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| to speak of Tolstoi's "Kreutzer Sonata," | 10239 COSMIC HERETICS: PART 2: - Chapter 7: FROM VENUS WITH LOVE - |
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| 44. The Pentateuch and Haftoras, London: Soncino Press, | 89356 GODS FIRE: - - Chapter 4: THE ARK IN ACTION : Notes (Chapter 4: The Ark in Action) |
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| same Buridan, too, revived in the song of the student-brigand-poet FranHois Villon, | 8461 COSMIC HERETICS: PART 1: - Chapter 4: A PROPER RESPECT FOR AUTHORITY - |
| as he was in the uniformitarian song of science, | 12783 COSMIC HERETICS: PART 3: - Chapter 10: ABC'S OF ASTROPHYSICS - |
| the old grey mare of the song, " | 13749 COSMIC HERETICS: PART 3: - Chapter 11: CLOCKWORK - |
| of the builder sounds like a song... | 15227 COSMIC HERETICS: PART 4: - Chapter 12: THE THIRD WORLD OF SCIENCE - |
| were of course differences. However the song goes: " | 15269 COSMIC HERETICS: PART 4: - Chapter 12: THE THIRD WORLD OF SCIENCE - |
| upon him to sing a new song of solar space. | 17623 COSMIC HERETICS: PART 4: - Chapter 14: THE FOIBLES OF HERETICS - |
| to a story, a painting, a song, | 17976 COSMIC HERETICS: PART 5: - Chapter 15: THE KNOWLEDGE INDUSTRY - |
| first time closely and consciously the song of Demodocus at the house or Alcinous. | 18594 COSMIC HERETICS: PART 5: - Chapter 15: THE KNOWLEDGE INDUSTRY - |
| Homer's Odyssey, Bk. VIII, the "Song of Demodocus;" | 22697 CHAOS AND CREATION: - - CHAPTER 02: HIGH ENERGY FROM SPACE : Notes (Chapter Two: High Energy from Space) |
| the sea-cow in this mythical song and dance cycle points, | 27404 CHAOS AND CREATION: - - CHAPTER 07: EARTH PARTURITION AND MOON BIRTH : A QUESTION OF LUNAR PRIORITY |
| dead languages. He is god of song and dance, | 28893 CHAOS AND CREATION: - - CHAPTER 09: THE OLYMPIAN RULERS : MERCURY |
| permitted by Gabriel to hear 'the song of the celestials, ' | 30048 CHAOS AND CREATION: - - CHAPTER 10: VENUS AND MARS : THE WOUNDS OF PLANET MARS |
| Ronald M. (1948), "A Wonguri-Mandzikai Song Cycle of the Moon-Bone," | 31202 CHAOS AND CREATION: - - - BIBLIOGRAPHY - |
| the basis of the plot of song and chant; | 48219 THE LATELY TORTURED EARTH: PART VI: BIOSPHERICS: Chapter 28 Genesis and Extinction - |
| all peoples have them. Sacred myth, song, | 48238 THE LATELY TORTURED EARTH: PART VI: BIOSPHERICS: Chapter 28 Genesis and Extinction - |
| Licken", "Hey, diddle, diddle", "Sing a Song of Sixpence", " | 57642 SOLARIA-BINARIA: PART 3: TECHNICAL NOTES: - TECHNICAL NOTE A: ON METHOD - |
| art. When Gustav Mahler composed the Song of the Earth, | 67183 HOMO SCHIZO I: - - Chapter 6: SCHIZOID INSTITUTIONS : SUBLIMATION |
| brink of their own madness. His song, | 67186 HOMO SCHIZO I: - - Chapter 6: SCHIZOID INSTITUTIONS : SUBLIMATION |
| language." 4 Wit, humor, poetry and song are within the capabilities of sign language. | 74300 HOMO SCHIZO II: - - Chapter 6: SYMBOLS AND SPEECH : SILENT SYMBOLISM |
| AN ATHENA PRODUCTION Chapter 2. THE SONG OF LOVE THE SONG LITERALLY RENDERED IN ENGLISH VERSE HAPPY ENDING THE PHAEACIAN UTOPIA Chapter 3. | 76474 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS - - - TABLE OF CONTENTS - |
| 2. THE SONG OF LOVE THE SONG LITERALLY RENDERED IN ENGLISH VERSE HAPPY ENDING THE PHAEACIAN UTOPIA Chapter 3. | 76475 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS - - - TABLE OF CONTENTS - |
| myself with the context of the song and discovered that it was a Holy Dreamtime song, | 76638 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS - - - INTRODUCTION - |
| that it was a Holy Dreamtime song, | 76639 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS - - - INTRODUCTION - |
