IMAGED....................2 (0.000%)
Santa Claus. The one gives the imaged cookies to the good children; 97916 THE DEVINE SUCCESSION PART 1: THEOMACHY Chapter 6: RITUAL AND SACRIFICE -
husband." Thus Cleopatra, who has been imaged forth in the play even as the great Whore of the Apocalypse, 131273 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art
 
 IMAGELESS.................1 (0.000%)
of Moses' struggle to maintain an imageless Yahweh. 95134 GODS FIRE: - - - APPENDIX : THE LIMITS OF DISTORTION
 
 IMAGERY...................42 (0.005%)
before Moses, Velikovsky gives us the imagery of Ahab and Saul quaking before the prophets of God, 10849 COSMIC HERETICS: PART 2: - Chapter 8: HOMO SCHIZO MEETS GOD -
storm, explosion, and destroyer. Therefore, the imagery of catastrophe would be more effective than the interminable gradual incremental change of Darwin and bourgeois society. 18263 COSMIC HERETICS: PART 5: - Chapter 15: THE KNOWLEDGE INDUSTRY -
heretics) several articles on the catastrophic imagery of Shakespeare, 20521 COSMIC HERETICS: PART 5: - Chapter 17: THE ADVANCEMENT OF SCIENCE -
ends up with a tolerable mental imagery that conforms to nature as one wishes it were.27583 CHAOS AND CREATION: - - CHAPTER 07: EARTH PARTURITION AND MOON BIRTH : THE HEAVENLY SPINNER
each item of Talbott's Saturnian imagery a sloganized identification of it. 27895 CHAOS AND CREATION: - - CHAPTER 08: SATURN'S CHILDREN -
226. h. A composite of Saturn imagery (drawn by D. 27925 CHAOS AND CREATION: - - CHAPTER 08: SATURN'S CHILDREN -
Md. O'Gheoghan, Brendan (1978), "Cosmic Imagery from the Time of Joseph, ' 32079 CHAOS AND CREATION: - - - BIBLIOGRAPHY -
again a possible source of serpentine imagery in early symbolism. 53064 SOLARIA-BINARIA: PART 1: ORIGIN AND DEVELOPMENT OF THE BINARY SYSTEM: Chapter 7: THE MAGNETIC TUBE AND THE PLANETARY ORBITS -
Binaria, the Cosmic Egg myth is imagery for the vision of the first great "sun",54123 SOLARIA-BINARIA: PART 2: DESTRUCTION OF THE SOLAR BINARY: Chapter 10: INSTABILITY OF SUPER URANUS -
gods and their appropriation by solar imagery. 54887 SOLARIA-BINARIA: PART 2: DESTRUCTION OF THE SOLAR BINARY: Chapter 12: QUANTAVOLUTION OF THE BIOSPHERE: HOMO SAPIENS -
The lotus was used earlier in imagery portraying the central arc of fire arising to Saturn, 57041 SOLARIA-BINARIA: PART 2: DESTRUCTION OF THE SOLAR BINARY: Chapter 16: VENUS AND MARS : Notes on Chapter 16
and the guiding questions and scientific imagery of the age. 57384 SOLARIA-BINARIA: PART 3: TECHNICAL NOTES: - TECHNICAL NOTE A: ON METHOD -
in the sky and use celestial imagery to describe his behavior. 57527 SOLARIA-BINARIA: PART 3: TECHNICAL NOTES: - TECHNICAL NOTE A: ON METHOD -
be interrupted by a blockage of imagery from the right hemisphere. 72373 HOMO SCHIZO II: - - Chapter 3: BRAINWORK : ORDER AND DISUNITY
from the right hemisphere. The blocked imagery can go to vague speech centers in the right brain or spread to motor centers that refer back to the major speech center as compulsive vocalization. 72373 HOMO SCHIZO II: - - Chapter 3: BRAINWORK : ORDER AND DISUNITY
Contemporary Foundations of Shakespeare's Cataclysmic Imagery," 76253 HOMO SCHIZO II: - - Chapter 7: THE GOOD, THE TRUE, AND THE BEAUTIFUL : Notes (Chapter 7: The Good, the True, and the Beautiful)
the actors, some of the brilliant imagery such as of "the brazen bright threshold" suggests the heavens,77237 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 1: SACRED SCANDAL AND DISASTER Chapter 3: THE LOVE AFFAIR AS THE MASK OF TRAGEDY -
