| |
|
SCENARIOS.................18 (0.002%)
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| course, agree, and could offer other scenarios -- but what was the use? | 9130 COSMIC HERETICS: PART 1: - Chapter 5: THE BRITISH CONNECTION - |
| exist in the way of specific scenarios for these occurrences rests still in private files unpublished. | 12833 COSMIC HERETICS: PART 3: - Chapter 10: ABC'S OF ASTROPHYSICS - |
| to Milton a memorandum of "Alternate scenarios for the shift of planets, | 12947 COSMIC HERETICS: PART 3: - Chapter 10: ABC'S OF ASTROPHYSICS - |
| the heretic scholars who designed alternative scenarios, | 15892 COSMIC HERETICS: PART 4: - Chapter 13: THE EMPIRE STRIKES BACK - |
| and built a complete succession of scenarios around orbital intersections of Mars and Earth, | 19021 COSMIC HERETICS: PART 5: - Chapter 16: PRECURSORS OF QUANTAVOLUTION - |
| earliest human days wrote the first scenarios of religion. | 25661 CHAOS AND CREATION: - - CHAPTER 06: THE URANIANS : PALEOLITHIC RELIGION |
| and electrical conditions that occur exoterrestrially, scenarios of past events to explain present processes are becoming as common, | 37045 THE LATELY TORTURED EARTH: PART II: EXOTERRESTRIAL DROPS: Chapter 9 Gases, Poisons and Foods - |
| pass over with the weakest of scenarios the grand metamorphism and concentrate upon pygmy processes playing out recent history. | 44884 THE LATELY TORTURED EARTH: PART V: RIFTS, RAFTS AND BASINS: Chapter 23 Canyons and Channels - |
| is given prominence generally in the scenarios to come. | 63866 HOMO SCHIZO I: - - Chapter 3: MECHANICS OF HUMANIZATION : THE SUMMARY MECHANICS |
| the reader is interested in comparing scenarios, | 64857 HOMO SCHIZO I: - - Chapter 4: THE GESTALT OF CREATION : A PRIMORDIAL SCENARIO |
| power. We can imagine three different scenarios. | 76314 HOMO SCHIZO II: - - - EPILOGUE - |
| which Velikovsky initially proposed, cover the scenarios of this book, | 77581 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 1: SACRED SCANDAL AND DISASTER Chapter 4: CATASTROPHE AND SUBLIMATION : THE GENERAL THEORY OF CATASTROPHE |
| to validate the relationship between the scenarios of drama and disaster, | 82414 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 2: GODS, PLANETS, MADNESS Chapter 13: HOW THE GODS FLY - |
| Of course, a multitude of local scenarios are possible; | 83874 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 3: THERAPY FOR GROUP FEAR Chapter 15: THE BIRTH AND DEATH OF MEMORY : FORGETTING |
| former has not forgotten his primeval scenarios, | 99819 THE DEVINE SUCCESSION PART 2: THEOTROPY: Chapter 10: ETHICS AND THE SUPERNATURAL - |
| different "public winds blowing." What future scenarios are conceivable? | 109382 THE BURNING OF TROY: PART 4: POLEMICS AND PERSONAGES: Chapter 23: RELIGION AND EDUCATION : PART THREE: LEGAL |
| changes and movements which the Velikovsky scenarios require do not refute conventional theories of celestial dynamics, | 129898 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art |
| theories about the Venus and Mars scenarios that had been presented in Worlds in Collision 8. | 134047 THE VELIKOVSKY AFFAIR: - SCIENTISM VERSUS SCIENCE - INTRODUCTION TO THE 2ND EDITION - |
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SCENE.....................140 (0.017%)
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| steak back to the kitchen? The scene was familiar and the opportunity presented: | 6866 COSMIC HERETICS: PART 1: - Chapter 2: THE PRODIGAL ARCHIVE - |
| volunteer firemen would rush to the scene. | 7846 COSMIC HERETICS: PART 1: - Chapter 3: CHEERS AND HISSES - |
| part, being more distant from the scene, | 10228 COSMIC HERETICS: PART 2: - Chapter 7: FROM VENUS WITH LOVE - |
