|
MUSIC.....................90 (0.011%)
|
Murchison meteorite murmmurings, of crowd museum music music of the spheres mutagenic agent mutation mutual repulsion Mycenea, | 4198 QUANTAVOLUTION AND CATASTROPHE: PART 5: The Scope of Quantavolution - - - |
meteorite murmmurings, of crowd museum music music of the spheres mutagenic agent mutation mutual repulsion Mycenea, | 4199 QUANTAVOLUTION AND CATASTROPHE: PART 5: The Scope of Quantavolution - - - |
themselves: Sheva's piano and the music resting on it, | 6603 COSMIC HERETICS: PART 1: - Chapter 2: THE PRODIGAL ARCHIVE - |
She had mastered the arts of music and sculpture. | 6614 COSMIC HERETICS: PART 1: - Chapter 2: THE PRODIGAL ARCHIVE - |
Hopkins University by a devotion to music and a character too irritable to knock about abroad. | 11138 COSMIC HERETICS: PART 2: - Chapter 8: HOMO SCHIZO MEETS GOD - |
room for guests and Elisheva's music... | 15204 COSMIC HERETICS: PART 4: - Chapter 12: THE THIRD WORLD OF SCIENCE - |
a week; he listened little to music and rarely played his trumpet any more, | 18537 COSMIC HERETICS: PART 5: - Chapter 15: THE KNOWLEDGE INDUSTRY - |
read and worked upon reams of music as a scholar works upon books and papers. | 19421 COSMIC HERETICS: PART 5: - Chapter 16: PRECURSORS OF QUANTAVOLUTION - |
upon when he disposed of the music archive to the New Jersey State Prison System was this: " | 19425 COSMIC HERETICS: PART 5: - Chapter 16: PRECURSORS OF QUANTAVOLUTION - |
stars, numbers, colors, plants, forms, verse, music, | 25828 CHAOS AND CREATION: - - CHAPTER 06: THE URANIANS : ECUMENICAL CULTURE |
lunar myth and rites. Literature and music of a liturgical kind developed. " | 28063 CHAOS AND CREATION: - - CHAPTER 08: SATURN'S CHILDREN : THE "GOLDEN AGE" |
Religious" history was the pretext for music and art. | 28064 CHAOS AND CREATION: - - CHAPTER 08: SATURN'S CHILDREN : THE "GOLDEN AGE" |
most ancient Latin verses as Saturnian music, | 28065 CHAOS AND CREATION: - - CHAPTER 08: SATURN'S CHILDREN : THE "GOLDEN AGE" |
became the harp or lyre of music, | 28069 CHAOS AND CREATION: - - CHAPTER 08: SATURN'S CHILDREN : THE "GOLDEN AGE" |
their names. He was god of music. | 28819 CHAOS AND CREATION: - - CHAPTER 09: THE OLYMPIAN RULERS : APOLLO |
his brother, Hermes, also god of music, | 28842 CHAOS AND CREATION: - - CHAPTER 09: THE OLYMPIAN RULERS : EXPLOSION AND ASTEROIDS |
social institutions, religious practices, symbolism, literature, music, | 29792 CHAOS AND CREATION: - - CHAPTER 10: VENUS AND MARS : THE EXPLOSION OF THIRA |
forces in their own right. The "music of the spheres" and "the wheels within wheels" are but ancient inherited words fossilizing for us ancient phenomena of sound and sight. | 32938 THE LATELY TORTURED EARTH: - - CHAPTER 1: Quantavolutions - |
absorbing and entrancing, as the rock-music discotheques aim to prove. | 47922 THE LATELY TORTURED EARTH: PART VI: BIOSPHERICS: Chapter 28 Genesis and Extinction - |
end, the catastrophic pandemonium evolves into music. | 47925 THE LATELY TORTURED EARTH: PART VI: BIOSPHERICS: Chapter 28 Genesis and Extinction - |
sacred events, and the beginnings of music appear to be secure. | 48129 THE LATELY TORTURED EARTH: PART VI: BIOSPHERICS: Chapter 28 Genesis and Extinction - |
quickly. All together they reproduce the music of the spheres and of the gods. | 48149 THE LATELY TORTURED EARTH: PART VI: BIOSPHERICS: Chapter 28 Genesis and Extinction - |
uei is also the master of music who alone can bring harmony between the six pipes and the seven modes. | 48154 THE LATELY TORTURED EARTH: PART VI: BIOSPHERICS: Chapter 28 Genesis and Extinction - |
