| |
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UNCONNECTED...............5 (0.001%)
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| appear to non-quantavolutionists to be unconnected, | 64762 HOMO SCHIZO I: - - Chapter 4: THE GESTALT OF CREATION : THE DOUBLE CATASTROPHE |
| the Thummim, appear to be not unconnected with the first and last letters of this alphabet... | 91063 GODS FIRE: - - Chapter 6: THE CHARISMA OF MOSES : SCIENTIST AND INVENTOR |
| the mysterious fire of Taberah, so unconnected with a specific misconduct of the people that the most general explanation is required; | 92491 GODS FIRE: - - Chapter 7: THE LEVITES AND THE REVOLTS : BLAME THE PEOPLE |
| invented Yahweh and that Yahweh is unconnected with Elohim in actuality. | 94758 GODS FIRE: - - Chapter 8: THE ELECTRIC GOD : Notes (Chapter 8: The Electrical God) |
| allows connection to be made between unconnected and differing sequences of behaviour for an evolving system which seemingly exhibits markedly different behaviour in the present from that recorded in the past. | 126364 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : - FOREWORD : Notes (Foreword) |
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UNCONQUERABLE.............2 (0.000%)
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| of life. The human had become unconquerable, | 64252 HOMO SCHIZO I: - - Chapter 4: THE GESTALT OF CREATION : FRIGHT, RECALL, AND AGGRESSION |
| answered. Beautiful Helen, eternally unravisheable and unconquerable, | 78220 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 2: GODS, PLANETS, MADNESS Chapter 6: THE RAPE OF HELEN : THE INDESTRUCTIBLE LADY HELEN |
| |
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UNCONSCIONABLE............3 (0.000%)
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| step in the recapitulation of the unconscionable techniques which, | 17324 COSMIC HERETICS: PART 4: - Chapter 14: THE FOIBLES OF HERETICS - |
| set up to treat deferentially the unconscionable matter of junk mail and the industrial wordage of the culture -- and he would sound off sometimes on the gamut of the intellectual pariahs, | 18846 COSMIC HERETICS: PART 5: - Chapter 15: THE KNOWLEDGE INDUSTRY - |
| deposits of lead and copper, an unconscionable dereliction, | 102459 THE BURNING OF TROY: PART 1: HISTORICAL DISTURBANCES: Chapter 2: THE BURNING OF TROY : THE "BURNT CITY" OF TROY |
| |
|
UNCONSCIONABLY............1 (0.000%)
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| of science, it rolled along smashing unconscionably the god's celebrants who crowded in upon it from all sides with fresh ideas and reputations. | 6411 COSMIC HERETICS: PART 1: - Chapter 1: ROYAL INCEST - |
| |
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UNCONSCIOUS...............256 (0.032%)
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| problems to bring about, an amorphous unconscious. | 1035 QUANTAVOLUTION AND CATASTROPHE: PART 3: A Comment on the Q-C Test and Its Individual Items - - - |
| bring about, an amorphous unconscious. The unconscious fostered a random, | 1035 QUANTAVOLUTION AND CATASTROPHE: PART 3: A Comment on the Q-C Test and Its Individual Items - - - |
| place and then the elusive and unconscious ways in which people are disposed to mal-describe and conceal their ideologies. | 1167 QUANTAVOLUTION AND CATASTROPHE: PART 4: PROSPECTIVE CHANGES IN THE Q-C TEST - - - |
| unconformity, cartographical unconformity, classificatory unconformity, geological unconscious undersea exploration unidentified flying objects, | 5803 QUANTAVOLUTION AND CATASTROPHE: PART 5: The Scope of Quantavolution - - - |
| outward expression of human habits, largely unconscious, | 7245 COSMIC HERETICS: PART 1: - Chapter 3: CHEERS AND HISSES - |
| two on the "Ballroom of the Unconscious." | 8113 COSMIC HERETICS: PART 1: - Chapter 3: CHEERS AND HISSES - |
| be the first region of the unconscious to be plumbed. | 8555 COSMIC HERETICS: PART 1: - Chapter 4: A PROPER RESPECT FOR AUTHORITY - |
| and was nothing more than an "unconscious falsification." | 19395 COSMIC HERETICS: PART 5: - Chapter 16: PRECURSORS OF QUANTAVOLUTION - |
| Newton and Darwin are celebrated for unconscious reason, | 20938 COSMIC HERETICS: PART 5: - Chapter 17: THE ADVANCEMENT OF SCIENCE - |
| Pleides star-cluster, particularly, Pleione. With unconscious irony, | 24771 CHAOS AND CREATION: - - CHAPTER 05: SOLARIA BINARIA : COMPLETION OF THE TRANSFORMATION |
| doubt that a therapy for the unconscious compulsion to destroy the world is to be found so easily. " | 50251 THE LATELY TORTURED EARTH: PART VII: DIMENSIONS OF QUANTAVOLUTION: Chapter 31 The Recency of the Surface - |
| we would have to consider an unconscious mechanism at work in the naming of these "discovered" planets. | 56195 SOLARIA-BINARIA: PART 2: DESTRUCTION OF THE SOLAR BINARY: Chapter 14: THE GOLDEN AGE AND NOVA OF SUPER SATURN : Notes on Chapter 14 |
| exposing the sad human experience, howbeit unconscious, | 56402 SOLARIA-BINARIA: PART 2: DESTRUCTION OF THE SOLAR BINARY: Chapter 15: THE JUPITER ORDER - |
| religions and scientific beliefs and by unconscious editing of the evidence. | 57243 SOLARIA-BINARIA: PART 2: DESTRUCTION OF THE SOLAR BINARY: Chapter 17: TIME, ELECTRICITY AND QUANTAVOLUTION - |
| rules of evidence, the raising of unconscious factors to awareness, | 57629 SOLARIA-BINARIA: PART 3: TECHNICAL NOTES: - TECHNICAL NOTE A: ON METHOD - |
| too often by the more instinctive, unconscious, | 62870 HOMO SCHIZO I: - - Chapter 3: MECHANICS OF HUMANIZATION : BRAIN SPECIALIZATION |
| nothing other than the power of unconscious ideas over the body, | 63564 HOMO SCHIZO I: - - Chapter 3: MECHANICS OF HUMANIZATION : PSYCHOSOMATIC GENETICS |
| occur. The ability, conscious and or unconscious, | 63583 HOMO SCHIZO I: - - Chapter 3: MECHANICS OF HUMANIZATION : PSYCHOSOMATIC GENETICS |
| the most intense desire, conscious and unconscious, | 63592 HOMO SCHIZO I: - - Chapter 3: MECHANICS OF HUMANIZATION : PSYCHOSOMATIC GENETICS |
| a flow of instinctive, directed, utilizable unconscious information that characterized the hominid. | 64291 HOMO SCHIZO I: - - Chapter 4: THE GESTALT OF CREATION : FRIGHT, RECALL, AND AGGRESSION |
| self that takes command, not the unconscious nor the beast. | 64381 HOMO SCHIZO I: - - Chapter 4: THE GESTALT OF CREATION : SELF-CONSCIOUSNESS |
| total triumph of the hominid. The unconscious, | 64388 HOMO SCHIZO I: - - Chapter 4: THE GESTALT OF CREATION : SELF-CONSCIOUSNESS |
| much was forgotten for even the unconscious sectors of the mind to bear. | 64422 HOMO SCHIZO I: - - Chapter 4: THE GESTALT OF CREATION : MEMORY AND FORGETTING |
| the original humans -- and even the unconscious among the humans today -- thought in holistic terms. | 66097 HOMO SCHIZO I: - - Chapter 5: CULTURAL REVOLUTION : CULTURAL INTEGRATION |
| Freud in the discovery of the 'unconscious, ' | 66859 HOMO SCHIZO I: - - Chapter 6: SCHIZOID INSTITUTIONS : COVENANT AND CONTRACT |
