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| picture the network -- the librarian in Juneau, | 16830 COSMIC HERETICS: PART 4: - Chapter 13: THE EMPIRE STRIKES BACK - |
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| Frederick Juergens, Ralph C. juggernaut June Jung, | 3572 QUANTAVOLUTION AND CATASTROPHE: PART 5: The Scope of Quantavolution - - - |
| Yet V., who was repelled by Jung's complaisance with the Nazis, | 9907 COSMIC HERETICS: PART 2: - Chapter 6: HOLOCAUST AND AMNESIA - |
| did not pursue sexual investigations of Jung or Marx, | 10301 COSMIC HERETICS: PART 2: - Chapter 7: FROM VENUS WITH LOVE - |
| with stressing the obvious resentment of Jung at being regarded as a son. | 10302 COSMIC HERETICS: PART 2: - Chapter 7: FROM VENUS WITH LOVE - |
| s swooning in the presence of Jung and others. | 10309 COSMIC HERETICS: PART 2: - Chapter 7: FROM VENUS WITH LOVE - |
| to mention that not only had Jung been defending the efforts of Akhnaton to erase his father's memory but had just been hotly accused by Freud of the great academic crime of non-citation of authority -- namely himself, | 10309 COSMIC HERETICS: PART 2: - Chapter 7: FROM VENUS WITH LOVE - |
| blows from his disciple and son, Jung, | 10312 COSMIC HERETICS: PART 2: - Chapter 7: FROM VENUS WITH LOVE - |
| of the fact, too, whether in Jung or in Nazism, | 10314 COSMIC HERETICS: PART 2: - Chapter 7: FROM VENUS WITH LOVE - |
| to detour around Sigmund Freud, Carl Jung, | 12786 COSMIC HERETICS: PART 3: - Chapter 10: ABC'S OF ASTROPHYSICS - |
| and catastrophes, nothing but uniformitarian principles. Jung had archetypes, | 12789 COSMIC HERETICS: PART 3: - Chapter 10: ABC'S OF ASTROPHYSICS - |
| their mothers do not. ' She cites Jung on the point. | 14290 COSMIC HERETICS: PART 4: - Chapter 12: THE THIRD WORLD OF SCIENCE - |
| and to even greater extent C. Jung made use of donations, | 14758 COSMIC HERETICS: PART 4: - Chapter 12: THE THIRD WORLD OF SCIENCE - |
| that you go beyond Freud and Jung and the others in assigning a reality to the final objects inspiring myths and legends. | 30618 CHAOS AND CREATION: - - CHAPTER 11: THE DEVIL'S ADVOCATE - |
| This happens even with "depth" psychology. Jung ends with mental archetypes, | 57576 SOLARIA-BINARIA: PART 3: TECHNICAL NOTES: - TECHNICAL NOTE A: ON METHOD - |
| of the reproductive organs. Freud, and Jung, | 63609 HOMO SCHIZO I: - - Chapter 3: MECHANICS OF HUMANIZATION : PSYCHOSOMATIC GENETICS |
| C. Velikovsky pushes beyond Nietzsche, Freud, Jung, | 63823 HOMO SCHIZO I: - - Chapter 3: MECHANICS OF HUMANIZATION : SOCIAL IMPRINTING |
| grave, into the skies. C. G. Jung would make of this the eternal celebration of a destructive archetype, | 67423 HOMO SCHIZO I: - - Chapter 6: SCHIZOID INSTITUTIONS : VIOLENCE AND WAR |
| These are interesting prologues to C. Jung's concept of archetypes of the mind, | 67985 HOMO SCHIZO I: - - Chapter 7: PSYCHOPATHOLOGY OF HISTORY : HELL |
| in a mess of butterfat. C. Jung speaks of the sudden disintegration of the personality and the divestment of the ego-complex of its habitual supremacy, | 68056 HOMO SCHIZO I: - - Chapter 7: PSYCHOPATHOLOGY OF HISTORY : ORDINARY MAD TIMES |
| universe, and so on. In 1957, Jung is again conveying the experiencing of schizophrenia, | 68063 HOMO SCHIZO I: - - Chapter 7: PSYCHOPATHOLOGY OF HISTORY : ORDINARY MAD TIMES |
| scientific tradition of quantavolution and catastrophism, Jung, | 68076 HOMO SCHIZO I: - - Chapter 7: PSYCHOPATHOLOGY OF HISTORY : ORDINARY MAD TIMES |
| 14. Ibid., 180-1. 15. C. Jung, | 68546 HOMO SCHIZO I: - - Chapter 7: PSYCHOPATHOLOGY OF HISTORY : Notes (Chapter 7: Psychopathology of History) |
| Nor perhaps would he deny Carl Jung when Jung writes that, | 70227 HOMO SCHIZO II: - - Chapter 1: THE NORMALLY INSANE : SCHIZOPHRENIC AND SCHIZOTYPICAL |
| would he deny Carl Jung when Jung writes that, | 70227 HOMO SCHIZO II: - - Chapter 1: THE NORMALLY INSANE : SCHIZOPHRENIC AND SCHIZOTYPICAL |
| to control the outer world. Carl Jung stressed the psychological difference between extroverts and introverts. | 74581 HOMO SCHIZO II: - - Chapter 6: SYMBOLS AND SPEECH : VOX PUBLICA |
