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SUBAERIAL.................4 (0.000%)
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| wave is a stranger to the subaerial land. ' | 42764 THE LATELY TORTURED EARTH: PART IV: CRUSTAL TURBULENCE: Chapter 18 Sinking and Rising Lands - |
| 9 . Some of the fossils are subaerial, | 43575 THE LATELY TORTURED EARTH: PART V: RIFTS, RAFTS AND BASINS: Chapter 20 Thrusting and Orogeny - |
| today, ask the same authors. (Actually, subaerial fossil species have been found at 1000 m depths.) | 43576 THE LATELY TORTURED EARTH: PART V: RIFTS, RAFTS AND BASINS: Chapter 20 Thrusting and Orogeny - |
| with atmospheric chemical participation. A new, subaerial, | 45799 THE LATELY TORTURED EARTH: PART V: RIFTS, RAFTS AND BASINS: Chapter 24 Continental Tropism and Rafting - |
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SUBAERIALLY...............1 (0.000%)
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| the continental slope was laid down subaerially, | 36081 THE LATELY TORTURED EARTH: PART I: ATMOSPHERICS: Chapter 7 Fire and Ash - |
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SUBARI....................1 (0.000%)
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| Lucifer (Rome), Helel (Judea), Aten (? Egypt), Subari (India). | 85043 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS - - APPENDIX CHARACTERS OF THE BOOK - |
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SUBATOMIC.................3 (0.000%)
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| structure structure of nature Stube, -. styx subatomic particle subduction sublimation submarine canyon submarine mountain submarine seep subsidence succession of gods Sudbury, | 5485 QUANTAVOLUTION AND CATASTROPHE: PART 5: The Scope of Quantavolution - - - |
| Fringe life forms are several, with subatomic behavior, | 100125 THE DEVINE SUCCESSION PART 2: THEOTROPY: Chapter 11: RELIGIOUS ELEMENTS IN SCIENCE - |
| describing what they detect at the subatomic level, | 128731 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 4: STRUCTURING THE APOCALYPSE: : Old and New World Variations |
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SUBBOTTOM.................1 (0.000%)
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| is first struck at 280 m subbottom depth, | 49844 THE LATELY TORTURED EARTH: PART VII: DIMENSIONS OF QUANTAVOLUTION: Chapter 31 The Recency of the Surface - |
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SUBCATEGORIES.............1 (0.000%)
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| and death. Filling in as important subcategories of these are such features of human existence as warfare, | 97948 THE DEVINE SUCCESSION PART 1: THEOMACHY Chapter 6: RITUAL AND SACRIFICE - |
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|
SUBCLASSES................1 (0.000%)
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| stratigraphically graded transitions between classes and subclasses have been found. | 47394 THE LATELY TORTURED EARTH: PART VI: BIOSPHERICS: Chapter 27 Genesis and Extinction - |
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SUBCONSCIOUS..............53 (0.007%)
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| There is comfort, mutual solace, malice, subconscious fear, | 8752 COSMIC HERETICS: PART 1: - Chapter 5: THE BRITISH CONNECTION - |
| course -- to what lengths will not subconscious ethnocentricity lead one, | 9352 COSMIC HERETICS: PART 1: - Chapter 5: THE BRITISH CONNECTION - |
| you cannot slowly release from his subconscious mind the necessary recognition of the traumatic past, | 9839 COSMIC HERETICS: PART 2: - Chapter 6: HOLOCAUST AND AMNESIA - |
| duplicity'), and that can be a subconscious urge during your writing. (...) | 14679 COSMIC HERETICS: PART 4: - Chapter 12: THE THIRD WORLD OF SCIENCE - |
| bureaucratic establishment. Furthermore, it is largely subconscious or scarcely perceived. | 16828 COSMIC HERETICS: PART 4: - Chapter 13: THE EMPIRE STRIKES BACK - |
| On the whole, there is much subconscious ambivalence (produced by anomalous and contradictory material) in science, | 20778 COSMIC HERETICS: PART 5: - Chapter 17: THE ADVANCEMENT OF SCIENCE - |
| distrust reinforced by the ever-present subconscious illogic: " | 23500 CHAOS AND CREATION: - - CHAPTER 03: COLLAPSING TESTS OF TIME : CYCLES AND ANNIVERSARIES |
