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| but it's important, because it shows that the message was intelligible, | 7364 COSMIC HERETICS: PART 1: - Chapter 3: CHEERS AND HISSES - |
| the World" (the film title). It shows, | 10115 COSMIC HERETICS: PART 2: - Chapter 7: FROM VENUS WITH LOVE - |
| picture. I read a caption. It shows an extremely tall negro and a short, | 10621 COSMIC HERETICS: PART 2: - Chapter 8: HOMO SCHIZO MEETS GOD - |
| tour of the drilling sites, and shows him profiles of many cores. | 11796 COSMIC HERETICS: PART 3: - Chapter 9: NEW FASHIONS IN CATASTROPHISM - |
| and Exodus connections, which I think shows how readily 'hard' scientists will buy meretricious goods. | 11920 COSMIC HERETICS: PART 3: - Chapter 9: NEW FASHIONS IN CATASTROPHISM - |
| as denoted by its surface rocks, shows a preponderance of discontinuities through the series of eras. | 13737 COSMIC HERETICS: PART 3: - Chapter 11: CLOCKWORK - |
| the dark about key material that shows Velikovsky's scheme for this period to be impossible. | 17509 COSMIC HERETICS: PART 4: - Chapter 14: THE FOIBLES OF HERETICS - |
| A letter of July 29, 1979, shows Dachille engaging in the common quantavolutionary tasks of extending the logic of existing science and rereading ancient documents: | 20158 COSMIC HERETICS: PART 5: - Chapter 17: THE ADVANCEMENT OF SCIENCE - |
| American land and shallow sea cores shows the presence in the soil of ancient polycyclic aromatic hydrocarbons, | 22311 CHAOS AND CREATION: - - CHAPTER 02: HIGH ENERGY FROM SPACE : DENSE FALL-OUT |
| 1950 A. D.). As the chart shows, | 23241 CHAOS AND CREATION: - - CHAPTER 03: COLLAPSING TESTS OF TIME : RADIOCARBON (CARBON-14) DATING |
| axis of the binary. Figure 9 shows this and other features of the system. | 24419 CHAOS AND CREATION: - - CHAPTER 05: SOLARIA BINARIA - |
| the total mass among the components shows little pattern. " | 24511 CHAOS AND CREATION: - - CHAPTER 05: SOLARIA BINARIA : THE BINARY PARTNER |
| The Star from Jacob, ' B. Gemser shows why the Hebrew word for rod in Num 24: | 26168 CHAOS AND CREATION: - - CHAPTER 06: THE URANIANS : HAND, ROD AND SNAKE |
| inclination in respect to the ecliptic shows the influence of a third body. | 26647 CHAOS AND CREATION: - - CHAPTER 07: EARTH PARTURITION AND MOON BIRTH : LUNAR CONFORMITIES TO ERUPTION |
| as representing the sky. Figure 23 shows the Mesoamerican goddess Tlazolteotl as Moon Goddess, " | 27520 CHAOS AND CREATION: - - CHAPTER 07: EARTH PARTURITION AND MOON BIRTH : THE HEAVENLY SPINNER |
| patroness of weaving...." 99 Figure 24 shows the Moon in full view behind the Moon Goddess (Aphrodite) with Ares and Eros. | 27521 CHAOS AND CREATION: - - CHAPTER 07: EARTH PARTURITION AND MOON BIRTH : THE HEAVENLY SPINNER |
| of the Moon.. A Hittite relief shows up a similar divinity with the same attributer." | 27558 CHAOS AND CREATION: - - CHAPTER 07: EARTH PARTURITION AND MOON BIRTH : THE HEAVENLY SPINNER |
| the Saturn image. The drawing 25g shows an ancient Mayan figure from Uxmal, | 27909 CHAOS AND CREATION: - - CHAPTER 08: SATURN'S CHILDREN - |
| The generally turbulent nature of Jupiter shows it to be not only a dark star, | 28658 CHAOS AND CREATION: - - CHAPTER 09: THE OLYMPIAN RULERS : THE BEHAVIOR OF PLANET JUPITER |
| west of geographical North. Its interior shows signs of enormous stresses. | 28771 CHAOS AND CREATION: - - CHAPTER 09: THE OLYMPIAN RULERS : REPEATED DISASTERS |
| Meteoritic material that has been analyzed shows elements in excess of their proportions on Earth 32 , | 28857 CHAOS AND CREATION: - - CHAPTER 09: THE OLYMPIAN RULERS : EXPLOSION AND ASTEROIDS |