mind of today, developed in the imagery of nuclear bomb devastation, 77255 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 1: SACRED SCANDAL AND DISASTER Chapter 3: THE LOVE AFFAIR AS THE MASK OF TRAGEDY -
Venus in their connotations, orientation, and imagery. 80215 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 2: GODS, PLANETS, MADNESS Chapter 8: THE TWO FACES OF LOVE : THE ROMAN VENUS
a product of electrical laws. The imagery of the story is conveyed in motions that appear arbitrary, 82698 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 2: GODS, PLANETS, MADNESS Chapter 13: HOW THE GODS FLY : ELECTRO-MECHANICS OF THE GODS
the Love Affair occurred, only sexual imagery and violence were sufficiently eloquent to use as disguises, 83757 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 3: THERAPY FOR GROUP FEAR Chapter 15: THE BIRTH AND DEATH OF MEMORY : TRAUMATIC ORIGIN OF MEMORY
of its traditional and well-developed imagery in place of the true story. 84390 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 3: THERAPY FOR GROUP FEAR Chapter 16: THE TRANSFIGURATION OF TRAUMA : SEXUALITY AND DISASTER
can be buried well beneath sexual imagery; 84391 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 3: THERAPY FOR GROUP FEAR Chapter 16: THE TRANSFIGURATION OF TRAUMA : SEXUALITY AND DISASTER
speak in deafening language and blinding imagery. 84461 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 3: THERAPY FOR GROUP FEAR Chapter 16: THE TRANSFIGURATION OF TRAUMA : IN ILLO TEMPORE
heroes are sometimes placed amidst water imagery at birth, 90512 GODS FIRE: - - Chapter 6: THE CHARISMA OF MOSES : THE LOVE CHILD
mercy of the terrifying ideas and imagery that throng in upon it. 91743 GODS FIRE: - - Chapter 6: THE CHARISMA OF MOSES : THE MANIAC SCIENTIST
to keep Yahwism free of sexual imagery (No Zeus bull rapist of Europa he! 93124 GODS FIRE: - - Chapter 7: THE LEVITES AND THE REVOLTS : BETH PEOR
securely the foot, thus, in reverse imagery, 107147 THE BURNING OF TROY: PART 3: WORKING OF THE MIND: Chapter 16: SANDAL-STRAPS AND SEMIOLOGY -
Archetypal Image of Indestructible Life) The imagery of the pillar may perhaps be traced in the following passages:116288 KA: - - Chapter 11: THE PRESOCRATIC PHILOSOPHERS -
in understanding the predominance of cosmic imagery. 128263 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 3: PSYCHOLOGICAL ASPECTS OF THE WORK OF IMMANUEL VELIKOVSKY -
are justified in noticing that the imagery bears at least some relationship to the cataclysm theory. 128293 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 3: PSYCHOLOGICAL ASPECTS OF THE WORK OF IMMANUEL VELIKOVSKY -
adult capable of utilizing experience and imagery drawn from an infinite variety of sources. 128298 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 3: PSYCHOLOGICAL ASPECTS OF THE WORK OF IMMANUEL VELIKOVSKY -
symbolic nature of schizophrenic language and imagery, 128417 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 3: PSYCHOLOGICAL ASPECTS OF THE WORK OF IMMANUEL VELIKOVSKY -
it was inevitable that the cataclysmic imagery be counterbalanced. 128946 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 4: STRUCTURING THE APOCALYPSE: : Old and New World Variations
emerges in one flood of connected imagery. 129883 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art
