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NAPISCHTIM................3 (0.000%)
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| J. A. B. (1975), "Manu, Ut-Napischtim, | 32382 CHAOS AND CREATION: - - - BIBLIOGRAPHY - |
| U. Press, 1954. 23. Manu, Ur-Napischtim, | 67499 HOMO SCHIZO I: - - Chapter 6: SCHIZOID INSTITUTIONS : Notes (Chapter 6: Schizoid Institutions) |
| A. B. van Buitenen, "Manu, Ut-Napischtim, | 74212 HOMO SCHIZO II: - - Chapter 5: COPING WITH FEAR : Notes (Chapter 5: Coping With Fear) |
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NAPISHTIM.................1 (0.000%)
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| the East Indian Noah or Ut-Napishtim) to safety from the flood is "in the end but the incarnation of Vishnu." ( | 28361 CHAOS AND CREATION: - - CHAPTER 08: SATURN'S CHILDREN : Notes (Chapter Eight: Saturn's Children) |
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NAPLES....................5 (0.001%)
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| ocean liner "Atlantic" bound for Lisbon, Naples and Genoa. | 7105 COSMIC HERETICS: PART 1: - Chapter 3: CHEERS AND HISSES - |
| seen creeping though the streets of Naples toward the sea the night before the earthquake. | 85729 GODS FIRE: - - Chapter 1: PLAGUES AND COMETS : COSMIC PLAGUES |
| spring under the temple. Cumae, near Naples, | 112843 KA: - - Chapter 1: AUGURY - |
| the life- giving blood. Cumae, near Naples, | 118609 KA: - - Chapter 18: ROME AND THE ETRUSCANS : PANTOMIME |
| Adrastus of Cyzicus and Dion of Naples, | 137678 THE VELIKOVSKY AFFAIR: PART 4: CUNEIFORM ASTRONOMICAL RECORDS AND CELESTIAL INSTABILITY - - - |
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NAPOLEON..................10 (0.001%)
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| interaction of physique and role. Little Napoleon looked more imperial than tall de Gaulle, | 6629 COSMIC HERETICS: PART 1: - Chapter 2: THE PRODIGAL ARCHIVE - |
| capability for leadership. Every gene, like Napoleon's soldiers, | 63261 HOMO SCHIZO I: - - Chapter 3: MECHANICS OF HUMANIZATION : INTELLIGENT MUTATION AND EVOLUTIONARY SALTATIONS |
| December 2nd Battle of Austerlitz, also Napoleon Bonaparte's Coronation Day. | 66732 HOMO SCHIZO I: - - Chapter 6: SCHIZOID INSTITUTIONS : MEGALITHS AND MEGALINES |
| the Great and Isaac Newton and Napoleon Bonaparte and Karl Marx and Sigmund Freud and Albert Einstein, | 68419 HOMO SCHIZO I: - - Chapter 7: PSYCHOPATHOLOGY OF HISTORY : DARWINIAN HISTORISM |
| French soldier in the retreat of Napoleon's army from Moscow in 1812? | 73384 HOMO SCHIZO II: - - Chapter 5: COPING WITH FEAR : OMNIPRESENT FEAR |
| It seems that the party of Napoleon Bonaparte had stopped at an inn on one of his journeys through Germany and food was served him. | 107163 THE BURNING OF TROY: PART 3: WORKING OF THE MIND: Chapter 16: SANDAL-STRAPS AND SEMIOLOGY - |
| Germany and food was served him. Napoleon tasted the proffered sour brown bread and handed it to an aide saying, " | 107165 THE BURNING OF TROY: PART 3: WORKING OF THE MIND: Chapter 16: SANDAL-STRAPS AND SEMIOLOGY - |
| of action. At the decisive moment, Napoleon left Egypt for Paris. | 110177 THE BURNING OF TROY: PART 4: POLEMICS AND PERSONAGES: Chapter 26: EULOGIES TO THREE QUANTAVOLUTIONARIES : IMMANUEL VELIKOVSKY 1895-1979 1 |
| in his honour. Dolomieu served under Napoleon during the French invasion of Egypt. | 133506 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : APPENDIX III ADDRESS TO THE CHANCELLOR'S DINNER - |
| to the history of science. Did Napoleon win his battles or did the French Revolution pre-conquer Europe for him? | 139457 THE VELIKOVSKY AFFAIR: PART 6: THE SCIENTIFIC RECEPTION SYSTEM - - - |
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NAPOLEONIC................1 (0.000%)
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| PART II: THE CAUSE After the Napoleonic Wars, | 132118 RECOLLECTIONS OF A FALLEN SKY - THE POLITICAL IMPLICATIONS OF EARLY 19TH CENTURY GEOLOGY Chapter 6: CATASTROPHISM AND UNIFORMITY : PART II: THE CAUSE |
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NAPOLI....................2 (0.000%)
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| Egypt. He was later imprisoned in Napoli for several years. | 133507 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : APPENDIX III ADDRESS TO THE CHANCELLOR'S DINNER - |
| latine conscripta, Ed. by F. Fiorentino (Napoli, | 137276 THE VELIKOVSKY AFFAIR: PART 3: THE INCONSTANT HEAVENS - - - |
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NAPPES....................1 (0.000%)
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| located Italy and Switzerland. The famous "nappes" of the Alps are but smaller thrusts laid upon great ones. | 43468 THE LATELY TORTURED EARTH: PART V: RIFTS, RAFTS AND BASINS: Chapter 20 Thrusting and Orogeny - |