and earth would lack their essential music. | 48156 THE LATELY TORTURED EARTH: PART VI: BIOSPHERICS: Chapter 28 Genesis and Extinction - |
a synchronous musical calendar -from Easter music to Christmas music, | 48177 THE LATELY TORTURED EARTH: PART VI: BIOSPHERICS: Chapter 28 Genesis and Extinction - |
calendar -from Easter music to Christmas music, | 48177 THE LATELY TORTURED EARTH: PART VI: BIOSPHERICS: Chapter 28 Genesis and Extinction - |
Greek culture generated the theory of music and the theory of numbers out of the behavior of the heavens. | 48180 THE LATELY TORTURED EARTH: PART VI: BIOSPHERICS: Chapter 28 Genesis and Extinction - |
timbre. Using such elements in combinations, music could be built up. | 48209 THE LATELY TORTURED EARTH: PART VI: BIOSPHERICS: Chapter 28 Genesis and Extinction - |
motivation behind the people who originated music and all other aspects of culture. | 48212 THE LATELY TORTURED EARTH: PART VI: BIOSPHERICS: Chapter 28 Genesis and Extinction - |
the world. The orgiastic side of music - the furious beatings, | 48217 THE LATELY TORTURED EARTH: PART VI: BIOSPHERICS: Chapter 28 Genesis and Extinction - |
orgiasm shape the four elements of music, | 48222 THE LATELY TORTURED EARTH: PART VI: BIOSPHERICS: Chapter 28 Genesis and Extinction - |
musical elements. Not only does the music itself follow patterns under strict general rules, | 48225 THE LATELY TORTURED EARTH: PART VI: BIOSPHERICS: Chapter 28 Genesis and Extinction - |
the start the sublimation that the music affords. | 48228 THE LATELY TORTURED EARTH: PART VI: BIOSPHERICS: Chapter 28 Genesis and Extinction - |
are incorporated into the dance and music. | 48230 THE LATELY TORTURED EARTH: PART VI: BIOSPHERICS: Chapter 28 Genesis and Extinction - |
them. Sacred myth, song, dance, and music provide an escape from horror by saying and doing all that was said and done in those days in a way that remembers in order to forget. | 48238 THE LATELY TORTURED EARTH: PART VI: BIOSPHERICS: Chapter 28 Genesis and Extinction - |
remembers in order to forget. Contemporary music that is avant-garde has the subconscious ambition, | 48241 THE LATELY TORTURED EARTH: PART VI: BIOSPHERICS: Chapter 28 Genesis and Extinction - |
sublimation, and the compulsive repetitiveness of music. | 48243 THE LATELY TORTURED EARTH: PART VI: BIOSPHERICS: Chapter 28 Genesis and Extinction - |
sound-producing setting - "a happening" - is "music." | 48245 THE LATELY TORTURED EARTH: PART VI: BIOSPHERICS: Chapter 28 Genesis and Extinction - |
especially the Pythagoreans, employed the phrase "music of the spheres" to designate what has since been regarded as an unreal belief in celestial and planetary sound. | 53067 SOLARIA-BINARIA: PART 1: ORIGIN AND DEVELOPMENT OF THE BINARY SYSTEM: Chapter 7: THE MAGNETIC TUBE AND THE PLANETARY ORBITS - |
been involved in the earliest sacred music. | 53078 SOLARIA-BINARIA: PART 1: ORIGIN AND DEVELOPMENT OF THE BINARY SYSTEM: Chapter 7: THE MAGNETIC TUBE AND THE PLANETARY ORBITS - |
stars, numbers, colors, plants, forms, verse, music, | 66030 HOMO SCHIZO I: - - Chapter 5: CULTURAL REVOLUTION : CULTURAL INTEGRATION |
or jazz dancing or even computer music escape its sacred roots, | 67620 HOMO SCHIZO I: - - Chapter 7: PSYCHOPATHOLOGY OF HISTORY : A SICK JOURNEY |
with the help of canonical background music and sleight-of-hand cartoons. | 67683 HOMO SCHIZO I: - - Chapter 7: PSYCHOPATHOLOGY OF HISTORY : A SICK JOURNEY |
poetry and history and literature and music would be lost; | 67785 HOMO SCHIZO I: - - Chapter 7: PSYCHOPATHOLOGY OF HISTORY : HISTORISM |
