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| an artist as well, a modest painter who would not stretch himself to create. | 7850 COSMIC HERETICS: PART 1: - Chapter 3: CHEERS AND HISSES - |
| William Blake the mystic poet and painter who envisioned Jerusalem as England, | 9353 COSMIC HERETICS: PART 1: - Chapter 5: THE BRITISH CONNECTION - |
| vision, like that of a surrealist painter, | 102133 THE BURNING OF TROY: - - Chapter 1: THE QUANTAVOLUTIONARY SCAN - |
| tripod cauldron which has wings, the painter may well be telling the viewer that the god is to be thought of as dwelling in the sky. | 119819 KA: - - Chapter 22: LIVING WITH ELECTRICITY : ART |
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PAINTING..................37 (0.005%)
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| method of reproducing in wood a painting, | 7851 COSMIC HERETICS: PART 1: - Chapter 3: CHEERS AND HISSES - |
| intense energy to a story, a painting, | 17976 COSMIC HERETICS: PART 5: - Chapter 15: THE KNOWLEDGE INDUSTRY - |
| sampling rocks, by the fluxing and painting of the surfaces of rocks where trace elements aggregate, | 23034 CHAOS AND CREATION: - - CHAPTER 03: COLLAPSING TESTS OF TIME : RADIATION TURBULENCE |
| the world, were widespread. Sculpture and painting united the gods to humans. | 25852 CHAOS AND CREATION: - - CHAPTER 06: THE URANIANS : THE EXPANSION OF HOMO SCHIZO |
| done the same; perfectly capable of painting bisons, | 26028 CHAOS AND CREATION: - - CHAPTER 06: THE URANIANS : CLIMATE CHANGES AND TIME |
| Caves; cemeteries (as in Palestine); sign-painting of ritual significance, | 26097 CHAOS AND CREATION: - - CHAPTER 06: THE URANIANS : SIGNS OF URANIAN CULTURE |
| of Art, Rogers Fund, 1942.) Another painting shows a serpent-woman between whose hands is arched what is probably a lightning-bolt. | 29473 CHAOS AND CREATION: - - CHAPTER 10: VENUS AND MARS : THE PLOT OF THE ILIAD |
| a great globe, as Cardona's painting in the Frontispiece depicts. | 29480 CHAOS AND CREATION: - - CHAPTER 10: VENUS AND MARS : THE PLOT OF THE ILIAD |
| and far too little data for painting serenely a picture of the hereafter. | 30950 CHAOS AND CREATION: - - CHAPTER 12: VICTORY OF THE SUN : FOREBODINGS |
| snakes from India and the Chinese painting of the espoused deities, | 52741 SOLARIA-BINARIA: PART 1: ORIGIN AND DEVELOPMENT OF THE BINARY SYSTEM: Chapter 6: THE ELECTRICAL AXIS AND ITS GASEOUS RADIATION - |
| the chimpanzee 'Congo, ' who dabbled in painting, | 60600 HOMO SCHIZO I: - - Chapter 1: SLIPPERY LADDERS OF EVOLUTION - |
| years of the same genre of painting. | 65593 HOMO SCHIZO I: - - Chapter 5: CULTURAL REVOLUTION : MAJOR DEVELOPMENTS EVERYWHERE CONTEMPORARY |
| primordial scenario from the fully sublimated painting by Botticelli of a tender, | 79456 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 2: GODS, PLANETS, MADNESS Chapter 8: THE TWO FACES OF LOVE : TURBULENT BIRTH IN MYTHS AND REALITY |
| S REBELLION A 13th century English painting of the Rebellion of Korah 48 shows the rebels being assailed from the heavenly canopy by many pointy little tongues of flame. " | 92671 GODS FIRE: - - Chapter 7: THE LEVITES AND THE REVOLTS : KORAH'S REBELLION |
| greater detail. There is a vase painting showing Apollo and Dionysus together at Delphi. | 114165 KA: - - Chapter 5: DEITIES OF DELPHI - |
| of Dionysus. There is a vase painting of a child in a cauldron which suggests the reborn Dionysus. | 116396 KA: - - Chapter 12: MYSTERY RELIGIONS - |