| behind the lines of the love song of Demodocus. | 76645 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS - - - INTRODUCTION - |
| the Greeks recovered from them. The song of the love affair of Aphrodite and Ares is to be stripped of its facade. | 76650 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS - - - INTRODUCTION - |
| is to be considered as a song about planetary gods doing violence to the world. | 76651 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS - - - INTRODUCTION - |
| in general agreement with the love song sung by Demodocus. | 76709 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS - - - INTRODUCTION - |
| SCANDAL AND DISASTER CHAPTER TWO THE SONG OF LOVE Here then is this song of love. | 76954 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 1: SACRED SCANDAL AND DISASTER Chapter 2: THE SONG OF LOVE - |
| OF LOVE Here then is this song of love. | 76956 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 1: SACRED SCANDAL AND DISASTER Chapter 2: THE SONG OF LOVE - |
| feet twinkled in mid-air! THE SONG LITERALLY RENDERED IN ENGLISH VERSE Whereupon the song of the Love Affair begins. | 76982 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 1: SACRED SCANDAL AND DISASTER Chapter 2: THE SONG OF LOVE : THE SONG LITERALLY RENDERED IN ENGLISH VERSE |
| RENDERED IN ENGLISH VERSE Whereupon the song of the Love Affair begins. | 76984 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 1: SACRED SCANDAL AND DISASTER Chapter 2: THE SONG OF LOVE : THE SONG LITERALLY RENDERED IN ENGLISH VERSE |
| the prelude to singing his sweet song, | 76985 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 1: SACRED SCANDAL AND DISASTER Chapter 2: THE SONG OF LOVE : THE SONG LITERALLY RENDERED IN ENGLISH VERSE |
| charmed and relaxed: This was the song that the famous bard sang and Odysseus rejoiced; | 77075 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 1: SACRED SCANDAL AND DISASTER Chapter 2: THE SONG OF LOVE : HAPPY ENDING |
| encircle them. Notes (Chapter 2: The Song of Love) 1. | 77190 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 1: SACRED SCANDAL AND DISASTER Chapter 2: THE SONG OF LOVE : Notes (Chapter 2: The Song of Love) |
| AS THE MASK OF TRAGEDY The song is sung. | 77229 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 1: SACRED SCANDAL AND DISASTER Chapter 3: THE LOVE AFFAIR AS THE MASK OF TRAGEDY - |
| it can be made tolerate. The Song of Love is telling something that only the collective unconscious can understand, | 77280 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 1: SACRED SCANDAL AND DISASTER Chapter 3: THE LOVE AFFAIR AS THE MASK OF TRAGEDY - |
| instructing acolytes about events of the song, | 77291 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 1: SACRED SCANDAL AND DISASTER Chapter 3: THE LOVE AFFAIR AS THE MASK OF TRAGEDY : AN ANCIENT PRIEST EXPLAINS |
| remain a secret from everybody." The song, | 77436 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 1: SACRED SCANDAL AND DISASTER Chapter 3: THE LOVE AFFAIR AS THE MASK OF TRAGEDY : THE HIDDEN STORY |
| If the preceding replay of Demodocus' song as a representation of the unconscious contains both a new "real" parallel plot and a certain "madness," | 77451 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 1: SACRED SCANDAL AND DISASTER Chapter 3: THE LOVE AFFAIR AS THE MASK OF TRAGEDY : AUTHOR'S CODA |
| to guide the reconstruction of the song of Demodocus. | 77523 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 1: SACRED SCANDAL AND DISASTER Chapter 4: CATASTROPHE AND SUBLIMATION - |
| kind of myth, the holy dreamtime song. | 77657 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 1: SACRED SCANDAL AND DISASTER Chapter 4: CATASTROPHE AND SUBLIMATION : THE DISPLACEMENT OF AFFECTS |
