| |
|
LITERALISM................6 (0.001%)
|
| the anomalies. In circles espousing Biblical literalism, | 13855 COSMIC HERETICS: PART 4: - Chapter 12: THE THIRD WORLD OF SCIENCE - |
| the new science and a biblical literalism ordaining catastrophic belief was explicit, | 20810 COSMIC HERETICS: PART 5: - Chapter 17: THE ADVANCEMENT OF SCIENCE - |
| knowing. I am not arguing for literalism but for "spectralism" which I would define as subjective realism: | 48460 THE LATELY TORTURED EARTH: PART VI: BIOSPHERICS: Chapter 29 Spectres - |
| catastrophism to Bishop Usher's Biblical literalism, | 49412 THE LATELY TORTURED EARTH: PART VII: DIMENSIONS OF QUANTAVOLUTION: Chapter 30 Intensity, Scope and Suddenness - |
| occult, or a defense of Biblical literalism. | 102227 THE BURNING OF TROY: - - Chapter 1: THE QUANTAVOLUTIONARY SCAN - |
| them, the very thought of Biblical literalism, | 109162 THE BURNING OF TROY: PART 4: POLEMICS AND PERSONAGES: Chapter 23: RELIGION AND EDUCATION : I. QUANTAVOLUTION AND CREATION IN ARKANSAS |
| |
|
LITERALIST................2 (0.000%)
|
| intelligent and effective as their non-literalist scientific counterparts. | 109158 THE BURNING OF TROY: PART 4: POLEMICS AND PERSONAGES: Chapter 23: RELIGION AND EDUCATION : I. QUANTAVOLUTION AND CREATION IN ARKANSAS |
| became in a sense a Biblical literalist, | 121590 - A FIRE NOT BLOWN: - - - INTRODUCTION - |
| |
|
LITERALISTS...............3 (0.000%)
|
| contemporary "flying saucer" discussants, or "biblical literalists." | 21565 CHAOS AND CREATION: - - - INTRODUCTION : THE UNIFORMITIARIAN RESISTANCE |
| sometimes in the company of Biblical literalists and creationists; | 109157 THE BURNING OF TROY: PART 4: POLEMICS AND PERSONAGES: Chapter 23: RELIGION AND EDUCATION : I. QUANTAVOLUTION AND CREATION IN ARKANSAS |
| and Muslim religious fundamentalists.) Other mythological literalists, | 121592 - A FIRE NOT BLOWN: - - - INTRODUCTION - |
| |
|
LITERALITY................1 (0.000%)
|
| is only one step removed in literality from the events which gave rise to it. | 130975 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art |
| |
|
LITERALLY.................52 (0.006%)
|
| he be right when he, quite literally, | 16599 COSMIC HERETICS: PART 4: - Chapter 13: THE EMPIRE STRIKES BACK - |
| difficulty for her assets were almost literally on her back, | 18709 COSMIC HERETICS: PART 5: - Chapter 15: THE KNOWLEDGE INDUSTRY - |
| same, night and day. There is literally all the difference in the world between an earth slowing in a day and an earth ceasing abruptly to rotate. | 21766 CHAOS AND CREATION: - - CHAPTER 01: COSMIC INSTABILITY : IMPACTS ON EARTH |
| too close to Mars.... This intruder literally sucked the lava from the interior of Mars to form the huge volcanoes.... | 21818 CHAOS AND CREATION: - - CHAPTER 01: COSMIC INSTABILITY : THE CLEAVAGE OF MARS: A PARTICULAR CASE |
| the center of the gaseous tube, literally an electrico-chemical factory. | 24535 CHAOS AND CREATION: - - CHAPTER 05: SOLARIA BINARIA : THE BINARY PARTNER |
| Jews called iron ore nechoshet, which literally means the 'droppings of the (cosmic) serpent, ' | 37651 THE LATELY TORTURED EARTH: PART II: EXOTERRESTRIAL DROPS: Chapter 10 Metals, Salt and Oil - |
| a picturesque name, was devoutly and literally supplicated by the ancients even in the millennia of the great sky gods between 13, | 41597 THE LATELY TORTURED EARTH: PART IV: CRUSTAL TURBULENCE: Chapter 17 Volcanism - |
| his story be considered seriously and literally: | 42101 THE LATELY TORTURED EARTH: PART IV: CRUSTAL TURBULENCE: Chapter 18 Sinking and Rising Lands - |
| the objections that it is too literally empirical, | 46482 THE LATELY TORTURED EARTH: PART V: RIFTS, RAFTS AND BASINS: Chapter 25 Sediments - |
| shall call a space infra-charge. Literally, | 51902 SOLARIA-BINARIA: PART 1: ORIGIN AND DEVELOPMENT OF THE BINARY SYSTEM: Chapter 3: THE SUN'S GALACTIC JOURNEY AND ABSOLUTE TIME - |