| and Romans greatly valued realism. A painting or statue should be as much like the original as possible, | 119808 KA: - - Chapter 22: LIVING WITH ELECTRICITY : ART |
| swoop down to peck at his painting of a bunch of grapes, | 119810 KA: - - Chapter 22: LIVING WITH ELECTRICITY : ART |
| deceive Zeuxis, a human judge, by painting an easel and cloth, | 119812 KA: - - Chapter 22: LIVING WITH ELECTRICITY : ART |
| locks of hair on an Egyptian painting or relief, | 119924 KA: - - Chapter 22: LIVING WITH ELECTRICITY : DRESS AND COSMETICS |
| general, at his triumph, imitated by painting his face red. | 123074 - A FIRE NOT BLOWN: - - Chapter 12: CATASTROPHE, MYTH AND SKY - |
| the head turned, looking backwards. The painting of a tanasar in the Tomb of the Augurs at Tarquinia shows him at work. | 125302 - A FIRE NOT BLOWN: - - Chapter 25: RESURRECTION TECHNIQUES - |
| printed version of the book Cover - Painting was made prior to the publication of Worlds in Collision, | 125883 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : - - - |
| year old Canadian male who utilized painting and drawing as an aspect of his therapy for neurosis. | 125884 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : - - - |
| different heavens. In reality Michelangelo is painting events already described by the prophets Isaiah, | 126619 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 1: CULTURAL AMNESIA : ARMAGEDDON |
| symbols and images. (Plate 1). This painting is the work of a 30-year old Canadian male who utilized painting and drawing as an aspect of his therapy. | 128257 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 3: PSYCHOLOGICAL ASPECTS OF THE WORK OF IMMANUEL VELIKOVSKY - |
| year old Canadian male who utilized painting and drawing as an aspect of his therapy. | 128258 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 3: PSYCHOLOGICAL ASPECTS OF THE WORK OF IMMANUEL VELIKOVSKY - |
| his therapy. To assume that a painting such as this represents phylogenetic content would be foolish. | 128259 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 3: PSYCHOLOGICAL ASPECTS OF THE WORK OF IMMANUEL VELIKOVSKY - |
| the patient's associations to the painting, | 128260 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 3: PSYCHOLOGICAL ASPECTS OF THE WORK OF IMMANUEL VELIKOVSKY - |
| dancing and turning somersaults. Since this painting fails to suggest anything of interplanetary collision or destruction, | 128279 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 3: PSYCHOLOGICAL ASPECTS OF THE WORK OF IMMANUEL VELIKOVSKY - |
| Velikovsky theory. Plate 4 is a painting called "The Explosion of the World" by a very seriously disturbed young boy. | 128338 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 3: PSYCHOLOGICAL ASPECTS OF THE WORK OF IMMANUEL VELIKOVSKY - |
| Plate 5) of delusional materials. This painting is called "Mrs. | 128503 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 3: PSYCHOLOGICAL ASPECTS OF THE WORK OF IMMANUEL VELIKOVSKY - |
| of scientific matters including, in this painting of Mrs. | 128506 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 3: PSYCHOLOGICAL ASPECTS OF THE WORK OF IMMANUEL VELIKOVSKY - |
| 6). The text which accompanies this painting reads as follows: | 128518 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 3: PSYCHOLOGICAL ASPECTS OF THE WORK OF IMMANUEL VELIKOVSKY - |
| at this point refers to a painting by Botticelli. | 131122 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art |
| on the history of Chinese Landscape Painting, | 133122 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : APPENDIX I ABOUT THE AUTHORS : JOHN M. MACGREGOR |