| forward above is represented in the song, | 77661 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 1: SACRED SCANDAL AND DISASTER Chapter 4: CATASTROPHE AND SUBLIMATION : THE DISPLACEMENT OF AFFECTS |
| it is that Odysseus, when the song is ended, | 77724 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 1: SACRED SCANDAL AND DISASTER Chapter 5: HOLY DREAMTIME - |
| unfaithfulness. One might believe that the song was in bad taste, | 77727 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 1: SACRED SCANDAL AND DISASTER Chapter 5: HOLY DREAMTIME - |
| gave him the gift of sweet song." | 77735 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 1: SACRED SCANDAL AND DISASTER Chapter 5: HOLY DREAMTIME - |
| drama, not a ballad or folk song. | 77757 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 1: SACRED SCANDAL AND DISASTER Chapter 5: HOLY DREAMTIME - |
| Affair? It is at least a song, | 77780 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 1: SACRED SCANDAL AND DISASTER Chapter 5: HOLY DREAMTIME : THE SCANDALOUS LITTLE PIECE |
| generally denied serious consideration to his song about a love affair. | 77812 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 1: SACRED SCANDAL AND DISASTER Chapter 5: HOLY DREAMTIME : THE SCANDALOUS LITTLE PIECE |
| beginning with the paragraph before the song commences. | 77863 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 1: SACRED SCANDAL AND DISASTER Chapter 5: HOLY DREAMTIME : BURLESQUE OR RELIGION? |
| twinkled in mid-air!" The little song is introduced, | 77884 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 1: SACRED SCANDAL AND DISASTER Chapter 5: HOLY DREAMTIME : BURLESQUE OR RELIGION? |
| Affair appears then as a sacred song, | 77913 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 1: SACRED SCANDAL AND DISASTER Chapter 5: HOLY DREAMTIME : BURLESQUE OR RELIGION? |
| to reconstruct the format of the song of Demodocus. | 77932 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 1: SACRED SCANDAL AND DISASTER Chapter 5: HOLY DREAMTIME : THE PIOUS DRAMATIST |
| concern the generic type of the song, | 77935 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 1: SACRED SCANDAL AND DISASTER Chapter 5: HOLY DREAMTIME : THE PIOUS DRAMATIST |
| epic poetry. Nor is it a song, | 77941 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 1: SACRED SCANDAL AND DISASTER Chapter 5: HOLY DREAMTIME : THE PIOUS DRAMATIST |
| song, nor a fragment of a song, | 77941 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 1: SACRED SCANDAL AND DISASTER Chapter 5: HOLY DREAMTIME : THE PIOUS DRAMATIST |
| civilization. In effect, says Patroni, the Song is not sacred poetry because one could not come out openly and formally to the greater glory of Aphrodite, | 77953 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 1: SACRED SCANDAL AND DISASTER Chapter 5: HOLY DREAMTIME : THE PIOUS DRAMATIST |
| glory of Aphrodite, even though the Song carried her through a tedious trial at the hands of a repulsive husband and a mindless warrior lover. | 77954 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 1: SACRED SCANDAL AND DISASTER Chapter 5: HOLY DREAMTIME : THE PIOUS DRAMATIST |
| leapers of Tyrins and Knossos. The song, | 77968 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 1: SACRED SCANDAL AND DISASTER Chapter 5: HOLY DREAMTIME : THE PIOUS DRAMATIST |
| R. M. Berndt, "A 'Wonguri-Manzikai Song Cycle of the Moon-Bone," | 78075 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 1: SACRED SCANDAL AND DISASTER Chapter 5: HOLY DREAMTIME : Notes (Chapter 5: Holy Dreamtime) |