| ineptitude of women, but rather to unconscious male sexual jealousy of large beasts, | 66920 HOMO SCHIZO I: - - Chapter 6: SCHIZOID INSTITUTIONS : SEXUAL RAMIFICATIONS |
| put all experience into context, through unconscious processing by way of the catastrophized memory or through partially conscious analogizing and philosophizing. | 66927 HOMO SCHIZO I: - - Chapter 6: SCHIZOID INSTITUTIONS : SEXUAL RAMIFICATIONS |
| parlor games are exhilarated by their unconscious replaying of divine roles in catastrophe and so are their spectators. | 67061 HOMO SCHIZO I: - - Chapter 6: SCHIZOID INSTITUTIONS : THE COMPULSION TO REPEAT CHAOS AND CREATION |
| behavior is commonly understood as an unconscious substitute in socially accepted form for impulsive behavior that would be condemned. | 67132 HOMO SCHIZO I: - - Chapter 6: SCHIZOID INSTITUTIONS : SUBLIMATION |
| be condemned. The substitution appeases the unconscious while it performs its overt function. | 67134 HOMO SCHIZO I: - - Chapter 6: SCHIZOID INSTITUTIONS : SUBLIMATION |
| mind, where much that governs the unconscious today has been with the human species from its beginnings. | 67985 HOMO SCHIZO I: - - Chapter 7: PSYCHOPATHOLOGY OF HISTORY : HELL |
| the flow of energies from his unconscious self. | 69730 HOMO SCHIZO II: - - Chapter 1: THE NORMALLY INSANE : THE IDEAL PERSON |
| a monster, a "beast of the unconscious." " | 70980 HOMO SCHIZO II: - - Chapter 2: THE SEARCH FOR LOST INSTINCT : THE SENSE OF "I AM" |
| can imagine the delay as automatized, unconscious, | 71302 HOMO SCHIZO II: - - Chapter 2: THE SEARCH FOR LOST INSTINCT : INSTINCT IN MAN AND ANIMAL |
| 5. 2. Realms of the Human Unconscious, | 71523 HOMO SCHIZO II: - - Chapter 2: THE SEARCH FOR LOST INSTINCT : Notes (Chapter 2: The Search for Lost Instinct) |
| strategy can be both conscious and unconscious.) | 72793 HOMO SCHIZO II: - - Chapter 4: DISPLACEMENT AND OBSESSION - |
| pattern of behavior that is largely unconscious, | 72802 HOMO SCHIZO II: - - Chapter 4: DISPLACEMENT AND OBSESSION - |
| impulsive act does not proceed from unconscious obsession, | 73231 HOMO SCHIZO II: - - Chapter 4: DISPLACEMENT AND OBSESSION : OBSESSIONS, COMPULSIONS, HABITS |
| can also be regarded as an unconscious plan by a social group to proscribe an activity in general but to grant that the prohibition will be violated by "sinners." | 73505 HOMO SCHIZO II: - - Chapter 5: COPING WITH FEAR : GUILT AND PUNISHMENT |
| assumed position 15 . His ability is unconscious in that it far exceeds any normal ability. | 74002 HOMO SCHIZO II: - - Chapter 5: COPING WITH FEAR : CATATONICS |
| of syntactical patterning - the whole largely unconscious except on the superficial level of the "spelling bee." | 74329 HOMO SCHIZO II: - - Chapter 6: SYMBOLS AND SPEECH : ANATOMY |
| tool of thought, for we have unconscious thinking as well, | 74396 HOMO SCHIZO II: - - Chapter 6: SYMBOLS AND SPEECH : NEUROLOGY OF SPEECH |
| employ sound for language is partly unconscious and habitual, | 74449 HOMO SCHIZO II: - - Chapter 6: SYMBOLS AND SPEECH : NEUROLOGY OF SPEECH |
| arrogantly, because connected with power and unconscious of their roots. | 74811 HOMO SCHIZO II: - - Chapter 6: SYMBOLS AND SPEECH : INNER LANGUAGE |
| working from the conscious into the unconscious along a narrow band. | 75852 HOMO SCHIZO II: - - Chapter 7: THE GOOD, THE TRUE, AND THE BEAUTIFUL : THE COST OF LOSING MAGIC |
| but also are somehow compelled by unconscious psychic forces to reenact the events - this idea is supported by our theory. | 76605 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS - - - INTRODUCTION - |
| to similar laws. The conscious and unconscious parts of the mind exchange with each other what is required for a sense of control to exist so life can go on. | 76728 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS - - - INTRODUCTION - |
| wide disasters, and assert that an unconscious parallel occurs between astronomical events and artistic production. | 76761 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS - - - FOREWORD - |
| telling something that only the collective unconscious can understand, | 77280 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 1: SACRED SCANDAL AND DISASTER Chapter 3: THE LOVE AFFAIR AS THE MASK OF TRAGEDY - |
| unconscious can understand, and which the unconscious rarely permits to be verbalized. | 77281 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 1: SACRED SCANDAL AND DISASTER Chapter 3: THE LOVE AFFAIR AS THE MASK OF TRAGEDY - |
| emerge some of the unexpressed and unconscious feelings of the people of Phaeacia as the Love Affair is sung and played. | 77282 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 1: SACRED SCANDAL AND DISASTER Chapter 3: THE LOVE AFFAIR AS THE MASK OF TRAGEDY - |
| song as a representation of the unconscious contains both a new "real" parallel plot and a certain "madness," | 77451 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 1: SACRED SCANDAL AND DISASTER Chapter 3: THE LOVE AFFAIR AS THE MASK OF TRAGEDY : AUTHOR'S CODA |
| of history. It was first an unconscious invention, | 77768 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 1: SACRED SCANDAL AND DISASTER Chapter 5: HOLY DREAMTIME - |
| feet would represent this to the unconscious. | 80984 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 2: GODS, PLANETS, MADNESS Chapter 10: HE WHO SHINES BY DAY : CONGENITALITY AND HOMOLOGY |
| the planet Venus are locked in unconscious identity in the human mind as indissolubly and unbreakably as Ares and Aphrodite were by the invisible net. | 81069 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 2: GODS, PLANETS, MADNESS Chapter 10: HE WHO SHINES BY DAY : CONGENITALITY AND HOMOLOGY |
| literally, and not even of the unconscious role she plays in our religious rites and our forms of thought and behavior. | 81111 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 2: GODS, PLANETS, MADNESS Chapter 10: HE WHO SHINES BY DAY : ATHENA'S LAST BATTLES |
| later on, made demands upon the unconscious to recreate the "pluperfect" along with the "perfect." | 81987 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 2: GODS, PLANETS, MADNESS Chapter 12: THE LAUGHING GODS : MERCURY |
| Jokes and Their Relation to the Unconscious explains a joke as the subconscious prevention of a wish from completing its natural aim. | 82266 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 2: GODS, PLANETS, MADNESS Chapter 12: THE LAUGHING GODS : A DIVINE SENSE OF HUMOR |
| memory, and the psychology of the unconscious. | 82416 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 2: GODS, PLANETS, MADNESS Chapter 13: HOW THE GODS FLY - |
| it. This formidable task of the unconscious was doomed from the start, | 82947 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 3: THERAPY FOR GROUP FEAR Chapter 14: THE USES OF LANGUAGE - |
| by them." Thirdly, there is an "unconscious science of myth," | 83443 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 3: THERAPY FOR GROUP FEAR Chapter 14: THE USES OF LANGUAGE : THE RULES OF MYTHICAL LANGUAGE |
