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SETTING...................154 (0.019%)
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| on, or, in a more stable setting, | 7910 COSMIC HERETICS: PART 1: - Chapter 3: CHEERS AND HISSES - |
| multitude of favors. Instances would include: setting up with John Bell a meeting for V. | 7932 COSMIC HERETICS: PART 1: - Chapter 3: CHEERS AND HISSES - |
| put together a scenario, a typical setting for the use of the Encyclopedia. | 9116 COSMIC HERETICS: PART 1: - Chapter 5: THE BRITISH CONNECTION - |
| Deg was pondering, wasn't this setting where Comyns Beaumont placed the world of the Bible and was Edinburgh Jerusalem, | 9350 COSMIC HERETICS: PART 1: - Chapter 5: THE BRITISH CONNECTION - |
| for composition on the IBM type-setting machine that the Society had scraped up the funds to buy and use for its publications. | 9360 COSMIC HERETICS: PART 1: - Chapter 5: THE BRITISH CONNECTION - |
| millions of persons as Americans without setting into motion a similar advent of millions more. | 9377 COSMIC HERETICS: PART 1: - Chapter 5: THE BRITISH CONNECTION - |
| favorite among the cosmic heretics, but setting up proscription lists in the Roman style was pointless. | 9532 COSMIC HERETICS: PART 2: - Chapter 6: HOLOCAUST AND AMNESIA - |
| transacting socially and psychologically in a setting dominated by the perspective: | 9937 COSMIC HERETICS: PART 2: - Chapter 6: HOLOCAUST AND AMNESIA - |
| objectification of Jews that the gentile setting exudes. | 9938 COSMIC HERETICS: PART 2: - Chapter 6: HOLOCAUST AND AMNESIA - |
| If they had waited for this setting, | 12984 COSMIC HERETICS: PART 3: - Chapter 10: ABC'S OF ASTROPHYSICS - |
| of which were carried into the setting to measure its time and others of which were inherent in the geology and circumstance of the setting. | 13724 COSMIC HERETICS: PART 3: - Chapter 11: CLOCKWORK - |
| the geology and circumstance of the setting. | 13725 COSMIC HERETICS: PART 3: - Chapter 11: CLOCKWORK - |
| doing our best in a complicated setting over which we do not have complete control and that some times we must obtain indirectly what we cannot gain directly. | 14635 COSMIC HERETICS: PART 4: - Chapter 12: THE THIRD WORLD OF SCIENCE - |
| they will be accepted or not -- setting up a Newsletter, | 15141 COSMIC HERETICS: PART 4: - Chapter 12: THE THIRD WORLD OF SCIENCE - |
| 29. Dogmatic statements and accusations. 30. Setting up and knocking down "strawmen." | 15593 COSMIC HERETICS: PART 4: - Chapter 13: THE EMPIRE STRIKES BACK - |
| Vinci doing his civil engineering, Freud setting up his own printing press, | 16386 COSMIC HERETICS: PART 4: - Chapter 13: THE EMPIRE STRIKES BACK - |
| was to win over Sagan by setting up for him a professorial Chair for Interdisciplinary Studies at Cornell University, | 17621 COSMIC HERETICS: PART 4: - Chapter 14: THE FOIBLES OF HERETICS - |
| Europeans call it) in the marxist setting, | 18269 COSMIC HERETICS: PART 5: - Chapter 15: THE KNOWLEDGE INDUSTRY - |
| word processor with software for book-setting; | 18853 COSMIC HERETICS: PART 5: - Chapter 15: THE KNOWLEDGE INDUSTRY - |
| proposed to write for Nature magazine, setting forth six challenging hypotheses on the worldwide catastrophe of the mid-second millennium. | 19485 COSMIC HERETICS: PART 5: - Chapter 16: PRECURSORS OF QUANTAVOLUTION - |
| studied, and developed in a mathematical setting. | 20841 COSMIC HERETICS: PART 5: - Chapter 17: THE ADVANCEMENT OF SCIENCE - |
| of the planets and comets, are setting an example, | 20998 COSMIC HERETICS: PART 5: - Chapter 17: THE ADVANCEMENT OF SCIENCE - |