| and see my note on this song in The Burning of Troy. | 78078 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 1: SACRED SCANDAL AND DISASTER Chapter 5: HOLY DREAMTIME : Notes (Chapter 5: Holy Dreamtime) |
| in the Love Affair, in the song of Demodocus. | 79348 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 2: GODS, PLANETS, MADNESS Chapter 8: THE TWO FACES OF LOVE - |
| which are then merged in the Song of Demodocus (p. | 79547 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 2: GODS, PLANETS, MADNESS Chapter 8: THE TWO FACES OF LOVE : ENCYCLOPEDISTS AND THE MOON GODDESS |
| assigned to her) in the Love Song of Demodocus in Book VIII of the Odyssey of Homer. | 79889 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 2: GODS, PLANETS, MADNESS Chapter 8: THE TWO FACES OF LOVE : A MATCH OF SOURCES |
| psychically in those who heard the Song of Demodocus chanted. | 80031 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 2: GODS, PLANETS, MADNESS Chapter 8: THE TWO FACES OF LOVE : HOW TO NAME A PLANET? |
| work, an Aphrodite of the Love Song of Demodocus. | 80096 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 2: GODS, PLANETS, MADNESS Chapter 8: THE TWO FACES OF LOVE : THE ROMAN VENUS |
| Let us look again to the song of Demodocus and see whether Hephaestus-Venus signals any possible effects of its role. | 81136 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 2: GODS, PLANETS, MADNESS Chapter 10: HE WHO SHINES BY DAY : ATHENA'S LAST BATTLES |
| the barest of sensitivity. So the song has the Earth siding with the lesser of two evils to retain the Moon, | 82177 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 2: GODS, PLANETS, MADNESS Chapter 12: THE LAUGHING GODS : POSEIDON |
| religious observances, astronomical observations, fairy tales, song, | 82402 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 2: GODS, PLANETS, MADNESS Chapter 13: HOW THE GODS FLY - |
| the measured circle that precedes the song is intended to indicate the celestial and sacred nature of the story. | 82499 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 2: GODS, PLANETS, MADNESS Chapter 13: HOW THE GODS FLY : THE MOVEMENTS OF THE SCENARIO |
| of the earliest singers of the song and their audience would there exist openly sensible connections between the event and the signs, | 83322 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 3: THERAPY FOR GROUP FEAR Chapter 14: THE USES OF LANGUAGE : TRADUTTORE TRADITTORE |
| by transforming events through art and song, | 83647 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 3: THERAPY FOR GROUP FEAR Chapter 15: THE BIRTH AND DEATH OF MEMORY - |
| obtain our historical material from myth, song, | 83656 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 3: THERAPY FOR GROUP FEAR Chapter 15: THE BIRTH AND DEATH OF MEMORY - |
| elapsed time from event to amnesiac song might have been less than a century. | 83687 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 3: THERAPY FOR GROUP FEAR Chapter 15: THE BIRTH AND DEATH OF MEMORY - |
| was "glad at heart, following the Song of Demodocus." | 84263 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 3: THERAPY FOR GROUP FEAR Chapter 16: THE TRANSFIGURATION OF TRAUMA : DREAMWORK |
| exalts them. That the often repeated song of Demodocus must have taught the audience something about sex, | 84402 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 3: THERAPY FOR GROUP FEAR Chapter 16: THE TRANSFIGURATION OF TRAUMA : SEXUALITY AND DISASTER |
| come upon a parallel between the song and external events. | 84807 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 3: THERAPY FOR GROUP FEAR Chapter 17: SETTLED SKY AND UNSETTLED MIND : A CLAIM OF SUCCESS |