analyze the corresponding celestial and catastrophic imagery which Shakespeare has used to characterize the lovers at every important stage of their story's development.130420 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art
of Antony's destruction, the relevant imagery becomes violently catastrophic. 130596 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art
last and expires, she erupts in imagery which might almost have been drawn from Dr. 130606 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art
it may be argued that celestial imagery in Shakespeare's play is in order because he is dramatizing material only recently available to his culture,130740 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art
As we have already seen, the imagery in both cases is the same - land melts into water, 130862 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art
extended by symbolic action and by imagery, 130934 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art
to the apocalyptic nature of the imagery with which this positive result of the Mars-Venus disturbance is dressed, 131160 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art
 
 IMAGES....................119 (0.015%)
ready to tackle and overthrow old images of science and philosophy, 9064 COSMIC HERETICS: PART 1: - Chapter 5: THE BRITISH CONNECTION -
real female acquaintances and attractive female images in equal proportions. 10163 COSMIC HERETICS: PART 2: - Chapter 7: FROM VENUS WITH LOVE -
humanism, including intelligence, self-awareness, self-images, 10568 COSMIC HERETICS: PART 2: - Chapter 8: HOMO SCHIZO MEETS GOD -
coffers of the universities. Their corporate images, 16762 COSMIC HERETICS: PART 4: - Chapter 13: THE EMPIRE STRIKES BACK -
business. One has to use new images, 20062 COSMIC HERETICS: PART 5: - Chapter 17: THE ADVANCEMENT OF SCIENCE -
hologram, of course, and devise new images. 20062 COSMIC HERETICS: PART 5: - Chapter 17: THE ADVANCEMENT OF SCIENCE -
Moon Goddess 25. Composition of Saturn Images 26. 21382 CHAOS AND CREATION: - - - TABLE OF CONTENTS -
the Earth to smithereens. However, such images can be unrealistic, 21746 CHAOS AND CREATION: - - CHAPTER 01: COSMIC INSTABILITY : IMPACTS ON EARTH
synchronized, even approximately, the most astonishing images will be forced upon us by the calculation of times,22402 CHAOS AND CREATION: - - CHAPTER 02: HIGH ENERGY FROM SPACE : PANDEMONIUM AND DARKNESS
of sky and earth excited concrete images in Egyptian tombs and on Magdalenian bones. 25766 CHAOS AND CREATION: - - CHAPTER 06: THE URANIANS : EJACULATIVE LANGUAGE
bulls, a common legendary reference. The images are close, 25793 CHAOS AND CREATION: - - CHAPTER 06: THE URANIANS : EJACULATIVE LANGUAGE
some Jungians, that our rather specific images are genetically transmitted. 25840 CHAOS AND CREATION: - - CHAPTER 06: THE URANIANS : ECUMENICAL CULTURE
history. Figure 25 COMPOSITION OF SATURN IMAGES (shown below a to i) . 27917 CHAOS AND CREATION: - - CHAPTER 08: SATURN'S CHILDREN -
Old Europe: Myths, Legends and Cult Images, 31587 CHAOS AND CREATION: - - - BIBLIOGRAPHY -
concept, catastrophic climatic change. With the images in mind of an aboriginal greenhouse world afforded by many sources, 33549 THE LATELY TORTURED EARTH: PART I: ATMOSPHERICS: Chapter 2 The Gaseous Complex -
whose primeval users carved and sculpted images upon the walls, 35190 THE LATELY TORTURED EARTH: PART I: ATMOSPHERICS: Chapter 5 Electricity -
