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POETIC....................28 (0.003%)
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| rock plutonium plutonium, toxicity Pobitite Kamani poetic meter Poincare, | 4745 QUANTAVOLUTION AND CATASTROPHE: PART 5: The Scope of Quantavolution - - - |
| but question the definitiveness of the poetic lines, | 12490 COSMIC HERETICS: PART 3: - Chapter 10: ABC'S OF ASTROPHYSICS - |
| of the night skies is both poetic and heuristic. | 13342 COSMIC HERETICS: PART 3: - Chapter 11: CLOCKWORK - |
| god in the sky. More than poetic fantasy, | 29484 CHAOS AND CREATION: - - CHAPTER 10: VENUS AND MARS : THE PLOT OF THE ILIAD |
| imagination, splendid lucubrations, ingenious associations, and poetic invention. | 72861 HOMO SCHIZO II: - - Chapter 4: DISPLACEMENT AND OBSESSION : DISPLACEMENT |
| the various special languages of political, poetic, | 74745 HOMO SCHIZO II: - - Chapter 6: SYMBOLS AND SPEECH : CULTURAL DISCIPLINE AND SPEECH DIVERGENCE |
| College, whose advice extended from greek poetic meter to the full ancient oecumene; | 76776 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS - - - FOREWORD - |
| report the disaster), the revival of poetic forms, | 78368 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 2: GODS, PLANETS, MADNESS Chapter 6: THE RAPE OF HELEN : THE AGE OF MARS |
| that Troy and the Trojans were poetic inventions. | 78968 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 2: GODS, PLANETS, MADNESS Chapter 7: CRAZY HEROES OF DARK TIMES : SOCIETY IN SHOCK |
| for from a small treasury of poetic lines? | 81178 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 2: GODS, PLANETS, MADNESS Chapter 10: HE WHO SHINES BY DAY : ATHENA'S LAST BATTLES |
| as Stanford puts it, "with his poetic gifts the work of a pioneer grammarian, | 83057 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 3: THERAPY FOR GROUP FEAR Chapter 14: THE USES OF LANGUAGE : METER AND METAPHOR |
| Page, op. cit.) and they lack poetic merit, | 84999 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 3: THERAPY FOR GROUP FEAR Chapter 17: SETTLED SKY AND UNSETTLED MIND : Notes (Chapter 17: Settled Sky and Unsettled Mind) |
| human body. 2 According to Cicero, poetic inspiration shows that there is a divine power in the soul 3 . | 113320 KA: - - Chapter 2: THE ELECTRIC ORACLES - |
| with Dionysus, Hermes, Demeter, and Pan. POETIC INSPIRATION If we accept the idea that the Greek oracles exploited electrical stimulation of the Sibyl, | 115541 KA: - - Chapter 8: SKY AND STAGE : POETIC INSPIRATION |
| basis for the Greek theory of poetic inspiration. | 115544 KA: - - Chapter 8: SKY AND STAGE : POETIC INSPIRATION |
| laurigerosque ignes, laurel-bearing fire, for poetic inspiration (Achilleid I: | 115547 KA: - - Chapter 8: SKY AND STAGE : POETIC INSPIRATION |
| Cassandra on her arrival at Mycenae. Poetic inspiration was originally like this, | 115560 KA: - - Chapter 8: SKY AND STAGE : POETIC INSPIRATION |
| idea. A. E. Housman spoke of poetic inspiration in his own case coming as a physical sensation while shaving. | 115581 KA: - - Chapter 8: SKY AND STAGE : POETIC INSPIRATION |
| The latter is the archaic and poetic word, | 119110 KA: - - Chapter 20: SANCTIFICATION AND RESURRECTION - |
| keraunos, skepto (hurl). Latin has: fulgur, poetic fulgor (cf. | 119130 KA: - - Chapter 20: SANCTIFICATION AND RESURRECTION - |
| part of an interdependent system. in poetic terms, | 129658 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art |
| uses catastrophic language to defend the poetic richness of the panoramic descriptions, | 129720 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art |
| as Bottom, denying the validity of poetic insight, | 130166 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art |
| do certain narratives, in prose or poetic or dramatic form, | 130773 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art |
| Antony, as Mars, is given a poetic greatness which is contradicted by his smallness of action 39 . | 130777 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art |
| in ritual and myth. They are poetic, | 131487 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art |
| Whole Earth Catalogue sings. It is poetic. | 132375 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 7: LIVING WITH VELIKOVSKY: : CATASTROPHISM AS WORLD VIEW |