| with radiodating. One is in the setting of a rate of decay and therefore setting a date for "time zero" within a reasonable margin of error. | 22938 CHAOS AND CREATION: - - CHAPTER 03: COLLAPSING TESTS OF TIME : RADIODATING |
| a rate of decay and therefore setting a date for "time zero" within a reasonable margin of error. | 22939 CHAOS AND CREATION: - - CHAPTER 03: COLLAPSING TESTS OF TIME : RADIODATING |
| Organisms that die in a mineralizing setting may become fossils that are recognizable unless subsequently melted or crushed. | 23392 CHAOS AND CREATION: - - CHAPTER 03: COLLAPSING TESTS OF TIME : THE FOSSIL RECORD AND MUTATING TIME |
| successfully out of this pre- creation setting?) | 25487 CHAOS AND CREATION: - - CHAPTER 06: THE URANIANS : THE CREATION OF MAN |
| from the ground and in this setting men was "formed of dust from the ground." " | 27141 CHAOS AND CREATION: - - CHAPTER 07: EARTH PARTURITION AND MOON BIRTH : LEGENDARY CHAOS AND THE MOON |
| depicted or recounted in the Jovean setting until modern times in the context of sacrifice. | 28688 CHAOS AND CREATION: - - CHAPTER 09: THE OLYMPIAN RULERS : END OF THE "GOLDEN AGE" |
| sense of this belief, you are setting the sciences back hundreds of years by taking away the empirical foundation of their mathematics. | 30674 CHAOS AND CREATION: - - CHAPTER 11: THE DEVIL'S ADVOCATE - |
| To them this Earth is a setting recently arranged by disasters. | 32878 THE LATELY TORTURED EARTH: - - CHAPTER 1: Quantavolutions - |
| No institution, behavioral pattern, and natural setting existing today, | 33031 THE LATELY TORTURED EARTH: - - CHAPTER 1: Quantavolutions - |
| the current Sun -the rising and setting, | 34516 THE LATELY TORTURED EARTH: PART I: ATMOSPHERICS: Chapter 4 Magnetism and Axial Tilts - |
| all are present in the environmental setting described by the same sources, | 37352 THE LATELY TORTURED EARTH: PART II: EXOTERRESTRIAL DROPS: Chapter 9 Gases, Poisons and Foods - |
| land that was to sink. The setting contrasts with western North America where the rift was overthrust by the continent. | 42696 THE LATELY TORTURED EARTH: PART IV: CRUSTAL TURBULENCE: Chapter 18 Sinking and Rising Lands - |
| Earth's rotation achieves this. The setting up of a massive horizontal circular pressure against weaker rock and the resistance of denser and stronger rock below incline the potential event towards a split rather than an implosion or collapse. | 44645 THE LATELY TORTURED EARTH: PART V: RIFTS, RAFTS AND BASINS: Chapter 22 Fractures and Cleavages - |
| or through macromutation in a catastrophic setting. | 47458 THE LATELY TORTURED EARTH: PART VI: BIOSPHERICS: Chapter 27 Genesis and Extinction - |
| Whatever happens in a sound-producing setting - "a happening" - is "music." | 48245 THE LATELY TORTURED EARTH: PART VI: BIOSPHERICS: Chapter 28 Genesis and Extinction - |
| uncertainties of radiochronometry are, first, the setting of zero time for the start-up of radioactive decay of the measuring elements such as 238- uranium, | 49880 THE LATELY TORTURED EARTH: PART VII: DIMENSIONS OF QUANTAVOLUTION: Chapter 31 The Recency of the Surface - |
| lightning, "might environmental electrification play in setting the rules for nuclear stability, | 49974 THE LATELY TORTURED EARTH: PART VII: DIMENSIONS OF QUANTAVOLUTION: Chapter 31 The Recency of the Surface - |
| more variably within a given cosmic setting. | 51539 SOLARIA-BINARIA: PART 1: ORIGIN AND DEVELOPMENT OF THE BINARY SYSTEM: Chapter 3: THE SUN'S GALACTIC JOURNEY AND ABSOLUTE TIME - |
