| |
|
ATYPICAL..................5 (0.001%)
|
| have bilateral representation of speech, this atypical organization would spare them from the more severe and prolonged effects of a unilateral lesion that would be seen in the RH person whose speech mechanisms are more laterally differentiated. | 61028 HOMO SCHIZO I: - - Chapter 1: SLIPPERY LADDERS OF EVOLUTION : NATURAL SELECTION |
| the class of abnormally ill and atypical?" | 69839 HOMO SCHIZO II: - - Chapter 1: THE NORMALLY INSANE : CATEGORIES OF MADNESS |
| indirect connections can produce typical and atypical behavior. | 72406 HOMO SCHIZO II: - - Chapter 3: BRAINWORK : ORDER AND DISUNITY |
| of well- trodden neural pathways, including atypical ones, | 72407 HOMO SCHIZO II: - - Chapter 3: BRAINWORK : ORDER AND DISUNITY |
| not more. Yet it is not atypical of the associative activities of science. | 140126 THE VELIKOVSKY AFFAIR: PART 6: THE SCIENTIFIC RECEPTION SYSTEM - - - |
| |
|
ATYPICALITY...............2 (0.000%)
|
| extraordinary incidents are chosen for their atypicality, | 68246 HOMO SCHIZO I: - - Chapter 7: PSYCHOPATHOLOGY OF HISTORY : NAZIS, STALINISTS, AND DEMOCRATS |
| and neurotics often hate abnormality or atypicality in others, | 69568 HOMO SCHIZO II: - - Chapter 1: THE NORMALLY INSANE : S SAMPLING FOR THE NORMAL |
| |
|
AU........................11 (0.001%)
|
| crowds? And then what of Yahweh? Au revoir, | 8336 COSMIC HERETICS: PART 1: - Chapter 4: A PROPER RESPECT FOR AUTHORITY - |
| Marcel (1916), "La Prehistoire des Etoiles au Paleolothique. | 31174 CHAOS AND CREATION: - - - BIBLIOGRAPHY - |
| et le Culte Stello-Solaire Typique au Solutren," | 31175 CHAOS AND CREATION: - - - BIBLIOGRAPHY - |
| He had a son-dragon, "K'au-fu" who wished to keep pace with the Sun. | 48504 THE LATELY TORTURED EARTH: PART VI: BIOSPHERICS: Chapter 29 Spectres - |
| keep pace with the Sun. K'au-fu tried to quench his thirst en route by drinking up the rivers of China but succumbed finally of thirst. | 48504 THE LATELY TORTURED EARTH: PART VI: BIOSPHERICS: Chapter 29 Spectres - |
| with the solar wind at 1 AU. | 51359 SOLARIA-BINARIA: PART 1: ORIGIN AND DEVELOPMENT OF THE BINARY SYSTEM: Chapter 2: THE SOLAR SYSTEM AS ELECTRICAL - |
| solar wind flow, a sphere 100 AU in radius could be filled with plasma to 5 protons per cubic centimeter in about 10 000 years. | 51485 SOLARIA-BINARIA: PART 1: ORIGIN AND DEVELOPMENT OF THE BINARY SYSTEM: Chapter 2: THE SOLAR SYSTEM AS ELECTRICAL : Notes on Chapter 2: |
| this time, about 6300 times 100 AU. | 51488 SOLARIA-BINARIA: PART 1: ORIGIN AND DEVELOPMENT OF THE BINARY SYSTEM: Chapter 2: THE SOLAR SYSTEM AS ELECTRICAL : Notes on Chapter 2: |
| of 60 arc-seconds. astronomical unit (AU) is the present value of the Earth-Sun distance. | 58582 SOLARIA-BINARIA: - - - GLOSSARY - |
| la rotation de la Terre survenu au mois de juillet 1959," | 59362 SOLARIA-BINARIA: - - - BIBILIOGRAPHY - |
| tout du long; Est chu tout au travers de notre tourbillon, | 136441 THE VELIKOVSKY AFFAIR: PART 3: THE INCONSTANT HEAVENS - - - |
| |
|
AUCHINCLOSS...............1 (0.000%)
|
| A. Jr., see Barnwell Brown, H. Auchincloss (1967), | 59247 SOLARIA-BINARIA: - - - BIBILIOGRAPHY - |
| |
|
AUCTIFICARE...............1 (0.000%)
|
| magmentum, that which magnifies or glorifies. Auctificare is to honour by offerings, | 119207 KA: - - Chapter 20: SANCTIFICATION AND RESURRECTION : SANCTIFICATION |
| |
|
AUCTION...................1 (0.000%)
|
| mostly in Latin: Augeo, make bigger (auction), | 119206 KA: - - Chapter 20: SANCTIFICATION AND RESURRECTION : SANCTIFICATION |
| |
|
AUCTITARE.................1 (0.000%)
|
| offerings, like mactare. 'Sacris numinum potentiam auctitare', | 119208 KA: - - Chapter 20: SANCTIFICATION AND RESURRECTION : SANCTIFICATION |