| Ibid., p. 497. Cf. Carl J. Jung, " | 84134 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 3: THERAPY FOR GROUP FEAR Chapter 15: THE BIRTH AND DEATH OF MEMORY : Notes (Chapter 15: The Birth and Death of Memory) |
| this time observed by Carl G. Jung. | 91762 GODS FIRE: - - Chapter 6: THE CHARISMA OF MOSES : THE MANIAC SCIENTIST |
| 7. 82. 85 83. Carl G. Jung. | 91996 GODS FIRE: - - Chapter 6: THE CHARISMA OF MOSES : Notes (Chapter 6: The Charisma of Moses) |
| earlier he was looking upon Carl Jung as his successor and referred to him as "son and heir." | 93045 GODS FIRE: - - Chapter 7: THE LEVITES AND THE REVOLTS : FREUD AND THE MURDER OF MOSES |
| him as "son and heir." Further, "Jung was to be the Joshua destined to explore the promised land of psychiatry which Freud, | 93046 GODS FIRE: - - Chapter 7: THE LEVITES AND THE REVOLTS : FREUD AND THE MURDER OF MOSES |
| In an early work, C. J. Jung wrote an Answer to Job where brilliantly but in a fundamentally naive form, | 98300 THE DEVINE SUCCESSION PART 1: THEOMACHY Chapter 7: MAN'S DIVINE MIRROR - |
| lies at least his early naivete, Jung separately focuses his research upon Job and then upon schizophrenia. | 98314 THE DEVINE SUCCESSION PART 1: THEOMACHY Chapter 7: MAN'S DIVINE MIRROR - |
| readily available. One might read Carl Jung more selectively. | 101645 THE DEVINE SUCCESSION PART 2: THEOTROPY: Chapter 9: A NOTE ON SOURCES - |
| of man and nature. Freud and Jung were heavily influenced by Romanticism, | 107944 THE BURNING OF TROY: PART 3: WORKING OF THE MIND: Chapter 19: THE 'UNCONSCIOUS' AS A LITERARY REVOLT AGAINST SCIENCE : DETAILED EXPOSITION OF THE PROJECT |
| of unconscious, particularly as revived in Jung's 'collective unconscious' and the emphasis on dreams and symbols." ( | 107947 THE BURNING OF TROY: PART 3: WORKING OF THE MIND: Chapter 19: THE 'UNCONSCIOUS' AS A LITERARY REVOLT AGAINST SCIENCE : DETAILED EXPOSITION OF THE PROJECT |
| was admired by Thomas Mann, Carl Jung and a host of literati and conoscenti, | 108019 THE BURNING OF TROY: PART 3: WORKING OF THE MIND: Chapter 19: THE 'UNCONSCIOUS' AS A LITERARY REVOLT AGAINST SCIENCE : DETAILED EXPOSITION OF THE PROJECT |
| Paris: Alcan, 1898). 35. Carl G. Jung. | 108371 THE BURNING OF TROY: PART 3: WORKING OF THE MIND: Chapter 19: THE 'UNCONSCIOUS' AS A LITERARY REVOLT AGAINST SCIENCE : SELECTED BIBLIOGRAPHY OF PERTINENT WORKS |
| with Moses and assignment of Carl Jung to be Joshua, | 110281 THE BURNING OF TROY: PART 4: POLEMICS AND PERSONAGES: Chapter 26: EULOGIES TO THREE QUANTAVOLUTIONARIES : IMMANUEL VELIKOVSKY 1895-1979 1 |
| revision of mythology. Better than Freud, Jung and others, | 110518 THE BURNING OF TROY: PART 5: COMMUNICATING A SCIENTIFIC MODEL: Chapter 27: A COSMIC DEBATE : III |
| human nature, culture and modern man: Jung, | 111540 THE BURNING OF TROY: PART 5: COMMUNICATING A SCIENTIFIC MODEL: Chapter 29: I.Q.: A UNIVERSITY PROGRAM : CURRICULUM |
| al.) and the second generation (Freud, Jung et al.) | 121587 - A FIRE NOT BLOWN: - - - INTRODUCTION - |
| nature, writers such as Freud and Jung have tried to explain myths as psychic phenomena. | 122884 - A FIRE NOT BLOWN: - - Chapter 11: CHANGING INTERPRETATIONS - |
| to subconscious images and to dreams. Jung especially stressed the human need for myth and dreams to keep the psyche on an even keel. | 122885 - A FIRE NOT BLOWN: - - Chapter 11: CHANGING INTERPRETATIONS - |
| concept already postulated by Freud and Jung but in disagreement with much of the current biological thinking. | 126048 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : - FOREWORD - |
| clarify the views of Freud and Jung on the possibility of inherited transmission of memories. | 126096 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : - FOREWORD - |
| primeval sexual encounters (Freud) or archetypes (Jung) as the origins of conscience and civilization. | 127638 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 2: THE PALAETIOLOGY OF FEAR AND MEMORY : THE DIFFICULTY OF D-FEAR THERAPY |