| undisturbed geological surface may be the setting for a large number of biological mutations provoked by a radiation storm of cosmic origin. | 51542 SOLARIA-BINARIA: PART 1: ORIGIN AND DEVELOPMENT OF THE BINARY SYSTEM: Chapter 3: THE SUN'S GALACTIC JOURNEY AND ABSOLUTE TIME - |
| times longer than near noon. The setting Sun is notably fainter and its color redder because of the increased scatter. | 52334 SOLARIA-BINARIA: PART 1: ORIGIN AND DEVELOPMENT OF THE BINARY SYSTEM: Chapter 5: THE SAC AND ITS PLENUM - |
| sac polarizes uniformly prior to excretion, setting half of its contents opposite the other half and splitting itself down the middle, | 53768 SOLARIA-BINARIA: PART 1: ORIGIN AND DEVELOPMENT OF THE BINARY SYSTEM: Chapter 9: RADIANT GENESIS - |
| depicted by the Egyptians as a setting sun (Ions, | 55302 SOLARIA-BINARIA: PART 2: DESTRUCTION OF THE SOLAR BINARY: Chapter 13: NOVA OF SUPER URANUS AND EJECTION OF THE MOON - |
| two theories, begins in a Uranian setting, | 56328 SOLARIA-BINARIA: PART 2: DESTRUCTION OF THE SOLAR BINARY: Chapter 15: THE JUPITER ORDER - |
| every institution, behavioral pattern and natural setting that exists today, | 56826 SOLARIA-BINARIA: PART 2: DESTRUCTION OF THE SOLAR BINARY: Chapter 16: VENUS AND MARS - |
| a rehearing. Finally, in a revolutionary setting, | 57422 SOLARIA-BINARIA: PART 3: TECHNICAL NOTES: - TECHNICAL NOTE A: ON METHOD - |
| become human rapidly; again, the human setting fills the gap. | 60612 HOMO SCHIZO I: - - Chapter 1: SLIPPERY LADDERS OF EVOLUTION - |
| course of quarrying. That the total setting is recent is attested to by occasional unsuspecting sentences in the reports: | 61752 HOMO SCHIZO I: - - Chapter 2: HOMINIDS IN HOLOGENESIS : PEKING MAN |
| more extensive materials analyzing the particular setting and criticizing the methods of radiochronometry employed. | 62162 HOMO SCHIZO I: - - Chapter 2: HOMINIDS IN HOLOGENESIS : OLDUVAI GORGE |
| be awaiting historical anthropology in this setting. | 62166 HOMO SCHIZO I: - - Chapter 2: HOMINIDS IN HOLOGENESIS : OLDUVAI GORGE |
| 39 The view which I am setting forth embraces this criticism of Freud and the concepts of collective amnesia or repression concerning catastrophes. | 63832 HOMO SCHIZO I: - - Chapter 3: MECHANICS OF HUMANIZATION : SOCIAL IMPRINTING |
| capable of stressing themselves inordinately and setting up and breaking down habits continually. | 64854 HOMO SCHIZO I: - - Chapter 4: THE GESTALT OF CREATION : A PRIMORDIAL SCENARIO |
| instinctive behavior and animal behavior, unknowingly setting up the paradigm of logical and pragmatic thought about causes and effects. | 65299 HOMO SCHIZO I: - - Chapter 5: CULTURAL REVOLUTION : PROTO-CULTURE |
| the numerous different cultures in each setting and within the settings, | 65601 HOMO SCHIZO I: - - Chapter 5: CULTURAL REVOLUTION : MAJOR DEVELOPMENTS EVERYWHERE CONTEMPORARY |
| They control one's selves by setting up a bank of animated displacements, | 66230 HOMO SCHIZO I: - - Chapter 6: SCHIZOID INSTITUTIONS - |
| the memory functions in a displaced setting, | 67147 HOMO SCHIZO I: - - Chapter 6: SCHIZOID INSTITUTIONS : SUBLIMATION |
| removed of the same. The total setting, | 68256 HOMO SCHIZO I: - - Chapter 7: PSYCHOPATHOLOGY OF HISTORY : NAZIS, STALINISTS, AND DEMOCRATS |
| s times. Granted that the social setting is not producing the preventative antibodies, | 70352 HOMO SCHIZO II: - - Chapter 1: THE NORMALLY INSANE : THERAPIES |
| contains nuances of "Truth," authority, goal-setting, | 72325 HOMO SCHIZO II: - - Chapter 3: BRAINWORK : HANDEDNESS |
