ANTIQUUS..................1 (0.000%)
The Hebrew athiq, splendid, suggests Latin antiquus, 118480 KA: - - Chapter 18: ROME AND THE ETRUSCANS : ROME, MONARCHY, AND THE GODS
 
 ANTIRELIGIOUS.............1 (0.000%)
polytheistic, so to speak, or even antireligious. 8446 COSMIC HERETICS: PART 1: - Chapter 4: A PROPER RESPECT FOR AUTHORITY -
 
 ANTISEMITIC...............1 (0.000%)
new model of God and were antisemitic (Seneca was so too), 98627 THE DEVINE SUCCESSION PART 1: THEOMACHY Chapter 7: MAN'S DIVINE MIRROR -
 
 ANTISEMITISM..............2 (0.000%)
remarkably, there was no hint of antisemitism in the question, 10008 COSMIC HERETICS: PART 2: - Chapter 6: HOLOCAUST AND AMNESIA -
he had not been motivated by antisemitism 16 . 138226 THE VELIKOVSKY AFFAIR: PART 4: CUNEIFORM ASTRONOMICAL RECORDS AND CELESTIAL INSTABILITY - - -
 
 ANTISEPTICALLY............1 (0.000%)
such tasks as washing test tubes antiseptically or inventing a better particle shield. 57317 SOLARIA-BINARIA: PART 3: TECHNICAL NOTES: - TECHNICAL NOTE A: ON METHOD -
 
 ANTISOCIAL................1 (0.000%)
syndrome of activities and attitudes adjudged antisocial or personally deleterious, 91236 GODS FIRE: - - Chapter 6: THE CHARISMA OF MOSES : TALKING WITH GODS
 
 ANTISTROPHE...............1 (0.000%)
with reversal of direction for the antistrophe. 115381 KA: - - Chapter 8: SKY AND STAGE -
 
 ANTITEMPORAL..............1 (0.000%)
theoretical physics, where phenomena are so antitemporal or micro-temporal or spatially contradictory that to observe them as occurring seems to be a proof that they cannot occur.111044 THE BURNING OF TROY: PART 5: COMMUNICATING A SCIENTIFIC MODEL: Chapter 28: SYLLABI FOR QUANTAVOLUTION -
 
 ANTITHESIS................4 (0.000%)
scientific method. They are not its antithesis. 16132 COSMIC HERETICS: PART 4: - Chapter 13: THE EMPIRE STRIKES BACK -
he exemplifies the non-lazy, the antithesis of the phenomenon of limited energetics or laziness. 17360 COSMIC HERETICS: PART 4: - Chapter 14: THE FOIBLES OF HERETICS -
but reversed Hegelian dialectic of thesis-antithesis-synthesis in the historical process. 18252 COSMIC HERETICS: PART 5: - Chapter 15: THE KNOWLEDGE INDUSTRY -
cause of this natural bias towards antithesis? 120166 KA: - - Chapter 22: LIVING WITH ELECTRICITY : PHILOSOPHY
 
 ANTITHETIC................1 (0.000%)
rites, and history. This situation is antithetic to scientific method, 97706 THE DEVINE SUCCESSION PART 1: THEOMACHY Chapter 5: LEGENDS AND SCRIPTURE -
 
 ANTITHETICAL..............1 (0.000%)
a complete cosmogonic model that is antithetical to uniformitarianism; 133980 THE VELIKOVSKY AFFAIR: - SCIENTISM VERSUS SCIENCE - INTRODUCTION TO THE 2ND EDITION -
 
 ANTITRUTH.................2 (0.000%)
consideration needs be given untruth or antitruth. 6827 COSMIC HERETICS: PART 1: - Chapter 2: THE PRODIGAL ARCHIVE -
is a belief in truth and antitruth, 6834 COSMIC HERETICS: PART 1: - Chapter 2: THE PRODIGAL ARCHIVE -
 
 ANTIZIONISM...............1 (0.000%)
written works analysis; conversations; hatred of antizionism even at cost of other values (e.9511 COSMIC HERETICS: PART 2: - Chapter 6: HOLOCAUST AND AMNESIA -
 
 ANTLERED..................2 (0.000%)
of horned deity. There was an antlered god, 114835 KA: - - Chapter 6: SKY LINKS -
linked with the tore. Cernunnus, the antlered god, 114873 KA: - - Chapter 6: SKY LINKS -
 
 ANTOFAGASTA...............1 (0.000%)
anthroposphere anti-semitism anticline Antillia antiparticle Antofagasta mudslide Anura anvil anxiety apastron apathy Aphek, 1550 QUANTAVOLUTION AND CATASTROPHE: PART 5: The Scope of Quantavolution - - -
 
