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TRAGEDY...................62 (0.008%)
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| plan toxicity, plutonium trace element tradition tragedy Trainor, | 5722 QUANTAVOLUTION AND CATASTROPHE: PART 5: The Scope of Quantavolution - - - |
| his heresy. Shanklin writes of Semmelweis' tragedy: | 7287 COSMIC HERETICS: PART 1: - Chapter 3: CHEERS AND HISSES - |
| of hours blanked out; there the tragedy is marked, | 15183 COSMIC HERETICS: PART 4: - Chapter 12: THE THIRD WORLD OF SCIENCE - |
| themes. The leading actors in his tragedy on these themes are always gods of the heavens. | 55201 SOLARIA-BINARIA: PART 2: DESTRUCTION OF THE SOLAR BINARY: Chapter 12: QUANTAVOLUTION OF THE BIOSPHERE: HOMO SAPIENS - |
| affected by, not affecting, a real tragedy. | 55966 SOLARIA-BINARIA: PART 2: DESTRUCTION OF THE SOLAR BINARY: Chapter 14: THE GOLDEN AGE AND NOVA OF SUPER SATURN - |
| to the denouement of a Greek tragedy. | 58599 SOLARIA-BINARIA: - - - GLOSSARY - |
| of her end, generalizes the human tragedy: | 67564 HOMO SCHIZO I: - - Chapter 7: PSYCHOPATHOLOGY OF HISTORY - |
| are to be attributed to the tragedy of parturition. | 70649 HOMO SCHIZO II: - - Chapter 2: THE SEARCH FOR LOST INSTINCT - |
| be more verbose, at least in tragedy, | 74469 HOMO SCHIZO II: - - Chapter 6: SYMBOLS AND SPEECH : NEUROLOGY OF SPEECH |
| LOVE AFFAIR AS THE MASK OF TRAGEDY AN ANCIENT PRIEST EXPLAINS THE HIDDEN STORY AUTHOR'S CODA Chapter 4. | 76479 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS - - - TABLE OF CONTENTS - |
| s boyhood. It was an awesome tragedy to him and others, | 76674 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS - - - INTRODUCTION - |
| LOVE AFFAIR AS THE MASK OF TRAGEDY The song is sung. | 77227 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 1: SACRED SCANDAL AND DISASTER Chapter 3: THE LOVE AFFAIR AS THE MASK OF TRAGEDY - |
| Love Affair as the Mask of Tragedy) 1. | 77485 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 1: SACRED SCANDAL AND DISASTER Chapter 3: THE LOVE AFFAIR AS THE MASK OF TRAGEDY : Notes (Chapter 3: The Love Affair as the Mask of Tragedy) |
| the Love Affair stands for a tragedy of humanity if there is borne in mind a larger theory, | 77519 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 1: SACRED SCANDAL AND DISASTER Chapter 4: CATASTROPHE AND SUBLIMATION - |
| incident is symbolic of the world tragedy of that time. | 80746 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 2: GODS, PLANETS, MADNESS Chapter 10: HE WHO SHINES BY DAY : THE EPITHETS OF VENUS |
| the unbeliever is saying that "the tragedy that once happened to you is insignificant." | 83392 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 3: THERAPY FOR GROUP FEAR Chapter 14: THE USES OF LANGUAGE : HUMAN STRESS AND LANGUAGE |
| hieratic" (priestly) and popular (" demotic" ) forms. Tragedy is never lost. | 83409 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 3: THERAPY FOR GROUP FEAR Chapter 14: THE USES OF LANGUAGE : HUMAN STRESS AND LANGUAGE |
| Cadmus. By the time of Sophocles' tragedy, | 83694 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 3: THERAPY FOR GROUP FEAR Chapter 15: THE BIRTH AND DEATH OF MEMORY - |
| Love Affair as the Mask of Tragedy." | 84310 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 3: THERAPY FOR GROUP FEAR Chapter 16: THE TRANSFIGURATION OF TRAUMA : DREAMWORK |
| that it was comedy, not a tragedy; | 84311 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 3: THERAPY FOR GROUP FEAR Chapter 16: THE TRANSFIGURATION OF TRAUMA : DREAMWORK |
| myths are the stories of human tragedy on a grand scale. | 84633 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 3: THERAPY FOR GROUP FEAR Chapter 17: SETTLED SKY AND UNSETTLED MIND - |