choirmaster may be changed, but the music is always the same. | 68363 HOMO SCHIZO I: - - Chapter 7: PSYCHOPATHOLOGY OF HISTORY : RELIGION AS CUSTODIAN OF FEAR |
reputation for unusual cleverness, complex polyphonic music, | 69377 HOMO SCHIZO II: - - Chapter 1: THE NORMALLY INSANE - |
man, but a bird can compose music rarely and never invents an instrument like a violin. | 71434 HOMO SCHIZO II: - - Chapter 2: THE SEARCH FOR LOST INSTINCT : "YOU CAN'T GO HOME AGAIN" |
crafts, recognitions of whole images, and music and acoustics, | 72081 HOMO SCHIZO II: - - Chapter 3: BRAINWORK : THE LOCATION OF INSTINCT DELAY |
use dexterity, or bilateralism, as well. Music, | 72262 HOMO SCHIZO II: - - Chapter 3: BRAINWORK : HANDEDNESS |
cool, logical in the pursuit of music, | 74144 HOMO SCHIZO II: - - Chapter 5: COPING WITH FEAR : SUBLIMATION OF FEAR |
it may help if you play music for the crops to grow by." | 75922 HOMO SCHIZO II: - - Chapter 7: THE GOOD, THE TRUE, AND THE BEAUTIFUL : SCIENCE AS INSTINCT |
once past paved the way for music and literature. | 77275 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 1: SACRED SCANDAL AND DISASTER Chapter 3: THE LOVE AFFAIR AS THE MASK OF TRAGEDY - |
secret from everybody." The song, the music, | 77436 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 1: SACRED SCANDAL AND DISASTER Chapter 3: THE LOVE AFFAIR AS THE MASK OF TRAGEDY : THE HIDDEN STORY |
palace place." Are treasured instruments of music employed casually? " | 77868 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 1: SACRED SCANDAL AND DISASTER Chapter 5: HOLY DREAMTIME : BURLESQUE OR RELIGION? |
of significance rather than cocktail hour music. | 77892 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 1: SACRED SCANDAL AND DISASTER Chapter 5: HOLY DREAMTIME : BURLESQUE OR RELIGION? |
disposition of the spectacle, while the music and ballet entertained the audience; | 77985 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 1: SACRED SCANDAL AND DISASTER Chapter 5: HOLY DREAMTIME : THE PIOUS DRAMATIST |
sacred songs, with their accompaniment of music and dancing... ( | 78020 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 1: SACRED SCANDAL AND DISASTER Chapter 5: HOLY DREAMTIME : THE PIOUS DRAMATIST |
was the god of prophecies, of music, | 82054 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 2: GODS, PLANETS, MADNESS Chapter 12: THE LAUGHING GODS : APOLLO |
folk, rock, fox trot and blues music in America who turn out great numbers of songs from a certain number of stock romantic lines and musical phrases. | 83105 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 3: THERAPY FOR GROUP FEAR Chapter 14: THE USES OF LANGUAGE : HOMER: EDITOR AND PUBLISHER |
governing the arts and sciences - dancing, music, | 83635 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 3: THERAPY FOR GROUP FEAR Chapter 15: THE BIRTH AND DEATH OF MEMORY - |
and result of great literature, of music, | 84933 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 3: THERAPY FOR GROUP FEAR Chapter 17: SETTLED SKY AND UNSETTLED MIND : FROM SAVAGERY TO SUBLIMITY |
Apollo: God of Far-Distances and music. | 85071 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS - - APPENDIX CHARACTERS OF THE BOOK - |
accompanied by processions, animal sacrifices, and music. | 97247 THE DEVINE SUCCESSION PART 1: THEOMACHY Chapter 4: THE HEAVENLY HOST - |
offense." Science, law, literature, drama, and music constitute a veritable fictional world that no amount of secularism can eradicate. | 99281 THE DEVINE SUCCESSION PART 2: THEOTROPY: Chapter 9: SACRAL VS. SECULAR MAN - |