| Marie Hueber came upon the Naxos scene. | 11219 COSMIC HERETICS: PART 2: - Chapter 8: HOMO SCHIZO MEETS GOD - |
| spirits with his appearance upon the scene, | 13298 COSMIC HERETICS: PART 3: - Chapter 10: ABC'S OF ASTROPHYSICS - |
| student of philosophy appeared on the scene at the same time. | 13865 COSMIC HERETICS: PART 4: - Chapter 12: THE THIRD WORLD OF SCIENCE - |
| in the tournament for which the scene is being set. | 14066 COSMIC HERETICS: PART 4: - Chapter 12: THE THIRD WORLD OF SCIENCE - |
| supporting attorney working in the Harvard scene... | 15199 COSMIC HERETICS: PART 4: - Chapter 12: THE THIRD WORLD OF SCIENCE - |
| fall of 1976, far from the scene of action, | 17013 COSMIC HERETICS: PART 4: - Chapter 14: THE FOIBLES OF HERETICS - |
| his supporters to retire from the scene. | 19379 COSMIC HERETICS: PART 5: - Chapter 16: PRECURSORS OF QUANTAVOLUTION - |
| Ares-Nergal. It is the famous scene of the battle of the gods in Homer's Iliad 10 . | 21802 CHAOS AND CREATION: - - CHAPTER 01: COSMIC INSTABILITY : THE CLEAVAGE OF MARS: A PARTICULAR CASE |
| Sun. The Sun grew upon the scene gradually. | 24879 CHAOS AND CREATION: - - CHAPTER 05: SOLARIA BINARIA : THE SKY-WATCHERS |
| and moved into the next great scene. | 25637 CHAOS AND CREATION: - - CHAPTER 06: THE URANIANS : PALEOLITHIC RELIGION |
| because the holes were often the scene of large intrusions of meteoroids upon Earth. | 25697 CHAOS AND CREATION: - - CHAPTER 06: THE URANIANS : BIRTH OF THE HEAVENLY HOST |
| or "wrinkles" everywhere. A single basin, scene of a horrendous blast, | 29077 CHAOS AND CREATION: - - CHAPTER 09: THE OLYMPIAN RULERS : MERCURY'S GEOPHYSICS |
| representation of a 3500-years old scene parallels the Phaeton and the Jupiter- Typhon legends. ' | 29613 CHAOS AND CREATION: - - CHAPTER 10: VENUS AND MARS : THE DEVI AND THE MEXICAN BALLPLAYER |
| tapestry (see Figure 3) presents a scene of despair in England and the premonition of King Harold that his realm will be invaded and be overthrown by the Normans in 1066. | 30881 CHAOS AND CREATION: - - CHAPTER 12: VICTORY OF THE SUN : FOREBODINGS |
| the Normans in 1066. Above the scene hangs the comet, | 30883 CHAOS AND CREATION: - - CHAPTER 12: VICTORY OF THE SUN : FOREBODINGS |
| are detached observers of the cosmic scene, | 30962 CHAOS AND CREATION: - - CHAPTER 12: VICTORY OF THE SUN : THE PROPENSITY TO SURVIVE |
| in an area that became a scene of utter devastation to this day, | 36134 THE LATELY TORTURED EARTH: PART I: ATMOSPHERICS: Chapter 7 Fire and Ash - |
| has been recoverable from the immense scene of destruction. | 37271 THE LATELY TORTURED EARTH: PART II: EXOTERRESTRIAL DROPS: Chapter 9 Gases, Poisons and Foods - |
| clear and dry world was the scene for the working out of Jupiter's divine character. | 39744 THE LATELY TORTURED EARTH: PART III: HYDROLOGY: Chapter 13 Deluges - |
| unquestionably have played about the deluge scene, | 39788 THE LATELY TORTURED EARTH: PART III: HYDROLOGY: Chapter 13 Deluges - |
| moving. The celestial actors in the scene are imposing or withdrawing forces. | 40083 THE LATELY TORTURED EARTH: PART III: HYDROLOGY: Chapter 14 Floods and Tides - |
| Pima Indian myth paints a similar scene 7 . | 40095 THE LATELY TORTURED EARTH: PART III: HYDROLOGY: Chapter 14 Floods and Tides - |
| Cook has so well calculated the scene, | 40874 THE LATELY TORTURED EARTH: PART III: HYDROLOGY: Chapter 15 Ice Fields of the Earth - |
| fields gather and play about the scene, | 41156 THE LATELY TORTURED EARTH: PART IV: CRUSTAL TURBULENCE: Chapter 16 Earthquakes - |
| of seamounts that strikes Siberia. The scene of volcanism today is the pallid termination of the scenario of quantavolution. | 41746 THE LATELY TORTURED EARTH: PART IV: CRUSTAL TURBULENCE: Chapter 17 Volcanism - |