 ANTOINE...................15 (0.002%)
Neither Greenberg nor V. mentioned Nicolas-Antoine Boulanger, 19081 COSMIC HERETICS: PART 5: - Chapter 16: PRECURSORS OF QUANTAVOLUTION -
Bruno, Galileo Galilei, William Whiston, Nicholas Antoine Boulanger, 21901 CHAOS AND CREATION: - - CHAPTER 01: COSMIC INSTABILITY : "ONE OR TWO CENTURIES" OF "ETERNAL ORDER"
American (October), 87-94. Boulanger, Nicolas-Antoine (1765), " 31233 CHAOS AND CREATION: - - - BIBLIOGRAPHY -
1928), Clarendon Press, Oxford. Pluche, Noel-Antoine (1740), 32148 CHAOS AND CREATION: - - - BIBLIOGRAPHY -
the Noachian deluge; anthropologists like Nicholas-Antoine Boulanger who recognized the symptoms of catastrophic fear in the history of religion;32786 THE LATELY TORTURED EARTH: - - CHAPTER 1: Quantavolutions -
young French engineer and soldier, Nicholas-Antoine Boulanger. 39475 THE LATELY TORTURED EARTH: PART III: HYDROLOGY: Chapter 13 Deluges -
17th century; the brilliant young Nicolas-Antoine Boulanger in the 18th century; 103933 THE BURNING OF TROY: PART 1: HISTORICAL DISTURBANCES: Chapter 5: THE CATASTROPHIC FINALE OF THE MIDDLE BRONZE AGE -
the human experience with Venus. Nicolas-Antoine Boulanger related basic human problems to the everlasting fear of a great comet.104759 THE BURNING OF TROY: PART 1: HISTORICAL DISTURBANCES: Chapter 7: NINE SPHERES OF VENUSIAN EFFECTS -
Psychoanalysis (1940), 427-68. 3. Nicholas-Antoine Boulanger. 108287 THE BURNING OF TROY: PART 3: WORKING OF THE MIND: Chapter 19: THE 'UNCONSCIOUS' AS A LITERARY REVOLT AGAINST SCIENCE : SELECTED BIBLIOGRAPHY OF PERTINENT WORKS
Press, 1954). 29. John Hampton. Nicolas-Antoine Boulanger et la science de son temps (Geneve: 108355 THE BURNING OF TROY: PART 3: WORKING OF THE MIND: Chapter 19: THE 'UNCONSCIOUS' AS A LITERARY REVOLT AGAINST SCIENCE : SELECTED BIBLIOGRAPHY OF PERTINENT WORKS
by different names. Soon afterwards Nicholas-Antoine Boulanger used an account of the comet and deluge to explain the origins of religions. 111933 THE BURNING OF TROY: PART 5: COMMUNICATING A SCIENTIFIC MODEL: Chapter 30: PAST, PRESENT, AND FUTURE -
He was an engineer named Nicolas-Antoine Boulanger. 126706 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 1: CULTURAL AMNESIA : SUPPRESSION AND REGRESSION
such as Giordano Bruno and Nicolas-Antoine Boulanger, 127253 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 2: THE PALAETIOLOGY OF FEAR AND MEMORY : CATASTROPHIC FEAR
whose views Velikovsky has revived: Nicolas-Antoine Boulanger (1722-59). 137181 THE VELIKOVSKY AFFAIR: PART 3: THE INCONSTANT HEAVENS - - -
the cubit 11 . In 1816, Jean-Antoine Letronne (1787-1848), 138066 THE VELIKOVSKY AFFAIR: PART 4: CUNEIFORM ASTRONOMICAL RECORDS AND CELESTIAL INSTABILITY - - -
 
 ANTON.....................3 (0.000%)
W in C, p. 259. 26. Anton Ehrenzweig, " 81459 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 2: GODS, PLANETS, MADNESS Chapter 10: HE WHO SHINES BY DAY : APPENDIX TO CHAPTER TEN LOGIC OF IDENTIFYING RELATIONS SUCH AS "HEPHAESTUS IS ATHENA"
44. Reallexikon fur Antike and Christentum (Anton Hiersemann, 87922 GODS FIRE: - - Chapter 3: CATASTROPHE AND DIVINE FIRES : Notes (Chapter 3: Catastrophe and Divine Fires)
catastrophic images cluster most noticeably. When Anton is told of Cleopatra's alleged death, 130577 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art
 
 ANTONIN...................1 (0.000%)
Becker, Robert O., see Friedman Becvar, Antonin (1964): 59190 SOLARIA-BINARIA: - - - BIBILIOGRAPHY -
 
 ANTONINUS.................2 (0.000%)
to escape the fury of Typhon. Antoninus Liberalis, 113825 KA: - - Chapter 3: DIONYSUS -
actually born in Crete. According to Antoninus Liberalis, 121963 - A FIRE NOT BLOWN: - - Chapter 04: ZEUS -
 