| planetary deities, although their names translate literally as 'heaven'. | 55308 SOLARIA-BINARIA: PART 2: DESTRUCTION OF THE SOLAR BINARY: Chapter 13: NOVA OF SUPER URANUS AND EJECTION OF THE MOON - |
| Jupiter. He is wise and was literally brilliant -- "Shining Apollo." | 56397 SOLARIA-BINARIA: PART 2: DESTRUCTION OF THE SOLAR BINARY: Chapter 15: THE JUPITER ORDER - |
| too close to Mars .... This intruder literally sucked the lava from the interior of Mars to form the huge volcanoes .... | 57019 SOLARIA-BINARIA: PART 2: DESTRUCTION OF THE SOLAR BINARY: Chapter 16: VENUS AND MARS - |
| forced apart by changing radial forces. Literally, | 58059 SOLARIA-BINARIA: PART 3: TECHNICAL NOTES: - TECHNICAL NOTE C: : ON GRAVITATING ELECTRIFIED BODIES |
| but then it was sent, even literally, | 67964 HOMO SCHIZO I: - - Chapter 7: PSYCHOPATHOLOGY OF HISTORY : SCHIZOID EPISODES IN ABUNDANCE |
| all-around, not only figuratively but literally. | 69883 HOMO SCHIZO II: - - Chapter 1: THE NORMALLY INSANE : CATEGORIES OF MADNESS |
| of joy and orgy, are masquerades literally of the end of the world. | 73062 HOMO SCHIZO II: - - Chapter 4: DISPLACEMENT AND OBSESSION : TIME AND REMEMBERING |
| THE SONG OF LOVE THE SONG LITERALLY RENDERED IN ENGLISH VERSE HAPPY ENDING THE PHAEACIAN UTOPIA Chapter 3. | 76475 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS - - - TABLE OF CONTENTS - |
| twinkled in mid-air! THE SONG LITERALLY RENDERED IN ENGLISH VERSE Whereupon the song of the Love Affair begins. | 76982 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 1: SACRED SCANDAL AND DISASTER Chapter 2: THE SONG OF LOVE : THE SONG LITERALLY RENDERED IN ENGLISH VERSE |
| Mycenaean civilization of the "14th century" literally to collapse and permitted the starving country folk to sack and burn the centers of civilization in search of necessities. | 78906 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 2: GODS, PLANETS, MADNESS Chapter 7: CRAZY HEROES OF DARK TIMES : SOCIETY IN SHOCK |
| organs arose Aphrodite, a foam god, literally foam-born (aphrogenis), | 79411 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 2: GODS, PLANETS, MADNESS Chapter 8: THE TWO FACES OF LOVE : A MOST ANCIENT GODDESS |
| part of human nature, speaking now literally, | 81111 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 2: GODS, PLANETS, MADNESS Chapter 10: HE WHO SHINES BY DAY : ATHENA'S LAST BATTLES |
| in his brazen palace. This might literally indicate a tilting of the earth's axis momentarily, | 81184 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 2: GODS, PLANETS, MADNESS Chapter 10: HE WHO SHINES BY DAY : ATHENA'S LAST BATTLES |
| averter of ills. ' The word means literally, ' | 82073 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 2: GODS, PLANETS, MADNESS Chapter 12: THE LAUGHING GODS : APOLLO |
| available to Moses, the new scientists literally played with every device and scheme that, | 88070 GODS FIRE: - - Chapter 4: THE ARK IN ACTION - |
| principal town. In fact it was literally the "mercy seat" of the government of Yahweh. | 91539 GODS FIRE: - - Chapter 6: THE CHARISMA OF MOSES : ROUTINIZING CHARISMA |
| relevance or effects. I mean this literally. | 95941 THE DEVINE SUCCESSION - - - FOREWORD - |
| the Slave Coast in named Olorun, literally Owner of the Sky. | 96385 THE DEVINE SUCCESSION PART 1: THEOMACHY Chapter 2: THE SUCCESSION OF GODS - |
| of Moses occur in connection with (literally "on") the Ark of Moses; | 96854 THE DEVINE SUCCESSION PART 1: THEOMACHY Chapter 3: KNOWING THE GODS - |
| sacred scripture is first of all literally true, | 97662 THE DEVINE SUCCESSION PART 1: THEOMACHY Chapter 5: LEGENDS AND SCRIPTURE - |
| and "voice" was a term used literally and liberally in regard to the presence of Yahweh on the Ark. | 103719 THE BURNING OF TROY: PART 1: HISTORICAL DISTURBANCES: Chapter 4: MICAH'S ARK - |
