| |
|
PICO......................1 (0.000%)
|
| has been sustained for one hundred pico-seconds. | 58844 SOLARIA-BINARIA: - - - GLOSSARY - |
| |
|
PICTI.....................1 (0.000%)
|
| through music by Berlioz, are the picti Agathyrsi, | 118055 KA: - - Chapter 17: BYWAYS OF ELECTRICITY - |
| |
|
PICTOGRAPH................2 (0.000%)
|
| pi Pi-ha-kiroth Pickering, William pictograph piezoelectricity pigmentation Pikaia Pikering, | 4683 QUANTAVOLUTION AND CATASTROPHE: PART 5: The Scope of Quantavolution - - - |
| the task of abstracting all speech. Pictograph and syllabic writing employed symbols much more extensively, | 74605 HOMO SCHIZO II: - - Chapter 6: SYMBOLS AND SPEECH : VOX PUBLICA |
| |
|
PICTOGRAPHIC..............1 (0.000%)
|
| into several millions of individuals. Crude pictographic symbols, | 25851 CHAOS AND CREATION: - - CHAPTER 06: THE URANIANS : THE EXPANSION OF HOMO SCHIZO |
| |
|
PICTOGRAPHS...............1 (0.000%)
|
| and human figures, as well as pictographs. | 47563 THE LATELY TORTURED EARTH: PART VI: BIOSPHERICS: Chapter 27 Genesis and Extinction - |
| |
|
PICTOR....................6 (0.001%)
|
| was a period of commotion. Fabius Pictor's ancient adoption of the date - 747 seems most likely to have been accepted for an event which probably did not take a single day but had best, | 78299 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 2: GODS, PLANETS, MADNESS Chapter 6: THE RAPE OF HELEN : THE AGE OF MARS |
| III century B. C., Q. Fabius Pictor, | 103304 THE BURNING OF TROY: PART 1: HISTORICAL DISTURBANCES: Chapter 3: THE FOUNDING OF ROME - |
| About the same time, Q. Fabius Pictor was writing his history. | 103361 THE BURNING OF TROY: PART 1: HISTORICAL DISTURBANCES: Chapter 3: THE FOUNDING OF ROME - |
| Thus contrary to his reputed view, Pictor (or Pictorinus as the inscription has it) carries Aeneas in the VIII century. | 103367 THE BURNING OF TROY: PART 1: HISTORICAL DISTURBANCES: Chapter 3: THE FOUNDING OF ROME - |
| The earliest Roman historian, Quintus Fabius Pictor, | 118274 KA: - - Chapter 18: ROME AND THE ETRUSCANS - |
| dated by the earliest annalist, Fabius Pictor, | 138027 THE VELIKOVSKY AFFAIR: PART 4: CUNEIFORM ASTRONOMICAL RECORDS AND CELESTIAL INSTABILITY - - - |
| |
|
PICTORIAL.................1 (0.000%)
|
| to childhood, and from language to pictorial and symbolic representations, | 108070 THE BURNING OF TROY: PART 3: WORKING OF THE MIND: Chapter 19: THE 'UNCONSCIOUS' AS A LITERARY REVOLT AGAINST SCIENCE : DETAILED EXPOSITION OF THE PROJECT |
| |
|
PICTORINUS................1 (0.000%)
|
| to his reputed view, Pictor (or Pictorinus as the inscription has it) carries Aeneas in the VIII century. | 103367 THE BURNING OF TROY: PART 1: HISTORICAL DISTURBANCES: Chapter 3: THE FOUNDING OF ROME - |
| |
|
PICTURE...................98 (0.012%)
|
| his own striving for the true picture of history in this perspective... | 9490 COSMIC HERETICS: PART 2: - Chapter 6: HOLOCAUST AND AMNESIA - |
| whether the reconstruction gives a true picture of mankind's past cannot be considered as fact, | 9730 COSMIC HERETICS: PART 2: - Chapter 6: HOLOCAUST AND AMNESIA - |
| of the famous Nut and Geb picture. | 10089 COSMIC HERETICS: PART 2: - Chapter 7: FROM VENUS WITH LOVE - |