| The Pacific Basin was the recent scene of the most awesome event ever to have befallen the Earth since its early times, | 43831 THE LATELY TORTURED EARTH: PART V: RIFTS, RAFTS AND BASINS: Chapter 21 Ocean Basins - |
| of continental land driven to the scene of the disaster. | 43834 THE LATELY TORTURED EARTH: PART V: RIFTS, RAFTS AND BASINS: Chapter 21 Ocean Basins - |
| scale would have dwarfed even the scene pictured by K. | 44086 THE LATELY TORTURED EARTH: PART V: RIFTS, RAFTS AND BASINS: Chapter 21 Ocean Basins - |
| an innocent child coming upon the scene of an autopsy. | 44493 THE LATELY TORTURED EARTH: PART V: RIFTS, RAFTS AND BASINS: Chapter 22 Fractures and Cleavages - |
| Pacific Basin. These elements of the scene tend to obscure what would otherwise appear as a more normal hammer fracture of a solid crystal globe in rotation. | 44502 THE LATELY TORTURED EARTH: PART V: RIFTS, RAFTS AND BASINS: Chapter 22 Fractures and Cleavages - |
| gradualist solution of the Grand Canyon scene. | 45028 THE LATELY TORTURED EARTH: PART V: RIFTS, RAFTS AND BASINS: Chapter 23 Canyons and Channels - |
| tropical. Huge submarine canyons depict a scene of inpouring waters afterwards. | 45537 THE LATELY TORTURED EARTH: PART V: RIFTS, RAFTS AND BASINS: Chapter 24 Continental Tropism and Rafting - |
| for action tomorrow, but not the scene of yesterday's action. | 45636 THE LATELY TORTURED EARTH: PART V: RIFTS, RAFTS AND BASINS: Chapter 24 Continental Tropism and Rafting - |
| trace of subduction." 11 But the scene is peaceful. " | 45646 THE LATELY TORTURED EARTH: PART V: RIFTS, RAFTS AND BASINS: Chapter 24 Continental Tropism and Rafting - |
| is found at the well-known scene, | 47071 THE LATELY TORTURED EARTH: PART VI: BIOSPHERICS: Chapter 26 Fossil Deposits - |
| sets are shuffled about as the scene changes, | 47095 THE LATELY TORTURED EARTH: PART VI: BIOSPHERICS: Chapter 26 Fossil Deposits - |
| Nor when Mendel appeared on the scene with proof of mutations, | 47245 THE LATELY TORTURED EARTH: PART VI: BIOSPHERICS: Chapter 27 Genesis and Extinction - |
| scientist thousands of years from the scene. | 48618 THE LATELY TORTURED EARTH: PART VI: BIOSPHERICS: Chapter 29 Spectres - |
| air would have rushed towards the scene of the disaster. | 55627 SOLARIA-BINARIA: PART 2: DESTRUCTION OF THE SOLAR BINARY: Chapter 13: NOVA OF SUPER URANUS AND EJECTION OF THE MOON - |
| When he bursts upon the world scene in the eighth century BC he is already well known. | 56851 SOLARIA-BINARIA: PART 2: DESTRUCTION OF THE SOLAR BINARY: Chapter 16: VENUS AND MARS - |
| shall come to regard a famous scene of the Iliad of Homer as an eyewitness account, | 57000 SOLARIA-BINARIA: PART 2: DESTRUCTION OF THE SOLAR BINARY: Chapter 16: VENUS AND MARS - |
| theory of biological quantavolution, an eventful scene in natural history, | 62287 HOMO SCHIZO I: - - Chapter 2: HOMINIDS IN HOLOGENESIS : CHARDIN'S ORTHOGENETICS |
| even if quantavolutionary --to stabilize the scene. | 62426 HOMO SCHIZO I: - - Chapter 2: HOMINIDS IN HOLOGENESIS : DOBZHANSKY, SIMPSON AND QUANTUM EVOLUTION |
| the oceans, the earth is a scene of global disaster, | 62702 HOMO SCHIZO I: - - Chapter 3: MECHANICS OF HUMANIZATION : ANCIENT CATASTROPHES |
| take the form of a celestial scene inhabited by new symbolic references and other mind-openers; | 63809 HOMO SCHIZO I: - - Chapter 3: MECHANICS OF HUMANIZATION : SOCIAL IMPRINTING |
| today almost incredible. 4 If this scene of the Upper Paleolithic is incredible, | 65450 HOMO SCHIZO I: - - Chapter 5: CULTURAL REVOLUTION : LOST MILLIONS OF YEARS |
| in retrojecting and rationalizing a celestial scene, | 65787 HOMO SCHIZO I: - - Chapter 5: CULTURAL REVOLUTION : ECUMENICAL CULTURE |
| participants in ritual onto the ritual scene, | 66317 HOMO SCHIZO I: - - Chapter 6: SCHIZOID INSTITUTIONS : SPEECH AND LANGUAGE |