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NAPTHA....................1 (0.000%)
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| of El Arish Napier, William M. naptha narcissism Narmada River, | 4228 QUANTAVOLUTION AND CATASTROPHE: PART 5: The Scope of Quantavolution - - - |
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NAR.......................1 (0.000%)
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| Heb. shem. Gk. sema sign, mark. Nar Marratu Bitter river, | 121040 KA: - - - GLOSSARY - |
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NARA......................1 (0.000%)
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| division of Indus flows between the Nara channel and that of the Indus proper." | 40335 THE LATELY TORTURED EARTH: PART III: HYDROLOGY: Chapter 14 Floods and Tides - |
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NARAM.....................2 (0.000%)
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| Akkad, we find the Akkadian monarch Naram Sin wearing, | 114815 KA: - - Chapter 6: SKY LINKS - |
| to the Sumerian king in Eridu. Naram Sin had a horned tiara. | 119944 KA: - - Chapter 22: LIVING WITH ELECTRICITY : CROWNS AND NECKLACES |
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NARCISSISM................9 (0.001%)
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| El Arish Napier, William M. naptha narcissism Narmada River, | 4229 QUANTAVOLUTION AND CATASTROPHE: PART 5: The Scope of Quantavolution - - - |
| interesting in view of the massive narcissism that has been ascribed to V. | 8119 COSMIC HERETICS: PART 1: - Chapter 3: CHEERS AND HISSES - |
| immense egocentrism, perhaps of the very narcissism which, | 8554 COSMIC HERETICS: PART 1: - Chapter 4: A PROPER RESPECT FOR AUTHORITY - |
| liked to say. This would betray narcissism. | 8652 COSMIC HERETICS: PART 1: - Chapter 4: A PROPER RESPECT FOR AUTHORITY - |
| asserts that neurosis is based upon narcissism, | 10189 COSMIC HERETICS: PART 2: - Chapter 7: FROM VENUS WITH LOVE - |
| be saying, and stamp out the narcissism that stands beneath it. | 10199 COSMIC HERETICS: PART 2: - Chapter 7: FROM VENUS WITH LOVE - |
| which referred to his own immense narcissism, | 19295 COSMIC HERETICS: PART 5: - Chapter 16: PRECURSORS OF QUANTAVOLUTION - |
| his own immense narcissism, the same narcissism that he urged all psychiatrists to fish up from their patients at the beginning of analysis. | 19295 COSMIC HERETICS: PART 5: - Chapter 16: PRECURSORS OF QUANTAVOLUTION - |
| and V. diverge from their basic narcissism, | 19323 COSMIC HERETICS: PART 5: - Chapter 16: PRECURSORS OF QUANTAVOLUTION - |
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NARCISSISTIC..............3 (0.000%)
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| not been sixteen years before a narcissistic bending of my character in infancy and childhood, | 8129 COSMIC HERETICS: PART 1: - Chapter 3: CHEERS AND HISSES - |
| might be threatened. This is certainly narcissistic behavior. | 8567 COSMIC HERETICS: PART 1: - Chapter 4: A PROPER RESPECT FOR AUTHORITY - |
| precisely the same. It is the narcissistic heroic vision of oneself. | 19600 COSMIC HERETICS: PART 5: - Chapter 16: PRECURSORS OF QUANTAVOLUTION - |
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NARLIKAR..................1 (0.000%)
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| Jordan; Dicke, 1957, p356; Hoyle and Narlikar; | 57922 SOLARIA-BINARIA: PART 3: TECHNICAL NOTES: - TECHNICAL NOTE C: : ON GRAVITATING ELECTRIFIED BODIES |
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NARLIKER..................1 (0.000%)
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| 52-61 Hoyle, Sir Fred, and Narliker, | 59609 SOLARIA-BINARIA: - - - BIBILIOGRAPHY - |
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NARMADA...................1 (0.000%)
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| Arish Napier, William M. naptha narcissism Narmada River, | 4230 QUANTAVOLUTION AND CATASTROPHE: PART 5: The Scope of Quantavolution - - - |
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NARRATE...................1 (0.000%)
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| have been luminously activated; "the Midrashim narrate that the Israelites encountered the Amalekites in a thick veil of clouds," | 90063 GODS FIRE: - - Chapter 5: LEGENDS AND MIRACLES : THE BRAZEN SERPENT AND OTHER RODS |
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NARRATED..................5 (0.001%)
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| all the stories, characters and adventures narrated by mythology concentrate on the active powers among the stars, | 21190 CHAOS AND CREATION: - - - TITLEPAGE - |