| the original papyrus, and thus the picture will not appear so prominent. | 10091 COSMIC HERETICS: PART 2: - Chapter 7: FROM VENUS WITH LOVE - |
| even good theory. I see a picture. | 10621 COSMIC HERETICS: PART 2: - Chapter 8: HOMO SCHIZO MEETS GOD - |
| worse than others. Later, the whole picture could be slid into a true chronological space. | 11775 COSMIC HERETICS: PART 3: - Chapter 9: NEW FASHIONS IN CATASTROPHISM - |
| convincing changes in the scientific world picture suggested by Einstein (as well as by Mac sic Planck, | 16063 COSMIC HERETICS: PART 4: - Chapter 13: THE EMPIRE STRIKES BACK - |
| in the end -- and merely to picture the network -- the librarian in Juneau, | 16829 COSMIC HERETICS: PART 4: - Chapter 13: THE EMPIRE STRIKES BACK - |
| was no stopping him. In every picture he discovered fresh signs. | 17871 COSMIC HERETICS: PART 5: - Chapter 15: THE KNOWLEDGE INDUSTRY - |
| SYSTEM (SOLARIA BINARIA) (Click on the picture to view an enlarged version. | 24505 CHAOS AND CREATION: - - CHAPTER 05: SOLARIA BINARIA : THE BINARY PARTNER |
| 19th century, drew the most brilliant picture of the clearing heavens and their effects upon man. | 25194 CHAOS AND CREATION: - - CHAPTER 05: SOLARIA BINARIA : Notes (Chapter Five: Solaria Binaria) |
| age, from Urania to Solaria, the picture emerged, | 25636 CHAOS AND CREATION: - - CHAPTER 06: THE URANIANS : PALEOLITHIC RELIGION |
| animals are totemized and preserved in picture; | 26121 CHAOS AND CREATION: - - CHAPTER 06: THE URANIANS : SIGNS OF URANIAN CULTURE |
| figure 32 (p. 86) and graph picture the multiple discontinuities of seismic waves below the Earth's surface at 413, | 27732 CHAOS AND CREATION: - - CHAPTER 07: EARTH PARTURITION AND MOON BIRTH : Notes (Chapter Seven: Earth Parturition and Moon Birth) |
| replete with celestial references. Drawing and picture symbols occur. | 28061 CHAOS AND CREATION: - - CHAPTER 08: SATURN'S CHILDREN : THE "GOLDEN AGE" |
| S "DELUGE" (1525). Dürer painted this picture following a nightmare. | 28462 CHAOS AND CREATION: - - CHAPTER 09: THE OLYMPIAN RULERS - |
| forward in learning. I can also picture some instructors in the sciences and humanities using it as an imperialistic weapon to expand their subject-matter. | 30696 CHAOS AND CREATION: - - CHAPTER 11: THE DEVIL'S ADVOCATE - |
| little data for painting serenely a picture of the hereafter. | 30950 CHAOS AND CREATION: - - CHAPTER 12: VICTORY OF THE SUN : FOREBODINGS |
| into its original figure. The complex picture is liable to so many contradictions and misinterpretations that one is tempted to discard it completely. | 34402 THE LATELY TORTURED EARTH: PART I: ATMOSPHERICS: Chapter 4 Magnetism and Axial Tilts - |
| Geographic Magazine photograph (1953) carried a picture of a bat "entombed" inside a stalagmite, | 35208 THE LATELY TORTURED EARTH: PART I: ATMOSPHERICS: Chapter 5 Electricity - |
| catastrophic column" (as Kelly and Dachille picture it). | 35446 THE LATELY TORTURED EARTH: PART I: ATMOSPHERICS: Chapter 6 Cosmic and Terrestrial Lightning - |
| Atlantic "has begun to paint a picture of the awesome events that accompanied the birth of that ocean 18 . | 36083 THE LATELY TORTURED EARTH: PART I: ATMOSPHERICS: Chapter 7 Fire and Ash - |
| its correct position in the overall picture of geodynamic processes. | 41768 THE LATELY TORTURED EARTH: PART IV: CRUSTAL TURBULENCE: Chapter 17 Volcanism - |