| |
|
AUCTOR....................1 (0.000%)
|
| of the divine presence with ceremonies. Auctor is he who brings about the existence of something, | 119210 KA: - - Chapter 20: SANCTIFICATION AND RESURRECTION : SANCTIFICATION |
| |
|
AUCTORES..................3 (0.000%)
|
| says that the patres, elders, were 'auctores', | 117090 KA: - - Chapter 13: 'KA', AND EGYPTIAN MAGIC : STATUES AND MUMMIES |
| Livy I: 22). They were the auctores, | 120222 KA: - - Chapter 22: LIVING WITH ELECTRICITY : POLITICS |
| as she raved, and senators were auctores, | 123521 - A FIRE NOT BLOWN: - - Chapter 13: FIRE - |
| |
|
AUDACIOUS.................2 (0.000%)
|
| new god to the world was audacious and brilliant. | 93760 GODS FIRE: - - Chapter 8: THE ELECTRIC GOD : THE NAME OF YAHWEH |
| the rattling tongue Of saucy and audacious eloquence. | 130197 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art |
| |
|
AUDACITY..................2 (0.000%)
|
| 1966), Dr. Cook has had the audacity and temerity to take on the entire historical, | 13284 COSMIC HERETICS: PART 3: - Chapter 10: ABC'S OF ASTROPHYSICS - |
| was not clearly aware of my audacity in neglecting to do so .... | 128086 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 3: PSYCHOLOGICAL ASPECTS OF THE WORK OF IMMANUEL VELIKOVSKY - |
| |
|
AUDAN.....................1 (0.000%)
|
| of the twang of a bowstring. Audan, | 113386 KA: - - Chapter 2: THE ELECTRIC ORACLES - |
| |
|
AUDE......................2 (0.000%)
|
| from al, high or great, and aude, | 113950 KA: - - Chapter 4: AMBER, ARK, AND EL - |
| lark alauda. If its voice, Greek aude, | 114548 KA: - - Chapter 5: DEITIES OF DELPHI - |
| |
|
AUDIBILITY................1 (0.000%)
|
| thousands of square kilometers of high audibility of the Krakatoa volcanic explosion; | 49290 THE LATELY TORTURED EARTH: PART VII: DIMENSIONS OF QUANTAVOLUTION: Chapter 30 Intensity, Scope and Suddenness - |
| |
|
AUDIBLE...................6 (0.001%)
|
| harmlessly well above the surface; only audible shock - waves reach the surface (trajectory 2). | 54559 SOLARIA-BINARIA: PART 2: DESTRUCTION OF THE SOLAR BINARY: Chapter 11: ASTROBLEMES OF THE EARTH - |
| is an electromagnetic wave in the audible frequency range (300 to 30 000 hertz). | 59019 SOLARIA-BINARIA: - - - GLOSSARY - |
| lines (see Hines). Whistlers are today audible only using an amplifier but in the environment of Solaria Binaria they should have been directly audible. | 59022 SOLARIA-BINARIA: - - - GLOSSARY - |
| Binaria they should have been directly audible. | 59023 SOLARIA-BINARIA: - - - GLOSSARY - |
| voice was thought to be made audible." | 88146 GODS FIRE: - - Chapter 4: THE ARK IN ACTION - |
| s antecedently improbable predictions with an audible and astonishing "yes"... | 136170 THE VELIKOVSKY AFFAIR: PART 2: AFTERMATH TO EXPOSURE - - - |
| |
|
AUDIBLY...................1 (0.000%)
|
| can drink the blood and speak audibly (Odyssey XI: | 116214 KA: - - Chapter 11: THE PRESOCRATIC PHILOSOPHERS - |
| |
|
AUDIENCE..................86 (0.011%)
|
| them played directly to a large audience of bemused Jews and "Old Testament" Christians, | 6566 COSMIC HERETICS: PART 1: - Chapter 2: THE PRODIGAL ARCHIVE - |
| finest, and has a disproportionate scientific audience.) " | 7159 COSMIC HERETICS: PART 1: - Chapter 3: CHEERS AND HISSES - |
| and introduce Dr. Leary to the audience. | 7556 COSMIC HERETICS: PART 1: - Chapter 3: CHEERS AND HISSES - |
| general terms and seek a wider audience. | 7890 COSMIC HERETICS: PART 1: - Chapter 3: CHEERS AND HISSES - |
| he succeeded in finding a great audience, | 8633 COSMIC HERETICS: PART 1: - Chapter 4: A PROPER RESPECT FOR AUTHORITY - |