| in the catastrophic model of Greek tragedy, | 86310 GODS FIRE: - - Chapter 2: THE SCENARIO OF EXODUS : HIGH-LEVEL NEGOTIATIONS |
| great Roman stoic, recalls in a tragedy a Jupiter whose bolts would level mountains; | 87496 GODS FIRE: - - Chapter 3: CATASTROPHE AND DIVINE FIRES : THE ELECTROSTATIC AGE |
| the end of the three-day tragedy, | 92932 GODS FIRE: - - Chapter 7: THE LEVITES AND THE REVOLTS : KORAH'S REBELLION |
| Seneca, said Stecchini, composed a great tragedy, | 97651 THE DEVINE SUCCESSION PART 1: THEOMACHY Chapter 5: LEGENDS AND SCRIPTURE - |
| collapse of the plot of a tragedy. | 107069 THE BURNING OF TROY: PART 3: WORKING OF THE MIND: Chapter 16: SANDAL-STRAPS AND SEMIOLOGY - |
| life and jokes as well as tragedy, | 107996 THE BURNING OF TROY: PART 3: WORKING OF THE MIND: Chapter 19: THE 'UNCONSCIOUS' AS A LITERARY REVOLT AGAINST SCIENCE : DETAILED EXPOSITION OF THE PROJECT |
| entity to judge them to be tragedy; | 108155 THE BURNING OF TROY: PART 3: WORKING OF THE MIND: Chapter 19: THE 'UNCONSCIOUS' AS A LITERARY REVOLT AGAINST SCIENCE : DETAILED EXPOSITION OF THE PROJECT |
| judge them to be tragedy; the tragedy is like the tree falling in the forest unheard and unobserved. | 108155 THE BURNING OF TROY: PART 3: WORKING OF THE MIND: Chapter 19: THE 'UNCONSCIOUS' AS A LITERARY REVOLT AGAINST SCIENCE : DETAILED EXPOSITION OF THE PROJECT |
| the origin and significance of Greek tragedy. | 115372 KA: - - Chapter 8: SKY AND STAGE - |
| in a circular formation." The word tragedy comes from 'ode', | 115385 KA: - - Chapter 8: SKY AND STAGE - |
| Aristotle to mean a fiery meteor. Tragedy, | 115386 KA: - - Chapter 8: SKY AND STAGE - |
| city of Corinth. Choral odes in tragedy retained the Doric dialect of Dorian Corinth. | 115389 KA: - - Chapter 8: SKY AND STAGE - |
| about 536, wrote the first recorded tragedy. | 115390 KA: - - Chapter 8: SKY AND STAGE - |
| slithered off. The scenery for a tragedy was usually a palace or a temple. | 115393 KA: - - Chapter 8: SKY AND STAGE - |
| was a later development. A primitive tragedy began with the entrance of the chorus, | 115396 KA: - - Chapter 8: SKY AND STAGE - |
| the tritagonist. In a very early tragedy the subject matter would be the life and death of a god, | 115406 KA: - - Chapter 8: SKY AND STAGE - |
| by many as the inventor of tragedy, | 115413 KA: - - Chapter 8: SKY AND STAGE - |
| the tunic). The episodes in a tragedy were scenes involving actors and chorus. | 115426 KA: - - Chapter 8: SKY AND STAGE - |
| to look as if a Greek tragedy was a religious ceremony originally connected with a threat from the sky. | 115490 KA: - - Chapter 8: SKY AND STAGE - |
| the phallic songs. It shares with tragedy certain features. | 115518 KA: - - Chapter 8: SKY AND STAGE - |
| spur on the contestants, whereas in tragedy they usually only commented and tried to appease. | 115527 KA: - - Chapter 8: SKY AND STAGE - |
| in the origin of dithyramb and tragedy, | 115533 KA: - - Chapter 8: SKY AND STAGE - |
| PASSAGES THAT SHED LIGHT ON GREEK TRAGEDY Iliad XIX: | 115664 KA: - - Chapter 8: SKY AND STAGE : PASSAGES THAT SHED LIGHT ON GREEK TRAGEDY |
| for justice. Open almost any Greek tragedy, | 116244 KA: - - Chapter 11: THE PRESOCRATIC PHILOSOPHERS - |
| back to our conclusions on Greek tragedy and see a link between justice in the individual human being, | 116246 KA: - - Chapter 11: THE PRESOCRATIC PHILOSOPHERS - |
| number of plays, modelled on Greek tragedy. | 118136 KA: - - Chapter 17: BYWAYS OF ELECTRICITY : SOME PASSAGES OF INTEREST IN THE ILIAD |
| holy throne; Herodotus II: 173. Of tragedy: | 118387 KA: - - Chapter 18: ROME AND THE ETRUSCANS : ROME, MONARCHY, AND THE GODS |
| of the origins of dithyramb and tragedy, | 119034 KA: - - Chapter 20: SANCTIFICATION AND RESURRECTION - |