 ANTONIUS..................1 (0.000%)
on a coin of the Emperor Antonius Pius. 103498 THE BURNING OF TROY: PART 1: HISTORICAL DISTURBANCES: Chapter 3: THE FOUNDING OF ROME -
 
 ANTONY....................102 (0.013%)
Gospels (Strauss, 1820), or Shakespeare's Antony and Cleopatra (Wolfe, 107894 THE BURNING OF TROY: PART 3: WORKING OF THE MIND: Chapter 19: THE 'UNCONSCIOUS' AS A LITERARY REVOLT AGAINST SCIENCE : DETAILED EXPOSITION OF THE PROJECT
The Catastrophic Substructure of Shakespeare's Antony and Cleopatra, 108470 THE BURNING OF TROY: PART 3: WORKING OF THE MIND: Chapter 19: THE 'UNCONSCIOUS' AS A LITERARY REVOLT AGAINST SCIENCE : SELECTED BIBLIOGRAPHY OF PERTINENT WORKS
Night's Dream, and the other, Antony and Cleopatra, 129206 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art
in Collision. I turn now to Antony and Cleopatra, 130315 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art
with catastrophic images and themes. First, Antony is consistently associated with Hercules and identified with Mars, 130316 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art
heavenly bodies which threatens the earth. Antony glows like plated Mars, 130319 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art
Venus. The love between her and Antony is described as an attraction between Venus and Mars, 130341 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art
roles. Second, the power contest between Antony and Octavius is likewise given worldwide terms.130348 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art
world, for the territory of man. Antony is the greatest soldier in the world, 130350 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art
the Battle of Actium, where Scarus, Antony's lieutenant, 130372 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art
where Scarus, Antony's lieutenant, compares Antony's defeat to the tokened pestilence, 130373 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art
leprosy. Yet, while the defeat of Antony may have overtones of a divine Old Testament holocaust, 130385 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art
as he is always called in Antony and Cleopatra - was to become Augustus, 130389 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art
born. Thus, in the war with Antony, 130392 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art
in the war with Antony, when Antony's allies have deserted and sympathy for him is at its strongest, 130392 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art
Venus in dangerous conjunction; that Octavius, Antony's antagonist, 130405 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art
cosmic stature; that the defeat of Antony is Biblical in character, 130406 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art
the comedy, we can see that Antony and Cleopatra are presented as heavenly bodies, 130409 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art
read Velikovsky, the general action in Antony and Cleopatra is clearly catastrophic, 130418 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art
development. Once they are in love, Antony's proximity or distance directly affects Cleopatra's brilliance, 130423 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art
new earth, 1.1.17. When Antony renounces Rome for Egypt his words are made to unknowingly prefigure the worldwide destruction this will cause.130425 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art
Velikovsky has pointed out 27 . When Antony protests his love to Cleopatra, 130451 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art
made to predict her fall, like Antony, 130454 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art
fears a battle between Octavius and Antony, 130466 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art
personages, is drawn from Octavius to Antony, 130479 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art
at last meet in battle and Antony abandons his fleet, 130489 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art
of the sphere, the globe, and Antony ascribes his errancy, 130497 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art
it portends alone The fall of Antony. 130518 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art
159-167. For a brief moment, Antony's fortunes seem to improve, 130525 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art
chariot of the sun god. When Antony pictures himself and his love reuniting, 130534 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art
long, for in the next battle Antony's forces are soundly defeated, 130545 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art
has truly betrayed him this time. Antony is driven into uncontrollable anger, 130546 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art
so it is with the failing Antony, 130551 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art
13.1-3. We perceive that Antony's magnitude is diminishing, 130559 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art
going off. 4.13.5-6. Antony's last description of himself is of inundating dissolution. 130567 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art
a new calendar, will begin after Antony's darkness, 130587 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art
year 31 . With the approach of Antony's destruction, 130596 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art
When Cleopatra, from her monument, sees Antony's body being brought onstage, 130597 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art
world. 4.15.9-10. When Antony speaks his last and expires, 130606 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art
She then continues the reference to Antony as a burned-out star. 130633 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art
Earth. When Octavius first learns of Antony's death, 130645 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art
to decline, or set. Cleopatra remembers Antony as a figure of cosmic climension and stability, 130659 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art
globe tottered, or shook 32 . With Antony gone, 130682 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art
Cleopatra. It occurs distinctly apart from Antony's. 130684 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art
distinctly apart from Antony's. Like Antony's, 130684 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art
opposed to merely celestial associations surrounding Antony and Cleopatra in this way, 130744 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art
in the Velikovskian catastrophes. Lee sees Antony as a sacrifice, 130776 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art
a scapegoat, and he notes that Antony, 130776 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art
Mars - is a significant clue to Antony's value, 130778 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art
I feel, is what happened to Antony, 130784 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art
Lee notes a vast decline in Antony. 130794 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art