| religious beliefs by members of an audience, | 10008 COSMIC HERETICS: PART 2: - Chapter 6: HOLOCAUST AND AMNESIA - |
| what Darwin's work deserved -- an audience, | 10453 COSMIC HERETICS: PART 2: - Chapter 8: HOMO SCHIZO MEETS GOD - |
| his case and because his large audience could not be embraced if jargon intervened between the writer and reader. | 11290 COSMIC HERETICS: PART 3: - Chapter 9: NEW FASHIONS IN CATASTROPHISM - |
| and professors, they lack an enthusiastic audience. | 11864 COSMIC HERETICS: PART 3: - Chapter 9: NEW FASHIONS IN CATASTROPHISM - |
| for 100 and expenses before an audience of civil service officials in Washington. | 14275 COSMIC HERETICS: PART 4: - Chapter 12: THE THIRD WORLD OF SCIENCE - |
| more aware of his role and audience, | 14895 COSMIC HERETICS: PART 4: - Chapter 12: THE THIRD WORLD OF SCIENCE - |
| Carson Show," a vigorous discussion, involving audience as well as the remaining panelists, | 16486 COSMIC HERETICS: PART 4: - Chapter 13: THE EMPIRE STRIKES BACK - |
| of Science at San Francisco. The audience, | 16702 COSMIC HERETICS: PART 4: - Chapter 13: THE EMPIRE STRIKES BACK - |
| and others. A member of the audience at the Notre-Dame panel made the most fitting remarks: | 16984 COSMIC HERETICS: PART 4: - Chapter 14: THE FOIBLES OF HERETICS - |
| for three years among a key audience for works on quantavolution, | 17351 COSMIC HERETICS: PART 4: - Chapter 14: THE FOIBLES OF HERETICS - |
| meetings which would break the lecture audience into small sections of 25 persons. | 17787 COSMIC HERETICS: PART 5: - Chapter 15: THE KNOWLEDGE INDUSTRY - |
| very well produce a large enthusiastic audience of paying customers, | 17840 COSMIC HERETICS: PART 5: - Chapter 15: THE KNOWLEDGE INDUSTRY - |
| themselves and reach their own special audience; | 18888 COSMIC HERETICS: PART 5: - Chapter 15: THE KNOWLEDGE INDUSTRY - |
| or regional meeting. Almost always the audience was below 100, | 20686 COSMIC HERETICS: PART 5: - Chapter 17: THE ADVANCEMENT OF SCIENCE - |
| favored creature, and as their responsive audience, | 22619 CHAOS AND CREATION: - - CHAPTER 02: HIGH ENERGY FROM SPACE : REVOLUTIONARY INTEGRATION OF THE COSMOS |
| Harvard College Observatory commented to the audience, " | 30845 CHAOS AND CREATION: - - CHAPTER 12: VICTORY OF THE SUN : FOREBODINGS |
| The legendary voices are worth an audience. | 42065 THE LATELY TORTURED EARTH: PART IV: CRUSTAL TURBULENCE: Chapter 18 Sinking and Rising Lands - |
| are being celebrated and honored; the audience is being controlled as it celebrates and honors the gods. | 48232 THE LATELY TORTURED EARTH: PART VI: BIOSPHERICS: Chapter 28 Genesis and Extinction - |
| he was also communicating to his audience, | 67184 HOMO SCHIZO I: - - Chapter 6: SCHIZOID INSTITUTIONS : SUBLIMATION |
| cope with his depersonalization; but the audience would say, ' | 67187 HOMO SCHIZO I: - - Chapter 6: SCHIZOID INSTITUTIONS : SUBLIMATION |
| Whether one is talking to an audience or talking to oneself may be a reference that is learned. | 74422 HOMO SCHIZO II: - - Chapter 6: SYMBOLS AND SPEECH : NEUROLOGY OF SPEECH |
| schizophrenese, we realize in ourselves, the audience, | 76063 HOMO SCHIZO II: - - Chapter 7: THE GOOD, THE TRUE, AND THE BEAUTIFUL : SUBLIMATION AS PREFERABLE DISPLACEMENTS |
| The recital plays to a fascinated audience at the palace of Alcinous and to his guest, | 76622 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS - - - INTRODUCTION - |
| was the honored member of its audience. " | 76834 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 1: SACRED SCANDAL AND DISASTER Chapter 1: AN ATHENA PRODUCTION - |
| ENDING The opera is over, its audience charmed and relaxed: | 77075 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 1: SACRED SCANDAL AND DISASTER Chapter 2: THE SONG OF LOVE : HAPPY ENDING |