| ambiguous about the nature of the poetic imagination and about the nature of its products. | 133195 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : APPENDIX I ABOUT THE AUTHORS : IRVING WOLFE |
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POETICA...................2 (0.000%)
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| Pyroeis, indicating this fact." 1 Hyginus' Poetica Astronomica also says that: | 77243 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 1: SACRED SCANDAL AND DISASTER Chapter 3: THE LOVE AFFAIR AS THE MASK OF TRAGEDY - |
| as the Mask of Tragedy) 1. Poetica Astronomica, | 77487 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 1: SACRED SCANDAL AND DISASTER Chapter 3: THE LOVE AFFAIR AS THE MASK OF TRAGEDY : Notes (Chapter 3: The Love Affair as the Mask of Tragedy) |
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POETICAL..................2 (0.000%)
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| beginning with "ben." One is "benthos," poetical for "bathos," | 80105 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 2: GODS, PLANETS, MADNESS Chapter 8: THE TWO FACES OF LOVE : THE ROMAN VENUS |
| of time, expressing it in more poetical terms." | 116170 KA: - - Chapter 11: THE PRESOCRATIC PHILOSOPHERS - |
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POETICALLY................3 (0.000%)
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| life was "nasty, brutish, and short." Poetically, | 77800 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 1: SACRED SCANDAL AND DISASTER Chapter 5: HOLY DREAMTIME : THE SCANDALOUS LITTLE PIECE |
| because it causes destruction, which may poetically suggest the action of Velikovsky's Comet Venus. | 129863 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art |
| on the planet Mars, which might poetically be said to have neglected its duty in being forced to follow a new or errant course, | 131015 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art |
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POETRY....................65 (0.008%)
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| involvement in cosmic heresies. Or your poetry or attempts at educational revolution. | 6273 COSMIC HERETICS: - - - FOREWORD: : IN SEARCH OF TIMES PAST |
| the White House decor and French poetry. | 7496 COSMIC HERETICS: PART 1: - Chapter 3: CHEERS AND HISSES - |
| mostly in fairy tales and epic poetry. | 7872 COSMIC HERETICS: PART 1: - Chapter 3: CHEERS AND HISSES - |
| in Passage of the Year, the poetry which he published in 1967, | 8470 COSMIC HERETICS: PART 1: - Chapter 4: A PROPER RESPECT FOR AUTHORITY - |
| metaphysics, with excursions into satire and poetry. | 8508 COSMIC HERETICS: PART 1: - Chapter 4: A PROPER RESPECT FOR AUTHORITY - |
| Dolby re ice ages Moore re poetry Lowery re linguistics Sieff re... | 8996 COSMIC HERETICS: PART 1: - Chapter 5: THE BRITISH CONNECTION - |
| orgiastic religious cults and sects, ancient poetry, | 12723 COSMIC HERETICS: PART 3: - Chapter 10: ABC'S OF ASTROPHYSICS - |
| American Government books another book of poetry several novels, | 14364 COSMIC HERETICS: PART 4: - Chapter 12: THE THIRD WORLD OF SCIENCE - |
| will read you a line of poetry that you wrote' and quoted "the most opposed I will most believing be." ' | 14808 COSMIC HERETICS: PART 4: - Chapter 12: THE THIRD WORLD OF SCIENCE - |
| and I include even novels and poetry here, | 18456 COSMIC HERETICS: PART 5: - Chapter 15: THE KNOWLEDGE INDUSTRY - |
| presence in Indochina. He was writing poetry and before flying to Vietnam in 1967 he collected his poems and put them to press as the Passage of the Year; | 18491 COSMIC HERETICS: PART 5: - Chapter 15: THE KNOWLEDGE INDUSTRY - |
| who said, yes, he had written poetry when young, | 18494 COSMIC HERETICS: PART 5: - Chapter 15: THE KNOWLEDGE INDUSTRY - |
| young, at which Deg commented that poetry was more accessible to the senile than the juvenile. | 18494 COSMIC HERETICS: PART 5: - Chapter 15: THE KNOWLEDGE INDUSTRY - |
| in art and sung of in poetry, | 28597 CHAOS AND CREATION: - - CHAPTER 09: THE OLYMPIAN RULERS : THE LIGHTNING GOD |
| as sophisticated language, as good a poetry as ever written perhaps, | 40052 THE LATELY TORTURED EARTH: PART III: HYDROLOGY: Chapter 14 Floods and Tides - |
| the lines. But today has its poetry of the absurd, | 43589 THE LATELY TORTURED EARTH: PART V: RIFTS, RAFTS AND BASINS: Chapter 20 Thrusting and Orogeny - |
| in the mythical history and legendary poetry of almost every nation, | 48474 THE LATELY TORTURED EARTH: PART VI: BIOSPHERICS: Chapter 29 Spectres - |