| exercised technologies beyond their recent capacities. Picture writing is found on a number of islands, | 42620 THE LATELY TORTURED EARTH: PART IV: CRUSTAL TURBULENCE: Chapter 18 Sinking and Rising Lands - |
| here. FIGURE B (Click on the picture to get an enlarged view. | 43963 THE LATELY TORTURED EARTH: PART V: RIFTS, RAFTS AND BASINS: Chapter 21 Ocean Basins - |
| drawn.) FIGURE C (Click on the picture to get an enlarged view. | 43970 THE LATELY TORTURED EARTH: PART V: RIFTS, RAFTS AND BASINS: Chapter 21 Ocean Basins - |
| area. FIGURE D (Click on the picture to get an enlarged view. | 43976 THE LATELY TORTURED EARTH: PART V: RIFTS, RAFTS AND BASINS: Chapter 21 Ocean Basins - |
| it. FIGURE E (Click on the picture to get an enlarged view. | 43983 THE LATELY TORTURED EARTH: PART V: RIFTS, RAFTS AND BASINS: Chapter 21 Ocean Basins - |
| Lest the reader hoot at the picture of a driver driving the car but sometimes the car driving the driver, | 45686 THE LATELY TORTURED EARTH: PART V: RIFTS, RAFTS AND BASINS: Chapter 24 Continental Tropism and Rafting - |
| maintain that a far more accurate picture of the stratigraphical record is of one long gap with only very occasional sedimentation... | 46235 THE LATELY TORTURED EARTH: PART V: RIFTS, RAFTS AND BASINS: Chapter 25 Sediments - |
| is not imagining rugs, Ager's picture of the stratigraphical record is "of one long gap with only occasional sedimentation." | 46413 THE LATELY TORTURED EARTH: PART V: RIFTS, RAFTS AND BASINS: Chapter 25 Sediments - |
| literally empirical, and that the "total picture" is needed to disprove it and set it aright; | 46483 THE LATELY TORTURED EARTH: PART V: RIFTS, RAFTS AND BASINS: Chapter 25 Sediments - |
| and set it aright; the "total picture" is, | 46484 THE LATELY TORTURED EARTH: PART V: RIFTS, RAFTS AND BASINS: Chapter 25 Sediments - |
| Flora and invertebrates present a different picture today: | 46691 THE LATELY TORTURED EARTH: PART VI: BIOSPHERICS: Chapter 26 Fossil Deposits - |
| designed for survival. Nevertheless this dismal picture includes a seed of hope, | 47526 THE LATELY TORTURED EARTH: PART VI: BIOSPHERICS: Chapter 27 Genesis and Extinction - |
| 21 . D. A. Russell draws a picture of losses of 50 out of 250 terrestrial genera, | 47605 THE LATELY TORTURED EARTH: PART VI: BIOSPHERICS: Chapter 27 Genesis and Extinction - |
| will be." 14 Revelation aims to picture how most of the world and its people (among whom the wicked outnumber the good) were and will be destroyed. | 48626 THE LATELY TORTURED EARTH: PART VI: BIOSPHERICS: Chapter 29 Spectres - |
| and historiography are not required. Peoples picture comets in many different forms, | 48734 THE LATELY TORTURED EARTH: PART VI: BIOSPHERICS: Chapter 29 Spectres - |
| universe. In metaphorical language, the overall picture of the cell, | 53797 SOLARIA-BINARIA: PART 1: ORIGIN AND DEVELOPMENT OF THE BINARY SYSTEM: Chapter 9: RADIANT GENESIS - |
| is tempting to suggest that this picture illustrates the situation during the Age of Saturn, | 55940 SOLARIA-BINARIA: PART 2: DESTRUCTION OF THE SOLAR BINARY: Chapter 14: THE GOLDEN AGE AND NOVA OF SUPER SATURN - |
| of items such as inter-racial picture albums (Wuthenau's Unexpected Faces), | 64925 HOMO SCHIZO I: - - Chapter 4: THE GESTALT OF CREATION : QUANTAVOLUTION AND HOLOGENESIS |