| of a collision with a comet, painting a picture that is in close agreement with that outlined by Velikovsky. | 136874 THE VELIKOVSKY AFFAIR: PART 3: THE INCONSTANT HEAVENS - - - |
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PAINTINGS.................23 (0.003%)
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| copying in detail great (or lesser) paintings. | 17284 COSMIC HERETICS: PART 4: - Chapter 14: THE FOIBLES OF HERETICS - |
| of sixty years ago, joined the paintings and the artifacts of the upper paleolithic caves of France into a convincing demonstration of the "astralism" of their creators. | 25626 CHAOS AND CREATION: - - CHAPTER 06: THE URANIANS : PALEOLITHIC RELIGION |
| often associated with the very many paintings and sculptures of the Moon Goddess were whirls, | 27536 CHAOS AND CREATION: - - CHAPTER 07: EARTH PARTURITION AND MOON BIRTH : THE HEAVENLY SPINNER |
| Grove, David C. (1970), The Olmec Paintings of Oxtotitlan Cave, | 31639 CHAOS AND CREATION: - - - BIBLIOGRAPHY - |
| breath of tourists damaged the Lascaux paintings in a few years; | 65586 HOMO SCHIZO I: - - Chapter 5: CULTURAL REVOLUTION : MAJOR DEVELOPMENTS EVERYWHERE CONTEMPORARY |
| Gourhan writes, The nature of the paintings does not seem to have varied from -30, | 65589 HOMO SCHIZO I: - - Chapter 5: CULTURAL REVOLUTION : MAJOR DEVELOPMENTS EVERYWHERE CONTEMPORARY |
| courts built with religious carvings and paintings all around where the game was watched 25 . | 67065 HOMO SCHIZO I: - - Chapter 6: SCHIZOID INSTITUTIONS : THE COMPULSION TO REPEAT CHAOS AND CREATION |
| the various series of pre-neolithic paintings in the Spanish Caves, | 68121 HOMO SCHIZO I: - - Chapter 7: PSYCHOPATHOLOGY OF HISTORY : ORDINARY MAD TIMES |
| Mother of God in Roman Catholic paintings. | 80184 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 2: GODS, PLANETS, MADNESS Chapter 8: THE TWO FACES OF LOVE : THE ROMAN VENUS |
| graced him with his pardon. Vase paintings show Hephaestus mounted upon a mule (symbol of sexual barrenness), | 80953 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 2: GODS, PLANETS, MADNESS Chapter 10: HE WHO SHINES BY DAY : CONGENITALITY AND HOMOLOGY |
| materials are quite decomposable. In contemporary paintings they would appear as indistinct lines, | 88296 GODS FIRE: - - Chapter 4: THE ARK IN ACTION : THE GOLDEN BOX |
| with the authentication of documents and paintings. | 95346 GODS FIRE: - - - APPENDIX : THE PRAGMATICS OF LEGEND |
| contemporary with Mediterranean, with utensils and paintings, | 102025 THE BURNING OF TROY: - - Chapter 1: THE QUANTAVOLUTIONARY SCAN - |
| age came and went. The great paintings. | 105848 THE BURNING OF TROY: PART 2: GEOLOGICAL ISSUES: Chapter 12: A FAILED EXCURSION TO THE CAVES OF AQUITAINE - |
| is painted it has lost the paintings. | 106004 THE BURNING OF TROY: PART 2: GEOLOGICAL ISSUES: Chapter 12: A FAILED EXCURSION TO THE CAVES OF AQUITAINE - |
| be found in a great many paintings and is referred to in many prayers. | 107174 THE BURNING OF TROY: PART 3: WORKING OF THE MIND: Chapter 16: SANDAL-STRAPS AND SEMIOLOGY - |
| vat. He is shown on vase paintings treading out grapes. | 115779 KA: - - Chapter 9: TRIPOD CAULDRONS - |
| than unities, as demonstrated in vase paintings of the Geometric period. | 117047 KA: - - Chapter 13: 'KA', AND EGYPTIAN MAGIC - |
| we look at relief sculptures or paintings of Egyptian gods and pharaohs, | 117062 KA: - - Chapter 13: 'KA', AND EGYPTIAN MAGIC : STATUES AND MUMMIES |