| is left the victor on the scene of battle. | 66564 HOMO SCHIZO I: - - Chapter 6: SCHIZOID INSTITUTIONS : GROUP VS. INDIVIDUAL |
| human sexuality entered upon the social scene vigorously. | 67001 HOMO SCHIZO I: - - Chapter 6: SCHIZOID INSTITUTIONS : SEXUAL RAMIFICATIONS |
| and fury, Signifying nothing. (Act V, scene 5) Whereupon he sallies forth to battle; | 67570 HOMO SCHIZO I: - - Chapter 7: PSYCHOPATHOLOGY OF HISTORY - |
| the products of the changes of scene within the city of Dublin and among its people (there being at least two ways of dissociating and cultivating egos -- internal movement and external). | 67920 HOMO SCHIZO I: - - Chapter 7: PSYCHOPATHOLOGY OF HISTORY : SCHIZOID EPISODES IN ABUNDANCE |
| view remorselessly the gradually changing social scene of nature. | 68452 HOMO SCHIZO I: - - Chapter 7: PSYCHOPATHOLOGY OF HISTORY : DARWINIAN HISTORISM |
| the inadequacy of the questioning, the scene darkens and many more of the normal become abnormal. | 69523 HOMO SCHIZO II: - - Chapter 1: THE NORMALLY INSANE : S SAMPLING FOR THE NORMAL |
| agonizing repetitive recall of an embarrassing scene, | 73150 HOMO SCHIZO II: - - Chapter 4: DISPLACEMENT AND OBSESSION : OBSESSIONS, COMPULSIONS, HABITS |
| the Spaniards arrived upon the Mexican scene in the sixteenth century, | 75138 HOMO SCHIZO II: - - Chapter 7: THE GOOD, THE TRUE, AND THE BEAUTIFUL : THE MUDDLE OF MENTATION |
| at work as was the disastrous scene of slaughter and rapine from which I had just separated. | 76094 HOMO SCHIZO II: - - Chapter 7: THE GOOD, THE TRUE, AND THE BEAUTIFUL : SUBLIMATION AS PREFERABLE DISPLACEMENTS |
| like him, but retiring from the scene is forbidden under the rules of the utopian game under discussion. | 76353 HOMO SCHIZO II: - - - EPILOGUE - |
| C. Stecchini, whose absence from the scene of ancient history and science is sorely felt; | 76784 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS - - - FOREWORD - |
| setting of Phaeacia and directed the scene closely. | 76831 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 1: SACRED SCANDAL AND DISASTER Chapter 1: AN ATHENA PRODUCTION - |
| remained home, away from the shameful scene.) | 77036 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 1: SACRED SCANDAL AND DISASTER Chapter 2: THE SONG OF LOVE : THE SONG LITERALLY RENDERED IN ENGLISH VERSE |
| but for the brilliance of the scene, | 77324 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 1: SACRED SCANDAL AND DISASTER Chapter 3: THE LOVE AFFAIR AS THE MASK OF TRAGEDY : THE HIDDEN STORY |
| come!," says the thunderous noise. The scene must attract them, | 77368 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 1: SACRED SCANDAL AND DISASTER Chapter 3: THE LOVE AFFAIR AS THE MASK OF TRAGEDY : THE HIDDEN STORY |
| be brought to bear upon the scene. | 77930 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 1: SACRED SCANDAL AND DISASTER Chapter 5: HOLY DREAMTIME : THE PIOUS DRAMATIST |
| competence, composed itself for the final scene. | 77991 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 1: SACRED SCANDAL AND DISASTER Chapter 5: HOLY DREAMTIME : THE PIOUS DRAMATIST |
| could be the meaning of the scene if not: | 77992 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 1: SACRED SCANDAL AND DISASTER Chapter 5: HOLY DREAMTIME : THE PIOUS DRAMATIST |
| places at the same time. The scene at Pylos upon which Telemachus, | 78556 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 2: GODS, PLANETS, MADNESS Chapter 7: CRAZY HEROES OF DARK TIMES : THE SAGE WHO BRIDGED THE DARK AGES |
| primordial world." 26 In a famous scene of the Iliad, | 78852 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 2: GODS, PLANETS, MADNESS Chapter 7: CRAZY HEROES OF DARK TIMES : SOCIETY IN SHOCK |