| scientific scheme. The Unconscious was, almost literally, | 107693 THE BURNING OF TROY: PART 3: WORKING OF THE MIND: Chapter 19: THE 'UNCONSCIOUS' AS A LITERARY REVOLT AGAINST SCIENCE - |
| prophet or prophetess. The word means literally 'mouthpiece. ' | 112732 KA: - - Chapter 1: AUGURY - |
| tou niphoentos artios phaneisa phama Parnasou." Literally: " | 113367 KA: - - Chapter 2: THE ELECTRIC ORACLES - |
| de lampei", the shout rings out (literally 'shines' or 'flashes'). | 114220 KA: - - Chapter 5: DEITIES OF DELPHI - |
| used in augury. It means inauspicious, literally 'out of one's seat'. | 114576 KA: - - Chapter 5: DEITIES OF DELPHI - |
| or inspired, said what Apollo answered (literally: | 116906 KA: - - Chapter 12: MYSTERY RELIGIONS : Notes (Chapter Twelve: Mystery Religions) |
| oracle responding is 'ho theos aneile, ' literally 'the god raised'. | 116909 KA: - - Chapter 12: MYSTERY RELIGIONS : Notes (Chapter Twelve: Mystery Religions) |
| Oidipou kara means simply Oedipus, but literally it is 'head of Oedipus'. | 116943 KA: - - Chapter 13: 'KA', AND EGYPTIAN MAGIC - |
| Altaria sunt in quibus igne adoletur', literally 'altaria are the things in which magnification (worship) by fire takes place. ' | 117099 KA: - - Chapter 13: 'KA', AND EGYPTIAN MAGIC : STATUES AND MUMMIES |
| not only majesty but also treason. Literally, | 117245 KA: - - Chapter 13: 'KA', AND EGYPTIAN MAGIC : STATUES AND MUMMIES |
| be as like himself as possible (literally: | 118953 KA: - - Chapter 19: THE TIMAEUS - |
| to the place, for the god (literally "that from the god") urges me on." | 119483 KA: - - Chapter 21: THE DEATH OF KINGS - |
| mean dark-eyed, dark-faced, or, literally, | 120032 KA: - - Chapter 22: LIVING WITH ELECTRICITY : GAMES |
| stretch out'. Tinasso means 'I brandish', literally 'I set Tin in motion'. | 123259 - A FIRE NOT BLOWN: - - Chapter 13: FIRE - |
| make to live. Sanctus, holy, means literally 'having been brought to life'. | 123716 - A FIRE NOT BLOWN: - - Chapter 14: THE GODDESS GAIA - |
| also compiled by Velikovsky. Humanity was literally born in an epoch of disasters, | 127256 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 2: THE PALAETIOLOGY OF FEAR AND MEMORY : CATASTROPHIC FEAR |
| patient to feel that he is literally at the centre of the universe and that his fate must inevitably affect the planets and the stars. | 128397 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 3: PSYCHOLOGICAL ASPECTS OF THE WORK OF IMMANUEL VELIKOVSKY - |
| influence of Antony, whose ... power quite literally extends beyond the grave, | 130924 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art |
| in Genesis should not be interpreted literally, | 136556 THE VELIKOVSKY AFFAIR: PART 3: THE INCONSTANT HEAVENS - - - |
| time, condemned for not having taken literally the story of creation in Genesis: ' | 137151 THE VELIKOVSKY AFFAIR: PART 3: THE INCONSTANT HEAVENS - - - |
| earth cannot stop suddenly without disintegrating. (Literally true but the affirmative was never asserted by Velikovsky.) | 139956 THE VELIKOVSKY AFFAIR: PART 6: THE SCIENTIFIC RECEPTION SYSTEM - - - |
| |
|
LITERALNESS...............3 (0.000%)
|
| rare occurrence in Palestine." Obviously, some literalness has to be restored to the language of the Bible, | 41433 THE LATELY TORTURED EARTH: PART IV: CRUSTAL TURBULENCE: Chapter 16 Earthquakes - |
| concession that she makes to the literalness of the Bible is the connection (which earlier I have adversely criticized) between the explosion of Thera-Santorini and the tidal waters sweeping in upon the Egyptian army 12 . | 95238 GODS FIRE: - - - APPENDIX : UNBELIEVING SCHOLARS |
| mundane being and therefore in the literalness of the gospels, | 97666 THE DEVINE SUCCESSION PART 1: THEOMACHY Chapter 5: LEGENDS AND SCRIPTURE - |
| |
|
LITERARY..................100 (0.012%)
|