| their elaborate tombs, vaults, decorations, and paintings on the walls of underground rooms. | 118642 KA: - - Chapter 18: ROME AND THE ETRUSCANS : PANTOMIME |
| omphalos, the stone shown in vase paintings as set in the ground at the shrine (which may originally have been not at the site of the temple of Apollo, | 119403 KA: - - Chapter 21: THE DEATH OF KINGS - |
| group of very fine water colour paintings (Plate 5) of delusional materials. | 128503 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 3: PSYCHOLOGICAL ASPECTS OF THE WORK OF IMMANUEL VELIKOVSKY - |
| into heaven; and that just as paintings and portraits of ourselves on earth are always seen unchanged, | 138435 THE VELIKOVSKY AFFAIR: PART 5: ASTRONOMICAL THEORY AND HISTORICAL DATA - - - |
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PAINTS....................6 (0.001%)
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| OF CATASTROPHES Plato in his Politicus paints a mythical representation of what he indeed believed to be the historical reality: | 24111 CHAOS AND CREATION: - - CHAPTER 04: A CATASTROPHIC CALENDAR : THE NUMBER OF CATASTROPHES |
| that an American Pima Indian myth paints a similar scene 7 . | 40095 THE LATELY TORTURED EARTH: PART III: HYDROLOGY: Chapter 14 Floods and Tides - |
| levers, wood slides, bones, hair, fur, paints, | 65184 HOMO SCHIZO I: - - Chapter 5: CULTURAL REVOLUTION : PROTO-CULTURE |
| word to an emaciated artist who paints "still-lives," | 76033 HOMO SCHIZO II: - - Chapter 7: THE GOOD, THE TRUE, AND THE BEAUTIFUL : SUBLIMATION AS PREFERABLE DISPLACEMENTS |
| nostrils, lungs, and everything as Michelangelo paints him on the ceiling of the Sistine Chapel in Rome. | 91679 GODS FIRE: - - Chapter 6: THE CHARISMA OF MOSES : THE MANIAC SCIENTIST |
| good answers. Geologists and specialists on paints have visited the caves by the hundreds. | 105903 THE BURNING OF TROY: PART 2: GEOLOGICAL ISSUES: Chapter 12: A FAILED EXCURSION TO THE CAVES OF AQUITAINE - |
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PAIR......................47 (0.006%)
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| spectrum electron electron bond electron-antielectron pair electron-deficient atom electronic microscope electrophoresis electrophysical effect electrosphere element element, | 2694 QUANTAVOLUTION AND CATASTROPHE: PART 5: The Scope of Quantavolution - - - |
| is telling Deg of a new pair of cosmic heretics: | 20119 COSMIC HERETICS: PART 5: - Chapter 17: THE ADVANCEMENT OF SCIENCE - |
| have experienced a turbulent history. No pair of elements can be granted to have remained locked in their crystallized rock interior since the beginning of its time. | 23013 CHAOS AND CREATION: - - CHAPTER 03: COLLAPSING TESTS OF TIME : RADIATION TURBULENCE |
| living things to increase from a pair to billions in a numbers of years. | 39526 THE LATELY TORTURED EARTH: PART III: HYDROLOGY: Chapter 13 Deluges - |
| 31. Fission of the Earth-Moon Pair CHAPTER FOURTEEN 32. | 50740 SOLARIA-BINARIA: - - - TABLE OF CONTENTS - |
| in the neck of the fissioning pair and co-revolved about the Sun synchronously with the companion (see Figure 1). | 50950 SOLARIA-BINARIA: PART 1: ORIGIN AND DEVELOPMENT OF THE BINARY SYSTEM: Chapter 1: THE SOLAR SYSTEM AS A BINARY - |
| it divided into a close binary pair, | 51142 SOLARIA-BINARIA: PART 1: ORIGIN AND DEVELOPMENT OF THE BINARY SYSTEM: Chapter 2: THE SOLAR SYSTEM AS ELECTRICAL - |
| than the separation of the closer pair. | 51771 SOLARIA-BINARIA: PART 1: ORIGIN AND DEVELOPMENT OF THE BINARY SYSTEM: Chapter 3: THE SUN'S GALACTIC JOURNEY AND ABSOLUTE TIME - |