| Art, Rogers Fund, 1942.) Another painting shows a serpent-woman between whose hands is arched what is probably a lightning-bolt. | 29473 CHAOS AND CREATION: - - CHAPTER 10: VENUS AND MARS : THE PLOT OF THE ILIAD |
| Like Venus and the Moon, Mars shows the severe effects of its recent space encounters. | 29999 CHAOS AND CREATION: - - CHAPTER 10: VENUS AND MARS : THE WOUNDS OF PLANET MARS |
| ceiling of late Empire days which shows the sky upside down. | 30643 CHAOS AND CREATION: - - CHAPTER 11: THE DEVIL'S ADVOCATE - |
| constructed anywhere beforehand and rebuilt thereafter shows the same astronomical orientation before and after. | 33023 THE LATELY TORTURED EARTH: - - CHAPTER 1: Quantavolutions - |
| The Cumberland Cavern catastrophic life dump shows no evidence of water transport 8 . | 33809 THE LATELY TORTURED EARTH: PART I: ATMOSPHERICS: Chapter 3 Hurricanes and Cyclones - |
| discounted. His evidence that the Pyramid shows signs of great seismic stress should be recalled, | 34601 THE LATELY TORTURED EARTH: PART I: ATMOSPHERICS: Chapter 4 Magnetism and Axial Tilts - |
| out the English paths especially. He shows that they are often not the shortest way between two points 7 . | 34961 THE LATELY TORTURED EARTH: PART I: ATMOSPHERICS: Chapter 5 Electricity - |
| species' extinctions were quite recent, this shows that it may not take long to hollow out a cave. | 35213 THE LATELY TORTURED EARTH: PART I: ATMOSPHERICS: Chapter 5 Electricity - |
| Exodus, and at the least he shows that this hail was not ice but of stone 4 . | 36476 THE LATELY TORTURED EARTH: PART II: EXOTERRESTRIAL DROPS: Chapter 8 Falling Dust and Stone - |
| lunar origin for some tektites, he shows that some tektite fields are too concentrated spatially to have been flung from the Moon and that, | 36676 THE LATELY TORTURED EARTH: PART II: EXOTERRESTRIAL DROPS: Chapter 8 Falling Dust and Stone - |
| productive gold field below Johannesburg, which shows a large primary "bulls-eye- formation" rimmed by gold-bearing formations and a much larger 200-mile-diameter, | 37960 THE LATELY TORTURED EARTH: PART II: EXOTERRESTRIAL DROPS: Chapter 10 Metals, Salt and Oil - |
| distinction, often repeated, from the "main" shows that this was never the original idea. | 39706 THE LATELY TORTURED EARTH: PART III: HYDROLOGY: Chapter 13 Deluges - |
| photo taken from 569 miles up shows the ramified and interlacing channelways of the flood cutting through the loess into the basalt, | 40232 THE LATELY TORTURED EARTH: PART III: HYDROLOGY: Chapter 14 Floods and Tides - |
| the evidence that he must confront shows a flooding that is utterly devastating, | 40408 THE LATELY TORTURED EARTH: PART III: HYDROLOGY: Chapter 14 Floods and Tides - |
| from the skies? Examination of glaciers shows that there is a gradation of consistency, | 40773 THE LATELY TORTURED EARTH: PART III: HYDROLOGY: Chapter 15 Ice Fields of the Earth - |
| called the Piri Reis map, that shows perhaps the coastline of the Antarctic continent as it would have appeared in the interim between the settling down from the great ice cap collapse and crustal shifts of Lunaria and the new ice caps of Jovea that remain today. | 40994 THE LATELY TORTURED EARTH: PART III: HYDROLOGY: Chapter 15 Ice Fields of the Earth - |
| on a modern seismic map that shows areas where earthquakes of intensities 6, | 41472 THE LATELY TORTURED EARTH: PART IV: CRUSTAL TURBULENCE: Chapter 16 Earthquakes - |
| 3 years period. This period actually shows up in a (significant) correlation of 0. | 41848 THE LATELY TORTURED EARTH: PART IV: CRUSTAL TURBULENCE: Chapter 17 Volcanism - |
| appears most clear and valid. He shows that "the separation and movements of the continents in the last 150 million years cannot be explained by continental drift on the surface of the present- sized earth." | 43074 THE LATELY TORTURED EARTH: PART IV: CRUSTAL TURBULENCE: Chapter 19 Expansion and Contraction - |