| blended into a lovely serene background setting. | 76092 HOMO SCHIZO II: - - Chapter 7: THE GOOD, THE TRUE, AND THE BEAUTIFUL : SUBLIMATION AS PREFERABLE DISPLACEMENTS |
| proverbial. She probably inspired the magnificent setting of Phaeacia and directed the scene closely. | 76830 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 1: SACRED SCANDAL AND DISASTER Chapter 1: AN ATHENA PRODUCTION - |
| she is a powerful factor in setting policy for the realm. " | 77162 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 1: SACRED SCANDAL AND DISASTER Chapter 2: THE SONG OF LOVE : THE PHAEACIAN UTOPIA |
| to be watched for, and the setting of the sun behind the flaming horizons. | 78464 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 2: GODS, PLANETS, MADNESS Chapter 7: CRAZY HEROES OF DARK TIMES - |
| foaming, hence sperm) and a turbulent setting in which Aphrodite-Moon (does Dione relate to Diana?) | 79426 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 2: GODS, PLANETS, MADNESS Chapter 8: THE TWO FACES OF LOVE : TURBULENT BIRTH IN MYTHS AND REALITY |
| felt needs, and the information and setting provided the subject, | 80017 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 2: GODS, PLANETS, MADNESS Chapter 8: THE TWO FACES OF LOVE : HOW TO NAME A PLANET? |
| SHINES BY DAY Not satisfied with setting up the production of the Love Affair, | 80699 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 2: GODS, PLANETS, MADNESS Chapter 10: HE WHO SHINES BY DAY - |
| struck Earth as the sun was setting. | 80960 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 2: GODS, PLANETS, MADNESS Chapter 10: HE WHO SHINES BY DAY : CONGENITALITY AND HOMOLOGY |
| the rising sun or follows the setting sun. | 81088 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 2: GODS, PLANETS, MADNESS Chapter 10: HE WHO SHINES BY DAY : ATHENA'S LAST BATTLES |
| in truth absent. In the tragic setting of the Trojan War, | 81963 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 2: GODS, PLANETS, MADNESS Chapter 12: THE LAUGHING GODS - |
| 5 Venus moves to a false setting DAY 7 Venus moves to Moon and Mars apparent orbital rendezvous location 9 Venus moves to a second false setting 11 Moon moves to rendezvous location NIGHT 10 12 Mars moves to rendezvous location 15 Sun passes Mars and Moon 16 Sun (approaches) passes Venus 17 Venus moves to apparent rendezvous point slower than Mars SECOND 19 Earth moves to rendezvous point DAY 20 Mercury moves to rendezvous point 21 Apollo moves to rendezvous point 25 Mars moves from rendezvous point 26 Moon moves from rendezvous point From these movements comes confirmation that the action takes place in the sky | 82546 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 2: GODS, PLANETS, MADNESS Chapter 13: HOW THE GODS FLY : THE MOVEMENTS OF THE SCENARIO |
| Venus moves to a second false setting 11 Moon moves to rendezvous location NIGHT 10 12 Mars moves to rendezvous location 15 Sun passes Mars and Moon 16 Sun (approaches) passes Venus 17 Venus moves to apparent rendezvous point slower than Mars SECOND 19 Earth moves to rendezvous point DAY 20 Mercury moves to rendezvous point 21 Apollo moves to rendezvous point 25 Mars moves from rendezvous point 26 Moon moves from rendezvous point From these movements comes confirmation that the action takes place in the sky. | 82548 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 2: GODS, PLANETS, MADNESS Chapter 13: HOW THE GODS FLY : THE MOVEMENTS OF THE SCENARIO |