of all produces a symphony of music. | 99401 THE DEVINE SUCCESSION PART 2: THEOTROPY: Chapter 10: ETHICS AND THE SUPERNATURAL - |
all that it does for his music, | 100951 THE DEVINE SUCCESSION PART 2: THEOTROPY: Chapter 12: NEW PROOFS OF GOD - |
what follows. 2. Cat associated with music, | 106913 THE BURNING OF TROY: PART 3: WORKING OF THE MIND: Chapter 15: COMPTINOLOGY AND TOHU-BOHU - |
frying pan, a tonal harmony in music, | 107278 THE BURNING OF TROY: PART 3: WORKING OF THE MIND: Chapter 17: MAKING MOONSHINE WITH HARD SCIENCE - |
beings to war amongst themselves. Myth, music, | 107621 THE BURNING OF TROY: PART 3: WORKING OF THE MIND: Chapter 18: HOLY DREAMTIME IN WONGURI LAND - |
as a Young Man (1916); Chamber Music (1907); | 108108 THE BURNING OF TROY: PART 3: WORKING OF THE MIND: Chapter 19: THE 'UNCONSCIOUS' AS A LITERARY REVOLT AGAINST SCIENCE : DETAILED EXPOSITION OF THE PROJECT |
explanation, which combines the Irish, politics, music, | 108563 THE BURNING OF TROY: PART 3: WORKING OF THE MIND: Chapter 20: O. K. ORIGINS : POSTSCRIPT OF 1983 |
the establishment of industry, bureaucracy, economy, music, | 112102 THE BURNING OF TROY: PART 5: COMMUNICATING A SCIENTIFIC MODEL: Chapter 30: PAST, PRESENT, AND FUTURE : THE POLITICS OF UNIFORMITARIANISM |
by striking, and is used in music. | 113643 KA: - - Chapter 3: DIONYSUS - |
in themselves, as well as the music which is produced from them. | 114006 KA: - - Chapter 4: AMBER, ARK, AND EL - |
saw a dance at Samothrace, with music from double pipes, | 115599 KA: - - Chapter 8: SKY AND STAGE : POETIC INSPIRATION |
Kadmos heard the god revealing correct music, | 115963 KA: - - Chapter 10: THE EVIDENCE FROM PLUTARCH - |
a symbol of the power of music and the magnet. | 116578 KA: - - Chapter 12: MYSTERY RELIGIONS - |
fire is the doorway to immortality. Music and sound effects are mentioned in Egyptian texts. | 117148 KA: - - Chapter 13: 'KA', AND EGYPTIAN MAGIC : STATUES AND MUMMIES |
Apollo. He was the god of music, | 117497 KA: - - Chapter 14: BOLTS FROM THE BLUE - |
royal hunt, familiar to many through music by Berlioz, | 118055 KA: - - Chapter 17: BYWAYS OF ELECTRICITY - |
an electrical interpretation may be suitable. Music could be used to induce, | 119605 KA: - - Chapter 21: THE DEATH OF KINGS - |
of the genius of the house. MUSIC Musical activity often took the form of imitation of the sounds of electrical activity, | 120103 KA: - - Chapter 22: LIVING WITH ELECTRICITY : MUSIC |
Cadmus heard the god revealing correct music, | 120119 KA: - - Chapter 22: LIVING WITH ELECTRICITY : MUSIC |
gods over their enemies was enacted. Music and incense accompanied the procession. | 120203 KA: - - Chapter 22: LIVING WITH ELECTRICITY : POLITICS |
that of Dionysus, who brought wine, music and dancing on his travels through Asia to Greece. | 122128 - A FIRE NOT BLOWN: - - Chapter 05: DIONYSUS - |
as the beautiful, peaceful god. The music and words of a duet suggest her rebirth. | 122912 - A FIRE NOT BLOWN: - - Chapter 11: CHANGING INTERPRETATIONS - |
governing the arts and sciences - dancing, music, | 127345 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 2: THE PALAETIOLOGY OF FEAR AND MEMORY : PART II: MEMORY |
world is reunited as Oberon proclaims (Music) Sound, | 129669 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art |
reunited as Oberon proclaims (Music) Sound, music. | 129670 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art |
in a magic ritual of words, music and dance. | 130243 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art |