| 9 . This will certainly confuse the picture. | 65626 HOMO SCHIZO I: - - Chapter 5: CULTURAL REVOLUTION : MAJOR DEVELOPMENTS EVERYWHERE CONTEMPORARY |
| Cromagnons and the Egyptians draw a picture of heaven overarching earth: | 66957 HOMO SCHIZO I: - - Chapter 6: SCHIZOID INSTITUTIONS : SEXUAL RAMIFICATIONS |
| without constructing these mechanisms. We can picture the situation as a trade-off. | 71384 HOMO SCHIZO II: - - Chapter 2: THE SEARCH FOR LOST INSTINCT : "YOU CAN'T GO HOME AGAIN" |
| crude and confused animalistic and nonsymbolic picture of the outer world 4 . | 71761 HOMO SCHIZO II: - - Chapter 3: BRAINWORK : THE ANIMAL BASEMENT |
| sign, until it becomes a vivid picture. | 74491 HOMO SCHIZO II: - - Chapter 6: SYMBOLS AND SPEECH : THE STRUCTURE OF SPEAKING |
| mistress of disguises, Athena permitted a picture of her natural human form to develop over the centuries. | 76842 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 1: SACRED SCANDAL AND DISASTER Chapter 1: AN ATHENA PRODUCTION - |
| perhaps more important in the total picture? | 79610 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 2: GODS, PLANETS, MADNESS Chapter 8: THE TWO FACES OF LOVE : ENCYCLOPEDISTS AND THE MOON GODDESS |
| occupied at spinning yarn. A fine picture is to be found on the Berlin lekythos where beside the spinning goddess are Ares and Eros. " | 79673 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 2: GODS, PLANETS, MADNESS Chapter 8: THE TWO FACES OF LOVE : THE COSMIC SPINNER |
| 19 . Graves further illuminates the emerging picture in giving us further details of the birth of Athena Tritongeneia. " | 80964 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 2: GODS, PLANETS, MADNESS Chapter 10: HE WHO SHINES BY DAY : CONGENITALITY AND HOMOLOGY |
| but the heather-country meaning may picture the former meaning. | 81452 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 2: GODS, PLANETS, MADNESS Chapter 10: HE WHO SHINES BY DAY : APPENDIX TO CHAPTER TEN LOGIC OF IDENTIFYING RELATIONS SUCH AS "HEPHAESTUS IS ATHENA" |
| and Earth. Its satellites entered the picture as the Steeds of Mars, | 81601 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 2: GODS, PLANETS, MADNESS Chapter 11: THE BLASTED CAREER OF THE MIGHTY SWORDSMAN : THE FATAL WOUND |
| in mind the hidden construction could picture Ares as a darkly ruddy planet with electric flashes and belts playing across its face, | 83224 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 3: THERAPY FOR GROUP FEAR Chapter 14: THE USES OF LANGUAGE : TRADUTTORE TRADITTORE |
| in Human Form (Click on the picture to get an enlarged view. | 85514 GODS FIRE: - - Chapter 1: PLAGUES AND COMETS : COMETS AND ANGELS |
| to leave Egypt. (Click on the picture to get an enlarged view. | 85743 GODS FIRE: - - Chapter 1: PLAGUES AND COMETS : COSMIC PLAGUES |
| a modern example, one needs only picture the scene of deadly sputtering which occurs when some object like a pole falls against a gang of live wires and machines. | 88626 GODS FIRE: - - Chapter 4: THE ARK IN ACTION : DANGERS OF ELECTROCUTION |
| Yahweh for some peccadillo. One rare picture of ca. | 89623 GODS FIRE: - - Chapter 5: LEGENDS AND MIRACLES - |