| a great distance and follows the setting sun. | 82638 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 2: GODS, PLANETS, MADNESS Chapter 13: HOW THE GODS FLY : THE MOVEMENTS OF THE SCENARIO |
| blue skies, shaking the trees and setting the rocks to trembling, | 83019 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 3: THERAPY FOR GROUP FEAR Chapter 14: THE USES OF LANGUAGE : METER AND METAPHOR |
| must seem like a table waiter setting upon his arm an alarmingly tall stack of plates. | 84323 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 3: THERAPY FOR GROUP FEAR Chapter 16: THE TRANSFIGURATION OF TRAUMA : DREAMWORK |
| most closely adhere to the characters, setting, | 84818 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 3: THERAPY FOR GROUP FEAR Chapter 17: SETTLED SKY AND UNSETTLED MIND : A CLAIM OF SUCCESS |
| The Exodus occurred in an extraordinary setting of great atmospheric and physical turbulence, | 85375 GODS FIRE: - - - FOREWORD - |
| proceeded in an ever more tense setting, | 86160 GODS FIRE: - - Chapter 2: THE SCENARIO OF EXODUS - |
| The Exodus occurred in a catastrophic setting. | 87085 GODS FIRE: - - Chapter 3: CATASTROPHE AND DIVINE FIRES : THE CENSORED DESIGNS OF HEAVEN |
| we have found in the Biblical setting: | 87274 GODS FIRE: - - Chapter 3: CATASTROPHE AND DIVINE FIRES : THE GENTILE EXODUS |
| The difference in potential is the setting for an activity. | 87628 GODS FIRE: - - Chapter 3: CATASTROPHE AND DIVINE FIRES : YAHWEH'S ELECTRICAL FIRE CONGLOMERATE |
| passages, we can reconstruct the ultimate setting of the Ark of the Covenant. | 89112 GODS FIRE: - - Chapter 4: THE ARK IN ACTION : THE ARK'S END |
| talking to god. In the Egyptian setting the general power configuration was a theological bureaucracy, | 91249 GODS FIRE: - - Chapter 6: THE CHARISMA OF MOSES : TALKING WITH GODS |
| all sides. It is a charismatic setting, | 91402 GODS FIRE: - - Chapter 6: THE CHARISMA OF MOSES : AN ISRAELITE OPINION SURVEY |
| the same token, it is a setting for disenchantment, | 91402 GODS FIRE: - - Chapter 6: THE CHARISMA OF MOSES : AN ISRAELITE OPINION SURVEY |
| David and Solomon, for example, in setting up a larger national state, | 92405 GODS FIRE: - - Chapter 7: THE LEVITES AND THE REVOLTS : BLAME THE PEOPLE |
| points of different charges, when the setting is between air and ground or is air-to-air. | 92733 GODS FIRE: - - Chapter 7: THE LEVITES AND THE REVOLTS : KORAH'S REBELLION |
| tragic contrast with the Old Testament setting, | 92762 GODS FIRE: - - Chapter 7: THE LEVITES AND THE REVOLTS : KORAH'S REBELLION |
| J.: Metron Publns, 1981, where a setting of the skies is said to begin at this time. | 94719 GODS FIRE: - - Chapter 8: THE ELECTRIC GOD : Notes (Chapter 8: The Electrical God) |
| be linked to the miracles, the setting, | 94887 GODS FIRE: - - - CONCLUSION - |
| and delved into the Old Testament setting could otherwise have believed that the wandering and desolated peoples were ignorant primitives. | 95429 GODS FIRE: - - - APPENDIX : THE PRAGMATICS OF LEGEND |
| until I displaced him into the setting of a contemporary head of state, | 95477 GODS FIRE: - - - APPENDIX : THE PRAGMATICS OF LEGEND |
| of the Bible. Once the catastrophic setting of Exodus is dismissed as exaggeration and falsehood, | 95696 GODS FIRE: - - - APPENDIX : THE PRAGMATICS OF LEGEND |
| and proof. Every person in every setting, | 95945 THE DEVINE SUCCESSION - - - FOREWORD - |
| which had so dominated the human setting that no successor, | 97108 THE DEVINE SUCCESSION PART 1: THEOMACHY Chapter 4: THE HEAVENLY HOST - |