| committed to V., the author. A literary tour de force of the rarest kind, | 6480 COSMIC HERETICS: PART 1: - Chapter 1: ROYAL INCEST - |
| is true that he had won literary fame and supported his family meanwhile, | 6862 COSMIC HERETICS: PART 1: - Chapter 2: THE PRODIGAL ARCHIVE - |
| York Public Library for some future literary historian. | 7569 COSMIC HERETICS: PART 1: - Chapter 3: CHEERS AND HISSES - |
| and did make a couple of literary stabs in that direction, | 7949 COSMIC HERETICS: PART 1: - Chapter 3: CHEERS AND HISSES - |
| as, for instance the London Times Literary Supplement of 26 June 1967 murmuring about "a powerful force in the underground of academe." | 9270 COSMIC HERETICS: PART 1: - Chapter 5: THE BRITISH CONNECTION - |
| at various times would be his literary executor, | 9553 COSMIC HERETICS: PART 2: - Chapter 6: HOLOCAUST AND AMNESIA - |
| better procedure, and suggests that the literary estate should be kept centralized and managed efficiently. | 9576 COSMIC HERETICS: PART 2: - Chapter 6: HOLOCAUST AND AMNESIA - |
| visited the office of Scott-Meredith Literary Agency in New York and met the head of their foreign rights department, | 9585 COSMIC HERETICS: PART 2: - Chapter 6: HOLOCAUST AND AMNESIA - |
| read a translation, say, of a literary text such as the Book of the Dead can not but agree that there is hardly anything more senseless in the way of expensive books --understandable perhaps to the translator's analyst, | 10126 COSMIC HERETICS: PART 2: - Chapter 7: FROM VENUS WITH LOVE - |
| in a scientific manner as other literary documents of great antiquity." | 10878 COSMIC HERETICS: PART 2: - Chapter 8: HOMO SCHIZO MEETS GOD - |
| a letter to the London Times Literary Supplement August 27, | 13123 COSMIC HERETICS: PART 3: - Chapter 10: ABC'S OF ASTROPHYSICS - |
| Florida), the editors of the Times Literary Supplement, | 16831 COSMIC HERETICS: PART 4: - Chapter 13: THE EMPIRE STRIKES BACK - |
| of logic and fair play in literary and scientific intercourse, | 17570 COSMIC HERETICS: PART 4: - Chapter 14: THE FOIBLES OF HERETICS - |
| logic and fair play in their literary and scientific intercourse. | 17572 COSMIC HERETICS: PART 4: - Chapter 14: THE FOIBLES OF HERETICS - |
| the first, for which symbolic and literary materials are presently lacking, | 29722 CHAOS AND CREATION: - - CHAPTER 10: VENUS AND MARS : A LONGER DAY |
| and suppression of memory, religious and literary sublimation, | 56927 SOLARIA-BINARIA: PART 2: DESTRUCTION OF THE SOLAR BINARY: Chapter 16: VENUS AND MARS - |
| cultures. That is, many sociologists, anthropologists, literary critics, | 68438 HOMO SCHIZO I: - - Chapter 7: PSYCHOPATHOLOGY OF HISTORY : DARWINIAN HISTORISM |
| use of the historical present in literary style partakes, | 75750 HOMO SCHIZO II: - - Chapter 7: THE GOOD, THE TRUE, AND THE BEAUTIFUL : TIME AND SPACE |
| to give forth its most beautiful literary expressions, | 76711 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS - - - INTRODUCTION - |
| B. C. Further, the mythical and literary transformations of the event mark a high point in the development of the European mind and its culture. | 76736 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS - - - INTRODUCTION - |
| If the "Love Affair" as a literary genre can be called the first bedroom farce, | 77103 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 1: SACRED SCANDAL AND DISASTER Chapter 2: THE SONG OF LOVE : THE PHAEACIAN UTOPIA |
| of what is to become the literary history of Classical Greece, | 77758 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 1: SACRED SCANDAL AND DISASTER Chapter 5: HOLY DREAMTIME - |
| notes particularly, in the jargon of literary analysis employed from the time of the early Greek tragedians, | 77764 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 1: SACRED SCANDAL AND DISASTER Chapter 5: HOLY DREAMTIME - |