| art (not primitive art) dominated the scene. | 79161 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 2: GODS, PLANETS, MADNESS Chapter 7: CRAZY HEROES OF DARK TIMES : THE CART BEFORE THE HORSE |
| ascribed by myth to the foaming scene would refer to the ruddy color of the turbulent elements and to the horrific analogy of the divine actions; | 79452 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 2: GODS, PLANETS, MADNESS Chapter 8: THE TWO FACES OF LOVE : TURBULENT BIRTH IN MYTHS AND REALITY |
| of this book and in the scene of the Love Affair Aphrodite acts the role of the Moon and is so understood by the audience. | 80269 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 2: GODS, PLANETS, MADNESS Chapter 8: THE TWO FACES OF LOVE : THE ROMAN VENUS |
| that is, permanently removed from the scene. | 80980 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 2: GODS, PLANETS, MADNESS Chapter 10: HE WHO SHINES BY DAY : CONGENITALITY AND HOMOLOGY |
| time. To imagine Zeus upon the scene could only occur to the raving Hephaestus. | 81960 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 2: GODS, PLANETS, MADNESS Chapter 12: THE LAUGHING GODS - |
| calling upon him is comic. The scene would become too heavy, | 81962 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 2: GODS, PLANETS, MADNESS Chapter 12: THE LAUGHING GODS - |
| apparition at the time. For the scene may not have had the celestial clarity in the actuality that it achieved in the dancing circle. | 81979 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 2: GODS, PLANETS, MADNESS Chapter 12: THE LAUGHING GODS : MERCURY |
| and bring him into the climactic scene of the opera. | 82090 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 2: GODS, PLANETS, MADNESS Chapter 12: THE LAUGHING GODS : APOLLO |
| Sun). If commanded to describe the scene, | 82480 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 2: GODS, PLANETS, MADNESS Chapter 13: HOW THE GODS FLY - |
| but the climax (catastrophe) of the scene probably occurs after sunset of the second day. | 82563 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 2: GODS, PLANETS, MADNESS Chapter 13: HOW THE GODS FLY : THE MOVEMENTS OF THE SCENARIO |
| and Apollo, with Earth, join the scene at this point, | 82588 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 2: GODS, PLANETS, MADNESS Chapter 13: HOW THE GODS FLY : THE MOVEMENTS OF THE SCENARIO |
| earlier crises being forced upon the scene of the present crisis. | 82589 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 2: GODS, PLANETS, MADNESS Chapter 13: HOW THE GODS FLY : THE MOVEMENTS OF THE SCENARIO |
| effect, trying to rid the mundane scene of these gods, | 83998 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 3: THERAPY FOR GROUP FEAR Chapter 15: THE BIRTH AND DEATH OF MEMORY : AMNESIAC PHILOSOPHERS |
| conflict and damage in the "primal scene," | 84393 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 3: THERAPY FOR GROUP FEAR Chapter 16: THE TRANSFIGURATION OF TRAUMA : SEXUALITY AND DISASTER |
| imagine the full and blissful original scene, | 84928 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 3: THERAPY FOR GROUP FEAR Chapter 17: SETTLED SKY AND UNSETTLED MIND : FROM SAVAGERY TO SUBLIMITY |
| and was now back on the scene of his earlier life, | 86165 GODS FIRE: - - Chapter 2: THE SCENARIO OF EXODUS - |
| extensively rewritten. Whoever was writing the scene originally (and it was probably Moses) dealt familiarly with their conduct. | 86173 GODS FIRE: - - Chapter 2: THE SCENARIO OF EXODUS - |
| there was more to the sky-scene than Yahweh. | 87029 GODS FIRE: - - Chapter 3: CATASTROPHE AND DIVINE FIRES : WHOSE ANGEL? |
| of "Deutschland ber Alles." From the scene of the Exodus we can fan out in all directions, | 87272 GODS FIRE: - - Chapter 3: CATASTROPHE AND DIVINE FIRES : THE GENTILE EXODUS |