a drama remarkable for its catastrophic images. 35700 THE LATELY TORTURED EARTH: PART I: ATMOSPHERICS: Chapter 6 Cosmic and Terrestrial Lightning : Notes (Chapter Six: Terrestrial and Cosmic Lightning)
is malleable; early people would made images of clay and, 36547 THE LATELY TORTURED EARTH: PART II: EXOTERRESTRIAL DROPS: Chapter 8 Falling Dust and Stone -
reddish color that makes eerie standing images by its vertical pipe structure when eroded. 36556 THE LATELY TORTURED EARTH: PART II: EXOTERRESTRIAL DROPS: Chapter 8 Falling Dust and Stone -
and Leonardo da Vinci painted their images of it, 39509 THE LATELY TORTURED EARTH: PART III: HYDROLOGY: Chapter 13 Deluges -
untiring," "placidly flowing," "without billows." These images, 39702 THE LATELY TORTURED EARTH: PART III: HYDROLOGY: Chapter 13 Deluges -
broomstick, which he traces to cometary images of 3500 years ago. 42172 THE LATELY TORTURED EARTH: PART IV: CRUSTAL TURBULENCE: Chapter 18 Sinking and Rising Lands -
complex. Place-names, language roots, religious images, 42498 THE LATELY TORTURED EARTH: PART IV: CRUSTAL TURBULENCE: Chapter 18 Sinking and Rising Lands -
cake" and "gentle rain from heaven" images as explanations of sedimentations, 46398 THE LATELY TORTURED EARTH: PART V: RIFTS, RAFTS AND BASINS: Chapter 25 Sediments -
Jerusalem Bible comment, most of these images are intended to describe how being may be created from Nothing.54086 SOLARIA-BINARIA: PART 2: DESTRUCTION OF THE SOLAR BINARY: Chapter 10: INSTABILITY OF SUPER URANUS -
his world design. All of these images are closely connected with Saturn, 56037 SOLARIA-BINARIA: PART 2: DESTRUCTION OF THE SOLAR BINARY: Chapter 14: THE GOLDEN AGE AND NOVA OF SUPER SATURN -
are the dominant constellations. These aquatic images suggest the presence of vast celestial waters,56066 SOLARIA-BINARIA: PART 2: DESTRUCTION OF THE SOLAR BINARY: Chapter 14: THE GOLDEN AGE AND NOVA OF SUPER SATURN -
in Egypt are liberally decorated with images of the ithyphallic god Min. 56302 SOLARIA-BINARIA: PART 2: DESTRUCTION OF THE SOLAR BINARY: Chapter 15: THE JUPITER ORDER -
life forms suggestive of blooming cometary images, 56623 SOLARIA-BINARIA: PART 2: DESTRUCTION OF THE SOLAR BINARY: Chapter 16: VENUS AND MARS -
principals to allow resolution of their images by a telescope; 58153 SOLARIA-BINARIA: PART 3: TECHNICAL NOTES: - TECHNICAL NOTE D: : ON BINARY STAR SYSTEMS
stars are resolvable into separate optical images, 59016 SOLARIA-BINARIA: - - - GLOSSARY -
optical images, that is, the star images are distinguishable. 59016 SOLARIA-BINARIA: - - - GLOSSARY -
well of confusion, that overflowed with images that did not belong to the present, 64280 HOMO SCHIZO I: - - Chapter 4: THE GESTALT OF CREATION : FRIGHT, RECALL, AND AGGRESSION
with the mundane, inasmuch as sky images and stars are connected with the mostly terrible changes. 64760 HOMO SCHIZO I: - - Chapter 4: THE GESTALT OF CREATION : THE DOUBLE CATASTROPHE
persons. They deserve statues from us, images and honors; 67316 HOMO SCHIZO I: - - Chapter 6: SCHIZOID INSTITUTIONS : CANNIBALISM
and honors; but remember that their images are not to be eaten by you, 67316 HOMO SCHIZO I: - - Chapter 6: SCHIZOID INSTITUTIONS : CANNIBALISM
parts of India, where, when the images have according to them performed some miracle, 67317 HOMO SCHIZO I: - - Chapter 6: SCHIZOID INSTITUTIONS : CANNIBALISM
ground for pride in some quarters -images of exuberant spirits, 69415 HOMO SCHIZO II: - - Chapter 1: THE NORMALLY INSANE : S CULTURED MAMMALS