| Affair was an effort, on the literary front, | 79200 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 2: GODS, PLANETS, MADNESS Chapter 7: CRAZY HEROES OF DARK TIMES : THE CART BEFORE THE HORSE |
| scene would become too heavy, the literary critic would say, | 81962 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 2: GODS, PLANETS, MADNESS Chapter 12: THE LAUGHING GODS - |
| that the convocation is simply a literary device invented to stress the literary catastrophe, | 82590 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 2: GODS, PLANETS, MADNESS Chapter 13: HOW THE GODS FLY : THE MOVEMENTS OF THE SCENARIO |
| literary device invented to stress the literary catastrophe, | 82591 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 2: GODS, PLANETS, MADNESS Chapter 13: HOW THE GODS FLY : THE MOVEMENTS OF THE SCENARIO |
| between -700 and -670. The great literary historian, | 83136 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 3: THERAPY FOR GROUP FEAR Chapter 14: THE USES OF LANGUAGE : HOMER: EDITOR AND PUBLISHER |
| genius and workmanship in the new literary genre. | 83179 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 3: THERAPY FOR GROUP FEAR Chapter 14: THE USES OF LANGUAGE : HOMER: EDITOR AND PUBLISHER |
| risk of offering a theory of literary creativity that cannot be amply defended here, | 83339 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 3: THERAPY FOR GROUP FEAR Chapter 14: THE USES OF LANGUAGE : THE THROES OF ORIGINAL PLOT |
| of the rise of language and literary forms. | 83341 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 3: THERAPY FOR GROUP FEAR Chapter 14: THE USES OF LANGUAGE : THE THROES OF ORIGINAL PLOT |
| is an abstract of reality, a literary device for the editors of the Bible on the one hand (because they liked decimals) and a scientific abstraction for those who were and are trying to divide the turbulent natural unity into types of effects. | 85635 GODS FIRE: - - Chapter 1: PLAGUES AND COMETS : COSMIC PLAGUES |
| there was an amazing number of literary references to a garment of flame, | 89817 GODS FIRE: - - Chapter 5: LEGENDS AND MIRACLES : THE ELECTRO-CHEMICAL FACTORY |
| made contemporary of Ahab. 80. The literary sources of this paragraph are extensive. | 93530 GODS FIRE: - - Chapter 7: THE LEVITES AND THE REVOLTS : Notes (Chapter 7: The Levites and the Revolts) |
| V. Cassuto points out various sacred literary harmonies through the text: | 94947 GODS FIRE: - - - APPENDIX TECHNIQUES FOR THE ASSESSMENT OF LEGENDARY HISTORY |
| great deal of material, and the literary evidence of it, | 95427 GODS FIRE: - - - APPENDIX : THE PRAGMATICS OF LEGEND |
| without models of "economic man," or literary analysis without fads and fashions, | 100449 THE DEVINE SUCCESSION PART 2: THEOTROPY: Chapter 11: RELIGIOUS ELEMENTS IN SCIENCE - |
| other sacrally intended or scientific or literary work for which merit is claimed. | 101457 THE DEVINE SUCCESSION PART 2: THEOTROPY: Chapter 13: CATECHISM - |
| Land 19. The 'Unconscious' as a Literary Revolt Against Science 20. | 101770 THE BURNING OF TROY: - - - TABLE OF CONTENTS - |
| chronology inherited from the Egyptologists: "The literary sources and archaeological evidence permit us to assign the destruction of Homeric Troy to the XII century. | 103439 THE BURNING OF TROY: PART 1: HISTORICAL DISTURBANCES: Chapter 3: THE FOUNDING OF ROME - |
| which Homer combined into one for literary effect and from amnesiac causes), | 103553 THE BURNING OF TROY: PART 1: HISTORICAL DISTURBANCES: Chapter 3: THE FOUNDING OF ROME - |
| CHAPTER NINETEEN THE 'UNCONSCIOUS' AS A LITERARY REVOLT AGAINST SCIENCE ( In 1978 the author sought support from the U. | 107645 THE BURNING OF TROY: PART 3: WORKING OF THE MIND: Chapter 19: THE 'UNCONSCIOUS' AS A LITERARY REVOLT AGAINST SCIENCE - |
