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PLIOHIPPUS................1 (0.000%)
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| upper left second molar associated with pliohippus and other Pliocene animals, | 64927 HOMO SCHIZO I: - - Chapter 4: THE GESTALT OF CREATION : QUANTAVOLUTION AND HOLOGENESIS |
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PLISSEMENTS...............1 (0.000%)
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| Schaeffer, op. cit. 20. ph. Negris, Plissements et Dislocations de l'Ecorce Terrestre en Grce, | 41565 THE LATELY TORTURED EARTH: PART IV: CRUSTAL TURBULENCE: Chapter 16 Earthquakes : Notes (Chapter Sixteen: Earthquakes) |
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PLODDING..................1 (0.000%)
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| a mule (symbol of sexual barrenness), plodding back up to Heaven, | 80954 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 2: GODS, PLANETS, MADNESS Chapter 10: HE WHO SHINES BY DAY : CONGENITALITY AND HOMOLOGY |
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PLOKAMOS..................1 (0.000%)
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| Lip elaio' means 'with olive oil'. Plokamos is a lock of hair. | 117705 KA: - - Chapter 15: LOOKING LIKE A GOD : EXAMPLES, FROM HOMER, OF THE USE OF OLIVE OIL |
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PLOT......................82 (0.010%)
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| plenum Plinian eruption Pliny Pliocene epoch plot Plotinus plural environment plural selves Plutarch Pluto-g, | 4734 QUANTAVOLUTION AND CATASTROPHE: PART 5: The Scope of Quantavolution - - - |
| while besieging Jerusalem. Thus the bare plot. | 6779 COSMIC HERETICS: PART 1: - Chapter 2: THE PRODIGAL ARCHIVE - |
| I do regret that I cannot plot some position for you that would enable you to carry on your valuable work in quantavolution and history, | 9142 COSMIC HERETICS: PART 1: - Chapter 5: THE BRITISH CONNECTION - |
| were still friends: it was a plot not to be found in V.' | 10246 COSMIC HERETICS: PART 2: - Chapter 7: FROM VENUS WITH LOVE - |
| of Venus Hundres of Identities The Plot of the Iliad Global Ruination and its Perpetrator The Devi and the Mexican Ballplayer A Longer Day The Explosion of Thira Martia Carpenters Soft Catastrophism Nergal, | 21335 CHAOS AND CREATION: - - - TABLE OF CONTENTS - |
| love, and the planet Venus. THE PLOT OF THE ILIAD In my view Aphrodite became the planet Venus to the Greeks only after the reality of the catastrophic period was dissipated into a euphoric amnesiac sublimation. | 29425 CHAOS AND CREATION: - - CHAPTER 10: VENUS AND MARS : THE PLOT OF THE ILIAD |
| Jupiter Effect." 7 . They chose to plot their scenario along the 600 mile-long San Andreas fault, | 41283 THE LATELY TORTURED EARTH: PART IV: CRUSTAL TURBULENCE: Chapter 16 Earthquakes - |
| orgiasm is the basis of the plot of song and chant; | 48219 THE LATELY TORTURED EARTH: PART VI: BIOSPHERICS: Chapter 28 Genesis and Extinction - |
| equal within the two groups? Then plot the ancient aggregate against the modern aggregate on every parameter, | 61946 HOMO SCHIZO I: - - Chapter 2: HOMINIDS IN HOLOGENESIS : METHODOLOGICAL POSSIBILITIES |
| drama. Joseph Campbell composes a worldwide plot for the tales of heroes, | 67671 HOMO SCHIZO I: - - Chapter 7: PSYCHOPATHOLOGY OF HISTORY : A SICK JOURNEY |
| any other group for that matter plot actions better kept undisclosed, | 69487 HOMO SCHIZO II: - - Chapter 1: THE NORMALLY INSANE : S SAMPLING FOR THE NORMAL |
| most definitions of insanity a political plot or at least a myth. | 70307 HOMO SCHIZO II: - - Chapter 1: THE NORMALLY INSANE : THERAPIES |
| at times to follow only one plot: " | 72827 HOMO SCHIZO II: - - Chapter 4: DISPLACEMENT AND OBSESSION : DISPLACEMENT |
| observe, too, the fascination which the plot holds because of its play upon the confusion of selves - Zeus and the Theban general two look-alikes, | 76058 HOMO SCHIZO II: - - Chapter 7: THE GOOD, THE TRUE, AND THE BEAUTIFUL : SUBLIMATION AS PREFERABLE DISPLACEMENTS |
| TRADUTTORE TRADITTORE THE THROES OF ORIGINAL PLOT HUMAN STRESS AND LANGUAGE THE RULES OF MYTHICAL LANGUAGE Chapter 15. | 76550 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS - - - TABLE OF CONTENTS - |
| adulterous love triangle, as neat a plot and piece as anyone has ever composed, | 76625 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS - - - INTRODUCTION - |