| as it must have drifted and shows that the present arrangement could not have emerged from the reconstruction. | 43079 THE LATELY TORTURED EARTH: PART IV: CRUSTAL TURBULENCE: Chapter 19 Expansion and Contraction - |
| distribution of world coal deposits, Cook shows, | 43508 THE LATELY TORTURED EARTH: PART V: RIFTS, RAFTS AND BASINS: Chapter 20 Thrusting and Orogeny - |
| of equilibrium and is, as Cook shows 7 , | 43539 THE LATELY TORTURED EARTH: PART V: RIFTS, RAFTS AND BASINS: Chapter 20 Thrusting and Orogeny - |
| A) from the Atlantic ridge flank shows magnetic differences in depth; | 43901 THE LATELY TORTURED EARTH: PART V: RIFTS, RAFTS AND BASINS: Chapter 21 Ocean Basins - |
| if a living bristlecone pine tree shows annual growth rings now, | 50062 THE LATELY TORTURED EARTH: PART VII: DIMENSIONS OF QUANTAVOLUTION: Chapter 31 The Recency of the Surface - |
| radiation. The spectrum of the photosphere shows radiation produced when the atoms, | 51159 SOLARIA-BINARIA: PART 1: ORIGIN AND DEVELOPMENT OF THE BINARY SYSTEM: Chapter 2: THE SOLAR SYSTEM AS ELECTRICAL - |
| photosphere, except where sunspots obscure it, shows a granular appearance. | 51189 SOLARIA-BINARIA: PART 1: ORIGIN AND DEVELOPMENT OF THE BINARY SYSTEM: Chapter 2: THE SOLAR SYSTEM AS ELECTRICAL - |
| The spectrum of the lower corona shows the atoms stripped of several electrons emitting light between collisions, | 51218 SOLARIA-BINARIA: PART 1: ORIGIN AND DEVELOPMENT OF THE BINARY SYSTEM: Chapter 2: THE SOLAR SYSTEM AS ELECTRICAL - |
| space. Since our calculated solar target shows no stars the deficiency of the present measurable sample is confirmed. | 51884 SOLARIA-BINARIA: PART 1: ORIGIN AND DEVELOPMENT OF THE BINARY SYSTEM: Chapter 3: THE SUN'S GALACTIC JOURNEY AND ABSOLUTE TIME - |
| by a rotating flow of water, shows very marked peripheral cooling, | 52823 SOLARIA-BINARIA: PART 1: ORIGIN AND DEVELOPMENT OF THE BINARY SYSTEM: Chapter 6: THE ELECTRICAL AXIS AND ITS GASEOUS RADIATION : Notes on Chapter 6 |
| the present number, but in fact shows only about one hundred thousand species. | 53899 SOLARIA-BINARIA: PART 1: ORIGIN AND DEVELOPMENT OF THE BINARY SYSTEM: Chapter 9: RADIANT GENESIS - |
| surface of the smaller remaining planets shows total devastation and almost total loss of atmosphere. | 53957 SOLARIA-BINARIA: PART 1: ORIGIN AND DEVELOPMENT OF THE BINARY SYSTEM: Chapter 9: RADIANT GENESIS - |
| Norman et al., p692) Figure 24 shows an area of broken terrain in Arizona from which Saul's analysis revealed a set of overlapping and eroded astroblemes as shown drawn over the map. | 54516 SOLARIA-BINARIA: PART 2: DESTRUCTION OF THE SOLAR BINARY: Chapter 11: ASTROBLEMES OF THE EARTH - |
| remains, the hysterical and obsessive mourning shows mankind affected by, | 55966 SOLARIA-BINARIA: PART 2: DESTRUCTION OF THE SOLAR BINARY: Chapter 14: THE GOLDEN AGE AND NOVA OF SUPER SATURN - |
| being molten. It lacks craters, but shows over a dozen caldera-like scars, | 56501 SOLARIA-BINARIA: PART 2: DESTRUCTION OF THE SOLAR BINARY: Chapter 15: THE JUPITER ORDER - |
| the second closest of the four, shows a banded surface, | 56526 SOLARIA-BINARIA: PART 2: DESTRUCTION OF THE SOLAR BINARY: Chapter 15: THE JUPITER ORDER - |
| or flip planets over, as Warlow shows. | 56687 SOLARIA-BINARIA: PART 2: DESTRUCTION OF THE SOLAR BINARY: Chapter 16: VENUS AND MARS - |
| parabola). The ellipse above the graph shows how the eccentricity is measured for a particular ellipse. | 58201 SOLARIA-BINARIA: PART 3: TECHNICAL NOTES: - TECHNICAL NOTE D: : ON BINARY STAR SYSTEMS |