| with some intermittent transaction with the pair of distant companions. | 51774 SOLARIA-BINARIA: PART 1: ORIGIN AND DEVELOPMENT OF THE BINARY SYSTEM: Chapter 3: THE SUN'S GALACTIC JOURNEY AND ABSOLUTE TIME - |
| a significant material exchange between the pair of stars. | 52055 SOLARIA-BINARIA: PART 1: ORIGIN AND DEVELOPMENT OF THE BINARY SYSTEM: Chapter 4: SUPER URANUS AND THE PRIMITIVE PLANETS - |
| the Sun. Strongly coupled together the pair rotated looking like an ever expanding but otherwise rigid dumb-bell. | 52113 SOLARIA-BINARIA: PART 1: ORIGIN AND DEVELOPMENT OF THE BINARY SYSTEM: Chapter 4: SUPER URANUS AND THE PRIMITIVE PLANETS - |
| planet to co-revolve with the pair of stars, | 53019 SOLARIA-BINARIA: PART 1: ORIGIN AND DEVELOPMENT OF THE BINARY SYSTEM: Chapter 7: THE MAGNETIC TUBE AND THE PLANETARY ORBITS - |
| has collapsed, a Sun-Earth-satellite pair (ISEE 1 and 2) has been orbited at the L 1 point between the Sun and the Earth. | 53027 SOLARIA-BINARIA: PART 1: ORIGIN AND DEVELOPMENT OF THE BINARY SYSTEM: Chapter 7: THE MAGNETIC TUBE AND THE PLANETARY ORBITS - |
| an orbit beyond the surviving binary pair. | 55640 SOLARIA-BINARIA: PART 2: DESTRUCTION OF THE SOLAR BINARY: Chapter 13: NOVA OF SUPER URANUS AND EJECTION OF THE MOON - |
| 31. Fission of the Earth-Moon Pair This simple diagram illustrates the minuteness of the Moon compared to the Earth's bulk, | 55666 SOLARIA-BINARIA: PART 2: DESTRUCTION OF THE SOLAR BINARY: Chapter 13: NOVA OF SUPER URANUS AND EJECTION OF THE MOON - |
| of the electrically charged Earth-Sun pair. | 56340 SOLARIA-BINARIA: PART 2: DESTRUCTION OF THE SOLAR BINARY: Chapter 15: THE JUPITER ORDER - |
| Jupiter or at quadrature to the pair (see Peale et al.). | 56496 SOLARIA-BINARIA: PART 2: DESTRUCTION OF THE SOLAR BINARY: Chapter 15: THE JUPITER ORDER - |
| of approach determines the closeness the pair can attain in the collision. | 57972 SOLARIA-BINARIA: PART 3: TECHNICAL NOTES: - TECHNICAL NOTE C: : ON GRAVITATING ELECTRIFIED BODIES |
| atoms begin to collide, the approaching pair at first do not affect one another (from A to B), | 57977 SOLARIA-BINARIA: PART 3: TECHNICAL NOTES: - TECHNICAL NOTE C: : ON GRAVITATING ELECTRIFIED BODIES |
| overcomes the inertia (motion) of the pair and causes them to rebound (at E, | 57983 SOLARIA-BINARIA: PART 3: TECHNICAL NOTES: - TECHNICAL NOTE C: : ON GRAVITATING ELECTRIFIED BODIES |
| After the discharge( s) the colliding pair may attain the state of the bodies in (a) and the collision proceeds to closest approach, | 58018 SOLARIA-BINARIA: PART 3: TECHNICAL NOTES: - TECHNICAL NOTE C: : ON GRAVITATING ELECTRIFIED BODIES |
| measured, the physical separation of the pair is known. | 58162 SOLARIA-BINARIA: PART 3: TECHNICAL NOTES: - TECHNICAL NOTE D: : ON BINARY STAR SYSTEMS |
| the principals, the more rapidly the pair will orbit about one another. | 58308 SOLARIA-BINARIA: PART 3: TECHNICAL NOTES: - TECHNICAL NOTE D: : ON BINARY STAR SYSTEMS |
| with the motion of the primary pair, | 58768 SOLARIA-BINARIA: - - - GLOSSARY - |
| Either one or another of a pair of cortical referents will triumph by making a decision. | 64186 HOMO SCHIZO I: - - Chapter 4: THE GESTALT OF CREATION : A MIND SPLIT BY MINUTE DELAYS |
| hundreds. The boundary line between some pair of ages that run from the Cretaceous to the Holocene (a sixty-million year interval in conventional geochronology) might have witnessed the first humans. | 68745 HOMO SCHIZO I: - - Chapter 7: PSYCHOPATHOLOGY OF HISTORY : THE UNREDEEMABLE APEMAN |