| a scientifically rationalized ballroom of the literary unconscious within which they could work out a number of dramatic and stylistic forms that were blocked in the external world by uniformitarian principles of science. | 107672 THE BURNING OF TROY: PART 3: WORKING OF THE MIND: Chapter 19: THE 'UNCONSCIOUS' AS A LITERARY REVOLT AGAINST SCIENCE - |
| break-out into new forms of literary and scientific behavior is imminent. | 107676 THE BURNING OF TROY: PART 3: WORKING OF THE MIND: Chapter 19: THE 'UNCONSCIOUS' AS A LITERARY REVOLT AGAINST SCIENCE - |
| general appreciation of the scientific and literary value of the Unconscious, | 107699 THE BURNING OF TROY: PART 3: WORKING OF THE MIND: Chapter 19: THE 'UNCONSCIOUS' AS A LITERARY REVOLT AGAINST SCIENCE - |
| humanities, and as an intellectual and literary tool. | 107706 THE BURNING OF TROY: PART 3: WORKING OF THE MIND: Chapter 19: THE 'UNCONSCIOUS' AS A LITERARY REVOLT AGAINST SCIENCE - |
| not with the broad spectrum of literary and intellectual changes. | 107713 THE BURNING OF TROY: PART 3: WORKING OF THE MIND: Chapter 19: THE 'UNCONSCIOUS' AS A LITERARY REVOLT AGAINST SCIENCE - |
| ideological analysis, then the methodology of literary analysis will take a step forward, | 107776 THE BURNING OF TROY: PART 3: WORKING OF THE MIND: Chapter 19: THE 'UNCONSCIOUS' AS A LITERARY REVOLT AGAINST SCIENCE - |
| has long been familiar with the literary giants that constitute the "panel of respondents" for the study, | 107785 THE BURNING OF TROY: PART 3: WORKING OF THE MIND: Chapter 19: THE 'UNCONSCIOUS' AS A LITERARY REVOLT AGAINST SCIENCE - |
| would burst the bounds of "the Literary Unconscious" and flood out into the exterior world under new permissive conditions, | 107807 THE BURNING OF TROY: PART 3: WORKING OF THE MIND: Chapter 19: THE 'UNCONSCIOUS' AS A LITERARY REVOLT AGAINST SCIENCE - |
| as it has been fashioned by literary figures for the purposes of their art. | 107886 THE BURNING OF TROY: PART 3: WORKING OF THE MIND: Chapter 19: THE 'UNCONSCIOUS' AS A LITERARY REVOLT AGAINST SCIENCE : DETAILED EXPOSITION OF THE PROJECT |
| They passed and with them their literary passengers. | 107940 THE BURNING OF TROY: PART 3: WORKING OF THE MIND: Chapter 19: THE 'UNCONSCIOUS' AS A LITERARY REVOLT AGAINST SCIENCE : DETAILED EXPOSITION OF THE PROJECT |
| joined the scientific temper to the literary needs and produced a theory of the Unconscious that would bridge (not without strains and stresses) the chasm between uniformitarian science and creative literature. | 107991 THE BURNING OF TROY: PART 3: WORKING OF THE MIND: Chapter 19: THE 'UNCONSCIOUS' AS A LITERARY REVOLT AGAINST SCIENCE : DETAILED EXPOSITION OF THE PROJECT |
| seekers, and then, to help the literary writer more, | 107997 THE BURNING OF TROY: PART 3: WORKING OF THE MIND: Chapter 19: THE 'UNCONSCIOUS' AS A LITERARY REVOLT AGAINST SCIENCE : DETAILED EXPOSITION OF THE PROJECT |
| fiction, allegories, fairy tales, and other literary devices to tell a story despite the restraints of science have been extremely popular, | 108003 THE BURNING OF TROY: PART 3: WORKING OF THE MIND: Chapter 19: THE 'UNCONSCIOUS' AS A LITERARY REVOLT AGAINST SCIENCE : DETAILED EXPOSITION OF THE PROJECT |
| of the U paradigm would threaten literary creativity, | 108031 THE BURNING OF TROY: PART 3: WORKING OF THE MIND: Chapter 19: THE 'UNCONSCIOUS' AS A LITERARY REVOLT AGAINST SCIENCE : DETAILED EXPOSITION OF THE PROJECT |
| dramas. Rather it was reworked. The literary Unconscious will probably be shown not to have the same geometry as the scientific Unconscious. | 108064 THE BURNING OF TROY: PART 3: WORKING OF THE MIND: Chapter 19: THE 'UNCONSCIOUS' AS A LITERARY REVOLT AGAINST SCIENCE : DETAILED EXPOSITION OF THE PROJECT |
| the central issue, the comparison of literary structuring of the unconscious with scientific structuring will come naturally and one day perhaps tell us much about the nature of literary needs and inventions. | 108074 THE BURNING OF TROY: PART 3: WORKING OF THE MIND: Chapter 19: THE 'UNCONSCIOUS' AS A LITERARY REVOLT AGAINST SCIENCE : DETAILED EXPOSITION OF THE PROJECT |
