addressed to a female chorus: " | 115382 KA: - - Chapter 8: SKY AND STAGE - |
| There was one actor, and the chorus. | 115390 KA: - - Chapter 8: SKY AND STAGE - |
| were covered with olive oil. The chorus jumped on them and slithered off. | 115393 KA: - - Chapter 8: SKY AND STAGE - |
| began with the entrance of the chorus, | 115396 KA: - - Chapter 8: SKY AND STAGE - |
| the opening song, parodos, of the chorus, | 115400 KA: - - Chapter 8: SKY AND STAGE - |
| stage. 'Episode' is an entrance. The chorus, | 115401 KA: - - Chapter 8: SKY AND STAGE - |
| tragedy were scenes involving actors and chorus. | 115426 KA: - - Chapter 8: SKY AND STAGE - |
| actors and chorus. Between episodes the chorus would sing a stasimon, | 115427 KA: - - Chapter 8: SKY AND STAGE - |
| including Greece. The members of the chorus were in rectangular formation, | 115494 KA: - - Chapter 8: SKY AND STAGE - |
| down to Tartarus. The representation by chorus and actors was not only a matter of remembering great events, | 115500 KA: - - Chapter 8: SKY AND STAGE - |
| shares with tragedy certain features. The chorus, | 115518 KA: - - Chapter 8: SKY AND STAGE - |
| After the parabasis (entrance of the chorus) there was a contest between two leading characters, | 115524 KA: - - Chapter 8: SKY AND STAGE - |
| an agon. The function of the chorus in comedy was to spur on the contestants, | 115527 KA: - - Chapter 8: SKY AND STAGE - |
| were demonstrated and perceived by the chorus as the force behind fertility rites associated especially with Dionysus, | 115534 KA: - - Chapter 8: SKY AND STAGE - |
| us start with lines from a chorus in the Medea of Euripides, | 116219 KA: - - Chapter 11: THE PRESOCRATIC PHILOSOPHERS - |
| confrontational style like the later tragic chorus, | 118061 KA: - - Chapter 17: BYWAYS OF ELECTRICITY - |
| Act IV of his Thyestes, the chorus after the Messenger's speech express their fear that Chaos will come again, | 118140 KA: - - Chapter 17: BYWAYS OF ELECTRICITY : SOME PASSAGES OF INTEREST IN THE ILIAD |
| a Greek theatre, from which the chorus was directed. | 119055 KA: - - Chapter 20: SANCTIFICATION AND RESURRECTION - |
| Phaedriades, the Shining Cliffs). When the chorus of elders approaches, | 119407 KA: - - Chapter 21: THE DEATH OF KINGS - |
| the end of the wood, the chorus are horrified at the sight, | 119410 KA: - - Chapter 21: THE DEATH OF KINGS - |
| is, to the horror of the chorus. | 119412 KA: - - Chapter 21: THE DEATH OF KINGS - |
| warfare between Eteocles and Polynices. The chorus sympathise with Oedipus, | 119415 KA: - - Chapter 21: THE DEATH OF KINGS - |
| of Oedipus. The comments of the chorus are interrupted by a clap of thunder, | 119440 KA: - - Chapter 21: THE DEATH OF KINGS - |
| a messenger to fetch Theseus. The chorus are terrified by more thunder and lightning; | 119441 KA: - - Chapter 21: THE DEATH OF KINGS - |
| the principals leave the stage, the chorus sing an ode to the infernal goddesses, | 119498 KA: - - Chapter 21: THE DEATH OF KINGS - |
| Agave, the mother of Pentheus. The chorus declare that a bull leads to disaster. | 122107 - A FIRE NOT BLOWN: - - Chapter 05: DIONYSUS - |