| itself, the spectrum of the companion shows a velocity of approach, | 58216 SOLARIA-BINARIA: PART 3: TECHNICAL NOTES: - TECHNICAL NOTE D: : ON BINARY STAR SYSTEMS |
| At least one of the principals shows anomalous luminosity. | 58280 SOLARIA-BINARIA: PART 3: TECHNICAL NOTES: - TECHNICAL NOTE D: : ON BINARY STAR SYSTEMS |
| tool. Sharpening a stone for use shows a sense of the design that may be inherent in a recalcitrant object, | 60603 HOMO SCHIZO I: - - Chapter 1: SLIPPERY LADDERS OF EVOLUTION - |
| the primitivity of many tribes today shows that men do not progress except for reasons which we do not understand. | 65422 HOMO SCHIZO I: - - Chapter 5: CULTURAL REVOLUTION : LOST MILLIONS OF YEARS |
| but not tightly or absorbingly. It shows almost no signs of having been included in a bygone civilization. | 65503 HOMO SCHIZO I: - - Chapter 5: CULTURAL REVOLUTION : TRIBES, CIVILIZATIONS, AND TIME |
| study of fifty early Mesoamerican towns shows modes at 70 East of North and 17 East of North, | 65797 HOMO SCHIZO I: - - Chapter 5: CULTURAL REVOLUTION : ECUMENICAL CULTURE |
| lore from them. The Dogon culture shows clearly the fundamental law of cultural anthropology: | 66004 HOMO SCHIZO I: - - Chapter 5: CULTURAL REVOLUTION : CULTURAL INTEGRATION |
| it. The dangerousness of his situation shows itself in terrifying dreams of cosmic catastrophes, | 68071 HOMO SCHIZO I: - - Chapter 7: PSYCHOPATHOLOGY OF HISTORY : ORDINARY MAD TIMES |
| The dangerousness of his situation often shows itself in terrifying dreams of cosmic catastrophes, | 70237 HOMO SCHIZO II: - - Chapter 1: THE NORMALLY INSANE : SCHIZOPHRENIC AND SCHIZOTYPICAL |
| traits affecting skills and athleticism. IQs shows high heritability, | 70446 HOMO SCHIZO II: - - Chapter 1: THE NORMALLY INSANE : GENETICS: ARE THERE HOMINIDS AMONG US? |
| explanation of the trivial that science shows its muscle. | 73369 HOMO SCHIZO II: - - Chapter 5: COPING WITH FEAR : OMNIPRESENT FEAR |
| means of communication. Eric H. Lenneberg shows that at the age of 21-37 months the age of "acquisition of language," | 74308 HOMO SCHIZO II: - - Chapter 6: SYMBOLS AND SPEECH : SILENT SYMBOLISM |
| says Santillana, from astronomy and games, shows a great capacity to generalize from observation (hearing sounds, | 74603 HOMO SCHIZO II: - - Chapter 6: SYMBOLS AND SPEECH : VOX PUBLICA |
| Yes, the surface language, properly analyzed, shows many connections with the internal thinking processes. | 74844 HOMO SCHIZO II: - - Chapter 6: SYMBOLS AND SPEECH : IDEOLOGY AND LANGUAGE |
| become reliable. The history of science shows us many a relation in tandem between magic, | 75832 HOMO SCHIZO II: - - Chapter 7: THE GOOD, THE TRUE, AND THE BEAUTIFUL : THE COST OF LOSING MAGIC |
| I place later than is usual) shows both the effects of the disasters and the ways in which the Greeks recovered from them. | 76647 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS - - - INTRODUCTION - |
| them. T. B. L. Webster 33 shows that Homer is indebted to Minoan and near East influences in plots, | 78961 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 2: GODS, PLANETS, MADNESS Chapter 7: CRAZY HEROES OF DARK TIMES : SOCIETY IN SHOCK |
| Boiai) and other settlements elsewhere. This shows not only how disorganized and turbulent were the eighth-seventh century decades of Mars-Ares, | 80118 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 2: GODS, PLANETS, MADNESS Chapter 8: THE TWO FACES OF LOVE : THE ROMAN VENUS |
| of scientists found that the magnetization "shows a well defined curie temperature at 775 degrees Celsius": | 80532 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 2: GODS, PLANETS, MADNESS Chapter 9: THE RUINED FACE OF A CLASSIC BEAUTY : RADIOACTIVE CLOCKS |