| saw in Chapter VIII that Greek tragedy developed from the dithyramb. | 119849 KA: - - Chapter 22: LIVING WITH ELECTRICITY : DANCE |
| The view of the nature of tragedy advanced in Chapter VIII is that it was concerned with averting, | 119851 KA: - - Chapter 22: LIVING WITH ELECTRICITY : DANCE |
| and a monster. It was, like tragedy, | 120051 KA: - - Chapter 22: LIVING WITH ELECTRICITY : GAMES |
| and attitudes are found in Greek tragedy, | 122541 - A FIRE NOT BLOWN: - - Chapter 08: THE BULL - |
| irregular occurrences in the sky. Greek tragedy is based on confrontation, | 123037 - A FIRE NOT BLOWN: - - Chapter 12: CATASTROPHE, MYTH AND SKY - |
| with pathos, suffering. In a Greek tragedy, | 123332 - A FIRE NOT BLOWN: - - Chapter 13: FIRE - |
| as at Knosos and in Greek tragedy; | 124054 - A FIRE NOT BLOWN: - - Chapter 16: THE DANCE - |
| purpose similar to that of Greek tragedy, | 124414 - A FIRE NOT BLOWN: - - Chapter 19: LIFE - |
| Akhnaton, the reconstruction of a human tragedy, | 126854 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 1: CULTURAL AMNESIA : Notes (Cultural Amnesia) |
| other, Antony and Cleopatra, a worldly tragedy of lust and politics. | 129206 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art |
| for Christ. The turbulence in this tragedy leads to a welcome, | 130400 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art |
| Velikovsky says about Mars is What tragedy shows happening to the tragic hero. | 130792 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art |
| and his and Cleopatra's individual tragedy are both set within the context of a larger process, | 130944 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art |
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TRAGELAPHOS...............1 (0.000%)
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| ka, per, house. goat-stag Gk. tragelaphos, | 120856 KA: - - - GLOSSARY - |
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TRAGIC....................32 (0.004%)
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| totality of his culture on a tragic plane; | 55199 SOLARIA-BINARIA: PART 2: DESTRUCTION OF THE SOLAR BINARY: Chapter 12: QUANTAVOLUTION OF THE BIOSPHERE: HOMO SAPIENS - |
| SOCIAL IMPRINTING In Seneca's ancient tragic drama, | 63795 HOMO SCHIZO I: - - Chapter 3: MECHANICS OF HUMANIZATION : SOCIAL IMPRINTING |
| was in truth absent. In the tragic setting of the Trojan War, | 81963 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 2: GODS, PLANETS, MADNESS Chapter 12: THE LAUGHING GODS - |
| is tabooed or aggressively hostile or tragic. | 82268 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 2: GODS, PLANETS, MADNESS Chapter 12: THE LAUGHING GODS : A DIVINE SENSE OF HUMOR |
| funny in the play or more tragic in reality than the coming of Zeus, | 82294 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 2: GODS, PLANETS, MADNESS Chapter 12: THE LAUGHING GODS : A DIVINE SENSE OF HUMOR |
| sacred originates in a stressful and tragic condition. | 83406 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 3: THERAPY FOR GROUP FEAR Chapter 14: THE USES OF LANGUAGE : HUMAN STRESS AND LANGUAGE |
| In the process of sublimation, the tragic stress gives way to liturgical language, | 83407 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 3: THERAPY FOR GROUP FEAR Chapter 14: THE USES OF LANGUAGE : HUMAN STRESS AND LANGUAGE |
| any collectively experienced event that had tragic consequences in order to give symptomatic relief to the perpetual illness. ( | 83453 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 3: THERAPY FOR GROUP FEAR Chapter 14: THE USES OF LANGUAGE : THE RULES OF MYTHICAL LANGUAGE |
| Of 150 known Greek authors of tragic drama, | 84064 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 3: THERAPY FOR GROUP FEAR Chapter 15: THE BIRTH AND DEATH OF MEMORY : AMNESIAC PHILOSOPHERS |