| The state of mind of the audience of Demodocus can be reconstructed into a more coherent story in which the matching of a new plot with the original real story is nicely achieved. | 77276 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 1: SACRED SCANDAL AND DISASTER Chapter 3: THE LOVE AFFAIR AS THE MASK OF TRAGEDY - |
| the minds and hearts of the audience. | 77438 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 1: SACRED SCANDAL AND DISASTER Chapter 3: THE LOVE AFFAIR AS THE MASK OF TRAGEDY : THE HIDDEN STORY |
| struck the chords in prelude," his audience was already entranced. | 77731 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 1: SACRED SCANDAL AND DISASTER Chapter 5: HOLY DREAMTIME - |
| with human sight 3 . Furthermore, his audience will not be discomfitted at being viewed in their musing mood by a sensibly alert musician. | 77739 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 1: SACRED SCANDAL AND DISASTER Chapter 5: HOLY DREAMTIME - |
| with eyes closed, or blindfolded. The audience is settled around as an organized community, | 77744 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 1: SACRED SCANDAL AND DISASTER Chapter 5: HOLY DREAMTIME - |
| Odysseus, and the rest of the audience, | 77886 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 1: SACRED SCANDAL AND DISASTER Chapter 5: HOLY DREAMTIME : BURLESQUE OR RELIGION? |
| more profound is to occur. The audience has experienced it all before; | 77890 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 1: SACRED SCANDAL AND DISASTER Chapter 5: HOLY DREAMTIME : BURLESQUE OR RELIGION? |
| hear. THE PIOUS DRAMATIST The Phaeacian audience is in illo tempore. | 77924 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 1: SACRED SCANDAL AND DISASTER Chapter 5: HOLY DREAMTIME : THE PIOUS DRAMATIST |
| the music and ballet entertained the audience; | 77986 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 1: SACRED SCANDAL AND DISASTER Chapter 5: HOLY DREAMTIME : THE PIOUS DRAMATIST |
| spellbound" Odysseus, along with the Phaeacian audience, | 78013 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 1: SACRED SCANDAL AND DISASTER Chapter 5: HOLY DREAMTIME : THE PIOUS DRAMATIST |
| An epic singer usually delights his audience by heaping sins and defeats upon the enemy. | 78235 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 2: GODS, PLANETS, MADNESS Chapter 6: THE RAPE OF HELEN : THE INDESTRUCTIBLE LADY HELEN |
| impressed upon the minds of the audience of Demodocus. | 79655 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 2: GODS, PLANETS, MADNESS Chapter 8: THE TWO FACES OF LOVE : ENCYCLOPEDISTS AND THE MOON GODDESS |
| to represent the Moon to the audience of Demodocus is tantamount to refusing much of the theory of this book. | 80138 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 2: GODS, PLANETS, MADNESS Chapter 8: THE TWO FACES OF LOVE : THE ROMAN VENUS |
| and is so understood by the audience. | 80270 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 2: GODS, PLANETS, MADNESS Chapter 8: THE TWO FACES OF LOVE : THE ROMAN VENUS |
| is not to say that the audience is not laughing at the gods. | 82250 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 2: GODS, PLANETS, MADNESS Chapter 12: THE LAUGHING GODS : A DIVINE SENSE OF HUMOR |
| imputation to sacred character. Therefore, the audience may have laughed as the dancers and singer spun out the humor; | 82255 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 2: GODS, PLANETS, MADNESS Chapter 12: THE LAUGHING GODS : A DIVINE SENSE OF HUMOR |