| rilles. Juergens examinations of the rilles shows that they cannot have been produced by water erosion; | 80558 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 2: GODS, PLANETS, MADNESS Chapter 9: THE RUINED FACE OF A CLASSIC BEAUTY : THE RILLES OF MOON |
| the major rilles of the moon shows a concentration of them in the general area of the great crater, | 80582 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 2: GODS, PLANETS, MADNESS Chapter 9: THE RUINED FACE OF A CLASSIC BEAUTY : THE RILLES OF MOON |
| of the earth was experienced. Velikovsky shows that the day grew longer, | 81176 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 2: GODS, PLANETS, MADNESS Chapter 10: HE WHO SHINES BY DAY : ATHENA'S LAST BATTLES |
| sky map of the astronomer Ptolemy shows a bit of sky to the south unseen today and fails to show a bit of sky to the north; | 86597 GODS FIRE: - - Chapter 2: THE SCENARIO OF EXODUS : OPENING AND CLOSING THE WATERS |
| have felled with his thunderbolts. Bimson shows that Typhon has another identity, | 87331 GODS FIRE: - - Chapter 3: CATASTROPHE AND DIVINE FIRES : THE GENTILE EXODUS |
| The dangerousness of his situation often shows itself in terrifying dreams of cosmic catastrophe, | 91756 GODS FIRE: - - Chapter 6: THE CHARISMA OF MOSES : THE MANIAC SCIENTIST |
| of the Rebellion of Korah 48 shows the rebels being assailed from the heavenly canopy by many pointy little tongues of flame. " | 92671 GODS FIRE: - - Chapter 7: THE LEVITES AND THE REVOLTS : KORAH'S REBELLION |
| of Moses. And, as Table 11 shows, | 94057 GODS FIRE: - - Chapter 8: THE ELECTRIC GOD : SIN VS SCIENCE |
| so: The God of the patriarchs shows nothing of YHWH's 'jealousy'; | 94445 GODS FIRE: - - Chapter 8: THE ELECTRIC GOD : MONOTHEISM |
| in all analysis of Psalm 82 shows that Elohim is regarded as the "President of the gods." | 94514 GODS FIRE: - - Chapter 8: THE ELECTRIC GOD : MONOTHEISM |
| etc. The evidence of this book shows that, | 95424 GODS FIRE: - - - APPENDIX : THE PRAGMATICS OF LEGEND |
| provokes a religious experience. The sky shows itself to be infinite, | 96394 THE DEVINE SUCCESSION PART 1: THEOMACHY Chapter 2: THE SUCCESSION OF GODS - |
| upon the reader. Indeed, if one shows ( as has been done in recent decades) that the religious lives of the most primitive peoples are in fact complex, | 96404 THE DEVINE SUCCESSION PART 1: THEOMACHY Chapter 2: THE SUCCESSION OF GODS - |
| lost much, as historiographic methodology increasingly shows, | 97732 THE DEVINE SUCCESSION PART 1: THEOMACHY Chapter 5: LEGENDS AND SCRIPTURE - |
| curious. Area 210 of the city shows much disintegrated clay and debris, | 102688 THE BURNING OF TROY: PART 1: HISTORICAL DISTURBANCES: Chapter 2: THE BURNING OF TROY : THE "BURNT CITY" OF TROY |
| interests and hypotheses; the Trojan record shows this. | 102820 THE BURNING OF TROY: PART 1: HISTORICAL DISTURBANCES: Chapter 2: THE BURNING OF TROY : A NEW INTERDISCIPLINARY METHOD |
| contradiction: "The stratigraphic picture of Megiddo shows an interruption of occupation between 1650 and 1550 B. | 103878 THE BURNING OF TROY: PART 1: HISTORICAL DISTURBANCES: Chapter 5: THE CATASTROPHIC FINALE OF THE MIDDLE BRONZE AGE - |
| as the past 300- year record shows, | 104096 THE BURNING OF TROY: PART 1: HISTORICAL DISTURBANCES: Chapter 5: THE CATASTROPHIC FINALE OF THE MIDDLE BRONZE AGE - |
| critical culture points. For example Troy shows all levels, | 104402 THE BURNING OF TROY: PART 1: HISTORICAL DISTURBANCES: Chapter 6: UPDATING SCHAEFFER'S DESTRUCTION INVENTORY : CORRELATING NATURAL DISASTERS |