| becomes subdued; it pushes into its subconscious recesses the first causes, | 27582 CHAOS AND CREATION: - - CHAPTER 07: EARTH PARTURITION AND MOON BIRTH : THE HEAVENLY SPINNER |
| that is avant-garde has the subconscious ambition, | 48241 THE LATELY TORTURED EARTH: PART VI: BIOSPHERICS: Chapter 28 Genesis and Extinction - |
| amidst the disruptions of memory. His subconscious now existed in a way that it had not before, | 64279 HOMO SCHIZO I: - - Chapter 4: THE GESTALT OF CREATION : FRIGHT, RECALL, AND AGGRESSION |
| come to terms with a new subconscious that distorted all perceptions of himself and others. | 64283 HOMO SCHIZO I: - - Chapter 4: THE GESTALT OF CREATION : FRIGHT, RECALL, AND AGGRESSION |
| to libertinism, rather than to the subconscious primordial feelings excited by a rule of liberty. | 66804 HOMO SCHIZO I: - - Chapter 6: SCHIZOID INSTITUTIONS : REPUBLIC AND MONARCHY |
| the environment - while relinquishing to the subconscious the impressions so intense that they would catatonize or panic the organism. | 73024 HOMO SCHIZO II: - - Chapter 4: DISPLACEMENT AND OBSESSION : TIME AND REMEMBERING |
| detail, and durability (in conscious and subconscious form) of remembering is proportional to the gravity of a trauma, | 73027 HOMO SCHIZO II: - - Chapter 4: DISPLACEMENT AND OBSESSION : TIME AND REMEMBERING |
| tended to go underground into the subconscious, | 73592 HOMO SCHIZO II: - - Chapter 5: COPING WITH FEAR : GUILT AND PUNISHMENT |
| 13. Cf. T. Thuss-Thienemann, The Subconscious Language, | 75025 HOMO SCHIZO II: - - Chapter 6: SYMBOLS AND SPEECH : Notes (Chapter 6: Symbols and Speech) |
| stubbornly, obsessively the Moon in the subconscious. | 79956 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 2: GODS, PLANETS, MADNESS Chapter 8: THE TWO FACES OF LOVE : HOW TO NAME A PLANET? |
| less (or differently) imprisoned by their subconscious: " | 79958 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 2: GODS, PLANETS, MADNESS Chapter 8: THE TWO FACES OF LOVE : HOW TO NAME A PLANET? |
| false to history, unless saved by subconscious memory. | 79961 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 2: GODS, PLANETS, MADNESS Chapter 8: THE TWO FACES OF LOVE : HOW TO NAME A PLANET? |
| although this latter may have become subconscious. " | 80146 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 2: GODS, PLANETS, MADNESS Chapter 8: THE TWO FACES OF LOVE : THE ROMAN VENUS |
| demands of ordinary people to extract subconscious materials and bring them into consciousness. | 80258 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 2: GODS, PLANETS, MADNESS Chapter 8: THE TWO FACES OF LOVE : THE ROMAN VENUS |
| I would maintain that on the subconscious level, | 80260 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 2: GODS, PLANETS, MADNESS Chapter 8: THE TWO FACES OF LOVE : THE ROMAN VENUS |
| tried to describe earlier what the subconscious contained, | 80262 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 2: GODS, PLANETS, MADNESS Chapter 8: THE TWO FACES OF LOVE : THE ROMAN VENUS |
| and will try to express this subconscious mood in a later chapter. | 80263 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 2: GODS, PLANETS, MADNESS Chapter 8: THE TWO FACES OF LOVE : THE ROMAN VENUS |
| personal combat. If Hermes is a subconscious memory of an apparition which itself is the subconscious memory of an earlier celestial appearance, | 82060 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 2: GODS, PLANETS, MADNESS Chapter 12: THE LAUGHING GODS : APOLLO |
| an apparition which itself is the subconscious memory of an earlier celestial appearance, | 82060 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 2: GODS, PLANETS, MADNESS Chapter 12: THE LAUGHING GODS : APOLLO |
| among other bodies, would prompt the subconscious memories of Apollo and bring him into the climactic scene of the opera. | 82089 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 2: GODS, PLANETS, MADNESS Chapter 12: THE LAUGHING GODS : APOLLO |
| Unconscious explains a joke as the subconscious prevention of a wish from completing its natural aim. | 82266 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 2: GODS, PLANETS, MADNESS Chapter 12: THE LAUGHING GODS : A DIVINE SENSE OF HUMOR |