| satisfied when laughter occurs, but an audience will laugh only when a threshold of anxiety has been reached. | 82319 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 2: GODS, PLANETS, MADNESS Chapter 12: THE LAUGHING GODS : A DIVINE SENSE OF HUMOR |
| between gods, skies, Earth, and the audience of Demodocus. | 82398 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 2: GODS, PLANETS, MADNESS Chapter 13: HOW THE GODS FLY - |
| poet must be certain that his audience understands clearly and precisely the meanings of words as he uses them 5 . | 83036 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 3: THERAPY FOR GROUP FEAR Chapter 14: THE USES OF LANGUAGE : METER AND METAPHOR |
| singers of the song and their audience would there exist openly sensible connections between the event and the signs, | 83323 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 3: THERAPY FOR GROUP FEAR Chapter 14: THE USES OF LANGUAGE : TRADUTTORE TRADITTORE |
| science of influencing. Given a particular audience, | 83431 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 3: THERAPY FOR GROUP FEAR Chapter 14: THE USES OF LANGUAGE : THE RULES OF MYTHICAL LANGUAGE |
| creates a collective Holy Dreamtime. The audience is prepared to dream, | 84211 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 3: THERAPY FOR GROUP FEAR Chapter 16: THE TRANSFIGURATION OF TRAUMA : DREAMWORK |
| crowding at the periphery of the audience, | 84295 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 3: THERAPY FOR GROUP FEAR Chapter 16: THE TRANSFIGURATION OF TRAUMA : DREAMWORK |
| would communicate so readily with the audience of ancient Greeks. | 84370 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 3: THERAPY FOR GROUP FEAR Chapter 16: THE TRANSFIGURATION OF TRAUMA : SEXUALITY AND DISASTER |
| of Demodocus must have taught the audience something about sex, | 84402 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 3: THERAPY FOR GROUP FEAR Chapter 16: THE TRANSFIGURATION OF TRAUMA : SEXUALITY AND DISASTER |
| myth is employed, and its typical audience is also understandable. | 84531 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 3: THERAPY FOR GROUP FEAR Chapter 16: THE TRANSFIGURATION OF TRAUMA : THE KERNELS OF HISTORY |
| peaceful and generous mood pervades the audience. | 84919 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 3: THERAPY FOR GROUP FEAR Chapter 17: SETTLED SKY AND UNSETTLED MIND : FROM SAVAGERY TO SUBLIMITY |
| the effects upon the participants and audience that should ideally occur. | 84929 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 3: THERAPY FOR GROUP FEAR Chapter 17: SETTLED SKY AND UNSETTLED MIND : FROM SAVAGERY TO SUBLIMITY |
| non-historic functions while reminding its audience of a significant historical happening. | 97682 THE DEVINE SUCCESSION PART 1: THEOMACHY Chapter 5: LEGENDS AND SCRIPTURE - |
| creation science" have developed their own audience and market. | 100292 THE DEVINE SUCCESSION PART 2: THEOTROPY: Chapter 11: RELIGIOUS ELEMENTS IN SCIENCE - |
| continuously true of popular writing whose audience lived always in catastrophic as well as uniformitarian belief systems. | 107906 THE BURNING OF TROY: PART 3: WORKING OF THE MIND: Chapter 19: THE 'UNCONSCIOUS' AS A LITERARY REVOLT AGAINST SCIENCE : DETAILED EXPOSITION OF THE PROJECT |
| and of the people in the audience as well. | 110952 THE BURNING OF TROY: PART 5: COMMUNICATING A SCIENTIFIC MODEL: Chapter 27: A COSMIC DEBATE : SUMMARY |
| more than startle the contemporary film audience if portrayed. | 111969 THE BURNING OF TROY: PART 5: COMMUNICATING A SCIENTIFIC MODEL: Chapter 30: PAST, PRESENT, AND FUTURE : ANXIETY AND CATASTROPHISM |
| relationship of poet to performer and audience to a chain held by magnetic force. | 124638 - A FIRE NOT BLOWN: - - Chapter 20: QUAIRO: RAISING THE KA - |