| invariably extruded from an animated religious setting, | 97141 THE DEVINE SUCCESSION PART 1: THEOMACHY Chapter 4: THE HEAVENLY HOST - |
| and social crisis are their favored setting. | 97238 THE DEVINE SUCCESSION PART 1: THEOMACHY Chapter 4: THE HEAVENLY HOST - |
| of Saturn. Scorpio is the background setting from which cometary Venus launched herself on a destructive swoop upon Earth. | 97354 THE DEVINE SUCCESSION PART 1: THEOMACHY Chapter 4: THE HEAVENLY HOST - |
| loving, absolutely just, and so on, setting, | 98327 THE DEVINE SUCCESSION PART 1: THEOMACHY Chapter 7: MAN'S DIVINE MIRROR - |
| to whether or not to begin setting aside 3000 a year towards the college education of a child. | 99710 THE DEVINE SUCCESSION PART 2: THEOTROPY: Chapter 10: ETHICS AND THE SUPERNATURAL - |
| and "wicked," with no means of setting ethical standards? | 99988 THE DEVINE SUCCESSION PART 2: THEOTROPY: Chapter 10: ETHICS AND THE SUPERNATURAL - |
| e. g. to validate evolution by setting up hypotheses implying or excluding neo-darwinian evolution; | 100071 THE DEVINE SUCCESSION PART 2: THEOTROPY: Chapter 11: RELIGIOUS ELEMENTS IN SCIENCE - |
| degree that theology in a given setting could be studied scientifically, | 100282 THE DEVINE SUCCESSION PART 2: THEOTROPY: Chapter 11: RELIGIOUS ELEMENTS IN SCIENCE - |
| of religion deriving from our study. Setting forth a catechism exposes to a pitiless light our beliefs concerning religion. | 101157 THE DEVINE SUCCESSION PART 2: THEOTROPY: Chapter 13: CATECHISM - |
| disappeared before their eyes. The destroyed setting does not support a firestorm, | 102567 THE BURNING OF TROY: PART 1: HISTORICAL DISTURBANCES: Chapter 2: THE BURNING OF TROY : THE "BURNT CITY" OF TROY |
| the burned area clean" 19 . The setting suggests the action of Vesuvius in burying Pompeii and Herculaneum, | 102572 THE BURNING OF TROY: PART 1: HISTORICAL DISTURBANCES: Chapter 2: THE BURNING OF TROY : THE "BURNT CITY" OF TROY |
| quite stupid but were geniuses at setting great fires from above. | 102698 THE BURNING OF TROY: PART 1: HISTORICAL DISTURBANCES: Chapter 2: THE BURNING OF TROY : THE "BURNT CITY" OF TROY |
| of past expeditions or upon a setting itself, | 102819 THE BURNING OF TROY: PART 1: HISTORICAL DISTURBANCES: Chapter 2: THE BURNING OF TROY : A NEW INTERDISCIPLINARY METHOD |
| shall be carrying into the Italian setting. | 103228 THE BURNING OF TROY: PART 1: HISTORICAL DISTURBANCES: Chapter 3: THE FOUNDING OF ROME - |
| exposition honoring Virgil in the beautiful setting of the Campidoglio in Rome in 1981, | 103291 THE BURNING OF TROY: PART 1: HISTORICAL DISTURBANCES: Chapter 3: THE FOUNDING OF ROME - |
| began during which the dressed bluestone setting was dismantled, | 104506 THE BURNING OF TROY: PART 1: HISTORICAL DISTURBANCES: Chapter 7: NINE SPHERES OF VENUSIAN EFFECTS - |
| Every institution, behavioral pattern, and natural setting that exists today, | 104751 THE BURNING OF TROY: PART 1: HISTORICAL DISTURBANCES: Chapter 7: NINE SPHERES OF VENUSIAN EFFECTS - |
| are limited in space and time. Setting up Mother Nature to count out past time has inspired other technologies rather less close, | 105388 THE BURNING OF TROY: PART 2: GEOLOGICAL ISSUES: Chapter 11: ICE CORES OF GREENLAND - |
| the use of ice varves in setting up a time scale. | 105510 THE BURNING OF TROY: PART 2: GEOLOGICAL ISSUES: Chapter 11: ICE CORES OF GREENLAND - |
| a sort of class B movie setting of a city struck by plague. | 106671 THE BURNING OF TROY: PART 2: GEOLOGICAL ISSUES: Chapter 14: ATHENS QUAKES - |