| applying. The most important of these unconscious rules, | 83450 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 3: THERAPY FOR GROUP FEAR Chapter 14: THE USES OF LANGUAGE : THE RULES OF MYTHICAL LANGUAGE |
| did such "symptoms vanish when their unconscious antecedents have been made conscious," | 83749 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 3: THERAPY FOR GROUP FEAR Chapter 15: THE BIRTH AND DEATH OF MEMORY : TRAUMATIC ORIGIN OF MEMORY |
| detail, and durability in conscious and unconscious form. | 83801 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 3: THERAPY FOR GROUP FEAR Chapter 15: THE BIRTH AND DEATH OF MEMORY : THE RULES OF MEMORY |
| descent into the depths of the unconscious; | 83829 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 3: THERAPY FOR GROUP FEAR Chapter 15: THE BIRTH AND DEATH OF MEMORY : THE RULES OF MEMORY |
| would seem to be a major unconscious philosophical step towards controlling the gods and paving the way for a lawful universe. | 84000 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 3: THERAPY FOR GROUP FEAR Chapter 15: THE BIRTH AND DEATH OF MEMORY : AMNESIAC PHILOSOPHERS |
| Cf. Carl J. Jung, "Approaching the Unconscious," | 84134 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 3: THERAPY FOR GROUP FEAR Chapter 15: THE BIRTH AND DEATH OF MEMORY : Notes (Chapter 15: The Birth and Death of Memory) |
| stay asleep so long as the unconscious problems that bother him most are censored and reworked into a form, | 84215 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 3: THERAPY FOR GROUP FEAR Chapter 16: THE TRANSFIGURATION OF TRAUMA : DREAMWORK |
| recollection, is nevertheless better than the unconscious reality. | 84217 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 3: THERAPY FOR GROUP FEAR Chapter 16: THE TRANSFIGURATION OF TRAUMA : DREAMWORK |
| from then on in transmuting its unconscious material into its fictional components: | 84281 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 3: THERAPY FOR GROUP FEAR Chapter 16: THE TRANSFIGURATION OF TRAUMA : DREAMWORK |
| have been going on in the unconscious mental operations of the Phaeacian dreamers was described in the pages on "The Love Affair as the Mask of Tragedy." | 84308 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 3: THERAPY FOR GROUP FEAR Chapter 16: THE TRANSFIGURATION OF TRAUMA : DREAMWORK |
| conception of the abundance of the unconscious trains of thought, | 84325 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 3: THERAPY FOR GROUP FEAR Chapter 16: THE TRANSFIGURATION OF TRAUMA : DREAMWORK |
| will have been working within the unconscious mind to produce many other manifestations, | 84343 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 3: THERAPY FOR GROUP FEAR Chapter 16: THE TRANSFIGURATION OF TRAUMA : DREAMWORK |
| of the dance. The sublimation of unconscious effect has been well-nigh perfect. | 84927 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 3: THERAPY FOR GROUP FEAR Chapter 17: SETTLED SKY AND UNSETTLED MIND : FROM SAVAGERY TO SUBLIMITY |
| On one occasion he was knocked unconscious when he made an accidental connection while hooking up two Leyden jars to electrocute a turkey. | 88153 GODS FIRE: - - Chapter 4: THE ARK IN ACTION - |
| so that "rational" as well as "unconscious" motives spurred him in his campaign for circumcision. | 90801 GODS FIRE: - - Chapter 6: THE CHARISMA OF MOSES : CIRCUMCISION AND SPEECH PROBLEMS |
| From this powerful foundation in the unconscious, | 90866 GODS FIRE: - - Chapter 6: THE CHARISMA OF MOSES : CIRCUMCISION AND SPEECH PROBLEMS |
| was the devil and in Moses' unconscious mind there could be no separation of god and the devil: | 91691 GODS FIRE: - - Chapter 6: THE CHARISMA OF MOSES : THE MANIAC SCIENTIST |
| were unfolding itself. ' Elements of the unconscious come into awareness and are interpreted as manifestations of the supernatural, | 91736 GODS FIRE: - - Chapter 6: THE CHARISMA OF MOSES : THE MANIAC SCIENTIST |
| Freud for his neglect of the unconscious again. | 91896 GODS FIRE: - - Chapter 6: THE CHARISMA OF MOSES : Notes (Chapter 6: The Charisma of Moses) |
| religion as a collective neurosis; the unconscious collective memory of humankind as having begun its guilt-laden career with the murder of the father of a horde by the sons for possession of the womenfolk; | 92993 GODS FIRE: - - Chapter 7: THE LEVITES AND THE REVOLTS : FREUD AND THE MURDER OF MOSES |
| exaggerations, as when he exaggerates the unconscious guilt felt by Jews for the "murder" of Moses; | 93035 GODS FIRE: - - Chapter 7: THE LEVITES AND THE REVOLTS : FREUD AND THE MURDER OF MOSES |
| was hidden from the master of unconscious truths. | 93053 GODS FIRE: - - Chapter 7: THE LEVITES AND THE REVOLTS : FREUD AND THE MURDER OF MOSES |
| him. Reinforcing his obsession was the unconscious appreciation that Yahweh also must die with Moses. | 94376 GODS FIRE: - - Chapter 8: THE ELECTRIC GOD : IMMORTALITY |
| office, by execution. Then, despite his unconscious wishes, | 94381 GODS FIRE: - - Chapter 8: THE ELECTRIC GOD : IMMORTALITY |
| prelude to the revelation " From what unconscious source did Buber conjure up the Egyptian 'dragon'? | 95308 GODS FIRE: - - - APPENDIX : UNBELIEVING SCHOLARS |
| suppose, than a little giggle of unconscious self-depreciation. | 95334 GODS FIRE: - - - APPENDIX : UNBELIEVING SCHOLARS |
| rooted impulses to destruction, whether through unconscious memory or because he is constructed genetically to do so. | 96686 THE DEVINE SUCCESSION PART 1: THEOMACHY Chapter 2: THE SUCCESSION OF GODS - |
| a mass of folk tales; the unconscious artistic mind can push to all limits of the imagination with him. | 97297 THE DEVINE SUCCESSION PART 1: THEOMACHY Chapter 4: THE HEAVENLY HOST - |
| Christian times; in the present rites, unconscious of origins, | 97918 THE DEVINE SUCCESSION PART 1: THEOMACHY Chapter 6: RITUAL AND SACRIFICE - |
| slight moral superiority over the more unconscious God." | 98303 THE DEVINE SUCCESSION PART 1: THEOMACHY Chapter 7: MAN'S DIVINE MIRROR - |
| psychic movements (were they not mostly unconscious, | 98399 THE DEVINE SUCCESSION PART 1: THEOMACHY Chapter 7: MAN'S DIVINE MIRROR - |
| always, the replacements successful because of unconscious techniques of cross-identification and rationalization. | 98761 THE DEVINE SUCCESSION PART 1: THEOMACHY Chapter 8: INDISPENSABLE GODS - |
| the general and ideological, that is, unconscious (e. | 100071 THE DEVINE SUCCESSION PART 2: THEOTROPY: Chapter 11: RELIGIOUS ELEMENTS IN SCIENCE - |
| call up their psychic mechanisms of unconscious denial by indignation at the idea that they may be skirting the supernatural, | 100078 THE DEVINE SUCCESSION PART 2: THEOTROPY: Chapter 11: RELIGIOUS ELEMENTS IN SCIENCE - |
| is a form of deliberate, if unconscious, | 100349 THE DEVINE SUCCESSION PART 2: THEOTROPY: Chapter 11: RELIGIOUS ELEMENTS IN SCIENCE - |
