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| intervention of the Lord (and the archangels) against the army of Sennacherib, | 81578 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 2: GODS, PLANETS, MADNESS Chapter 11: THE BLASTED CAREER OF THE MIGHTY SWORDSMAN : THE QUALITIES OF ARES |
| connected with the Holy Spirit, The Archangels Michael and Gabriel (both identified with planets), | 97463 THE DEVINE SUCCESSION PART 1: THEOMACHY Chapter 4: THE HEAVENLY HOST - |
| with the names of the seven archangels. ( | 117161 KA: - - Chapter 13: 'KA', AND EGYPTIAN MAGIC : STATUES AND MUMMIES |
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ARCHBISHOP................3 (0.000%)
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| ludicrous target, the date proposed by Archbishop James Ussher (1581-1656), | 21519 CHAOS AND CREATION: - - - INTRODUCTION : THE UNIFORMITIARIAN RESISTANCE |
| irksome. Then going beyond ceremony, the Archbishop in his sermon deplored warfare, | 99389 THE DEVINE SUCCESSION PART 2: THEOTROPY: Chapter 10: ETHICS AND THE SUPERNATURAL - |
| s wars? Just as reasonably, the Archbishop might say: | 99395 THE DEVINE SUCCESSION PART 2: THEOTROPY: Chapter 10: ETHICS AND THE SUPERNATURAL - |
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ARCHE.....................8 (0.001%)
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| certain passage (poros), like a beginning (arche), | 116258 KA: - - Chapter 11: THE PRESOCRATIC PHILOSOPHERS - |
| It is a divine (theios) source (arche) of rational life. | 118818 KA: - - Chapter 19: THE TIMAEUS - |
| soul below the neck. The word arche, | 118865 KA: - - Chapter 19: THE TIMAEUS - |
| 440). I suggest that the Greek 'arche', | 119651 KA: - - Chapter 21: THE DEATH OF KINGS : Notes (Chapter Twenty-One: The Death of Kings) |
| axe, Lat. dolabra. element Gk. stoicheion, arche. | 120781 KA: - - - GLOSSARY - |
| survives in 'monarch', and in Greek arche, ' | 124684 - A FIRE NOT BLOWN: - - Chapter 21: KINGS - |
| who was performing a sacrifice. Greek arche means origin, | 124730 - A FIRE NOT BLOWN: - - Chapter 21: KINGS - |
| Greek letter chi, which appears in arche, | 124733 - A FIRE NOT BLOWN: - - Chapter 21: KINGS - |
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ARCHEALOGICAL.............1 (0.000%)
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| the purpose of planning subway construction. Archealogical finds were noted and covered over, | 102891 THE BURNING OF TROY: PART 1: HISTORICAL DISTURBANCES: Chapter 2: THE BURNING OF TROY : A NEW INTERDISCIPLINARY METHOD |
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ARCHEAN...................1 (0.000%)
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| archaeoastronomy archaeobacteria archaeology archaeomagnetic archaeopteryx archaeozoic, archean archetype archicortex architecture Arctic Ocean, | 1605 QUANTAVOLUTION AND CATASTROPHE: PART 5: The Scope of Quantavolution - - - |
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ARCHEAO...................1 (0.000%)
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| Bar-Yosef, Ernst Wrestler, and other archeao- anthropologists from Israel on an excursion through the caves of Southwest Aquitaine. | 106341 THE BURNING OF TROY: PART 2: GEOLOGICAL ISSUES: Chapter 13: THE LATECOMING OLDUVAI GORGE - |
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ARCHED....................5 (0.001%)
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| produced as the larger body exploded, arched through the solar system along the plane of the ecliptic. | 24674 CHAOS AND CREATION: - - CHAPTER 05: SOLARIA BINARIA : THE BREAK-UP OF SUPER-URANUS |
| serpent-woman between whose hands is arched what is probably a lightning-bolt. | 29473 CHAOS AND CREATION: - - CHAPTER 10: VENUS AND MARS : THE PLOT OF THE ILIAD |
| was born, much of it in arched array, | 45521 THE LATELY TORTURED EARTH: PART V: RIFTS, RAFTS AND BASINS: Chapter 24 Continental Tropism and Rafting - |
| a piercing and blasting instrument. The arched string instrument -harp, | 48148 THE LATELY TORTURED EARTH: PART VI: BIOSPHERICS: Chapter 28 Genesis and Extinction - |
| waggon, and a boat with an arched cover. | 123476 - A FIRE NOT BLOWN: - - Chapter 13: FIRE - |