arts and crafts, recognitions of whole images, 72080 HOMO SCHIZO II: - - Chapter 3: BRAINWORK : THE LOCATION OF INSTINCT DELAY
clusters of cells might contain total images of much that enters the brain. 72121 HOMO SCHIZO II: - - Chapter 3: BRAINWORK : THE LOCATION OF INSTINCT DELAY
elaborate psychic processes such as patterning images into the opposite sphere 33 . 72207 HOMO SCHIZO II: - - Chapter 3: BRAINWORK : THE LOCATION OF INSTINCT DELAY
bilateralism, as well. Music, sounds, spatialism, images: 72263 HOMO SCHIZO II: - - Chapter 3: BRAINWORK : HANDEDNESS
Personal histology and history cast their images against the screen of instinct delay. 72816 HOMO SCHIZO II: - - Chapter 4: DISPLACEMENT AND OBSESSION : DISPLACEMENT
is normally barren; cliches abound; conventional images are recommended in rhetoric. 74807 HOMO SCHIZO II: - - Chapter 6: SYMBOLS AND SPEECH : INNER LANGUAGE
well as for the most ancient images and experiences. 75339 HOMO SCHIZO II: - - Chapter 7: THE GOOD, THE TRUE, AND THE BEAUTIFUL : SECRET WORDS AND PANRELATIONISM
coded transactions resulting in futuristic code-images. 75603 HOMO SCHIZO II: - - Chapter 7: THE GOOD, THE TRUE, AND THE BEAUTIFUL : THE SECURITY CONSENSUS
sequencing would be by superposition of images. 75770 HOMO SCHIZO II: - - Chapter 7: THE GOOD, THE TRUE, AND THE BEAUTIFUL : TIME AND SPACE
as was suggested earlier, allowing replicated images to be stored in large numbers, 75771 HOMO SCHIZO II: - - Chapter 7: THE GOOD, THE TRUE, AND THE BEAUTIFUL : TIME AND SPACE
primary process' thought - with ideas and images that have not been ordered in a conventionally rational way - is not a superficial aspect of their thinking; 75845 HOMO SCHIZO II: - - Chapter 7: THE GOOD, THE TRUE, AND THE BEAUTIFUL : THE COST OF LOSING MAGIC
uncontrollable and huge forces into the images of sex, 77463 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 1: SACRED SCANDAL AND DISASTER Chapter 3: THE LOVE AFFAIR AS THE MASK OF TRAGEDY : AUTHOR'S CODA
the Moon, and its many fabricated images going back to the city of Ur. 79752 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 2: GODS, PLANETS, MADNESS Chapter 8: THE TWO FACES OF LOVE : CONFUSION COMPOUNDED
elsewhere described, a host of terrifying images in the sky and real storms of missiles and gases.81148 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 2: GODS, PLANETS, MADNESS Chapter 10: HE WHO SHINES BY DAY : ATHENA'S LAST BATTLES
this people is Mars; instead of images they worship swords." 81533 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 2: GODS, PLANETS, MADNESS Chapter 11: THE BLASTED CAREER OF THE MIGHTY SWORDSMAN : THE QUALITIES OF ARES
the correspondence of words to ideal images (idealists, 82954 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 3: THERAPY FOR GROUP FEAR Chapter 14: THE USES OF LANGUAGE -
photographs and drawings displays several such images. 85510 GODS FIRE: - - Chapter 1: PLAGUES AND COMETS : COMETS AND ANGELS
meaning "Jumping of the ram." Several images now occur: 85874 GODS FIRE: - - Chapter 1: PLAGUES AND COMETS : COSMIC PLAGUES
Deut. 32: 10-3. The cometary images are of Comet Swift-Tuttle (1962) III, 86935 GODS FIRE: - - Chapter 3: CATASTROPHE AND DIVINE FIRES -
fold significance: it conforms to cometary images in general; 86997 GODS FIRE: - - Chapter 3: CATASTROPHE AND DIVINE FIRES : WHOSE ANGEL?
stars and would not fashion religious images. 87027 GODS FIRE: - - Chapter 3: CATASTROPHE AND DIVINE FIRES : WHOSE ANGEL?