| conditions of pressure, heat, and electricity. Picture a vast gaseous and heavy meteoritic fall-out mingling with the eruptions of volcanoes and electrical discharges by the many thousands, | 89754 GODS FIRE: - - Chapter 5: LEGENDS AND MIRACLES : THE ELECTRO-CHEMICAL FACTORY |
| legends, we are offered a strange picture - of the Hebrews first borrowing valuables from their Egyptian neighbors for the trip and then being given them, | 92147 GODS FIRE: - - Chapter 7: THE LEVITES AND THE REVOLTS : IMPEDIMENTA |
| is concealed behind the awe- inspiring picture is quite - in vain." | 95293 GODS FIRE: - - - APPENDIX : UNBELIEVING SCHOLARS |
| Schaeffer is in contradiction: "The stratigraphic picture of Megiddo shows an interruption of occupation between 1650 and 1550 B. | 103877 THE BURNING OF TROY: PART 1: HISTORICAL DISTURBANCES: Chapter 5: THE CATASTROPHIC FINALE OF THE MIDDLE BRONZE AGE - |
| bring his associate, Euktemon, into the picture, | 107328 THE BURNING OF TROY: PART 3: WORKING OF THE MIND: Chapter 17: MAKING MOONSHINE WITH HARD SCIENCE - |
| it. Again, as with the large picture, | 110650 THE BURNING OF TROY: PART 5: COMMUNICATING A SCIENTIFIC MODEL: Chapter 27: A COSMIC DEBATE : IV |
| emerge with an historical and comparative picture that seems clear and sharp. | 112232 THE BURNING OF TROY: PART 5: COMMUNICATING A SCIENTIFIC MODEL: Chapter 30: PAST, PRESENT, AND FUTURE : THE POLITICS OF UNIFORMITARIANISM |
| by radiation, and forms a coherent picture with our other information about the ark, | 114092 KA: - - Chapter 4: AMBER, ARK, AND EL - |
| in stone seats. There is a picture of them, | 114467 KA: - - Chapter 5: DEITIES OF DELPHI - |
| extraterrestrial bodies and forces. The overall picture has much in common with myths from all over the world. | 114655 KA: - - Chapter 6: SKY LINKS - |
| opens certain passages which form a picture of the future, | 116071 KA: - - Chapter 10: THE EVIDENCE FROM PLUTARCH - |
| The vase is decorated with a picture of a labyrinth, | 118411 KA: - - Chapter 18: ROME AND THE ETRUSCANS : ROME, MONARCHY, AND THE GODS |
| utchat is a hieroglyph comprising a picture of an eye and the radiation symbol. | 118920 KA: - - Chapter 19: THE TIMAEUS - |
| given in Budge, Egyptian Magic. A picture of a figure holding a fore-leg and hoof is reproduced in Mayani The Etruscans Begin To Speak. | 119307 KA: - - Chapter 20: SANCTIFICATION AND RESURRECTION : SANCTIFICATION |
| cloth and let him see the picture, | 119813 KA: - - Chapter 22: LIVING WITH ELECTRICITY : ART |
| their fiery hooves contributed to this picture. | 120270 KA: - - Chapter 22: LIVING WITH ELECTRICITY : WAR |
| Chests were frequently decorated with a picture of a snake, | 122283 - A FIRE NOT BLOWN: - - Chapter 06: ARIADNE - |
| Ionians, Pelasgians, Hellenes, Dorians. The general picture is of waves of immigrants from areas mostly north and east of mainland Greece. | 122294 - A FIRE NOT BLOWN: - - Chapter 06: ARIADNE - |
| surprise, provided confirmation of the general picture of the Trojan affair and the Argive tyrants that emerges from a study of Homer and Thucydides. | 122772 - A FIRE NOT BLOWN: - - Chapter 10: CHRONOLOGY - |
| that do not fit the conventional picture. | 123002 - A FIRE NOT BLOWN: - - Chapter 12: CATASTROPHE, MYTH AND SKY - |
| fragment of a jar with a picture of a leaping goat. | 123672 - A FIRE NOT BLOWN: - - Chapter 14: THE GODDESS GAIA - |