| were a predecessor to the Love Song of Demodocus, | 84845 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 3: THERAPY FOR GROUP FEAR Chapter 17: SETTLED SKY AND UNSETTLED MIND : A CLAIM OF SUCCESS |
| details of the story of the song are stuck off so firmly that a complete version resounds from behind the lines. | 84880 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 3: THERAPY FOR GROUP FEAR Chapter 17: SETTLED SKY AND UNSETTLED MIND : A CLAIM OF SUCCESS |
| person. After the dreamtime dance and song of the Love Affair ends, | 84918 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 3: THERAPY FOR GROUP FEAR Chapter 17: SETTLED SKY AND UNSETTLED MIND : FROM SAVAGERY TO SUBLIMITY |
| the way in which a sacred song and dance should ideally be conducted, | 84928 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 3: THERAPY FOR GROUP FEAR Chapter 17: SETTLED SKY AND UNSETTLED MIND : FROM SAVAGERY TO SUBLIMITY |
| self-sacrifice and others sacrifice, the Song of Demodocus in its context, | 84943 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 3: THERAPY FOR GROUP FEAR Chapter 17: SETTLED SKY AND UNSETTLED MIND : FROM SAVAGERY TO SUBLIMITY |
| to let us sing him a song of praise. | 92456 GODS FIRE: - - Chapter 7: THE LEVITES AND THE REVOLTS : BLAME THE PEOPLE |
| name, as in the old American song "Rally around the flag, | 95372 GODS FIRE: - - - APPENDIX : THE PRAGMATICS OF LEGEND |
| old Mexico Brundage gives us a song composed by the Emperor Axayacatl: " | 98497 THE DEVINE SUCCESSION PART 1: THEOMACHY Chapter 7: MAN'S DIVINE MIRROR - |
| grows old and has passed the song to others. | 106860 THE BURNING OF TROY: PART 3: WORKING OF THE MIND: Chapter 15: COMPTINOLOGY AND TOHU-BOHU - |
| thousand years as the possibilities of song dawn upon an ape-person. | 106877 THE BURNING OF TROY: PART 3: WORKING OF THE MIND: Chapter 15: COMPTINOLOGY AND TOHU-BOHU - |
| cycles. Although complete in itself, each song is related to a central theme. | 107515 THE BURNING OF TROY: PART 3: WORKING OF THE MIND: Chapter 18: HOLY DREAMTIME IN WONGURI LAND - |
| post. There are sacred and secular song cycles, | 107519 THE BURNING OF TROY: PART 3: WORKING OF THE MIND: Chapter 18: HOLY DREAMTIME IN WONGURI LAND - |
| songs. There are secular and sacred song cycles but all partake of holy myths. | 107533 THE BURNING OF TROY: PART 3: WORKING OF THE MIND: Chapter 18: HOLY DREAMTIME IN WONGURI LAND - |
| Berndt, in reporting a classical Wonguri song, | 107534 THE BURNING OF TROY: PART 3: WORKING OF THE MIND: Chapter 18: HOLY DREAMTIME IN WONGURI LAND - |
| speak, in retrospect. If a sacred song cycle had been chosen much more discussion would have been involved, | 107542 THE BURNING OF TROY: PART 3: WORKING OF THE MIND: Chapter 18: HOLY DREAMTIME IN WONGURI LAND - |
| the majority of words in each song need extensive commentaries... | 107544 THE BURNING OF TROY: PART 3: WORKING OF THE MIND: Chapter 18: HOLY DREAMTIME IN WONGURI LAND - |
| one evening. "On such occasions, the song man becomes the teacher of a small group of men who are of his own particular clan and linguistic group. | 107592 THE BURNING OF TROY: PART 3: WORKING OF THE MIND: Chapter 18: HOLY DREAMTIME IN WONGURI LAND - |
| the arrangement of words in a song taught by constant repetition." | 107594 THE BURNING OF TROY: PART 3: WORKING OF THE MIND: Chapter 18: HOLY DREAMTIME IN WONGURI LAND - |
| of self-descriptive songs. The Moon song is begun; | 107598 THE BURNING OF TROY: PART 3: WORKING OF THE MIND: Chapter 18: HOLY DREAMTIME IN WONGURI LAND - |
| the billabong or clay-pan. The song goes: | 107609 THE BURNING OF TROY: PART 3: WORKING OF THE MIND: Chapter 18: HOLY DREAMTIME IN WONGURI LAND - |