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ARCHEOLOGIA...............1 (0.000%)
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| 44: Atti di Pontificio accademia di Archeologia (1971-2), | 103634 THE BURNING OF TROY: PART 1: HISTORICAL DISTURBANCES: Chapter 3: THE FOUNDING OF ROME : Notes (Chapter 3: The Founding of Rome) |
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ARCHEOLOGICAL.............5 (0.001%)
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| is stressing a baffling absence of archeological material to fill in centuries of assigned time in Egypt, | 15522 COSMIC HERETICS: PART 4: - Chapter 13: THE EMPIRE STRIKES BACK - |
| If timescales are deprived of anthropological, archeological, | 61396 HOMO SCHIZO I: - - Chapter 1: SLIPPERY LADDERS OF EVOLUTION : WAVES OF EVOLUTION |
| however, are honored by their own archeological and historical dating system and Gordius is said to be of the eighth century before Christ. | 78584 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 2: GODS, PLANETS, MADNESS Chapter 7: CRAZY HEROES OF DARK TIMES : THE SAGE WHO BRIDGED THE DARK AGES |
| Love Affair that was based upon archeological, | 83962 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 3: THERAPY FOR GROUP FEAR Chapter 15: THE BIRTH AND DEATH OF MEMORY : AMNESIAC PHILOSOPHERS |
| a lens. Furthermore, the written and archeological evidence suggests that in the ancient world enlargement was obtained by the use of mirrors. | 138406 THE VELIKOVSKY AFFAIR: PART 4: CUNEIFORM ASTRONOMICAL RECORDS AND CELESTIAL INSTABILITY - - - |
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ARCHEOLOGIQUE.............2 (0.000%)
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| Taureau Celeste Chalden," XIII Reveue Archeologique, | 31254 CHAOS AND CREATION: - - - BIBLIOGRAPHY - |
| cleste chalden, "XIII Revue Archeologique, | 87893 GODS FIRE: - - Chapter 3: CATASTROPHE AND DIVINE FIRES : Notes (Chapter 3: Catastrophe and Divine Fires) |
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ARCHEOLOGISTS.............2 (0.000%)
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| followed suit. So did all the archeologists and geologists who pursued the popular study of Thira as the true Atlantis. | 29749 CHAOS AND CREATION: - - CHAPTER 10: VENUS AND MARS : THE EXPLOSION OF THIRA |
| it is that interests anthropologists or archeologists or prehistorians; | 65755 HOMO SCHIZO I: - - Chapter 5: CULTURAL REVOLUTION : ECUMENICAL CULTURE |
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ARCHEOLOGY................5 (0.001%)
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| Seters, John (1964), 50 J. Egyptian Archeology, | 32389 CHAOS AND CREATION: - - - BIBLIOGRAPHY - |
| status of our knowledge of American archeology does not allow us to attribute the origins of New World civilization to diffusion from the Old World with assurance. | 65942 HOMO SCHIZO I: - - Chapter 5: CULTURAL REVOLUTION : AMERICAN CULTURAL ORIGINS |
| of geology. oceanography, meteorology, paleomagnetism, and archeology are continuously bringing forward new evidence, | 77540 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 1: SACRED SCANDAL AND DISASTER Chapter 4: CATASTROPHE AND SUBLIMATION : THE GENERAL THEORY OF CATASTROPHE |
| philologists, psychologists, and archaeologists. In addition, archeology has disclosed periods of total and simultaneous devastation of existing civilizations in areas stretching from the Atlantic Ocean to China, | 77571 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 1: SACRED SCANDAL AND DISASTER Chapter 4: CATASTROPHE AND SUBLIMATION : THE GENERAL THEORY OF CATASTROPHE |
| site could give dates that conventional archeology had already established. | 78654 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 2: GODS, PLANETS, MADNESS Chapter 7: CRAZY HEROES OF DARK TIMES : THE SAGE WHO BRIDGED THE DARK AGES |
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ARCHEONS..................1 (0.000%)
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| takes, and probably to early ages (archeons and archaic) and forms of rule (monarchy, | 88499 GODS FIRE: - - Chapter 4: THE ARK IN ACTION : THE GOLDEN BOX |