| and narrow denotations is but an unconscious method of assuring that the thought that occurs is to be equally rigid and narrow. | 100357 THE DEVINE SUCCESSION PART 2: THEOTROPY: Chapter 11: RELIGIOUS ELEMENTS IN SCIENCE - |
| Dreamtime in Wonguri Land 19. The 'Unconscious' as a Literary Revolt Against Science 20. | 101770 THE BURNING OF TROY: - - - TABLE OF CONTENTS - |
| Hey Pay attention! Diddle diddle the unconscious, | 106909 THE BURNING OF TROY: PART 3: WORKING OF THE MIND: Chapter 15: COMPTINOLOGY AND TOHU-BOHU - |
| s Fire) can be associated with unconscious sexuality, | 106951 THE BURNING OF TROY: PART 3: WORKING OF THE MIND: Chapter 15: COMPTINOLOGY AND TOHU-BOHU - |
| of the Mind CHAPTER NINETEEN THE 'UNCONSCIOUS' AS A LITERARY REVOLT AGAINST SCIENCE ( In 1978 the author sought support from the U. | 107645 THE BURNING OF TROY: PART 3: WORKING OF THE MIND: Chapter 19: THE 'UNCONSCIOUS' AS A LITERARY REVOLT AGAINST SCIENCE - |
| especially of the unknown and uncontrolled unconscious mind, | 107666 THE BURNING OF TROY: PART 3: WORKING OF THE MIND: Chapter 19: THE 'UNCONSCIOUS' AS A LITERARY REVOLT AGAINST SCIENCE - |
| preceding two generations the concept of unconscious arose in mystical form, | 107668 THE BURNING OF TROY: PART 3: WORKING OF THE MIND: Chapter 19: THE 'UNCONSCIOUS' AS A LITERARY REVOLT AGAINST SCIENCE - |
| scientifically rationalized ballroom of the literary unconscious within which they could work out a number of dramatic and stylistic forms that were blocked in the external world by uniformitarian principles of science. | 107672 THE BURNING OF TROY: PART 3: WORKING OF THE MIND: Chapter 19: THE 'UNCONSCIOUS' AS A LITERARY REVOLT AGAINST SCIENCE - |
| thesis here: the concept of the unconscious in literature is postulated as a reaction to the uniformitarian paradigm in science. | 107678 THE BURNING OF TROY: PART 3: WORKING OF THE MIND: Chapter 19: THE 'UNCONSCIOUS' AS A LITERARY REVOLT AGAINST SCIENCE - |
| that the psychological concept of the "Unconscious" originated, | 107680 THE BURNING OF TROY: PART 3: WORKING OF THE MIND: Chapter 19: THE 'UNCONSCIOUS' AS A LITERARY REVOLT AGAINST SCIENCE - |
| early nineteenth century. That is, the Unconscious is not explainable merely as an accident of the history of psychology, | 107686 THE BURNING OF TROY: PART 3: WORKING OF THE MIND: Chapter 19: THE 'UNCONSCIOUS' AS A LITERARY REVOLT AGAINST SCIENCE - |
| intellectual salons. The concept of the Unconscious was, | 107689 THE BURNING OF TROY: PART 3: WORKING OF THE MIND: Chapter 19: THE 'UNCONSCIOUS' AS A LITERARY REVOLT AGAINST SCIENCE - |
| of these, the product of an unconscious alliance of psychiatry and literature aimed at accommodating the new consensus of science. | 107690 THE BURNING OF TROY: PART 3: WORKING OF THE MIND: Chapter 19: THE 'UNCONSCIOUS' AS A LITERARY REVOLT AGAINST SCIENCE - |
| incompatible and unbending scientific scheme. The Unconscious was, | 107693 THE BURNING OF TROY: PART 3: WORKING OF THE MIND: Chapter 19: THE 'UNCONSCIOUS' AS A LITERARY REVOLT AGAINST SCIENCE - |
| by the scientific theory of the Unconscious itself developed unconsciously. | 107697 THE BURNING OF TROY: PART 3: WORKING OF THE MIND: Chapter 19: THE 'UNCONSCIOUS' AS A LITERARY REVOLT AGAINST SCIENCE - |
| scientific and literary value of the Unconscious, | 107699 THE BURNING OF TROY: PART 3: WORKING OF THE MIND: Chapter 19: THE 'UNCONSCIOUS' AS A LITERARY REVOLT AGAINST SCIENCE - |
| the literature of the novel, the Unconscious played its double role as an expediter of adjustment between "the two worlds" of sciences and humanities, | 107704 THE BURNING OF TROY: PART 3: WORKING OF THE MIND: Chapter 19: THE 'UNCONSCIOUS' AS A LITERARY REVOLT AGAINST SCIENCE - |
| only with the concept of the Unconscious, | 107712 THE BURNING OF TROY: PART 3: WORKING OF THE MIND: Chapter 19: THE 'UNCONSCIOUS' AS A LITERARY REVOLT AGAINST SCIENCE - |
| changes. As applied to literature, the Unconscious aided and abetted writers to manipulate time and space freely, | 107715 THE BURNING OF TROY: PART 3: WORKING OF THE MIND: Chapter 19: THE 'UNCONSCIOUS' AS A LITERARY REVOLT AGAINST SCIENCE - |
| and an intensive study of the "unconscious" as employed by eight great authors. | 107722 THE BURNING OF TROY: PART 3: WORKING OF THE MIND: Chapter 19: THE 'UNCONSCIOUS' AS A LITERARY REVOLT AGAINST SCIENCE - |
| of his work occurs within the Unconscious frame? | 107736 THE BURNING OF TROY: PART 3: WORKING OF THE MIND: Chapter 19: THE 'UNCONSCIOUS' AS A LITERARY REVOLT AGAINST SCIENCE - |
| plot" within this frame? Is the Unconscious a substitute for, | 107736 THE BURNING OF TROY: PART 3: WORKING OF THE MIND: Chapter 19: THE 'UNCONSCIOUS' AS A LITERARY REVOLT AGAINST SCIENCE - |
| transitions into and exits from the Unconscious? | 107738 THE BURNING OF TROY: PART 3: WORKING OF THE MIND: Chapter 19: THE 'UNCONSCIOUS' AS A LITERARY REVOLT AGAINST SCIENCE - |
| occur in or outside of the Unconscious? | 107739 THE BURNING OF TROY: PART 3: WORKING OF THE MIND: Chapter 19: THE 'UNCONSCIOUS' AS A LITERARY REVOLT AGAINST SCIENCE - |
| U paradigm obeyed in the exo- Unconscious material? ( | 107740 THE BURNING OF TROY: PART 3: WORKING OF THE MIND: Chapter 19: THE 'UNCONSCIOUS' AS A LITERARY REVOLT AGAINST SCIENCE - |
| consistent and complete map of the Unconscious? | 107741 THE BURNING OF TROY: PART 3: WORKING OF THE MIND: Chapter 19: THE 'UNCONSCIOUS' AS A LITERARY REVOLT AGAINST SCIENCE - |
| to the "scientific" map of the Unconscious used by Freud and other psychiatrists? | 107741 THE BURNING OF TROY: PART 3: WORKING OF THE MIND: Chapter 19: THE 'UNCONSCIOUS' AS A LITERARY REVOLT AGAINST SCIENCE - |
| use of the concept of the Unconscious? | 107744 THE BURNING OF TROY: PART 3: WORKING OF THE MIND: Chapter 19: THE 'UNCONSCIOUS' AS A LITERARY REVOLT AGAINST SCIENCE - |
| genesis of the concept of the Unconscious, | 107747 THE BURNING OF TROY: PART 3: WORKING OF THE MIND: Chapter 19: THE 'UNCONSCIOUS' AS A LITERARY REVOLT AGAINST SCIENCE - |
| That the study postulates flatly that unconscious forces entered into the development of the concept of the Unconscious itself is not without significance. | 107753 THE BURNING OF TROY: PART 3: WORKING OF THE MIND: Chapter 19: THE 'UNCONSCIOUS' AS A LITERARY REVOLT AGAINST SCIENCE - |
| development of the concept of the Unconscious itself is not without significance. | 107754 THE BURNING OF TROY: PART 3: WORKING OF THE MIND: Chapter 19: THE 'UNCONSCIOUS' AS A LITERARY REVOLT AGAINST SCIENCE - |
| on the scientific character of the Unconscious, | 107768 THE BURNING OF TROY: PART 3: WORKING OF THE MIND: Chapter 19: THE 'UNCONSCIOUS' AS A LITERARY REVOLT AGAINST SCIENCE - |
| directly to those in which the Unconscious plays an important role, | 107778 THE BURNING OF TROY: PART 3: WORKING OF THE MIND: Chapter 19: THE 'UNCONSCIOUS' AS A LITERARY REVOLT AGAINST SCIENCE - |
| burst the bounds of "the Literary Unconscious" and flood out into the exterior world under new permissive conditions, | 107807 THE BURNING OF TROY: PART 3: WORKING OF THE MIND: Chapter 19: THE 'UNCONSCIOUS' AS A LITERARY REVOLT AGAINST SCIENCE - |