| meanings through metaphors. Only in the subconscious minds of the earliest singers of the song and their audience would there exist openly sensible connections between the event and the signs, | 83322 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 3: THERAPY FOR GROUP FEAR Chapter 14: THE USES OF LANGUAGE : TRADUTTORE TRADITTORE |
| and the sublimation of the troublesome subconscious memory could be accomplished quickly as well. | 84650 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 3: THERAPY FOR GROUP FEAR Chapter 17: SETTLED SKY AND UNSETTLED MIND : WHAT HOMER REMEMBERED |
| gods in this manner. On the subconscious level, | 84678 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 3: THERAPY FOR GROUP FEAR Chapter 17: SETTLED SKY AND UNSETTLED MIND : WHAT HOMER REMEMBERED |
| only up to certain point; many subconscious activities occur and leak out onto external objects, | 96068 THE DEVINE SUCCESSION PART 1: THEOMACHY Chapter 1: THE GENESIS OF RELIGION - |
| of anxiety occasions a sort of subconscious shifting of cargo with an invention and appeal to a new god following the failure of performance of an old one. | 97197 THE DEVINE SUCCESSION PART 1: THEOMACHY Chapter 4: THE HEAVENLY HOST - |
| provides a systematic awareness of the subconscious interaction of religious material with the sexual, | 101643 THE DEVINE SUCCESSION PART 2: THEOTROPY: Chapter 9: A NOTE ON SOURCES - |
| helps a language to grow, especially subconscious play, | 107200 THE BURNING OF TROY: PART 3: WORKING OF THE MIND: Chapter 16: SANDAL-STRAPS AND SEMIOLOGY - |
| grow, especially subconscious play, accompanied by subconscious laughter - relief from anxiety, | 107201 THE BURNING OF TROY: PART 3: WORKING OF THE MIND: Chapter 16: SANDAL-STRAPS AND SEMIOLOGY - |
| In Flaubert's Salammbo (1859) the subconscious eroticism of a maiden brings about hysterical behavior. " | 107935 THE BURNING OF TROY: PART 3: WORKING OF THE MIND: Chapter 19: THE 'UNCONSCIOUS' AS A LITERARY REVOLT AGAINST SCIENCE : DETAILED EXPOSITION OF THE PROJECT |
| bright net the live tangle of subconscious life; | 108256 THE BURNING OF TROY: PART 3: WORKING OF THE MIND: Chapter 19: THE 'UNCONSCIOUS' AS A LITERARY REVOLT AGAINST SCIENCE : DETAILED EXPOSITION OF THE PROJECT |
| at this time that the catastrophic subconscious of humanity, | 112148 THE BURNING OF TROY: PART 5: COMMUNICATING A SCIENTIFIC MODEL: Chapter 30: PAST, PRESENT, AND FUTURE : THE POLITICS OF UNIFORMITARIANISM |
| phenomena. Myth has been compared to subconscious images and to dreams. | 122884 - A FIRE NOT BLOWN: - - Chapter 11: CHANGING INTERPRETATIONS - |
| trauma induced by the conflict between subconscious memories of past catastrophic events and the refusal of the conscious mind to recognize that these events actually occurred in prehistoric and historic times. | 126054 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : - FOREWORD - |
| of that literature also upon the subconscious needs of the individual for comfort. | 126121 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : - FOREWORD - |
| planetary bodies went through paroxysms. The subconscious desire of man to know his past was the basis of progress which led to the development of science. | 126644 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 1: CULTURAL AMNESIA : ARMAGEDDON |
| you cannot slowly release from his subconscious mind the necessary recognition of the traumatic past. | 126834 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 1: CULTURAL AMNESIA : WAR |
| be forgotten or displaced into the subconscious mind. | 127879 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 3: PSYCHOLOGICAL ASPECTS OF THE WORK OF IMMANUEL VELIKOVSKY - |
| an example of narrative art whose subconscious bedrock is Velikovskian. | 129210 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art |
| at least one of which is subconscious, | 129220 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art |
| that the full nature of our subconscious response can only be understood if we perceive the catastrophic substructure which underlies the play. | 129220 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art |
| may have been? Third, before arguing subconscious inherited racial memory as the basis for the features of this play, | 129823 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art |