| Ares-Aphrodite-Hephaestus love triangle is narrated 69 . | 131063 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art |
| Mars and the jealous Vulcan, as narrated in the fourth book of Ovid's Metamorphoses, | 131078 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art |
| 51ff) of land and sea is narrated, | 140568 THE VELIKOVSKY AFFAIR: PART 7: ADDITIONAL EXAMPLES OF CORRECT PROGNOSIS - - - |
| between elementary forces of nature - as narrated by Apollodorus and Strabo - was on the way from Egypt to Syria. ( | 140913 THE VELIKOVSKY AFFAIR: APPENDIX 2: VELIKOVSKY 'DISCREDITED': A TEXTUAL COMPARISON - - - |
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NARRATES..................2 (0.000%)
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| of fire and flood. ' The myth narrates that Phaeton (The Shining One) borrowed and drove the chariot of the Sun, | 137631 THE VELIKOVSKY AFFAIR: PART 4: CUNEIFORM ASTRONOMICAL RECORDS AND CELESTIAL INSTABILITY - - - |
| Fn: Strabo, vii, 3, 8). Strabo narrates also that the Arimi (Syrians) were terrified witnesses of the battle of Zeus with Typhon... ' | 140908 THE VELIKOVSKY AFFAIR: APPENDIX 2: VELIKOVSKY 'DISCREDITED': A TEXTUAL COMPARISON - - - |
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NARRATIO..................1 (0.000%)
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| mythos, fable, was defined as vera narratio (a true account).. | 97587 THE DEVINE SUCCESSION PART 1: THEOMACHY Chapter 5: LEGENDS AND SCRIPTURE - |
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NARRATION.................1 (0.000%)
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| What will follow, then is a narration in two parts and three themes. | 95959 THE DEVINE SUCCESSION - - - FOREWORD - |
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NARRATIONS................1 (0.000%)
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| their origins were true and severe narrations, | 97586 THE DEVINE SUCCESSION PART 1: THEOMACHY Chapter 5: LEGENDS AND SCRIPTURE - |
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NARRATIVE.................46 (0.006%)
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| URANUS The first part of our narrative was given over largely to the origin and progress of Solaria Binaria up to the beginnings of a fatal instability. | 54048 SOLARIA-BINARIA: PART 2: DESTRUCTION OF THE SOLAR BINARY: Chapter 10: INSTABILITY OF SUPER URANUS - |
| truth emerged from primordial chaos. This narrative is but one culture's account of mankind's witnessing of the explosion of a celestial body. | 55271 SOLARIA-BINARIA: PART 2: DESTRUCTION OF THE SOLAR BINARY: Chapter 13: NOVA OF SUPER URANUS AND EJECTION OF THE MOON - |
| seem to be present in his narrative. | 66462 HOMO SCHIZO I: - - Chapter 6: SCHIZOID INSTITUTIONS : PRIMORDIAL LANGUAGE |
| innocent. The sublimation of factual technical narrative, | 67814 HOMO SCHIZO I: - - Chapter 7: PSYCHOPATHOLOGY OF HISTORY : SCHIZOID EPISODES IN ABUNDANCE |
| astronomical events and artistic production. The narrative is well suited to readers of venturesome tastes, | 76764 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS - - - FOREWORD - |
| a chorus that will interpret the narrative of the singer (but we do not mean exclusively) through the medium of movements and dance figures. | 77938 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 1: SACRED SCANDAL AND DISASTER Chapter 5: HOLY DREAMTIME : THE PIOUS DRAMATIST |
| long-drawn tread of the epic narrative. | 82986 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 3: THERAPY FOR GROUP FEAR Chapter 14: THE USES OF LANGUAGE : METER AND METAPHOR |
| word, that myth is a factual narrative whose aim is to some important degree to stabilize the ever-flowing stream of anxiety of the organism within itself and in regard to the outer environment. | 84509 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 3: THERAPY FOR GROUP FEAR Chapter 16: THE TRANSFIGURATION OF TRAUMA : THE KERNELS OF HISTORY |
| the ultimate strangeness of the plague narrative." | 86290 GODS FIRE: - - Chapter 2: THE SCENARIO OF EXODUS : HIGH-LEVEL NEGOTIATIONS |
| 5 Childs then demonstrates that the narrative was edited to impose the idea of Moses as a prophet upon the events, | 86290 GODS FIRE: - - Chapter 2: THE SCENARIO OF EXODUS : HIGH-LEVEL NEGOTIATIONS |
| and magician. But, in fact, the narrative is independent of Moses. | 86298 GODS FIRE: - - Chapter 2: THE SCENARIO OF EXODUS : HIGH-LEVEL NEGOTIATIONS |
| narrative is independent of Moses. The narrative is independent of Pharaoh, | 86300 GODS FIRE: - - Chapter 2: THE SCENARIO OF EXODUS : HIGH-LEVEL NEGOTIATIONS |
| of its parts. 8. Write a narrative of the findings 9. | 104391 THE BURNING OF TROY: PART 1: HISTORICAL DISTURBANCES: Chapter 6: UPDATING SCHAEFFER'S DESTRUCTION INVENTORY : CORRELATING NATURAL DISASTERS |