| then be partially emptied of the Unconscious that had been elaborated in the century under discussion here. | 107810 THE BURNING OF TROY: PART 3: WORKING OF THE MIND: Chapter 19: THE 'UNCONSCIOUS' AS A LITERARY REVOLT AGAINST SCIENCE - |
| in this "Last Hurrah" for the Unconscious, | 107811 THE BURNING OF TROY: PART 3: WORKING OF THE MIND: Chapter 19: THE 'UNCONSCIOUS' AS A LITERARY REVOLT AGAINST SCIENCE - |
| essence of being than miracles. The Unconscious may be defined briefly here as those mental operations that are ordinarily not subject to awareness or recall. | 107881 THE BURNING OF TROY: PART 3: WORKING OF THE MIND: Chapter 19: THE 'UNCONSCIOUS' AS A LITERARY REVOLT AGAINST SCIENCE : DETAILED EXPOSITION OF THE PROJECT |
| including intellectual and emotional behavior. The Unconscious is variously portrayed and compartmentalized. | 107883 THE BURNING OF TROY: PART 3: WORKING OF THE MIND: Chapter 19: THE 'UNCONSCIOUS' AS A LITERARY REVOLT AGAINST SCIENCE : DETAILED EXPOSITION OF THE PROJECT |
| and contrast the topology of the Unconscious as psychiatry sees it with the topology as it has been fashioned by literary figures for the purposes of their art. | 107885 THE BURNING OF TROY: PART 3: WORKING OF THE MIND: Chapter 19: THE 'UNCONSCIOUS' AS A LITERARY REVOLT AGAINST SCIENCE : DETAILED EXPOSITION OF THE PROJECT |
| of their art. In literature the Unconscious was scarcely developed so long as the C paradigm prevailed. | 107887 THE BURNING OF TROY: PART 3: WORKING OF THE MIND: Chapter 19: THE 'UNCONSCIOUS' AS A LITERARY REVOLT AGAINST SCIENCE : DETAILED EXPOSITION OF THE PROJECT |
| its long march. Indications of "the Unconscious" began to appear. | 107921 THE BURNING OF TROY: PART 3: WORKING OF THE MIND: Chapter 19: THE 'UNCONSCIOUS' AS A LITERARY REVOLT AGAINST SCIENCE : DETAILED EXPOSITION OF THE PROJECT |
| misleadingly entitled, The Discovery of the Unconscious. | 107923 THE BURNING OF TROY: PART 3: WORKING OF THE MIND: Chapter 19: THE 'UNCONSCIOUS' AS A LITERARY REVOLT AGAINST SCIENCE : DETAILED EXPOSITION OF THE PROJECT |
| large book actually deals with the Unconscious, | 107924 THE BURNING OF TROY: PART 3: WORKING OF THE MIND: Chapter 19: THE 'UNCONSCIOUS' AS A LITERARY REVOLT AGAINST SCIENCE : DETAILED EXPOSITION OF THE PROJECT |
| Fundamentally Romantic are the concepts of unconscious, | 107946 THE BURNING OF TROY: PART 3: WORKING OF THE MIND: Chapter 19: THE 'UNCONSCIOUS' AS A LITERARY REVOLT AGAINST SCIENCE : DETAILED EXPOSITION OF THE PROJECT |
| as revived in Jung's 'collective unconscious' and the emphasis on dreams and symbols." ( | 107947 THE BURNING OF TROY: PART 3: WORKING OF THE MIND: Chapter 19: THE 'UNCONSCIOUS' AS A LITERARY REVOLT AGAINST SCIENCE : DETAILED EXPOSITION OF THE PROJECT |
| part of the psychic processes were unconscious." ( | 107955 THE BURNING OF TROY: PART 3: WORKING OF THE MIND: Chapter 19: THE 'UNCONSCIOUS' AS A LITERARY REVOLT AGAINST SCIENCE : DETAILED EXPOSITION OF THE PROJECT |
| rooted in self-deception or an unconscious lie. | 107961 THE BURNING OF TROY: PART 3: WORKING OF THE MIND: Chapter 19: THE 'UNCONSCIOUS' AS A LITERARY REVOLT AGAINST SCIENCE : DETAILED EXPOSITION OF THE PROJECT |
| is the farthest to himself, ' the unconscious is the essential part of the individual, | 107961 THE BURNING OF TROY: PART 3: WORKING OF THE MIND: Chapter 19: THE 'UNCONSCIOUS' AS A LITERARY REVOLT AGAINST SCIENCE : DETAILED EXPOSITION OF THE PROJECT |
| kind of ciphered formula of the unconscious, ' | 107963 THE BURNING OF TROY: PART 3: WORKING OF THE MIND: Chapter 19: THE 'UNCONSCIOUS' AS A LITERARY REVOLT AGAINST SCIENCE : DETAILED EXPOSITION OF THE PROJECT |
| or less fantastic commentary on an unconscious, | 107963 THE BURNING OF TROY: PART 3: WORKING OF THE MIND: Chapter 19: THE 'UNCONSCIOUS' AS A LITERARY REVOLT AGAINST SCIENCE : DETAILED EXPOSITION OF THE PROJECT |
| reports that the concept of the unconscious was actively at work in linguistics before Freud and quotes Hermann Paul (1880, | 107966 THE BURNING OF TROY: PART 3: WORKING OF THE MIND: Chapter 19: THE 'UNCONSCIOUS' AS A LITERARY REVOLT AGAINST SCIENCE : DETAILED EXPOSITION OF THE PROJECT |
| remains an effective motive in the unconscious. | 107971 THE BURNING OF TROY: PART 3: WORKING OF THE MIND: Chapter 19: THE 'UNCONSCIOUS' AS A LITERARY REVOLT AGAINST SCIENCE : DETAILED EXPOSITION OF THE PROJECT |
| in the Revue Scientifique that the unconscious activity of mind was a scientific truth established beyond doubt, | 107976 THE BURNING OF TROY: PART 3: WORKING OF THE MIND: Chapter 19: THE 'UNCONSCIOUS' AS A LITERARY REVOLT AGAINST SCIENCE : DETAILED EXPOSITION OF THE PROJECT |
| century, the philosophical concept of the unconscious, | 107981 THE BURNING OF TROY: PART 3: WORKING OF THE MIND: Chapter 19: THE 'UNCONSCIOUS' AS A LITERARY REVOLT AGAINST SCIENCE : DETAILED EXPOSITION OF THE PROJECT |
| philosophers admitted the existence of an unconscious mental life." | 107982 THE BURNING OF TROY: PART 3: WORKING OF THE MIND: Chapter 19: THE 'UNCONSCIOUS' AS A LITERARY REVOLT AGAINST SCIENCE : DETAILED EXPOSITION OF THE PROJECT |
| and produced a theory of the Unconscious that would bridge (not without strains and stresses) the chasm between uniformitarian science and creative literature. | 107992 THE BURNING OF TROY: PART 3: WORKING OF THE MIND: Chapter 19: THE 'UNCONSCIOUS' AS A LITERARY REVOLT AGAINST SCIENCE : DETAILED EXPOSITION OF THE PROJECT |
| figure in the history of the Unconscious partly because he was a conformer to the uniformitarian ideal. | 108014 THE BURNING OF TROY: PART 3: WORKING OF THE MIND: Chapter 19: THE 'UNCONSCIOUS' AS A LITERARY REVOLT AGAINST SCIENCE : DETAILED EXPOSITION OF THE PROJECT |
| who knew and spoke of the unconscious, | 108017 THE BURNING OF TROY: PART 3: WORKING OF THE MIND: Chapter 19: THE 'UNCONSCIOUS' AS A LITERARY REVOLT AGAINST SCIENCE : DETAILED EXPOSITION OF THE PROJECT |
| century, and the realm of the unconscious is widely regarded as one of the great scientific "discoveries" of the modern age. | 108023 THE BURNING OF TROY: PART 3: WORKING OF THE MIND: Chapter 19: THE 'UNCONSCIOUS' AS A LITERARY REVOLT AGAINST SCIENCE : DETAILED EXPOSITION OF THE PROJECT |
| provoke defense mechanisms, and particularly, the Unconscious. | 108032 THE BURNING OF TROY: PART 3: WORKING OF THE MIND: Chapter 19: THE 'UNCONSCIOUS' AS A LITERARY REVOLT AGAINST SCIENCE : DETAILED EXPOSITION OF THE PROJECT |
| the end, the theory of the unconscious substituted for analogous functions of pre- Unconscious psychology. | 108047 THE BURNING OF TROY: PART 3: WORKING OF THE MIND: Chapter 19: THE 'UNCONSCIOUS' AS A LITERARY REVOLT AGAINST SCIENCE : DETAILED EXPOSITION OF THE PROJECT |
| substituted for analogous functions of pre- Unconscious psychology. | 108048 THE BURNING OF TROY: PART 3: WORKING OF THE MIND: Chapter 19: THE 'UNCONSCIOUS' AS A LITERARY REVOLT AGAINST SCIENCE : DETAILED EXPOSITION OF THE PROJECT |