| and West margins. This is the scene of the Exodus drama; | 87286 GODS FIRE: - - Chapter 3: CATASTROPHE AND DIVINE FIRES : THE GENTILE EXODUS |
| only some hundreds miles from the scene of the Exodus plagues and tides, | 87749 GODS FIRE: - - Chapter 3: CATASTROPHE AND DIVINE FIRES : THE CELESTIAL FIRST CAUSE |
| example, one needs only picture the scene of deadly sputtering which occurs when some object like a pole falls against a gang of live wires and machines. | 88626 GODS FIRE: - - Chapter 4: THE ARK IN ACTION : DANGERS OF ELECTROCUTION |
| paid his charges and watched the scene, | 89221 GODS FIRE: - - Chapter 4: THE ARK IN ACTION : GOD'S FIRE GONE |
| active - smoke and fire abound. The scene is obscured by the continued high dusty and turbulent sky. | 89541 GODS FIRE: - - Chapter 5: LEGENDS AND MIRACLES - |
| their households. The crowd fled the scene, | 89792 GODS FIRE: - - Chapter 5: LEGENDS AND MIRACLES : THE ELECTRO-CHEMICAL FACTORY |
| removed, culturally and geographically, from the scene of the experiments, | 92818 GODS FIRE: - - Chapter 7: THE LEVITES AND THE REVOLTS : KORAH'S REBELLION |
| greatest of gods came upon the scene. | 94499 GODS FIRE: - - Chapter 8: THE ELECTRIC GOD : MONOTHEISM |
| Yahweh is just coming upon the scene, | 94559 GODS FIRE: - - Chapter 8: THE ELECTRIC GOD : MONOTHEISM |
| spirits? the euphoria of the busy scene? | 96773 THE DEVINE SUCCESSION PART 1: THEOMACHY Chapter 3: KNOWING THE GODS - |
| upon the minds of humans. The scene was conducive to polytheism. | 97102 THE DEVINE SUCCESSION PART 1: THEOMACHY Chapter 4: THE HEAVENLY HOST - |
| be objective, are rushed to the scene to corroborate the vision are rare. | 98207 THE DEVINE SUCCESSION PART 1: THEOMACHY Chapter 7: MAN'S DIVINE MIRROR - |
| a thousandfold to cover the world scene? | 98974 THE DEVINE SUCCESSION PART 2: THEOTROPY: Chapter 9: SACRAL VS. SECULAR MAN - |
| punishments for actors on the present scene, | 99022 THE DEVINE SUCCESSION PART 2: THEOTROPY: Chapter 9: SACRAL VS. SECULAR MAN - |
| the daggers." Schliemann conjectures on the scene: | 102371 THE BURNING OF TROY: PART 1: HISTORICAL DISTURBANCES: Chapter 2: THE BURNING OF TROY : THE "BURNT CITY" OF TROY |
| Gate of the city. Although the scene that we are reconstructing was not created by a great earthquake, | 102543 THE BURNING OF TROY: PART 1: HISTORICAL DISTURBANCES: Chapter 2: THE BURNING OF TROY : THE "BURNT CITY" OF TROY |
| a terrible fire over the whole scene that "first was kindled on the plain" and parched it and burned the dead warriors, | 102616 THE BURNING OF TROY: PART 1: HISTORICAL DISTURBANCES: Chapter 2: THE BURNING OF TROY : THE "BURNT CITY" OF TROY |
| of the VII century. In one scene Aeneas leaves through a Trojan gate; | 103346 THE BURNING OF TROY: PART 1: HISTORICAL DISTURBANCES: Chapter 3: THE FOUNDING OF ROME - |
| culture (the Ausonian) entered upon the scene. | 104021 THE BURNING OF TROY: PART 1: HISTORICAL DISTURBANCES: Chapter 5: THE CATASTROPHIC FINALE OF THE MIDDLE BRONZE AGE - |
| besides himself has appeared on the scene. | 105869 THE BURNING OF TROY: PART 2: GEOLOGICAL ISSUES: Chapter 12: A FAILED EXCURSION TO THE CAVES OF AQUITAINE - |
| extremely gradual sedimentation as creating the scene. | 106484 THE BURNING OF TROY: PART 2: GEOLOGICAL ISSUES: Chapter 13: THE LATECOMING OLDUVAI GORGE - |
| sheets of lightning played over the scene. | 106659 THE BURNING OF TROY: PART 2: GEOLOGICAL ISSUES: Chapter 14: ATHENS QUAKES - |
| Cithaeron, as well as being the scene of The Bacchae, | 113346 KA: - - Chapter 2: THE ELECTRIC ORACLES - |
| the Gundestrup cauldron, was discovered. The scene is the slaying of a huge bull. | 114866 KA: - - Chapter 6: SKY LINKS - |