| are differences of degree. We can pair off the normal and abnormal, | 70163 HOMO SCHIZO II: - - Chapter 1: THE NORMALLY INSANE : RECONCILING THE NORMAL AND ABNORMAL |
| They can be obsessed with a pair of shoes, | 73111 HOMO SCHIZO II: - - Chapter 4: DISPLACEMENT AND OBSESSION : OBSESSIONS, COMPULSIONS, HABITS |
| an invisible net that trapped the pair in bed. | 76818 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 1: SACRED SCANDAL AND DISASTER Chapter 1: AN ATHENA PRODUCTION - |
| Here you can see how this pair climbed into my bed and twine around each other so lovingly. | 77025 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 1: SACRED SCANDAL AND DISASTER Chapter 2: THE SONG OF LOVE : THE SONG LITERALLY RENDERED IN ENGLISH VERSE |
| therefore a great invention, with a pair of protagonists, | 77759 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 1: SACRED SCANDAL AND DISASTER Chapter 5: HOLY DREAMTIME - |
| half-million miles distant from the pair with a gravitational-electrical effect sufficient to repel the Earth's magnetic envelope and cause their liberation. | 81063 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 2: GODS, PLANETS, MADNESS Chapter 10: HE WHO SHINES BY DAY : CONGENITALITY AND HOMOLOGY |
| the catastrophized victims of this same pair 700 years earlier. | 81424 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 2: GODS, PLANETS, MADNESS Chapter 10: HE WHO SHINES BY DAY : APPENDIX TO CHAPTER TEN LOGIC OF IDENTIFYING RELATIONS SUCH AS "HEPHAESTUS IS ATHENA" |
| fetters were loosed and the freed pair sprang up and off. | 82116 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 2: GODS, PLANETS, MADNESS Chapter 12: THE LAUGHING GODS : POSEIDON |
| the love of one of the pair. | 83335 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 3: THERAPY FOR GROUP FEAR Chapter 14: THE USES OF LANGUAGE : THE THROES OF ORIGINAL PLOT |
| one on the ample but separated pair of wings and again on the lid of the box. | 88341 GODS FIRE: - - Chapter 4: THE ARK IN ACTION : THE GOLDEN BOX |
| piece open work of ivory, a pair of winged female figures wearing the Egyptian double crown protect with their outstretched wings the aegis of Bastet on the flowering "Lily" tree between them. | 88366 GODS FIRE: - - Chapter 4: THE ARK IN ACTION : THE GOLDEN BOX |
| provides a special place for a pair of objects, | 90134 GODS FIRE: - - Chapter 5: LEGENDS AND MIRACLES : THE POUCH OF JUDGEMENT |
| religion there is often a contradictory pair of behaviors: | 99443 THE DEVINE SUCCESSION PART 2: THEOTROPY: Chapter 10: ETHICS AND THE SUPERNATURAL - |
| He killed the female of a pair of snakes. | 119568 KA: - - Chapter 21: THE DEATH OF KINGS - |
| from underground, and there was a pair of deities, | 124330 - A FIRE NOT BLOWN: - - Chapter 19: LIFE - |
| Athene. Its staring eyes suggested a pair of heavenly bodies, | 124955 - A FIRE NOT BLOWN: - - Chapter 22: SACRED BIRDS - |
| detail. With regard to the first pair, | 129315 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art |
| Demetrius instead. As for the second pair, | 129317 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art |
| obstacle in the case of each pair. | 129318 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art |
| forest, he looking for the fleeing pair, | 129554 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art |
| and therefore wrong, it lets a pair of scapegoats suffer for our brief wildness. | 131303 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art |