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ARCHER....................2 (0.000%)
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| god of prophecies, of music, the archer-god, | 82054 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 2: GODS, PLANETS, MADNESS Chapter 12: THE LAUGHING GODS : APOLLO |
| of an Apollonian ephitet as "the archer god" by adding "or, | 82072 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 2: GODS, PLANETS, MADNESS Chapter 12: THE LAUGHING GODS : APOLLO |
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ARCHERS...................3 (0.000%)
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| but strike the target like poor archers, | 68737 HOMO SCHIZO I: - - Chapter 7: PSYCHOPATHOLOGY OF HISTORY : THE UNREDEEMABLE APEMAN |
| they gnawed the bowstrings of the archers and caused the army's total discomfiture. | 88953 GODS FIRE: - - Chapter 4: THE ARK IN ACTION : THE ARK'S END |
| half man, half horse. Centaurs were archers, | 119729 KA: - - Chapter 22: LIVING WITH ELECTRICITY - |
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ARCHERY...................1 (0.000%)
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| the Etruscan lightning- averter. In the archery contest at the funeral games for Anchises, | 117419 KA: - - Chapter 14: BOLTS FROM THE BLUE - |
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ARCHES....................2 (0.000%)
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| Greek and Roman pylons, gateways and arches symbolise an entry into the world of the electrical god. | 123302 - A FIRE NOT BLOWN: - - Chapter 13: FIRE - |
| gate'. Lord of the four gates? Arches, | 123314 - A FIRE NOT BLOWN: - - Chapter 13: FIRE - |
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ARCHETECTURE..............1 (0.000%)
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| temperature temple Temple of Jerusalem temple, archetecture temple, | 5596 QUANTAVOLUTION AND CATASTROPHE: PART 5: The Scope of Quantavolution - - - |
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ARCHETYPAL................20 (0.002%)
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| motif of the repetition of an archetypal gesture, | 27436 CHAOS AND CREATION: - - CHAPTER 07: EARTH PARTURITION AND MOON BIRTH : ELIADE'S "LUNAR PERSPECTIVE" |
| actualizing the mythical moment when the archetypal gesture was revealed, | 27442 CHAOS AND CREATION: - - CHAPTER 07: EARTH PARTURITION AND MOON BIRTH : ELIADE'S "LUNAR PERSPECTIVE" |
| instruments) - a dance always imitates an archetypal gesture or commemorates a mythical moment. | 77910 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 1: SACRED SCANDAL AND DISASTER Chapter 5: HOLY DREAMTIME : BURLESQUE OR RELIGION? |
| Drachman; discussed by Kerenyi in Dionysus: Archetypal Image of Indestructible Life) The imagery of the pillar may perhaps be traced in the following passages: | 116285 KA: - - Chapter 11: THE PRESOCRATIC PHILOSOPHERS - |
| 9, quoted by Kerenyi in 'Dionysus: Archetypal Image of Indestructible Life' translated from German by R. | 116907 KA: - - Chapter 12: MYSTERY RELIGIONS : Notes (Chapter Twelve: Mystery Religions) |
| p. 50; quoted by Kerenyi, Dionysus: Archetypal Image of Indestructible Life, | 119747 KA: - - Chapter 22: LIVING WITH ELECTRICITY - |
| with reference to the personal and archetypal significance of the drawings, | 128615 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 3: PSYCHOLOGICAL ASPECTS OF THE WORK OF IMMANUEL VELIKOVSKY : Notes (Psychological Aspects of the Work of Immanuel Velikovsky) |
| most modern, because it embodies certain archetypal patterns of action which are universal. | 129227 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art |
| then wonder why. One of these archetypal patterns in narrative art is the genre of the comic fertility play. | 129233 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art |
| of Jungian psychology, it is an archetypal move to fullness or wholeness, | 129645 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art |
| claims that all great tragedies contain archetypal patterns of general human experience, | 130758 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art |