| which the matching of a new plot with the original real story is nicely achieved. | 77277 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 1: SACRED SCANDAL AND DISASTER Chapter 3: THE LOVE AFFAIR AS THE MASK OF TRAGEDY - |
| which brings the culmination of a plot. | 77366 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 1: SACRED SCANDAL AND DISASTER Chapter 3: THE LOVE AFFAIR AS THE MASK OF TRAGEDY : THE HIDDEN STORY |
| contains both a new "real" parallel plot and a certain "madness," | 77452 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 1: SACRED SCANDAL AND DISASTER Chapter 3: THE LOVE AFFAIR AS THE MASK OF TRAGEDY : AUTHOR'S CODA |
| a beginning of understanding. As the plot breaks down under analysis, | 77458 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 1: SACRED SCANDAL AND DISASTER Chapter 3: THE LOVE AFFAIR AS THE MASK OF TRAGEDY : AUTHOR'S CODA |
| a ballad or folk song. Its plot is conventionally complete, | 77757 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 1: SACRED SCANDAL AND DISASTER Chapter 5: HOLY DREAMTIME - |
| lent itself to the definition of plot, | 77768 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 1: SACRED SCANDAL AND DISASTER Chapter 5: HOLY DREAMTIME - |
| to the definition of plot, not plot of history. | 77768 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 1: SACRED SCANDAL AND DISASTER Chapter 5: HOLY DREAMTIME - |
| classical climax of drama. The archetypical plot is that when the end of an age arrives, | 77769 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 1: SACRED SCANDAL AND DISASTER Chapter 5: HOLY DREAMTIME - |
| is unmistakably holy, putting aside its plot and words. | 77914 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 1: SACRED SCANDAL AND DISASTER Chapter 5: HOLY DREAMTIME : BURLESQUE OR RELIGION? |
| to determine the resolution of the plot, | 77980 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 1: SACRED SCANDAL AND DISASTER Chapter 5: HOLY DREAMTIME : THE PIOUS DRAMATIST |
| symbol of the anima..." 5 The plot of the Iliad, | 78215 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 2: GODS, PLANETS, MADNESS Chapter 6: THE RAPE OF HELEN : THE INDESTRUCTIBLE LADY HELEN |
| the Iliad, then, would become the plot of the Love Affair, | 78215 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 2: GODS, PLANETS, MADNESS Chapter 6: THE RAPE OF HELEN : THE INDESTRUCTIBLE LADY HELEN |
| materials and have its own hidden plot. | 78247 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 2: GODS, PLANETS, MADNESS Chapter 6: THE RAPE OF HELEN : THE INDESTRUCTIBLE LADY HELEN |
| the Odyssey is, in its latent plot, | 78253 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 2: GODS, PLANETS, MADNESS Chapter 6: THE RAPE OF HELEN : THE INDESTRUCTIBLE LADY HELEN |
| course ultimately use historical evidence to plot all of the encounters. | 78640 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 2: GODS, PLANETS, MADNESS Chapter 7: CRAZY HEROES OF DARK TIMES : THE SAGE WHO BRIDGED THE DARK AGES |
| synchronization of reality into a plausible plot seems incredible. | 81060 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 2: GODS, PLANETS, MADNESS Chapter 10: HE WHO SHINES BY DAY : CONGENITALITY AND HOMOLOGY |
| as to work out the preordained plot, | 81965 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 2: GODS, PLANETS, MADNESS Chapter 12: THE LAUGHING GODS - |
| this mere politeness, to move the plot along? | 82109 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 2: GODS, PLANETS, MADNESS Chapter 12: THE LAUGHING GODS : POSEIDON |
| move the plot along? But a plot in literature is as determined by psychology as falling rock by gravity. | 82109 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 2: GODS, PLANETS, MADNESS Chapter 12: THE LAUGHING GODS : POSEIDON |
| to fit the role, and the plot might have had to be completely redesigned if the role were absent. | 82128 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 2: GODS, PLANETS, MADNESS Chapter 12: THE LAUGHING GODS : POSEIDON |
| of the means that enable the plot of the Love Affair to come off so well is the absence of humans in the cast. | 82246 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 2: GODS, PLANETS, MADNESS Chapter 12: THE LAUGHING GODS : A DIVINE SENSE OF HUMOR |