| presence in the mind of a picture, | 124536 - A FIRE NOT BLOWN: - - Chapter 20: QUAIRO: RAISING THE KA - |
| stretched out forwards. To understand this picture we have to examine the word tanasar. | 125304 - A FIRE NOT BLOWN: - - Chapter 25: RESURRECTION TECHNIQUES - |
| he is shown doing in the picture from Tarquinia. | 125323 - A FIRE NOT BLOWN: - - Chapter 25: RESURRECTION TECHNIQUES - |
| hubris?, Gk. necht to be strong picture of a man holding a stick; | 125461 - A FIRE NOT BLOWN: - - Chapter 26: REVERSALS - |
| MacGregor 2 has drawn here a picture of the possibility that mankind is traumatized by catastrophic events, | 128699 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 4: STRUCTURING THE APOCALYPSE: : Old and New World Variations |
| fills in the rest of the picture. | 129342 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art |
| memories, is calmed by this final picture, | 129973 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art |
| we can see that the Renaissance picture of Cleopatra is much like Velikovsky's picture of Venus. | 131041 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art |
| Cleopatra is much like Velikovsky's picture of Venus. | 131042 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art |
| could be more like Velikovsky's picture of Mars and Venus? - ... | 131118 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art |
| it includes, and so the final picture which it offers is untrue. | 131627 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art |
| and provided us with a fuller picture of reality if we accepted them both. | 132243 RECOLLECTIONS OF A FALLEN SKY - THE POLITICAL IMPLICATIONS OF EARLY 19TH CENTURY GEOLOGY Chapter 6: CATASTROPHISM AND UNIFORMITY : PART III: CONCLUSION |
| let's look at the big picture. | 132441 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 7: LIVING WITH VELIKOVSKY: : CATASTROPHISM AS WORLD VIEW |
| Back off and survey the big picture and old mysteries will clear up for you and other mysteries will arrive ... | 132443 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 7: LIVING WITH VELIKOVSKY: : CATASTROPHISM AS WORLD VIEW |
| by a deluge of fire. This picture of a period of intense turmoil within the period of recorded history is supported by a wealth of quotations from the Old Testament, | 134415 THE VELIKOVSKY AFFAIR: PART 1: MINDS IN CHAOS - - - |
| to scientists to frame a realistic picture of the cosmos. ' | 134648 THE VELIKOVSKY AFFAIR: PART 1: MINDS IN CHAOS - - - |
| in July, Mariner IV confirmed my picture of Mars as more moon-like than earth-like: " | 136115 THE VELIKOVSKY AFFAIR: PART 2: AFTERMATH TO EXPOSURE - - - |
| at the implication of the new picture of the universe as derived from the space probes, | 136248 THE VELIKOVSKY AFFAIR: PART 3: THE INCONSTANT HEAVENS - - - |
| collision with a comet, painting a picture that is in close agreement with that outlined by Velikovsky. | 136874 THE VELIKOVSKY AFFAIR: PART 3: THE INCONSTANT HEAVENS - - - |
| that cannot be ignored. The whole picture is one of a power struggle where the odds against innovation are great but the addiction of the innovator to truth is supreme. | 139860 THE VELIKOVSKY AFFAIR: PART 6: THE SCIENTIFIC RECEPTION SYSTEM - - - |