| stasimon, then the exodos or final scene. | 115431 KA: - - Chapter 8: SKY AND STAGE - |
| great importance attaches to a recognition scene which leads to, | 115452 KA: - - Chapter 8: SKY AND STAGE - |
| by a crane (deus ex machina). Scene shifting and stage effects were employed in a Greek theatre. | 115463 KA: - - Chapter 8: SKY AND STAGE - |
| things are done. In the opening scene of the Agamemnon, | 116232 KA: - - Chapter 11: THE PRESOCRATIC PHILOSOPHERS - |
| floors, and here we have a scene like that of an Homeric sacrifice. | 118504 KA: - - Chapter 18: ROME AND THE ETRUSCANS : ROME, MONARCHY, AND THE GODS |
| entrance of Oedipus and Antigone. The scene is the entrance to the grove of the Eumenides, | 119375 KA: - - Chapter 21: THE DEATH OF KINGS - |
| could be blinded. At the final scene of the death of Oedipus we shall meet this phenomenon again. | 119424 KA: - - Chapter 21: THE DEATH OF KINGS - |
| heavenly deities are recognized together. The scene is suggestive of an electrical incident. | 119527 KA: - - Chapter 21: THE DEATH OF KINGS - |
| reddish in colour, and was the scene of what appeared to be lightning discharges, | 119690 KA: - - Chapter 22: LIVING WITH ELECTRICITY - |
| example, especially if it is the scene of the arrival in Olympus of the soldiers who fell at Marathon. | 122245 - A FIRE NOT BLOWN: - - Chapter 06: ARIADNE - |
| Greek tragedy, there is a recognition scene, | 123332 - A FIRE NOT BLOWN: - - Chapter 13: FIRE - |
| you will, you can transfer the scene to Krakatoa in 1883 or Nagasaki in 1945. | 127523 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 2: THE PALAETIOLOGY OF FEAR AND MEMORY : FORGETTING |
| young will observe more of the scene than the old. | 127540 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 2: THE PALAETIOLOGY OF FEAR AND MEMORY : FORGETTING |
| catastrophic memories concentrated in Act 3, Scene 2, | 129795 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art |
| 2, the largest and most important scene in the play, | 129795 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art |
| feel that the events in this scene, | 129798 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art |
| look at the rest of the scene through the optic of catastrophic speculation, | 129806 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art |
| circa -1475, which lie behind the scene, | 129814 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art |
| concluded that the action of this scene may be both a surprisingly accurate recollection of precise celestial events as described by Dr. | 129828 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art |
| summarize, we are presented in this scene with a gamut of changes based on attraction and repulsion, | 129941 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art |
| of Christ's Nativity," prepared the scene for "the Prince of Light" to begin "His reign of peace upon the earth." | 131155 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art |
| the Duke Theseus in Act V Scene I A Midsummer Night's Dream concisely expresses his theory of the Springs of Art. | 133186 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : APPENDIX I ABOUT THE AUTHORS : IRVING WOLFE |
| 2. The events reflect a general scene which, | 133869 THE VELIKOVSKY AFFAIR: - SCIENTISM VERSUS SCIENCE - INTRODUCTION TO THE 2ND EDITION - |
| it (Les femmes savantes, Act IV, Scene III): | 136438 THE VELIKOVSKY AFFAIR: PART 3: THE INCONSTANT HEAVENS - - - |
| laughing his opponents out of the scene of cuneiform studies. | 138160 THE VELIKOVSKY AFFAIR: PART 4: CUNEIFORM ASTRONOMICAL RECORDS AND CELESTIAL INSTABILITY - - - |
| heavily influential figures on the scientific scene. | 139637 THE VELIKOVSKY AFFAIR: PART 6: THE SCIENTIFIC RECEPTION SYSTEM - - - |