| directed against the theory of the Unconscious, | 108051 THE BURNING OF TROY: PART 3: WORKING OF THE MIND: Chapter 19: THE 'UNCONSCIOUS' AS A LITERARY REVOLT AGAINST SCIENCE : DETAILED EXPOSITION OF THE PROJECT |
| part of the scientific corpus, the Unconscious made its way more readily into literature. | 108055 THE BURNING OF TROY: PART 3: WORKING OF THE MIND: Chapter 19: THE 'UNCONSCIOUS' AS A LITERARY REVOLT AGAINST SCIENCE : DETAILED EXPOSITION OF THE PROJECT |
| relevance." However, by our theory, the Unconscious was not transferred as a topological field or map into the novels and dramas. | 108063 THE BURNING OF TROY: PART 3: WORKING OF THE MIND: Chapter 19: THE 'UNCONSCIOUS' AS A LITERARY REVOLT AGAINST SCIENCE : DETAILED EXPOSITION OF THE PROJECT |
| Rather it was reworked. The literary Unconscious will probably be shown not to have the same geometry as the scientific Unconscious. | 108064 THE BURNING OF TROY: PART 3: WORKING OF THE MIND: Chapter 19: THE 'UNCONSCIOUS' AS A LITERARY REVOLT AGAINST SCIENCE : DETAILED EXPOSITION OF THE PROJECT |
| the same geometry as the scientific Unconscious. | 108065 THE BURNING OF TROY: PART 3: WORKING OF THE MIND: Chapter 19: THE 'UNCONSCIOUS' AS A LITERARY REVOLT AGAINST SCIENCE : DETAILED EXPOSITION OF THE PROJECT |
| discerns a regression from conscious to unconscious, | 108069 THE BURNING OF TROY: PART 3: WORKING OF THE MIND: Chapter 19: THE 'UNCONSCIOUS' AS A LITERARY REVOLT AGAINST SCIENCE : DETAILED EXPOSITION OF THE PROJECT |
| the mechanisms and delineations of the Unconscious; | 108073 THE BURNING OF TROY: PART 3: WORKING OF THE MIND: Chapter 19: THE 'UNCONSCIOUS' AS A LITERARY REVOLT AGAINST SCIENCE : DETAILED EXPOSITION OF THE PROJECT |
| comparison of literary structuring of the unconscious with scientific structuring will come naturally and one day perhaps tell us much about the nature of literary needs and inventions. | 108075 THE BURNING OF TROY: PART 3: WORKING OF THE MIND: Chapter 19: THE 'UNCONSCIOUS' AS A LITERARY REVOLT AGAINST SCIENCE : DETAILED EXPOSITION OF THE PROJECT |
| interaction with the concept of the unconscious, | 108080 THE BURNING OF TROY: PART 3: WORKING OF THE MIND: Chapter 19: THE 'UNCONSCIOUS' AS A LITERARY REVOLT AGAINST SCIENCE : DETAILED EXPOSITION OF THE PROJECT |
| authors how the concept of the unconscious is employed, | 108081 THE BURNING OF TROY: PART 3: WORKING OF THE MIND: Chapter 19: THE 'UNCONSCIOUS' AS A LITERARY REVOLT AGAINST SCIENCE : DETAILED EXPOSITION OF THE PROJECT |
| the uniformitarian "real world," how the "unconscious world" of these writers manages to satisfy the demands of scientific respectability while achieving the requirements of literary fiction. | 108082 THE BURNING OF TROY: PART 3: WORKING OF THE MIND: Chapter 19: THE 'UNCONSCIOUS' AS A LITERARY REVOLT AGAINST SCIENCE : DETAILED EXPOSITION OF THE PROJECT |
| development of the idea of the unconscious occurred throughout western civilization, | 108085 THE BURNING OF TROY: PART 3: WORKING OF THE MIND: Chapter 19: THE 'UNCONSCIOUS' AS A LITERARY REVOLT AGAINST SCIENCE : DETAILED EXPOSITION OF THE PROJECT |
| possible in "the ballroom of the unconscious" were selected. | 108091 THE BURNING OF TROY: PART 3: WORKING OF THE MIND: Chapter 19: THE 'UNCONSCIOUS' AS A LITERARY REVOLT AGAINST SCIENCE : DETAILED EXPOSITION OF THE PROJECT |
| his pre-Freudian use of the Unconscious. | 108094 THE BURNING OF TROY: PART 3: WORKING OF THE MIND: Chapter 19: THE 'UNCONSCIOUS' AS A LITERARY REVOLT AGAINST SCIENCE : DETAILED EXPOSITION OF THE PROJECT |
| stylistic mastery and methods of disclosing unconscious motives. | 108098 THE BURNING OF TROY: PART 3: WORKING OF THE MIND: Chapter 19: THE 'UNCONSCIOUS' AS A LITERARY REVOLT AGAINST SCIENCE : DETAILED EXPOSITION OF THE PROJECT |
| Kafka (1883-1924) for objectifying the unconscious by treating reality as surrealism. " | 108102 THE BURNING OF TROY: PART 3: WORKING OF THE MIND: Chapter 19: THE 'UNCONSCIOUS' AS A LITERARY REVOLT AGAINST SCIENCE : DETAILED EXPOSITION OF THE PROJECT |
| his careful, logical delineations of the unconscious vs. | 108112 THE BURNING OF TROY: PART 3: WORKING OF THE MIND: Chapter 19: THE 'UNCONSCIOUS' AS A LITERARY REVOLT AGAINST SCIENCE : DETAILED EXPOSITION OF THE PROJECT |
| of tragic madness and the Oedipal unconscious. | 108117 THE BURNING OF TROY: PART 3: WORKING OF THE MIND: Chapter 19: THE 'UNCONSCIOUS' AS A LITERARY REVOLT AGAINST SCIENCE : DETAILED EXPOSITION OF THE PROJECT |
| of time in all of its unconscious aberrations beneath the ticking of the "clockwork universe." | 108125 THE BURNING OF TROY: PART 3: WORKING OF THE MIND: Chapter 19: THE 'UNCONSCIOUS' AS A LITERARY REVOLT AGAINST SCIENCE : DETAILED EXPOSITION OF THE PROJECT |
| may argue) the theory of the Unconscious has been turning against the U paradigm. | 108138 THE BURNING OF TROY: PART 3: WORKING OF THE MIND: Chapter 19: THE 'UNCONSCIOUS' AS A LITERARY REVOLT AGAINST SCIENCE : DETAILED EXPOSITION OF THE PROJECT |
| devised to control and appease the Unconscious. | 108144 THE BURNING OF TROY: PART 3: WORKING OF THE MIND: Chapter 19: THE 'UNCONSCIOUS' AS A LITERARY REVOLT AGAINST SCIENCE : DETAILED EXPOSITION OF THE PROJECT |
| has occurred, the concept of the Unconscious is counter-productive for U. | 108148 THE BURNING OF TROY: PART 3: WORKING OF THE MIND: Chapter 19: THE 'UNCONSCIOUS' AS A LITERARY REVOLT AGAINST SCIENCE : DETAILED EXPOSITION OF THE PROJECT |
| productive for U. That is, the Unconscious (with the old C paradigm admission to "science" denied and its controlling capacities foregone) can only turn on itself in literature and art, | 108149 THE BURNING OF TROY: PART 3: WORKING OF THE MIND: Chapter 19: THE 'UNCONSCIOUS' AS A LITERARY REVOLT AGAINST SCIENCE : DETAILED EXPOSITION OF THE PROJECT |
| the U and Evolutionist injunctions, the Unconscious has been revealed to affect thousands of psychological functions and social behaviors, | 108158 THE BURNING OF TROY: PART 3: WORKING OF THE MIND: Chapter 19: THE 'UNCONSCIOUS' AS A LITERARY REVOLT AGAINST SCIENCE : DETAILED EXPOSITION OF THE PROJECT |
| the U paradigm? Or, after the Unconscious, | 108162 THE BURNING OF TROY: PART 3: WORKING OF THE MIND: Chapter 19: THE 'UNCONSCIOUS' AS A LITERARY REVOLT AGAINST SCIENCE : DETAILED EXPOSITION OF THE PROJECT |
| geometry" and the "dynamic" of the unconscious that they employ. | 108213 THE BURNING OF TROY: PART 3: WORKING OF THE MIND: Chapter 19: THE 'UNCONSCIOUS' AS A LITERARY REVOLT AGAINST SCIENCE : DETAILED EXPOSITION OF THE PROJECT |
| does Author A deal with the Unconscious? | 108215 THE BURNING OF TROY: PART 3: WORKING OF THE MIND: Chapter 19: THE 'UNCONSCIOUS' AS A LITERARY REVOLT AGAINST SCIENCE : DETAILED EXPOSITION OF THE PROJECT |
| image (map, idea, functions) of the Unconscious that the writer is pursuing. | 108218 THE BURNING OF TROY: PART 3: WORKING OF THE MIND: Chapter 19: THE 'UNCONSCIOUS' AS A LITERARY REVOLT AGAINST SCIENCE : DETAILED EXPOSITION OF THE PROJECT |