| and justify the movements of the plot as being the movements to be traced in the sky. | 82421 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 2: GODS, PLANETS, MADNESS Chapter 13: HOW THE GODS FLY - |
| the market. The major inconsistencies of plot and dialogue are found in the meshing of the Telemachus story into Odysseus' return, | 83193 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 3: THERAPY FOR GROUP FEAR Chapter 14: THE USES OF LANGUAGE : HOMER: EDITOR AND PUBLISHER |
| into awareness. THE THROES OF ORIGINAL PLOT Thrusting at these arguments from another point, | 83330 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 3: THERAPY FOR GROUP FEAR Chapter 14: THE USES OF LANGUAGE : THE THROES OF ORIGINAL PLOT |
| an instance of the ever popular plot of the love triangle. | 83333 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 3: THERAPY FOR GROUP FEAR Chapter 14: THE USES OF LANGUAGE : THE THROES OF ORIGINAL PLOT |
| prior love. And, naturally, preceding this plot came many familiar personal histories from time immemorial. | 83336 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 3: THERAPY FOR GROUP FEAR Chapter 14: THE USES OF LANGUAGE : THE THROES OF ORIGINAL PLOT |
| by repetitions and order. The "obvious plot" had not only to be experienced, | 83345 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 3: THERAPY FOR GROUP FEAR Chapter 14: THE USES OF LANGUAGE : THE THROES OF ORIGINAL PLOT |
| the Love Affair a thoroughly satisfactory plot that amuses, | 83468 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 3: THERAPY FOR GROUP FEAR Chapter 14: THE USES OF LANGUAGE : THE RULES OF MYTHICAL LANGUAGE |
| have had to find a different plot and details to screen the reiteration of the Moon and Mars encounter. | 83846 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 3: THERAPY FOR GROUP FEAR Chapter 15: THE BIRTH AND DEATH OF MEMORY : THE RULES OF MEMORY |
| present motions, are more difficult to plot than the others. | 84091 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 3: THERAPY FOR GROUP FEAR Chapter 15: THE BIRTH AND DEATH OF MEMORY : AMNESIAC PHILOSOPHERS |
| vulgar sense), explicit motivation, clarity of plot. | 84282 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 3: THERAPY FOR GROUP FEAR Chapter 16: THE TRANSFIGURATION OF TRAUMA : DREAMWORK |
| and the bedroom; the matching of plot with reality, | 84317 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 3: THERAPY FOR GROUP FEAR Chapter 16: THE TRANSFIGURATION OF TRAUMA : DREAMWORK |
| even more. The movements of the plot of the Love Affair are of the number and variety of the movements of great bodies in the sky, | 84337 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 3: THERAPY FOR GROUP FEAR Chapter 16: THE TRANSFIGURATION OF TRAUMA : DREAMWORK |
| adhere to the characters, setting, dynamics (plot), | 84819 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 3: THERAPY FOR GROUP FEAR Chapter 17: SETTLED SKY AND UNSETTLED MIND : A CLAIM OF SUCCESS |
| my logical insistence that this particular plot is a screen for historical events of the early seventh century. | 84849 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 3: THERAPY FOR GROUP FEAR Chapter 17: SETTLED SKY AND UNSETTLED MIND : A CLAIM OF SUCCESS |
| So the preconditions of the particular plot- the triangle and the emotional charge - were known and diffused. | 84857 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 3: THERAPY FOR GROUP FEAR Chapter 17: SETTLED SKY AND UNSETTLED MIND : A CLAIM OF SUCCESS |
| the structure of the pre-existing plot would need to be closely parallel, | 84860 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 3: THERAPY FOR GROUP FEAR Chapter 17: SETTLED SKY AND UNSETTLED MIND : A CLAIM OF SUCCESS |
| from an earlier age and the plot is not analogous or homologous with the plot of "The Love Affair". | 84869 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 3: THERAPY FOR GROUP FEAR Chapter 17: SETTLED SKY AND UNSETTLED MIND : A CLAIM OF SUCCESS |
| not analogous or homologous with the plot of "The Love Affair". | 84870 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 3: THERAPY FOR GROUP FEAR Chapter 17: SETTLED SKY AND UNSETTLED MIND : A CLAIM OF SUCCESS |
| the Love Affair, parallel to the plot found in the Odyssey, | 84879 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 3: THERAPY FOR GROUP FEAR Chapter 17: SETTLED SKY AND UNSETTLED MIND : A CLAIM OF SUCCESS |