| not developed well until civilizations had poetry, | 66387 HOMO SCHIZO I: - - Chapter 6: SCHIZOID INSTITUTIONS : GRAPHICS |
| impossible: if it were done, all poetry and history and literature and music would be lost; | 67784 HOMO SCHIZO I: - - Chapter 7: PSYCHOPATHOLOGY OF HISTORY : HISTORISM |
| of Christ, or a line of poetry. | 73113 HOMO SCHIZO II: - - Chapter 4: DISPLACEMENT AND OBSESSION : OBSESSIONS, COMPULSIONS, HABITS |
| a complete language." 4 Wit, humor, poetry and song are within the capabilities of sign language. | 74300 HOMO SCHIZO II: - - Chapter 6: SYMBOLS AND SPEECH : SILENT SYMBOLISM |
| covered up or sublimated - all through poetry and philosophy. | 75281 HOMO SCHIZO II: - - Chapter 7: THE GOOD, THE TRUE, AND THE BEAUTIFUL : SECRET WORDS AND PANRELATIONISM |
| theory or hypothesis, not science as poetry, | 75853 HOMO SCHIZO II: - - Chapter 7: THE GOOD, THE TRUE, AND THE BEAUTIFUL : THE COST OF LOSING MAGIC |
| is through the sublimated medium of poetry and dance. | 76609 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS - - - INTRODUCTION - |
| before this era, and Homer's poetry (which I place later than is usual) shows both the effects of the disasters and the ways in which the Greeks recovered from them. | 76647 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS - - - INTRODUCTION - |
| of disjoined symbols and thoughts. The poetry must have sprung originally from a chaos of sounds, | 77261 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 1: SACRED SCANDAL AND DISASTER Chapter 3: THE LOVE AFFAIR AS THE MASK OF TRAGEDY - |
| dance figures. This is not epic poetry. | 77941 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 1: SACRED SCANDAL AND DISASTER Chapter 5: HOLY DREAMTIME : THE PIOUS DRAMATIST |
| Patroni, the Song is not sacred poetry because one could not come out openly and formally to the greater glory of Aphrodite, | 77953 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 1: SACRED SCANDAL AND DISASTER Chapter 5: HOLY DREAMTIME : THE PIOUS DRAMATIST |
| his own judgement - it is sacred poetry even if influenced by the personal religion of Homer. | 77963 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 1: SACRED SCANDAL AND DISASTER Chapter 5: HOLY DREAMTIME : THE PIOUS DRAMATIST |
| target briefly and sharply: Choral lyric poetry naturally remained closer to its religious origins. | 78019 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 1: SACRED SCANDAL AND DISASTER Chapter 5: HOLY DREAMTIME : THE PIOUS DRAMATIST |
| religious origins. It was really the poetry of the sacred songs, | 78020 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 1: SACRED SCANDAL AND DISASTER Chapter 5: HOLY DREAMTIME : THE PIOUS DRAMATIST |
| Games themselves, agglomerates of athletics and poetry, | 78026 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 1: SACRED SCANDAL AND DISASTER Chapter 5: HOLY DREAMTIME : THE PIOUS DRAMATIST |
| Greek spectacle of religion, athletics, and poetry. | 78292 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 2: GODS, PLANETS, MADNESS Chapter 6: THE RAPE OF HELEN : THE AGE OF MARS |
| Venus and Mars that creates the poetry of Homer." | 78373 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 2: GODS, PLANETS, MADNESS Chapter 6: THE RAPE OF HELEN : THE AGE OF MARS |
| I reading feelings into Homer's poetry that are not there? | 78872 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 2: GODS, PLANETS, MADNESS Chapter 7: CRAZY HEROES OF DARK TIMES : SOCIETY IN SHOCK |
| corresponded to indications found in the poetry. | 78970 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 2: GODS, PLANETS, MADNESS Chapter 7: CRAZY HEROES OF DARK TIMES : SOCIETY IN SHOCK |
| expressing "fire" abound, for example. His poetry seems to be addressing audiences of low verbal ability; | 78994 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 2: GODS, PLANETS, MADNESS Chapter 7: CRAZY HEROES OF DARK TIMES : SOCIETY IN SHOCK |
| Aphrodite and Ares that creates the poetry of Homer, | 80028 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 2: GODS, PLANETS, MADNESS Chapter 8: THE TWO FACES OF LOVE : HOW TO NAME A PLANET? |
| of reading, reciting, or hearing Greek poetry as it actually sounded," | 82976 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 3: THERAPY FOR GROUP FEAR Chapter 14: THE USES OF LANGUAGE : METER AND METAPHOR |