| their own, the dimensions of an archetypal human experience 36 . | 130760 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art |
| are certain patterns felt to be archetypal? | 130772 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art |
| is in large part ... based on archetypal patterns which appear to have their basis in literature, | 130964 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art |
| ground out by the advocates of archetypal criticism. | 131448 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art |
| primordial vision," a special sensitivity to archetypal patterns and a gift for speaking in primordial images, | 131454 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art |
| social psychology and cultural anthropology - that archetypal and mythic criticism have grown, | 131468 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art |
| landmark works as Maud Bodkin's Archetypal Patterns in Poetry, | 131469 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art |
| note that a tendency to produce archetypal images or patterns exists in the human mind, | 131506 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art |
| The Hopi provide us with an archetypal response of life to a cataclysmic consciousness. | 132582 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 7: LIVING WITH VELIKOVSKY: : CATASTROPHISM AS WORLD VIEW |
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ARCHETYPE.................17 (0.002%)
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| archaeobacteria archaeology archaeomagnetic archaeopteryx archaeozoic, archean archetype archicortex architecture Arctic Ocean, | 1606 QUANTAVOLUTION AND CATASTROPHE: PART 5: The Scope of Quantavolution - - - |
| LIST OF ILLUSTRATIONS AND TABLES The Archetype of the Chinese Dragon (Frontispiece) 1. | 21357 CHAOS AND CREATION: - - - TABLE OF CONTENTS - |
| scientific interest -- was it a Jungian archetype, | 28467 CHAOS AND CREATION: - - CHAPTER 09: THE OLYMPIAN RULERS - |
| monster-like tail. Typhon is the archetype of the typhoon. | 29403 CHAOS AND CREATION: - - CHAPTER 10: VENUS AND MARS : HUNDREDS OF IDENTITIES |
| all people? Was a universal genetic archetype of the human mind bound to erect this cosmogony? | 48973 THE LATELY TORTURED EARTH: PART VII: DIMENSIONS OF QUANTAVOLUTION: Chapter 30 Intensity, Scope and Suddenness - |
| that is where the goddess Athene, archetype of planetary Venus, | 57001 SOLARIA-BINARIA: PART 2: DESTRUCTION OF THE SOLAR BINARY: Chapter 16: VENUS AND MARS - |
| human being from its imagined primate archetype. | 61081 HOMO SCHIZO I: - - Chapter 1: SLIPPERY LADDERS OF EVOLUTION : NATURAL SELECTION |
| the eternal celebration of a destructive archetype, | 67423 HOMO SCHIZO I: - - Chapter 6: SCHIZOID INSTITUTIONS : VIOLENCE AND WAR |
| split condition of the soul. The archetype is that which is believed always, | 67424 HOMO SCHIZO I: - - Chapter 6: SCHIZOID INSTITUTIONS : VIOLENCE AND WAR |
| translated vaguely. The story is the archetype of the adulterous love triangle, | 76624 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS - - - INTRODUCTION - |
| as far as to assign the archetype of the comet-planet Venus, | 79815 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 2: GODS, PLANETS, MADNESS Chapter 8: THE TWO FACES OF LOVE : A MATCH OF SOURCES |
| of the imitation of a celestial archetype," | 84467 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 3: THERAPY FOR GROUP FEAR Chapter 16: THE TRANSFIGURATION OF TRAUMA : IN ILLO TEMPORE |
| finally descending upon Canaan. Moses, the archetype of the mad scientist and religious prophet, | 86779 GODS FIRE: - - Chapter 2: THE SCENARIO OF EXODUS : UNFORESEEN CIRCUMSTANCES |
| 2 . Moses, he said, was an archetype of this type of mind. | 93646 GODS FIRE: - - Chapter 8: THE ELECTRIC GOD - |
| very different remoteness. In the celestial archetype, | 96519 THE DEVINE SUCCESSION PART 1: THEOMACHY Chapter 2: THE SUCCESSION OF GODS - |
| use life on earth as the archetype of the universe. | 100712 THE DEVINE SUCCESSION PART 2: THEOTROPY: Chapter 12: NEW PROOFS OF GOD - |
| unconscious or racial memory and the archetype in dream, | 131450 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art |