as it does to Shakespeare's Antony. 130812 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art
This pattern begins as early as Antony's first speech, 130831 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art
a part of the structure 48 . Antony, 130844 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art
integrity whole, and so he melts. Antony compares his sense of his own existence - even of his physical existence - to the tenuous stability of clouds drifting into clouds, 130847 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art
the Sun, Cleopatra the Comet, and Antony is Mars. 130854 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art
In the configuration of important entities, Antony is not a mere average man, 130855 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art
In the social scale of values, Antony vacillates between love and duty. 130858 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art
stability of the solar system. If Antony abandons his duty to pursue Cleopatra, 130860 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art
was extinction and expulsion. To Lee, Antony dissolves and is destroyed ...... 130864 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art
view of himself 50 . Lee sees Antony's need to break out of Cleopatra's sphere of influence 51 . 130868 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art
s sphere of influence 51 . for Antony seems to recognize that this alone will save him. 130868 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art
conversely of steadiness and constancy 52 . Antony was steady, 130878 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art
anticipates becoming a celestial body like Antony. 130900 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art
safe orbit by the influence of Antony, 130922 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art
conclusion, Lee says the attraction between Antony and Cleopatra produces ...... 130931 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art
see in the play. To them, Antony and Cleopatra, 130938 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art
lovers has consequences far beyond themselves. Antony's political defeat and his and Cleopatra's individual tragedy are both set within the context of a larger process, 130944 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art
might well be a play like Antony and Cleopatra, 130957 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art
from Rome 62 . The poison affects Antony, 131004 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art
Cleopatra's role as Eve to Antony's as Adam, 131018 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art
look at Cleopatra's effect upon Antony. 131044 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art
generally considered, Davidson tells us, that Antony's attraction to Cleopatra debilitated him. 131045 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art
could also be considered Velikovskian. Thus Antony's sword is "made weak" by his affection 67 .131048 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art
is interesting that idleness, which traps Antony, 131057 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art
immobilized in a net, which recalls Antony caught in Cleopatra's strong Egyptian fetters, 131058 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art
Hephaestus love triangle is narrated 69 . Antony was of course identified with Mars, 131065 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art
Mars' excessive attraction to Venus, or Antony's to Cleopatra, 131079 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art
terms of the degree to which Antony will neglect his duty. 131083 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art
element in Shakespeare's depiction of Antony and Cleopatra 73 . 131089 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art
the celestial events Dr. Velikovsky described, Antony- Mars should be master because of his status in the Roman Empire, 131105 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art
a painting by Botticelli. Mars, like Antony, 131124 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art
despite her deleterious effect on Mars-Antony, 131137 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art
end, the love of the martial Antony and wanton Cleopatra will lead historically to the end of the conflict between the triumvirs and to the harmony of "universal peace" into which will be born the Prince of Peace 81 .131144 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art
s prediction of future peace as Antony and Cleopatra are close to their destruction.131150 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art
the guards discover the fatally wounded Antony, 131166 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art
to be resisted. For, had not Antony yielded to his passion, 131201 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art
the end of the lives of Antony and Cleopatra 85 . 131215 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art
rests upon the spirit of Mark Antony in bliss 86 . 131226 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art
opposite 89 . The same occurs with Antony. 131253 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art
love. At the death of "Herculean Antony," 131256 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art
at the beginning of the play, Antony and Cleopatra had wanted to create their own private new heaven and new earth, 131278 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art
made angelic. The imperial spirit of Antony, 131285 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art
in imagination among the angels. Mark Antony indeed will be remembered thus, 131286 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art
a transition from menace to safety. Antony and Cleopatra have been made to exchange dangerous mortality for safe immortality,131291 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art
by proxy the planets for which Antony and Cleopatra stand are being punished through their human representatives, 131297 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art
to us, and the worst to Antony and Cleopatra, 131304 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art
All quotations and line numbers from Antony and Cleopatra refer to the Signet Classic edition, 131742 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Notes (Shakespeare and Veliovsky)
American Library, New York, 1964). 26. Antony and Cleopatra, 131745 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Notes (Shakespeare and Veliovsky)
248-250. 33. Lee, Robin, Shakespeare: Antony and Cleopatra. 131761 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Notes (Shakespeare and Veliovsky)
52 55. Ibid, Page 56. 56. Antony and Cleopatra, 131808 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Notes (Shakespeare and Veliovsky)
Cleopatra, Introduction xxxv. 57. Davidson, Clifford, 'Antony and Cleopatra': 131810 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Notes (Shakespeare and Veliovsky)