| psychologists accept the idea of a subconscious or unconscious, | 131313 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art |
| all men respond at a primitive, subconscious, | 131519 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art |
| all of this happened at a subconscious level. | 131534 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art |
| traditions, namely that mankind lives in subconscious fear of cosmic cataclysms, | 137037 THE VELIKOVSKY AFFAIR: PART 3: THE INCONSTANT HEAVENS - - - |
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|
SUBCONSCIOUSLY............18 (0.002%)
|
| imperative, V. seems to have encouraged subconsciously the awesome stupidity of attacks upon himself. | 8370 COSMIC HERETICS: PART 1: - Chapter 4: A PROPER RESPECT FOR AUTHORITY - |
| the theory that each individual desires subconsciously to repeat the catastrophe or trauma, | 9808 COSMIC HERETICS: PART 2: - Chapter 6: HOLOCAUST AND AMNESIA - |
| mind, of deliberate action and of subconsciously driven behavior, | 73576 HOMO SCHIZO II: - - Chapter 5: COPING WITH FEAR : GUILT AND PUNISHMENT |
| and destructive activity, both deliberately and subconsciously conducted, | 73585 HOMO SCHIZO II: - - Chapter 5: COPING WITH FEAR : GUILT AND PUNISHMENT |
| operations, just as he copies, often subconsciously, | 74506 HOMO SCHIZO II: - - Chapter 6: SYMBOLS AND SPEECH : THE STRUCTURE OF SPEAKING |
| lines of the Love Affair dramatize subconsciously the history of a catastrophic encounter of the planets at or near 687 B. | 76735 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS - - - INTRODUCTION - |
| it, suppressed its memories, remembered it subconsciously, | 77232 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 1: SACRED SCANDAL AND DISASTER Chapter 3: THE LOVE AFFAIR AS THE MASK OF TRAGEDY - |
| assign to her (and believe that subconsciously the Greeks assigned to her) in the Love Song of Demodocus in Book VIII of the Odyssey of Homer. | 79888 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 2: GODS, PLANETS, MADNESS Chapter 8: THE TWO FACES OF LOVE : A MATCH OF SOURCES |
| late period of empire. The Athenians, subconsciously true to remote history, | 80762 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 2: GODS, PLANETS, MADNESS Chapter 10: HE WHO SHINES BY DAY : THE EPITHETS OF VENUS |
| at the Love Affair climax was subconsciously prompted. | 82082 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 2: GODS, PLANETS, MADNESS Chapter 12: THE LAUGHING GODS : APOLLO |
| disappointments; four covert thrusts leading to subconsciously feared disasters; | 82315 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 2: GODS, PLANETS, MADNESS Chapter 12: THE LAUGHING GODS : A DIVINE SENSE OF HUMOR |
| behaving typically, Homer could know both subconsciously and to a degree consciously of a horrendous history, | 84694 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 3: THERAPY FOR GROUP FEAR Chapter 17: SETTLED SKY AND UNSETTLED MIND : WHAT HOMER REMEMBERED |
| and the discipline that such fears subconsciously and later consciously impressed upon him. | 98531 THE DEVINE SUCCESSION PART 1: THEOMACHY Chapter 7: MAN'S DIVINE MIRROR - |
| by deviant behavior that simultaneously and subconsciously is analogous enough to the impulses to be organically tolerated and yet sends the organism in new directions that not only complement and supplement but also contradict other behaviors. | 98586 THE DEVINE SUCCESSION PART 1: THEOMACHY Chapter 7: MAN'S DIVINE MIRROR - |
| Even when contradictory, the sublimation is subconsciously recognized by others to be providing such discharges and is accepted and even encouraged by them. | 98589 THE DEVINE SUCCESSION PART 1: THEOMACHY Chapter 7: MAN'S DIVINE MIRROR - |
| is there, we respond to it subconsciously because it is also racially in us. | 131428 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art |
| the reasons for them, all originate subconsciously. | 131572 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art |
| but each type is nevertheless driven subconsciously to attack the truth in order to retain the lie which gives him comfort. | 131575 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art |