| Transactional Connections a. Theory of the Unconscious in Science. | 108227 THE BURNING OF TROY: PART 3: WORKING OF THE MIND: Chapter 19: THE 'UNCONSCIOUS' AS A LITERARY REVOLT AGAINST SCIENCE : DETAILED EXPOSITION OF THE PROJECT |
| Catastrophism, and (c) psychology of the unconscious. | 108235 THE BURNING OF TROY: PART 3: WORKING OF THE MIND: Chapter 19: THE 'UNCONSCIOUS' AS A LITERARY REVOLT AGAINST SCIENCE : DETAILED EXPOSITION OF THE PROJECT |
| d. Between the psychology of the Unconscious and literature of the unconscious. | 108242 THE BURNING OF TROY: PART 3: WORKING OF THE MIND: Chapter 19: THE 'UNCONSCIOUS' AS A LITERARY REVOLT AGAINST SCIENCE : DETAILED EXPOSITION OF THE PROJECT |
| the Unconscious and literature of the unconscious. | 108242 THE BURNING OF TROY: PART 3: WORKING OF THE MIND: Chapter 19: THE 'UNCONSCIOUS' AS A LITERARY REVOLT AGAINST SCIENCE : DETAILED EXPOSITION OF THE PROJECT |
| and influences. III. Topology of the Unconscious in Science and Literature Topology of the Psychological Unconscious has not been finely drawn; | 108247 THE BURNING OF TROY: PART 3: WORKING OF THE MIND: Chapter 19: THE 'UNCONSCIOUS' AS A LITERARY REVOLT AGAINST SCIENCE : DETAILED EXPOSITION OF THE PROJECT |
| and Literature Topology of the Psychological Unconscious has not been finely drawn; | 108249 THE BURNING OF TROY: PART 3: WORKING OF THE MIND: Chapter 19: THE 'UNCONSCIOUS' AS A LITERARY REVOLT AGAINST SCIENCE : DETAILED EXPOSITION OF THE PROJECT |
| finely drawn; existing schemes of the Unconscious may be improved by our analysis here. | 108250 THE BURNING OF TROY: PART 3: WORKING OF THE MIND: Chapter 19: THE 'UNCONSCIOUS' AS A LITERARY REVOLT AGAINST SCIENCE : DETAILED EXPOSITION OF THE PROJECT |
| analysis here. Topology of the Literary unconscious has to be invented almost entirely by the investigator. ( | 108251 THE BURNING OF TROY: PART 3: WORKING OF THE MIND: Chapter 19: THE 'UNCONSCIOUS' AS A LITERARY REVOLT AGAINST SCIENCE : DETAILED EXPOSITION OF THE PROJECT |
| This is the "ballroom of the unconscious" metaphor used above.) | 108252 THE BURNING OF TROY: PART 3: WORKING OF THE MIND: Chapter 19: THE 'UNCONSCIOUS' AS A LITERARY REVOLT AGAINST SCIENCE : DETAILED EXPOSITION OF THE PROJECT |
| 2. Marie Bonaparte. "Time and the Unconscious," | 108284 THE BURNING OF TROY: PART 3: WORKING OF THE MIND: Chapter 19: THE 'UNCONSCIOUS' AS A LITERARY REVOLT AGAINST SCIENCE : SELECTED BIBLIOGRAPHY OF PERTINENT WORKS |
| F. Ellenberger. The Discovery of the Unconscious (New York: | 108321 THE BURNING OF TROY: PART 3: WORKING OF THE MIND: Chapter 19: THE 'UNCONSCIOUS' AS A LITERARY REVOLT AGAINST SCIENCE : SELECTED BIBLIOGRAPHY OF PERTINENT WORKS |
| Edward von Hartmann. Philosophy of the Unconscious (1869). | 108358 THE BURNING OF TROY: PART 3: WORKING OF THE MIND: Chapter 19: THE 'UNCONSCIOUS' AS A LITERARY REVOLT AGAINST SCIENCE : SELECTED BIBLIOGRAPHY OF PERTINENT WORKS |
| 1968). 36. . "The Psychology of the Unconscious," | 108373 THE BURNING OF TROY: PART 3: WORKING OF THE MIND: Chapter 19: THE 'UNCONSCIOUS' AS A LITERARY REVOLT AGAINST SCIENCE : SELECTED BIBLIOGRAPHY OF PERTINENT WORKS |
| L. Margetts. "The Concept of the Unconscious in the History of Medical Psychology," | 108401 THE BURNING OF TROY: PART 3: WORKING OF THE MIND: Chapter 19: THE 'UNCONSCIOUS' AS A LITERARY REVOLT AGAINST SCIENCE : SELECTED BIBLIOGRAPHY OF PERTINENT WORKS |
| Joseph-Marie Montmasson. Invention and the Unconscious (N. | 108411 THE BURNING OF TROY: PART 3: WORKING OF THE MIND: Chapter 19: THE 'UNCONSCIOUS' AS A LITERARY REVOLT AGAINST SCIENCE : SELECTED BIBLIOGRAPHY OF PERTINENT WORKS |
| Erich Neuman. Art and The Creative Unconscious (N. | 108419 THE BURNING OF TROY: PART 3: WORKING OF THE MIND: Chapter 19: THE 'UNCONSCIOUS' AS A LITERARY REVOLT AGAINST SCIENCE : SELECTED BIBLIOGRAPHY OF PERTINENT WORKS |
| B. Watson. "The Myth of the Unconscious," | 108460 THE BURNING OF TROY: PART 3: WORKING OF THE MIND: Chapter 19: THE 'UNCONSCIOUS' AS A LITERARY REVOLT AGAINST SCIENCE : SELECTED BIBLIOGRAPHY OF PERTINENT WORKS |
| 1963). 74. Lancelot L. Whyte. The Unconscious Before Freud (N. | 108465 THE BURNING OF TROY: PART 3: WORKING OF THE MIND: Chapter 19: THE 'UNCONSCIOUS' AS A LITERARY REVOLT AGAINST SCIENCE : SELECTED BIBLIOGRAPHY OF PERTINENT WORKS |
| 1960). 75. J. O. Wisdom. The Unconscious Origin of Berkeley's Philosophy, | 108467 THE BURNING OF TROY: PART 3: WORKING OF THE MIND: Chapter 19: THE 'UNCONSCIOUS' AS A LITERARY REVOLT AGAINST SCIENCE : SELECTED BIBLIOGRAPHY OF PERTINENT WORKS |
| such. b) His work and his unconscious or conscious critical faculties are based upon the psychological preconditions of perception and cognition. | 109599 THE BURNING OF TROY: PART 4: POLEMICS AND PERSONAGES: Chapter 24: THE OUTLOOK OF SCIENTISTS : FALLACIES ABOUT SCIENTISTS |
| placed upon a scientific basis the "unconscious" and the analysis of dreams. | 111973 THE BURNING OF TROY: PART 5: COMMUNICATING A SCIENTIFIC MODEL: Chapter 30: PAST, PRESENT, AND FUTURE : ANXIETY AND CATASTROPHISM |
| key element in total religion, the unconscious world view of the nineteenth century. | 112104 THE BURNING OF TROY: PART 5: COMMUNICATING A SCIENTIFIC MODEL: Chapter 30: PAST, PRESENT, AND FUTURE : THE POLITICS OF UNIFORMITARIANISM |
| conscious level, but remembers on the unconscious level. | 126046 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : - FOREWORD - |
| Furthermore it would appear that the unconscious memory is transmitted genetically from one generation to the next, | 126046 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : - FOREWORD - |
| the racial memory, deep within the unconscious mind. | 126548 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 1: CULTURAL AMNESIA : AMNESIA |
| of the Middle Ages refer to unconscious catastrophic memories and to lingering mnemes of terrifying apparitions exemplified by the dreadful figures of Notre Dame. | 126752 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 1: CULTURAL AMNESIA : PLANET GODS |
| both may be conscious and or unconscious. | 127087 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 2: THE PALAETIOLOGY OF FEAR AND MEMORY : THE DRIVE TO FAIL |
| the least obvious and the most unconscious of human fear-burdens does not negate its presence or diminish its quantity. | 127272 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 2: THE PALAETIOLOGY OF FEAR AND MEMORY : CATASTROPHIC FEAR |
| detail, and durability in conscious and unconscious form. | 127446 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 2: THE PALAETIOLOGY OF FEAR AND MEMORY : THE RULES OF MEMORY |
| to this day in the human unconscious mind, | 127923 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 3: PSYCHOLOGICAL ASPECTS OF THE WORK OF IMMANUEL VELIKOVSKY - |
| begun to stress the possibility that unconscious memories (if they do indeed form a potent content of the collective mind of present day man) could be reactivated as a result of the compulsion to repeat. | 127960 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 3: PSYCHOLOGICAL ASPECTS OF THE WORK OF IMMANUEL VELIKOVSKY - |