| us much about the nature of literary needs and inventions. | 108076 THE BURNING OF TROY: PART 3: WORKING OF THE MIND: Chapter 19: THE 'UNCONSCIOUS' AS A LITERARY REVOLT AGAINST SCIENCE : DETAILED EXPOSITION OF THE PROJECT |
| respectability while achieving the requirements of literary fiction. | 108084 THE BURNING OF TROY: PART 3: WORKING OF THE MIND: Chapter 19: THE 'UNCONSCIOUS' AS A LITERARY REVOLT AGAINST SCIENCE : DETAILED EXPOSITION OF THE PROJECT |
| who altogether complete the range of literary activities made possible in "the ballroom of the unconscious" were selected. | 108090 THE BURNING OF TROY: PART 3: WORKING OF THE MIND: Chapter 19: THE 'UNCONSCIOUS' AS A LITERARY REVOLT AGAINST SCIENCE : DETAILED EXPOSITION OF THE PROJECT |
| Or, after the Unconscious, what? The literary mind is not happy with being a "reservation Indian." | 108164 THE BURNING OF TROY: PART 3: WORKING OF THE MIND: Chapter 19: THE 'UNCONSCIOUS' AS A LITERARY REVOLT AGAINST SCIENCE : DETAILED EXPOSITION OF THE PROJECT |
| only know of its excesses. The literary mind wants the real world to have the catastrophic qualities so that it can turn its plots and characters loose upon it. | 108166 THE BURNING OF TROY: PART 3: WORKING OF THE MIND: Chapter 19: THE 'UNCONSCIOUS' AS A LITERARY REVOLT AGAINST SCIENCE : DETAILED EXPOSITION OF THE PROJECT |
| solvable because both universes (psychologists and literary figures), | 108243 THE BURNING OF TROY: PART 3: WORKING OF THE MIND: Chapter 19: THE 'UNCONSCIOUS' AS A LITERARY REVOLT AGAINST SCIENCE : DETAILED EXPOSITION OF THE PROJECT |
| our analysis here. Topology of the Literary unconscious has to be invented almost entirely by the investigator. ( | 108250 THE BURNING OF TROY: PART 3: WORKING OF THE MIND: Chapter 19: THE 'UNCONSCIOUS' AS A LITERARY REVOLT AGAINST SCIENCE : DETAILED EXPOSITION OF THE PROJECT |
| the "tried and true" styles of literary analysis employed in such works as Mario Praz' The Romantic Agony, | 108269 THE BURNING OF TROY: PART 3: WORKING OF THE MIND: Chapter 19: THE 'UNCONSCIOUS' AS A LITERARY REVOLT AGAINST SCIENCE : DETAILED EXPOSITION OF THE PROJECT |
| Agony, or John Vickery's The Literary Impact of the Golden Bough. | 108270 THE BURNING OF TROY: PART 3: WORKING OF THE MIND: Chapter 19: THE 'UNCONSCIOUS' AS A LITERARY REVOLT AGAINST SCIENCE : DETAILED EXPOSITION OF THE PROJECT |
| Bucknell U. Press, 1975). 23. . Modern Literary Perspectivism (Dallas: | 108340 THE BURNING OF TROY: PART 3: WORKING OF THE MIND: Chapter 19: THE 'UNCONSCIOUS' AS A LITERARY REVOLT AGAINST SCIENCE : SELECTED BIBLIOGRAPHY OF PERTINENT WORKS |
| Frederick J. Hoffman. Freudianism and the Literary Mind (Baton Rouge, | 108363 THE BURNING OF TROY: PART 3: WORKING OF THE MIND: Chapter 19: THE 'UNCONSCIOUS' AS A LITERARY REVOLT AGAINST SCIENCE : SELECTED BIBLIOGRAPHY OF PERTINENT WORKS |
| 1935). 71. John B. Vickery. The Literary Impact of the Golden Bough. ( | 108457 THE BURNING OF TROY: PART 3: WORKING OF THE MIND: Chapter 19: THE 'UNCONSCIOUS' AS A LITERARY REVOLT AGAINST SCIENCE : SELECTED BIBLIOGRAPHY OF PERTINENT WORKS |
| Welleck. "The Concept of Evolution in Literary History," | 108462 THE BURNING OF TROY: PART 3: WORKING OF THE MIND: Chapter 19: THE 'UNCONSCIOUS' AS A LITERARY REVOLT AGAINST SCIENCE : SELECTED BIBLIOGRAPHY OF PERTINENT WORKS |
| Lynn Rose is to act as literary executor of his will, | 110253 THE BURNING OF TROY: PART 4: POLEMICS AND PERSONAGES: Chapter 26: EULOGIES TO THREE QUANTAVOLUTIONARIES : IMMANUEL VELIKOVSKY 1895-1979 1 |
| further he was a poet and literary master for whom the task would be an aesthetic pleasure. | 110262 THE BURNING OF TROY: PART 4: POLEMICS AND PERSONAGES: Chapter 26: EULOGIES TO THREE QUANTAVOLUTIONARIES : IMMANUEL VELIKOVSKY 1895-1979 1 |