| new game. Catastrophe, too, inspires great tragic games. | 88319 GODS FIRE: - - Chapter 4: THE ARK IN ACTION : THE GOLDEN BOX |
| play that forms an ironic and tragic contrast with the Old Testament setting, | 92762 GODS FIRE: - - Chapter 7: THE LEVITES AND THE REVOLTS : KORAH'S REBELLION |
| is of course part of the tragic game that they should be encouraged by their religion and leaders to believe that this destruction is the desire and intent of the outside world, | 94387 GODS FIRE: - - Chapter 8: THE ELECTRIC GOD : IMMORTALITY |
| religious anniversary celebration is therefore ambivalently tragic and joyful. | 98722 THE DEVINE SUCCESSION PART 1: THEOMACHY Chapter 8: INDISPENSABLE GODS - |
| nevertheless occasions for the relief of tragic memory, | 98723 THE DEVINE SUCCESSION PART 1: THEOMACHY Chapter 8: INDISPENSABLE GODS - |
| acute differentiation from oneself in the tragic divine need to derive instinctive gratification from their exploitation. | 101257 THE DEVINE SUCCESSION PART 2: THEOTROPY: Chapter 13: CATECHISM - |
| its relatedness. The quake was a tragic but local event; | 106744 THE BURNING OF TROY: PART 2: GEOLOGICAL ISSUES: Chapter 14: ATHENS QUAKES - |
| the decline of the divine and tragic hero. | 107711 THE BURNING OF TROY: PART 3: WORKING OF THE MIND: Chapter 19: THE 'UNCONSCIOUS' AS A LITERARY REVOLT AGAINST SCIENCE - |
| 1888-1953) for his explorations of tragic madness and the Oedipal unconscious. | 108116 THE BURNING OF TROY: PART 3: WORKING OF THE MIND: Chapter 19: THE 'UNCONSCIOUS' AS A LITERARY REVOLT AGAINST SCIENCE : DETAILED EXPOSITION OF THE PROJECT |
| other modes of compatible existence. The "tragic" departs from the art and literature; | 108152 THE BURNING OF TROY: PART 3: WORKING OF THE MIND: Chapter 19: THE 'UNCONSCIOUS' AS A LITERARY REVOLT AGAINST SCIENCE : DETAILED EXPOSITION OF THE PROJECT |
| it; there are phenomena to label "tragic" but no entity to judge them to be tragedy; | 108154 THE BURNING OF TROY: PART 3: WORKING OF THE MIND: Chapter 19: THE 'UNCONSCIOUS' AS A LITERARY REVOLT AGAINST SCIENCE : DETAILED EXPOSITION OF THE PROJECT |
| persecution by scientists. Here was a tragic irony for one who had believed and followed all the rules of the sciences to the best of his abilities. | 110214 THE BURNING OF TROY: PART 4: POLEMICS AND PERSONAGES: Chapter 26: EULOGIES TO THREE QUANTAVOLUTIONARIES : IMMANUEL VELIKOVSKY 1895-1979 1 |
| flaw in the character of the tragic hero is revealed. | 115445 KA: - - Chapter 8: SKY AND STAGE - |
| and a thunder machine, bronteion. The tragic pattern is a sequence: | 115468 KA: - - Chapter 8: SKY AND STAGE - |
| before in the character of the tragic hero. | 116586 KA: - - Chapter 12: MYSTERY RELIGIONS - |
| EGYPTIAN MAGIC HOMER and the Greek tragic poets often use periphrasis when addressing people. | 116936 KA: - - Chapter 13: 'KA', AND EGYPTIAN MAGIC - |
| in confrontational style like the later tragic chorus, | 118061 KA: - - Chapter 17: BYWAYS OF ELECTRICITY - |
| threat, just like Greek dithyramb and tragic drama. | 118618 KA: - - Chapter 18: ROME AND THE ETRUSCANS : PANTOMIME |
| dithyramb, then becomes confrontational like a tragic choros, | 124023 - A FIRE NOT BLOWN: - - Chapter 16: THE DANCE - |
| Pyramus and Thisbe, however funny, was tragic. | 130244 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art |
| one of the patterns underlying most tragic heroes. | 130791 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art |
| What tragedy shows happening to the tragic hero. | 130792 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art |
| is encouraged to look upon the tragic events at the end of the lives of Antony and Cleopatra 85 . | 131215 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art |