| with questions about Freud's and Jung's conception of what we call inherited racial memory, | 127720 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 3: PSYCHOLOGICAL ASPECTS OF THE WORK OF IMMANUEL VELIKOVSKY - |
| in the writing of Freud and Jung, | 127722 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 3: PSYCHOLOGICAL ASPECTS OF THE WORK OF IMMANUEL VELIKOVSKY - |
| part. On the other hand, Carl Jung based an entire psychology on the description of such inherited collective contents. | 127950 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 3: PSYCHOLOGICAL ASPECTS OF THE WORK OF IMMANUEL VELIKOVSKY - |
| resistance to the idea. Writing to Jung in 1911, | 127990 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 3: PSYCHOLOGICAL ASPECTS OF THE WORK OF IMMANUEL VELIKOVSKY - |
| 14 . It is highly probable that Jung's influence was a crucial factor motivating Freud to consider the possibility of inherited memory. | 128002 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 3: PSYCHOLOGICAL ASPECTS OF THE WORK OF IMMANUEL VELIKOVSKY - |
| know, the break between Freud and Jung occurred in 1912. | 128004 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 3: PSYCHOLOGICAL ASPECTS OF THE WORK OF IMMANUEL VELIKOVSKY - |
| occurred in 1912. Until that time Jung's ideas stimulated Freud to an examination of many areas which he might otherwise not have explored. | 128004 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 3: PSYCHOLOGICAL ASPECTS OF THE WORK OF IMMANUEL VELIKOVSKY - |
| fact that Freud continued to consider Jung's theories even after they broke off relations. | 128007 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 3: PSYCHOLOGICAL ASPECTS OF THE WORK OF IMMANUEL VELIKOVSKY - |
| were no longer friends, Freud read Jung's important essay, | 128016 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 3: PSYCHOLOGICAL ASPECTS OF THE WORK OF IMMANUEL VELIKOVSKY - |
| he stated: I fully agree with Jung in recognizing the existence of this phylogenetic heritage; | 128020 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 3: PSYCHOLOGICAL ASPECTS OF THE WORK OF IMMANUEL VELIKOVSKY - |
| 13. Freud, Letter to C. G. Jung, | 128574 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 3: PSYCHOLOGICAL ASPECTS OF THE WORK OF IMMANUEL VELIKOVSKY : Notes (Psychological Aspects of the Work of Immanuel Velikovsky) |
| lack of time, is found in Jung, | 128637 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 3: PSYCHOLOGICAL ASPECTS OF THE WORK OF IMMANUEL VELIKOVSKY : Notes (Psychological Aspects of the Work of Immanuel Velikovsky) |
| in terms of this discussion is Jung's essay "Flying Saucers: | 128639 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 3: PSYCHOLOGICAL ASPECTS OF THE WORK OF IMMANUEL VELIKOVSKY : Notes (Psychological Aspects of the Work of Immanuel Velikovsky) |
| look at man's art as Jung looked at man's dreams, | 129227 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art |
| history 1 . We must conclude, as Jung did with dreams, | 129229 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art |
| if we go further and accept Jung's concept of a collective unconscious, | 131314 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art |
| then it seems to me, pace Jung, | 131316 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art |
| about the ideas of Carl G. Jung, | 131449 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art |
| in dream, myth and literature. To Jung, | 131450 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art |
| both literary inspiration and literary function, Jung decides that ..... | 131458 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art |
| of universal, nonrational human components. As Jung says, | 131492 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art |
| his Symbols, ed. with introduction by Jung, | 131679 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Notes (Shakespeare and Veliovsky) |
| Jolande Jacobi at the C. G. Jung Institute in Zurich, | 133118 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : APPENDIX I ABOUT THE AUTHORS : JOHN M. MACGREGOR |