| the uneasy breast. I studied one song that is found in the Odyssey of Homer, | 110537 THE BURNING OF TROY: PART 5: COMMUNICATING A SCIENTIFIC MODEL: Chapter 27: A COSMIC DEBATE : III |
| Homer, that I call the Love Song of Demodocus. | 110538 THE BURNING OF TROY: PART 5: COMMUNICATING A SCIENTIFIC MODEL: Chapter 27: A COSMIC DEBATE : III |
| a moment ago. According to the song, | 110541 THE BURNING OF TROY: PART 5: COMMUNICATING A SCIENTIFIC MODEL: Chapter 27: A COSMIC DEBATE : III |
| observances, but much more roundabout, the song recalls the terrible days, | 110544 THE BURNING OF TROY: PART 5: COMMUNICATING A SCIENTIFIC MODEL: Chapter 27: A COSMIC DEBATE : III |
| and aoide, contracted to ode, a song, | 113387 KA: - - Chapter 2: THE ELECTRIC ORACLES - |
| of deep sounding drums to the song, | 114004 KA: - - Chapter 4: AMBER, ARK, AND EL - |
| a prelude (phormizon) and began his song. | 114326 KA: - - Chapter 5: DEITIES OF DELPHI - |
| significance of Greek tragedy. A goat- song festival began with the sacrifice of a bull at the beginning of the Great Dionysia at Athens. | 115373 KA: - - Chapter 8: SKY AND STAGE - |
| The word tragedy comes from 'ode', song, | 115385 KA: - - Chapter 8: SKY AND STAGE - |
| gave its name to the opening song, | 115399 KA: - - Chapter 8: SKY AND STAGE - |
| chorus would sing a stasimon, a song during which they would stand in one place, | 115427 KA: - - Chapter 8: SKY AND STAGE - |
| attention of the crew from the song of the Sirens. | 116356 KA: - - Chapter 12: MYSTERY RELIGIONS - |
| Then Nausicaa begins the molpe --ritual song and dance --as they play with a ball. | 117665 KA: - - Chapter 15: LOOKING LIKE A GOD : EXAMPLES, FROM HOMER, OF THE USE OF OLIVE OIL |
| Hellespont to guide Priam. Voice and Song. | 117753 KA: - - Chapter 15: LOOKING LIKE A GOD : AMBROSIA |
| symbolises the ability to understand bird song, | 119582 KA: - - Chapter 21: THE DEATH OF KINGS - |
| the sky. The Greek Sirens, whose song lured listeners to their destruction, | 120125 KA: - - Chapter 22: LIVING WITH ELECTRICITY : MUSIC |
| a name resembling the Hebrew 'shir', song. | 120126 KA: - - Chapter 22: LIVING WITH ELECTRICITY : MUSIC |
| revealer. oracle Heb. massa oracle, elevation, song, | 121074 KA: - - - GLOSSARY - |
| Gk. kapnos, ka, and pnous, breath? song Heb. | 121179 KA: - - - GLOSSARY - |
| may speculate that the words 'sing', 'song', | 124611 - A FIRE NOT BLOWN: - - Chapter 20: QUAIRO: RAISING THE KA - |
| moments later, the hoopoe begins its song. | 124979 - A FIRE NOT BLOWN: - - Chapter 22: SACRED BIRDS - |
| by transforming events through art and song, | 127356 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 2: THE PALAETIOLOGY OF FEAR AND MEMORY : PART II: MEMORY |
| obtain our historical material from myth, song, | 127363 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 2: THE PALAETIOLOGY OF FEAR AND MEMORY : PART II: MEMORY |
| humanity. The perfect ease of the Song of Demodokos in the Odyssey of Homer about an adulterous love among the gods attests to an approaching achievement of "perfect imperfection": | 127430 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 2: THE PALAETIOLOGY OF FEAR AND MEMORY : THE RULES OF MEMORY |
| the culture. For instance, the Love Song of Demodokos in the Odyssey has Ares and Aphrodite (Mars and the Moon) trapped in adultery by Hephaistos, | 127489 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 2: THE PALAETIOLOGY OF FEAR AND MEMORY : THE RULES OF MEMORY |
| as described by Velikovsky, and the Song of Demodocus from Book Eight of Homer's Odyssey, | 131062 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art |
| hold up his part in the song of creation; | 132558 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 7: LIVING WITH VELIKOVSKY: : CATASTROPHISM AS WORLD VIEW |