| to spear them, and went about "setting one group against the other for no reason at all." | 107584 THE BURNING OF TROY: PART 3: WORKING OF THE MIND: Chapter 18: HOLY DREAMTIME IN WONGURI LAND - |
| motions and qualities; in this awful setting, | 107879 THE BURNING OF TROY: PART 3: WORKING OF THE MIND: Chapter 19: THE 'UNCONSCIOUS' AS A LITERARY REVOLT AGAINST SCIENCE : DETAILED EXPOSITION OF THE PROJECT |
| motions and qualities; in this awful setting, | 108831 THE BURNING OF TROY: PART 4: POLEMICS AND PERSONAGES: Chapter 22: MARX, ENGELS, AND DARWIN - |
| by-bit evolution. Part One The Setting for Decision (1830-1870) I. | 108969 THE BURNING OF TROY: PART 4: POLEMICS AND PERSONAGES: Chapter 22: MARX, ENGELS, AND DARWIN - |
| theory of natural selection!) Or, in setting a benchmark for the total disrepute of catastrophism (which is necessary to show that Marx and Engels would have had strong motives for eschewing it), | 109030 THE BURNING OF TROY: PART 4: POLEMICS AND PERSONAGES: Chapter 22: MARX, ENGELS, AND DARWIN : BIBLIOGRAPHIC NOTE |
| e) He operates in an administrative setting whose rules are part of his work. | 109609 THE BURNING OF TROY: PART 4: POLEMICS AND PERSONAGES: Chapter 24: THE OUTLOOK OF SCIENTISTS : FALLACIES ABOUT SCIENTISTS |
| and talk about the ideal social setting of scientific work, | 109713 THE BURNING OF TROY: PART 4: POLEMICS AND PERSONAGES: Chapter 24: THE OUTLOOK OF SCIENTISTS : THE ADMINISTRATION OF SCIENTISTS |
| in the broadest sense, that social setting, | 109732 THE BURNING OF TROY: PART 4: POLEMICS AND PERSONAGES: Chapter 24: THE OUTLOOK OF SCIENTISTS : THE ADMINISTRATION OF SCIENTISTS |
| lowest resource commitment possible. THE IDEAL SETTING Granted the vagueness of the value, | 109748 THE BURNING OF TROY: PART 4: POLEMICS AND PERSONAGES: Chapter 24: THE OUTLOOK OF SCIENTISTS : THE IDEAL SETTING |
| a precision in describing the ideal setting of science. | 109751 THE BURNING OF TROY: PART 4: POLEMICS AND PERSONAGES: Chapter 24: THE OUTLOOK OF SCIENTISTS : THE IDEAL SETTING |
| terms, simply to indicate how the setting must be examined: | 109753 THE BURNING OF TROY: PART 4: POLEMICS AND PERSONAGES: Chapter 24: THE OUTLOOK OF SCIENTISTS : THE IDEAL SETTING |
| recognizably a politician of a democratic setting. | 110189 THE BURNING OF TROY: PART 4: POLEMICS AND PERSONAGES: Chapter 26: EULOGIES TO THREE QUANTAVOLUTIONARIES : IMMANUEL VELIKOVSKY 1895-1979 1 |
| Guatemala. "Quantavolution in the Rocky Mountain Setting" - U. | 111639 THE BURNING OF TROY: PART 5: COMMUNICATING A SCIENTIFIC MODEL: Chapter 29: I.Q.: A UNIVERSITY PROGRAM : PROGRAM OF THE IQ |
| by human beings in a group setting. | 112041 THE BURNING OF TROY: PART 5: COMMUNICATING A SCIENTIFIC MODEL: Chapter 30: PAST, PRESENT, AND FUTURE : THE POLITICS OF UNIFORMITARIANISM |
| or when it is obviously worth setting up as a model running along a parallel track, | 112123 THE BURNING OF TROY: PART 5: COMMUNICATING A SCIENTIFIC MODEL: Chapter 30: PAST, PRESENT, AND FUTURE : THE POLITICS OF UNIFORMITARIANISM |
| in ancient Greece or Rome involved setting up a mixing bowl, | 113656 KA: - - Chapter 3: DIONYSUS - |
| and light for poetry, e. g. "setting the city on fire with my songs (aoidais)." | 114306 KA: - - Chapter 5: DEITIES OF DELPHI - |
| same root, is superbia. It implies setting oneself up above one's fellow mortals. | 115448 KA: - - Chapter 8: SKY AND STAGE - |
| changed its position of rising and setting. | 118122 KA: - - Chapter 17: BYWAYS OF ELECTRICITY : SOME PASSAGES OF INTEREST IN THE ILIAD |