| of the findings 9. Accompany the narrative of findings with a. | 104393 THE BURNING OF TROY: PART 1: HISTORICAL DISTURBANCES: Chapter 6: UPDATING SCHAEFFER'S DESTRUCTION INVENTORY : CORRELATING NATURAL DISASTERS |
| subjects as diverse as anthropology, geology, narrative art, | 126039 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : - FOREWORD - |
| the inspiration for great works of narrative art, | 126114 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : - FOREWORD - |
| two of Shakespeare's plays. Through narrative art, | 126115 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : - FOREWORD - |
| to draw some tentative conclusions upon narrative art and the nature of man. | 129204 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art |
| s Dream as an example of narrative art whose subconscious bedrock is Velikovskian. | 129210 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art |
| One of these archetypal patterns in narrative art is the genre of the comic fertility play. | 129233 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art |
| that the form of most great narrative art is dictated by suppressed catastrophic experiences. | 130949 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art |
| master plans for dream, myth and narrative, | 131316 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art |
| not apply the same dictum to narrative art? | 131341 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art |
| then the collective function of the narrative artist may be to calm our fears by creating narratives in which the catastrophes may be let loose in disguise, | 131344 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art |
| may be that the enduring artistic narrative endures, | 131351 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art |
| a positive way to a great narrative, | 131399 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art |
| into play. The element of the narrative which calls forth aesthetic involvement is its literary and dramatic excellence, | 131402 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art |
| involvement is the structure of the narrative, | 131404 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art |
| respond deeply, albeit unconsciously, to a narrative which contains them to a high degree. | 131408 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art |
| when racial involvement occurs will a narrative endure as a human statement meaningful to other men in different times. | 131410 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art |
| simply the catastrophic parallels in a narrative which grip us, | 131413 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art |
| more, the way in which the narrative is resolved. | 131414 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art |
| and applaud, for in such a narrative we have seen the racial fears exposed but then controlled, | 131416 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art |
| We are comforted by a great narrative, | 131431 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art |
| eating it - to use a great narrative to comfort our suppressed collective fears, | 131435 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art |
| disguise as the master elements in narrative art. | 131513 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art |
| Shakespeare is the most universal of narrative artists; | 131515 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art |
| multi-disciplined, completely honest approach to narrative art, | 131631 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art |
| drama in particular, the most public narrative art. | 131632 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art |
| much less unconscious collective motivation, in narrative art. | 131641 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art |
| concerns. Like war and the generals, narrative art is too important to be left strictly to the professors of English. | 131651 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art |
| undermine that type of approach, for narrative art can be many things at once, | 131660 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art |
| and destruction closely paralleling the Biblical narrative. | 133613 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : APPENDIX III ADDRESS TO THE CHANCELLOR'S DINNER - |
| and destruction closely paralleling the Biblical narrative, | 134528 THE VELIKOVSKY AFFAIR: PART 1: MINDS IN CHAOS - - - |
| the divine authority of the biblical narrative: | 136363 THE VELIKOVSKY AFFAIR: PART 3: THE INCONSTANT HEAVENS - - - |
| do not appear in the biblical narrative Next, | 140935 THE VELIKOVSKY AFFAIR: APPENDIX 2: VELIKOVSKY 'DISCREDITED': A TEXTUAL COMPARISON - - - |