| before about -3500 and rebuilt afterwards shows the same astronomical orientation afterwards as before." | 104659 THE BURNING OF TROY: PART 1: HISTORICAL DISTURBANCES: Chapter 7: NINE SPHERES OF VENUSIAN EFFECTS - |
| work on the Great Pyramid that shows four different historical orientations of the Temple at Luxor, | 104661 THE BURNING OF TROY: PART 1: HISTORICAL DISTURBANCES: Chapter 7: NINE SPHERES OF VENUSIAN EFFECTS - |
| have disappeared, or have they? This shows what I mean: | 104924 THE BURNING OF TROY: PART 1: HISTORICAL DISTURBANCES: Chapter 8: THE OBLITERATION OF HUMAN SIGNS - |
| the Mississippi Valley is continuous and shows no catastrophic effects between, | 105150 THE BURNING OF TROY: PART 2: GEOLOGICAL ISSUES: Chapter 10: INDIANS OF ILLINOIS - |
| the ice core of this period shows only a modest increment of dust, | 105403 THE BURNING OF TROY: PART 2: GEOLOGICAL ISSUES: Chapter 11: ICE CORES OF GREENLAND - |
| other climatic indicator on this planet shows such a uniformity. | 105503 THE BURNING OF TROY: PART 2: GEOLOGICAL ISSUES: Chapter 11: ICE CORES OF GREENLAND - |
| when he rarely doesn't 'know. ' Shows occasionality of use of this site. | 105980 THE BURNING OF TROY: PART 2: GEOLOGICAL ISSUES: Chapter 12: A FAILED EXCURSION TO THE CAVES OF AQUITAINE - |
| about 29.5 days, for Stecchini shows, | 107444 THE BURNING OF TROY: PART 3: WORKING OF THE MIND: Chapter 17: MAKING MOONSHINE WITH HARD SCIENCE - |
| its present circumscribed form (which already shows it to be on the defensive) as a mere hypothesis that rates of change in geology are to be considered as having been uniform unless proven to the contrary. | 107841 THE BURNING OF TROY: PART 3: WORKING OF THE MIND: Chapter 19: THE 'UNCONSCIOUS' AS A LITERARY REVOLT AGAINST SCIENCE : DETAILED EXPOSITION OF THE PROJECT |
| vital aim" of evolution but often shows Lamarckian as well as Darwinian beliefs, | 108866 THE BURNING OF TROY: PART 4: POLEMICS AND PERSONAGES: Chapter 22: MARX, ENGELS, AND DARWIN - |
| mother away. When Telemachus refuses, Zeus shows his support by sending two eagles, | 112987 KA: - - Chapter 1: AUGURY - |
| 2 According to Cicero, poetic inspiration shows that there is a divine power in the soul 3 . | 113320 KA: - - Chapter 2: THE ELECTRIC ORACLES - |
| now in the Ankara Museum. It shows hieroglyphs that resemble Hittite, | 115854 KA: - - Chapter 9: TRIPOD CAULDRONS : THE TOPRAKKALI TRIPOD |
| the moon for sight. For he shows and reveals his thoughts, | 115999 KA: - - Chapter 10: THE EVIDENCE FROM PLUTARCH - |
| shows and reveals his thoughts, but shows them blended with a mortal body, | 115999 KA: - - Chapter 10: THE EVIDENCE FROM PLUTARCH - |
| Falando means the sky. Etruscan art shows figures of humans, | 118521 KA: - - Chapter 18: ROME AND THE ETRUSCANS : ROME, MONARCHY, AND THE GODS |
| cognate. A Hittite relief from Malatya shows a king holding a lituus and pouring from a smaller vessel into a larger one on the ground. | 118554 KA: - - Chapter 18: ROME AND THE ETRUSCANS : ROME, MONARCHY, AND THE GODS |
| Egyptian pharaohs also danced. A tablet shows Semti, | 119280 KA: - - Chapter 20: SANCTIFICATION AND RESURRECTION : SANCTIFICATION |
| means 'to fall'. The Isopata ring shows four priestesses dancing, | 122312 - A FIRE NOT BLOWN: - - Chapter 06: ARIADNE - |
| dwells. The Egyptian hieroglyph for Set shows the animal with an erect tail. | 122423 - A FIRE NOT BLOWN: - - Chapter 07: THE LABYRINTH AND AXE - |
| indicate purity and ritual cleanliness. It shows that she represents a divine personage, | 124092 - A FIRE NOT BLOWN: - - Chapter 17: ROCKS - |
| I have seen'. An Etruscan mirror shows an official inspecting a liver. | 124238 - A FIRE NOT BLOWN: - - Chapter 18: RITUALS - |