| consciousness, mankind may be compelled by unconscious forces to stage its own 'Weltuntergang man-made cataclysm on a near cosmic scale. | 127971 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 3: PSYCHOLOGICAL ASPECTS OF THE WORK OF IMMANUEL VELIKOVSKY - |
| s important essay, The Psychology of Unconscious Processes, | 128017 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 3: PSYCHOLOGICAL ASPECTS OF THE WORK OF IMMANUEL VELIKOVSKY - |
| he kept encountering, symbols in the unconscious which seemed to be shared by all men throughout history, | 128042 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 3: PSYCHOLOGICAL ASPECTS OF THE WORK OF IMMANUEL VELIKOVSKY - |
| yet survived, not only in the unconscious of the victims who actually lived through these traumatic events, | 128155 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 3: PSYCHOLOGICAL ASPECTS OF THE WORK OF IMMANUEL VELIKOVSKY - |
| these traumatic events, but in the unconscious of their descendants up to the present day. | 128156 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 3: PSYCHOLOGICAL ASPECTS OF THE WORK OF IMMANUEL VELIKOVSKY - |
| memories are present in the collective unconscious of mankind now, | 128162 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 3: PSYCHOLOGICAL ASPECTS OF THE WORK OF IMMANUEL VELIKOVSKY - |
| we owe what knowledge of the unconscious we possess, | 128164 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 3: PSYCHOLOGICAL ASPECTS OF THE WORK OF IMMANUEL VELIKOVSKY - |
| repression and to the fact that unconscious contents frequently break through to the surface, | 128165 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 3: PSYCHOLOGICAL ASPECTS OF THE WORK OF IMMANUEL VELIKOVSKY - |
| are postulated as present in the unconscious, | 128320 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 3: PSYCHOLOGICAL ASPECTS OF THE WORK OF IMMANUEL VELIKOVSKY - |
| clearest insight into the nature of unconscious mental contents, | 128325 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 3: PSYCHOLOGICAL ASPECTS OF THE WORK OF IMMANUEL VELIKOVSKY - |
| mind by the contents of the unconscious. | 128402 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 3: PSYCHOLOGICAL ASPECTS OF THE WORK OF IMMANUEL VELIKOVSKY - |
| by "the rising waters of the unconscious" actually do develop preoccupations with flooding. ( | 128403 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 3: PSYCHOLOGICAL ASPECTS OF THE WORK OF IMMANUEL VELIKOVSKY - |
| part of either the conscious or unconscious behavior of others. | 129118 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 4: STRUCTURING THE APOCALYPSE: : Old and New World Variations |
| 11. Her reply is full of unconscious ironies having to do with sexual frustration, | 129307 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art |
| the idea of a subconscious or unconscious, | 131313 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art |
| Jung's concept of a collective unconscious, | 131315 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art |
| religion, myth and folklore are an unconscious attempt by man to sublimate repressed unbearable fact into conscious bearable illusion. | 131333 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art |
| is that, if we do possess unconscious collective memories of enormous natural catastrophes, | 131343 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art |
| that we are moved by deep, unconscious factors, | 131391 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art |
| conscious, racial involvement is collective and unconscious. | 131395 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art |
| events have been fixed in our unconscious memories as part of our racial inheritance, | 131407 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art |
| of a better term, I call unconscious, | 131423 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art |
| receiver carried out entirely at an unconscious level. | 131444 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art |
| particular his concepts of the collective unconscious or racial memory and the archetype in dream, | 131449 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art |
| much an irrational reaction as an unconscious reaction - against the truth which their own theories had kept safely hidden, | 131567 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art |
| were an unwritten, unspoken and indeed unconscious taboo against dealing with the possibility of catastrophism, | 131582 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art |
| consciously created, but in terms of unconscious collective motives which may drive artists to create and the unconscious collective ways in which we may respond to them. | 131636 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art |
| drive artists to create and the unconscious collective ways in which we may respond to them. | 131637 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art |
| where we admit the possibility of unconscious motivation in various fields of human behaviour, | 131640 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art |
| are not as willing to allow unconscious motivation, | 131641 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art |
| to allow unconscious motivation, much less unconscious collective motivation, | 131641 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art |
| times, it may be that their unconscious has been seeking more a reconciliation of the past catastrophic experience with their present experience of peaceful times, | 132286 RECOLLECTIONS OF A FALLEN SKY - THE POLITICAL IMPLICATIONS OF EARLY 19TH CENTURY GEOLOGY Chapter 6: CATASTROPHISM AND UNIFORMITY : PART III: CONCLUSION |
| memory of early catastrophes and the unconscious, | 134149 THE VELIKOVSKY AFFAIR: - SCIENTISM VERSUS SCIENCE - INTRODUCTION TO THE 2ND EDITION - |
| memories and upon the role of unconscious thinking 32 . | 136850 THE VELIKOVSKY AFFAIR: PART 3: THE INCONSTANT HEAVENS - - - |
| years since a theory of the unconscious has found a place in the instrumentation of social science. | 139038 THE VELIKOVSKY AFFAIR: PART 6: THE SCIENTIFIC RECEPTION SYSTEM - - - |
| who have high morale or rigid unconscious self-doubts. | 139311 THE VELIKOVSKY AFFAIR: PART 6: THE SCIENTIFIC RECEPTION SYSTEM - - - |
| through acquaintanceship circles, by accident, by unconscious exposure and the creation of frames of mind (subliminal stimulation). | 139427 THE VELIKOVSKY AFFAIR: PART 6: THE SCIENTIFIC RECEPTION SYSTEM - - - |
| many adversities, had a side of unconscious intellectual presumption: ' | 139650 THE VELIKOVSKY AFFAIR: PART 6: THE SCIENTIFIC RECEPTION SYSTEM - - - |
| of assumptive prejudiced thought midway between unconscious 'thought' and self-controlled thinking. | 140227 THE VELIKOVSKY AFFAIR: PART 6: THE SCIENTIFIC RECEPTION SYSTEM - - - |