| answered by a denial: this certain plot probably did not exist before the celestial events that it represents in disguise took place. | 84885 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 3: THERAPY FOR GROUP FEAR Chapter 17: SETTLED SKY AND UNSETTLED MIND : A CLAIM OF SUCCESS |
| have a direct part in the plot and action in THE LOVE AFFAIR) GODS Athena (also Athene, | 85033 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS - - APPENDIX CHARACTERS OF THE BOOK - |
| and in any event impossible to plot given the present state of knowledge and the many behaviors that are beyond history. | 87675 GODS FIRE: - - Chapter 3: CATASTROPHE AND DIVINE FIRES : YAHWEH'S ELECTRICAL FIRE CONGLOMERATE |
| what animated beings, and in the plot of their behavior? | 95567 GODS FIRE: - - - APPENDIX : THE PRAGMATICS OF LEGEND |
| has succeeded in telling the universal plot of the hero found throughout the world from the most ancient times. | 97315 THE DEVINE SUCCESSION PART 1: THEOMACHY Chapter 4: THE HEAVENLY HOST - |
| does this universal and even obsessive plot of mankind relate to the theory of quantavolution? | 97324 THE DEVINE SUCCESSION PART 1: THEOMACHY Chapter 4: THE HEAVENLY HOST - |
| can a human act out the plot of the gods and be called god-names. | 97338 THE DEVINE SUCCESSION PART 1: THEOMACHY Chapter 4: THE HEAVENLY HOST - |
| as Stecchini has elaborated, that the plot of the trial and execution, | 97653 THE DEVINE SUCCESSION PART 1: THEOMACHY Chapter 5: LEGENDS AND SCRIPTURE - |
| work reminds me of an abandoned plot of frontier land: | 101832 THE BURNING OF TROY: - - - FOREWORD - |
| finds hundreds of unknown sites to plot. | 103967 THE BURNING OF TROY: PART 1: HISTORICAL DISTURBANCES: Chapter 5: THE CATASTROPHIC FINALE OF THE MIDDLE BRONZE AGE - |
| and cultural periods or phases; to plot the sites on a seismic and geological background map of the large region: | 104330 THE BURNING OF TROY: PART 1: HISTORICAL DISTURBANCES: Chapter 6: UPDATING SCHAEFFER'S DESTRUCTION INVENTORY - |
| find the solstices and equinoxes and plot the Moon's course, | 106155 THE BURNING OF TROY: PART 2: GEOLOGICAL ISSUES: Chapter 12: A FAILED EXCURSION TO THE CAVES OF AQUITAINE - |
| in which occurs the denouement; the plot, | 107056 THE BURNING OF TROY: PART 3: WORKING OF THE MIND: Chapter 16: SANDAL-STRAPS AND SEMIOLOGY - |
| the disaster emulating collapse of the plot of a tragedy. | 107068 THE BURNING OF TROY: PART 3: WORKING OF THE MIND: Chapter 16: SANDAL-STRAPS AND SEMIOLOGY - |
| achieve sudden leaps and "catastrophes" in plot, | 107716 THE BURNING OF TROY: PART 3: WORKING OF THE MIND: Chapter 19: THE 'UNCONSCIOUS' AS A LITERARY REVOLT AGAINST SCIENCE - |
| frame? How does he move the "plot" within this frame? | 107736 THE BURNING OF TROY: PART 3: WORKING OF THE MIND: Chapter 19: THE 'UNCONSCIOUS' AS A LITERARY REVOLT AGAINST SCIENCE - |
| superimposition of scientifically possible contradictions into plot and character. | 108121 THE BURNING OF TROY: PART 3: WORKING OF THE MIND: Chapter 19: THE 'UNCONSCIOUS' AS A LITERARY REVOLT AGAINST SCIENCE : DETAILED EXPOSITION OF THE PROJECT |
| near the Atlantic Ocean, in a plot that he had selected just the year before. | 110159 THE BURNING OF TROY: PART 4: POLEMICS AND PERSONAGES: Chapter 26: EULOGIES TO THREE QUANTAVOLUTIONARIES : IMMANUEL VELIKOVSKY 1895-1979 1 |
| that I have discovered in its plot a masking of the terrible planetary encounter between Moon and Mars that I mentioned a moment ago. | 110539 THE BURNING OF TROY: PART 5: COMMUNICATING A SCIENTIFIC MODEL: Chapter 27: A COSMIC DEBATE : III |
| some point the complications of the plot are resolved by a change of direction and fortune, | 115450 KA: - - Chapter 8: SKY AND STAGE - |
| meanings of the Latin 'fabula' is 'plot', | 118710 KA: - - Chapter 18: ROME AND THE ETRUSCANS : PANTOMIME |
| I: 4: 16. Fabula is the plot of a play. | 120798 KA: - - - GLOSSARY - |
| have had to find a different plot and details to screen the reiteration of the Moon and Mars encounter. | 127493 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 2: THE PALAETIOLOGY OF FEAR AND MEMORY : THE RULES OF MEMORY |
| we must look briefly at the plot. | 129276 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art |
| in the heavens. To summarize this plot level very briefly, | 129661 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art |
| been kept within safe bounds - character, plot, | 131616 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art |