| author nor the reader nor the audience can admit that there is an anxiety in need of comfort but that it seems, | 126122 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : - FOREWORD - |
| Third, because I am addressing an audience fairly specialized in the sciences, | 129197 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art |
| they are ... calculated to make the audience respond with wonder to the effortless reach of the imagination which brings the stars madly shooting from their spheres 10 . | 129723 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art |
| No literacy was required for an audience to understand that the "rite of May" was both an individual and a communal means of celebrating the arrival of spring and reestablishing the human affinity with the natural cycles 15 . | 129771 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art |
| a good part of Shakespeare's audience could have been counted on to do. | 130047 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art |
| approaches the yokels' playlet. That is Audience : | 130139 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art |
| is being presented before a noble audience, | 130163 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art |
| must be eloquence to the perceptive audience, | 130190 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art |
| to an end, leaving the noble audience weak with laughter, | 130228 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art |
| the yokels' playlet, or we, the audience, | 130288 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art |
| which will be felt by the audience 38 . | 130768 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art |
| sympathy and wonder with which the audience is encouraged to look upon the tragic events at the end of the lives of Antony and Cleopatra 85 . | 131214 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art |
| debate which lasted seven hours. The audience showed by their standing ovation that they took my side, | 132735 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 8: AFTERWORD - |
| Immanuel Velikovsky. A few in this audience know Dr. | 132974 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : APPENDIX I ABOUT THE AUTHORS : IMMANUEL VELIKOVSKY |
| symposium took place before the greatest audience that this convention of the largest American scientific organization produced. | 134041 THE VELIKOVSKY AFFAIR: - SCIENTISM VERSUS SCIENCE - INTRODUCTION TO THE 2ND EDITION - |
| comparison of texts, Appendix 2.) Her audience could conclude only that Velikovsky had been guilty of the most heinous disregard for the rules of scholarship. | 135057 THE VELIKOVSKY AFFAIR: PART 1: MINDS IN CHAOS - - - |
| this form... ' Velikovsky was in the audience at the same meeting, | 135064 THE VELIKOVSKY AFFAIR: PART 1: MINDS IN CHAOS - - - |
| by archaeologists astronomers, and geologists. The audience listened attentively and responded warmly. | 135066 THE VELIKOVSKY AFFAIR: PART 1: MINDS IN CHAOS - - - |
| of the Carnegie Institution startled their audience at a meeting of the American Astronomical Society when they announced their accidental discovery of radio noise emitted by Jupiter. | 135149 THE VELIKOVSKY AFFAIR: PART 1: MINDS IN CHAOS - - - |
| controlled experiences, a publisher ponders its audience, | 138749 THE VELIKOVSKY AFFAIR: PART 6: THE SCIENTIFIC RECEPTION SYSTEM - - - |
| review is necessary to pinpoint the audience of a book, | 138961 THE VELIKOVSKY AFFAIR: PART 6: THE SCIENTIFIC RECEPTION SYSTEM - - - |
| They can reach fully the diversified audience of scientists who are concerned with Velikovsky's work. | 139239 THE VELIKOVSKY AFFAIR: PART 6: THE SCIENTIFIC RECEPTION SYSTEM - - - |