| The Latin for an oak, quercus, shows that it was a ka-container. | 124247 - A FIRE NOT BLOWN: - - Chapter 18: RITUALS - |
| of an electrical storm. Egyptian art shows the god Osiris rising from a chest, | 125259 - A FIRE NOT BLOWN: - - Chapter 25: RESURRECTION TECHNIQUES - |
| hand, and a relief from Dendera shows technicians carrying a length of what appears to be striated cable, | 125260 - A FIRE NOT BLOWN: - - Chapter 25: RESURRECTION TECHNIQUES - |
| Tomb of the Augurs at Tarquinia shows him at work. | 125302 - A FIRE NOT BLOWN: - - Chapter 25: RESURRECTION TECHNIQUES - |
| temple of Hathor at Dendera. It shows two attendants carrying what appears to be striated cable; | 125648 - A FIRE NOT BLOWN: - - Chapter 27: GLOSSARY - |
| well as the Malatya relief which shows a god holding his thunderbolt over the cup at a libation ceremony, | 125738 - A FIRE NOT BLOWN: - - Chapter 27: GLOSSARY - |
| his therapy for neurosis. The artist shows the earth, | 125885 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : - - - |
| to avert the impending disaster. Mullen shows how a catastrophe which occurred in the distant past becomes, | 126108 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : - FOREWORD - |
| historian of science at McMaster University, shows how science has been altered to preclude all mention or examination of catastrophic disruptions. | 126127 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : - FOREWORD - |
| to ensure a stable society, Grinnell shows how geological language was changed in the nineteenth century to provide a stable philosophical basis for the liberal movement which controlled urbanized industrial society in Britain. | 126129 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : - FOREWORD - |
| wise - indeed all of our history shows it - is not to become healthy, | 127065 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 2: THE PALAETIOLOGY OF FEAR AND MEMORY : THE DRIVE TO FAIL |
| dreams, that man as a species shows a tendency to produce such archetypes in his art, | 129230 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art |
| says about Mars is What tragedy shows happening to the tragic hero. | 130792 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art |
| is established. What I think this shows is that we should not fear controversy or turn our backs on controversy, | 133408 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : APPENDIX III ADDRESS TO THE CHANCELLOR'S DINNER - |
| that the absorption spectrum of Venus shows no evidence of hydrocarbons. | 134630 THE VELIKOVSKY AFFAIR: PART 1: MINDS IN CHAOS - - - |
| even with personal vindictiveness: the record shows that astronomers hold to a peculiar dogma akin to the biblical story of Creation, | 137215 THE VELIKOVSKY AFFAIR: PART 3: THE INCONSTANT HEAVENS - - - |
| but at the latter point she shows us her dark side (being between the Sun and earth like a new moon), | 138252 THE VELIKOVSKY AFFAIR: PART 4: CUNEIFORM ASTRONOMICAL RECORDS AND CELESTIAL INSTABILITY - - - |
| its closest approach to the earth) shows a contour similar to that of the moon in second and third quarter, | 138289 THE VELIKOVSKY AFFAIR: PART 4: CUNEIFORM ASTRONOMICAL RECORDS AND CELESTIAL INSTABILITY - - - |
| his local colleagues, following which he shows his results to scientists in other institutions. | 138915 THE VELIKOVSKY AFFAIR: PART 6: THE SCIENTIFIC RECEPTION SYSTEM - - - |
| nothing (except possibly self-respect) and shows that he belongs to the group, | 139661 THE VELIKOVSKY AFFAIR: PART 6: THE SCIENTIFIC RECEPTION SYSTEM - - - |
| wandering poles. Th. Gold (1955ff) 30 shows the error in the view of G. | 140498 THE VELIKOVSKY AFFAIR: PART 7: ADDITIONAL EXAMPLES OF CORRECT PROGNOSIS - - - |