| to affirm that the basis of poetry was the syllable; | 82990 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 3: THERAPY FOR GROUP FEAR Chapter 14: THE USES OF LANGUAGE : METER AND METAPHOR |
| act but he could also invent poetry. | 83159 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 3: THERAPY FOR GROUP FEAR Chapter 14: THE USES OF LANGUAGE : HOMER: EDITOR AND PUBLISHER |
| authorship and copyrights. His inheritance of poetry was both his and non- his; | 83160 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 3: THERAPY FOR GROUP FEAR Chapter 14: THE USES OF LANGUAGE : HOMER: EDITOR AND PUBLISHER |
| myth is largely that of symbolic poetry: | 84564 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 3: THERAPY FOR GROUP FEAR Chapter 16: THE TRANSFIGURATION OF TRAUMA : THE KERNELS OF HISTORY |
| history, could rewrite the history as poetry, | 84695 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 3: THERAPY FOR GROUP FEAR Chapter 17: SETTLED SKY AND UNSETTLED MIND : WHAT HOMER REMEMBERED |
| who related it in his epic poetry. | 97619 THE DEVINE SUCCESSION PART 1: THEOMACHY Chapter 5: LEGENDS AND SCRIPTURE - |
| studying the hysterical lines in the poetry of the Sybilline oracle concerning the battles among the stars (which describes a shifting struggle among the animals of the Zodiac), | 103943 THE BURNING OF TROY: PART 1: HISTORICAL DISTURBANCES: Chapter 5: THE CATASTROPHIC FINALE OF THE MIDDLE BRONZE AGE - |
| a generation the mocking fantastic nursery poetry commences. | 106874 THE BURNING OF TROY: PART 3: WORKING OF THE MIND: Chapter 15: COMPTINOLOGY AND TOHU-BOHU - |
| mad," like Baudelaire, and art and poetry went "bohemian." | 107915 THE BURNING OF TROY: PART 3: WORKING OF THE MIND: Chapter 19: THE 'UNCONSCIOUS' AS A LITERARY REVOLT AGAINST SCIENCE : DETAILED EXPOSITION OF THE PROJECT |
| the 'New Science' Upon Seventeenth Century Poetry (Evanston: | 108422 THE BURNING OF TROY: PART 3: WORKING OF THE MIND: Chapter 19: THE 'UNCONSCIOUS' AS A LITERARY REVOLT AGAINST SCIENCE : SELECTED BIBLIOGRAPHY OF PERTINENT WORKS |
| consists of a hundred lines of poetry describing an opera ballet. | 110539 THE BURNING OF TROY: PART 5: COMMUNICATING A SCIENTIFIC MODEL: Chapter 27: A COSMIC DEBATE : III |
| LITERATURE: Crafts, myths; liturgy art; dance; poetry. | 111150 THE BURNING OF TROY: PART 5: COMMUNICATING A SCIENTIFIC MODEL: Chapter 28: SYLLABI FOR QUANTAVOLUTION - |
| images of fire and light for poetry, | 114306 KA: - - Chapter 5: DEITIES OF DELPHI - |
| of Ham. '' But consider also the poetry of the man of Syros, | 114989 KA: - - Chapter 6: SKY LINKS : LEVIATHAN. |
| This was a form of lyric poetry heard especially at Athens. | 115378 KA: - - Chapter 8: SKY AND STAGE - |
| indeed, that they bring us lyrical poetry from springs flowing with honey from certain orchards and glades of the Muses, | 115616 KA: - - Chapter 8: SKY AND STAGE : POETIC INSPIRATION |
| poor ability. For they create this poetry not by art but by a divine power, | 115625 KA: - - Chapter 8: SKY AND STAGE : POETIC INSPIRATION |
| Homer. PASSAGES REFERRING TO INSPIRATION AND POETRY Iliad XIV: | 115651 KA: - - Chapter 8: SKY AND STAGE : PASSAGES REFERRING TO INSPIRATION AND POETRY |
| duty to remember the dead. Epic poetry was largely a celebration of the deeds of the great heroes of the past (not necessarily a distant past). | 120135 KA: - - Chapter 22: LIVING WITH ELECTRICITY : MUSIC |
| necessarily a distant past). Homer's poetry was the Bible of the Greeks, | 120137 KA: - - Chapter 22: LIVING WITH ELECTRICITY : MUSIC |
| Old Testament as a book of poetry rather than what it seemingly is. | 126570 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 1: CULTURAL AMNESIA : AMNESIA |
| and bursts out in rhapsodic love poetry for her. | 129580 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art |
| Maud Bodkin's Archetypal Patterns in Poetry, | 131469 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art |
| 11. Sewell, Elizabeth, The Orphic Voice: Poetry and Natural History (Yale University Press, | 131704 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Notes (Shakespeare and Veliovsky) |
| here, three years there, studying history, poetry, | 133525 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : APPENDIX III ADDRESS TO THE CHANCELLOR'S DINNER - |
| truth wrapped 'in the veil of poetry, ' | 137637 THE VELIKOVSKY AFFAIR: PART 4: CUNEIFORM ASTRONOMICAL RECORDS AND CELESTIAL INSTABILITY - - - |