| think in turn of the famous literary work of Ovid, | 110690 THE BURNING OF TROY: PART 5: COMMUNICATING A SCIENTIFIC MODEL: Chapter 27: A COSMIC DEBATE : V |
| the face of the archaeological and literary evidence, | 118279 KA: - - Chapter 18: ROME AND THE ETRUSCANS - |
| be concerned here with a good literary translation, | 119351 KA: - - Chapter 21: THE DEATH OF KINGS - |
| In the absence of more specific literary information than we have, | 122466 - A FIRE NOT BLOWN: - - Chapter 08: THE BULL - |
| the existence of giants is partly literary, | 122623 - A FIRE NOT BLOWN: - - Chapter 09: NAXOS - |
| literary, partly archaeological. The best known literary evidence is found in the Old Testament. | 122624 - A FIRE NOT BLOWN: - - Chapter 09: NAXOS - |
| review some of the archaeological and literary material concerning Crete and Minos. | 122797 - A FIRE NOT BLOWN: - - Chapter 10: CHRONOLOGY - |
| to call aesthetic involvement. Virtually all literary criticism must restrict itself to this, | 131385 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art |
| calls forth aesthetic involvement is its literary and dramatic excellence, | 131402 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art |
| level. In presenting this; theory of literary creativity and response, | 131446 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art |
| 95 . In trying to explain both literary inspiration and literary function, | 131458 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art |
| to explain both literary inspiration and literary function, | 131458 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art |
| it is with the relationship of literary art to "some very deep chord" in human nature that mythological criticism deals. | 131472 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art |
| those mysterious artifacts built into certain literary "forms" which elicit, | 131474 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art |
| may be that certain types of literary criticism function in the same way, | 131615 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art |
| is a desire to study a literary work in a vacuum, | 131618 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art |
| propose instead, in the realm of literary criticism, | 131630 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art |
| strictly in terms of its purely literary characteristics, | 131643 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art |
| be analyzed not simply by a literary approach, | 131649 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art |
| cultural insights in addition to purely literary concerns. | 131650 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art |
| theories, which particularly attracts people in literary disciplines, | 133200 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : APPENDIX I ABOUT THE AUTHORS : IRVING WOLFE |
| first place being devoted to 'the Literary Sources. ' | 134859 THE VELIKOVSKY AFFAIR: PART 1: MINDS IN CHAOS - - - |
| May 29, 1960. 21. London Times Literary Supplement, | 135417 THE VELIKOVSKY AFFAIR: PART 1: MINDS IN CHAOS - - - |
| ten years later, in reviewing the literary events of a decade, | 137009 THE VELIKOVSKY AFFAIR: PART 3: THE INCONSTANT HEAVENS - - - |
| It occurs only in the more literary passages of Plato, | 137416 THE VELIKOVSKY AFFAIR: PART 3: THE INCONSTANT HEAVENS - - - |
| reviews and letters seemed short on literary and scientific quality was that in them they were conducting a three-fold operation - they had often to assert their control over dogma, | 139553 THE VELIKOVSKY AFFAIR: PART 6: THE SCIENTIFIC RECEPTION SYSTEM - - - |
| orbit. The description was derived from literary references in the writings of ancient peoples of the world. | 140355 THE VELIKOVSKY AFFAIR: PART 7: ADDITIONAL EXAMPLES OF CORRECT PROGNOSIS - - - |