| Hubris means going too high, or setting oneself up above others and claiming more than a sensible and humble mortal ought to claim. | 122550 - A FIRE NOT BLOWN: - - Chapter 08: THE BULL - |
| as a shield, and inspired fear. Setting up the apparatus at a shrine involved adjustment of telescopic rods, | 123345 - A FIRE NOT BLOWN: - - Chapter 13: FIRE - |
| It would thus have meant, originally, 'setting in motion the light of ka'. | 124556 - A FIRE NOT BLOWN: - - Chapter 20: QUAIRO: RAISING THE KA - |
| of its fearfulness. Still the organic setting of the fear mechanism is inherited. | 127123 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 2: THE PALAETIOLOGY OF FEAR AND MEMORY : FEAR STORAGE |
| the influence of education by the setting of an example, | 128082 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 3: PSYCHOLOGICAL ASPECTS OF THE WORK OF IMMANUEL VELIKOVSKY - |
| I myself had been responsible for setting the destructive forces into motion, | 128377 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 3: PSYCHOLOGICAL ASPECTS OF THE WORK OF IMMANUEL VELIKOVSKY - |
| didn't work in a hospital setting. | 128431 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 3: PSYCHOLOGICAL ASPECTS OF THE WORK OF IMMANUEL VELIKOVSKY - |
| virtues to Athens, are now the setting for wrangling and arguments. | 129355 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art |
| counted on to do. Shakespeare is setting out to defend a play when plays were attacked as mere fancy, | 130048 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art |
| points relative to the rising and setting of the sun, | 131189 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art |
| Who, we should read instead, by setting forth on this last journey, | 131246 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art |
| and Nagasaki, we can appreciate the setting for an understanding of a cataclysmic cosmos. | 132350 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 7: LIVING WITH VELIKOVSKY: : CATASTROPHISM AS WORLD VIEW |
| of the Alloy community was the setting in which the Whole Earth paradigm began to unfold. | 132419 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 7: LIVING WITH VELIKOVSKY: : CATASTROPHISM AS WORLD VIEW |
| place these events in their proper setting, | 135460 THE VELIKOVSKY AFFAIR: PART 2: AFTERMATH TO EXPOSURE - - - |
| the preceding half century, and was setting aims for future research to be pursued by the next generation. | 137601 THE VELIKOVSKY AFFAIR: PART 4: CUNEIFORM ASTRONOMICAL RECORDS AND CELESTIAL INSTABILITY - - - |
| defeated, falling into the ocean and setting the entire earth on fire. | 137763 THE VELIKOVSKY AFFAIR: PART 4: CUNEIFORM ASTRONOMICAL RECORDS AND CELESTIAL INSTABILITY - - - |
| of social behaviour in a given setting can be numerous, | 138797 THE VELIKOVSKY AFFAIR: PART 6: THE SCIENTIFIC RECEPTION SYSTEM - - - |
| characterize the rationalistic model. The social setting provided for the discussion of Velikovsky's work were mostly arranged for and administered by hostile critics or intimidated moderators. | 139014 THE VELIKOVSKY AFFAIR: PART 6: THE SCIENTIFIC RECEPTION SYSTEM - - - |
| X is a hierarch and the setting in which he operates can be said to be hierarchical and those with whom he cooperates are co-leaders and those to whom he delegates the same power tasks are subordinate hierarchs, | 139511 THE VELIKOVSKY AFFAIR: PART 6: THE SCIENTIFIC RECEPTION SYSTEM - - - |
| reversals would change the rising and setting points, | 140519 THE VELIKOVSKY AFFAIR: PART 7: ADDITIONAL EXAMPLES OF CORRECT PROGNOSIS - - - |