of the box. The Bible affords images of Yahweh enthroned on the wings, 88343 GODS FIRE: - - Chapter 4: THE ARK IN ACTION : THE GOLDEN BOX
witnessing religions where litters carrying sacred images are borne - whether on camels of bedouin tribes supposedly like the primitive Jews, 88644 GODS FIRE: - - Chapter 4: THE ARK IN ACTION : THE ARK AT WORK
relied upon banners, trumpets, drums and images to inspire themselves and terrorize the enemy. 89172 GODS FIRE: - - Chapter 4: THE ARK IN ACTION : THE ARK'S END
him to jealousy with their graven images. 89192 GODS FIRE: - - Chapter 4: THE ARK IN ACTION : GOD'S FIRE GONE
a problem. Contemptuous of idols and images, 91582 GODS FIRE: - - Chapter 6: THE CHARISMA OF MOSES : THE MANIAC SCIENTIST
Jung. It corresponds to the real images of the external world during natural catastrophe and the feelings normally inspired by the images. 91762 GODS FIRE: - - Chapter 6: THE CHARISMA OF MOSES : THE MANIAC SCIENTIST
the feelings normally inspired by the images. 91763 GODS FIRE: - - Chapter 6: THE CHARISMA OF MOSES : THE MANIAC SCIENTIST
had all households destroy their god-images, 92540 GODS FIRE: - - Chapter 7: THE LEVITES AND THE REVOLTS : BLAME THE PEOPLE
was not sufficient room for two images of quadrupeds, 93839 GODS FIRE: - - Chapter 8: THE ELECTRIC GOD : THE NAME OF YAHWEH
have been expected to bring back images, 93853 GODS FIRE: - - Chapter 8: THE ELECTRIC GOD : THE NAME OF YAHWEH
It consists of concurrent and successive images of a single god, 94674 GODS FIRE: - - Chapter 8: THE ELECTRIC GOD : MONOTHEISM
Bible, had two major places where images of golden calves were worshipped. 95094 GODS FIRE: - - - APPENDIX : THE LIMITS OF DISTORTION
the concocted story? Or were these images only rumored to be "golden calves," 95119 GODS FIRE: - - - APPENDIX : THE LIMITS OF DISTORTION
they metaphors for the very word "images"? 95120 GODS FIRE: - - - APPENDIX : THE LIMITS OF DISTORTION
and in the days of Jeroboam, images, 95146 GODS FIRE: - - - APPENDIX : THE LIMITS OF DISTORTION
boxed and tented litters, carrying god images and sacred stones (or bethyls), 95653 GODS FIRE: - - - APPENDIX : THE PRAGMATICS OF LEGEND
desperate struggle against the dispersal of images which psychologically, 99189 THE DEVINE SUCCESSION PART 2: THEOTROPY: Chapter 9: SACRAL VS. SECULAR MAN -
drug and many of these had images predicting dire events at the same airport or some airport at roughly the same time. 100227 THE DEVINE SUCCESSION PART 2: THEOTROPY: Chapter 11: RELIGIOUS ELEMENTS IN SCIENCE -
the Eternal Return, Myth and Reality, Images et Symboles, 101610 THE DEVINE SUCCESSION PART 2: THEOTROPY: Chapter 9: A NOTE ON SOURCES -
Fiorelli in 1863 ingeniously extricated their images by injections of liquid plaster, 102467 THE BURNING OF TROY: PART 1: HISTORICAL DISTURBANCES: Chapter 2: THE BURNING OF TROY : THE "BURNT CITY" OF TROY
buried and suffocated the people whose images were recovered seventeen hundred years later. 102574 THE BURNING OF TROY: PART 1: HISTORICAL DISTURBANCES: Chapter 2: THE BURNING OF TROY : THE "BURNT CITY" OF TROY
35). He points out that mere images of material are common in ancient Jewish household; 103693 THE BURNING OF TROY: PART 1: HISTORICAL DISTURBANCES: Chapter 4: MICAH'S ARK -
followed by the prohibition of graven images, 103699 THE BURNING OF TROY: PART 1: HISTORICAL DISTURBANCES: Chapter 4: MICAH'S ARK -
of the crowd was destroying the images. ' 105895 THE BURNING OF TROY: PART 2: GEOLOGICAL ISSUES: Chapter 12: A FAILED EXCURSION TO THE CAVES OF AQUITAINE -
of sweating bodies and the vanishing images. 105897 THE BURNING OF TROY: PART 2: GEOLOGICAL ISSUES: Chapter 12: A FAILED EXCURSION TO THE CAVES OF AQUITAINE -
intact afterwards? I can understand the images carved into rock, 105901 THE BURNING OF TROY: PART 2: GEOLOGICAL ISSUES: Chapter 12: A FAILED EXCURSION TO THE CAVES OF AQUITAINE -
the rhyme and rhythm, b) the images conveyed c) but are these enough for such old and widespread, 106930 THE BURNING OF TROY: PART 3: WORKING OF THE MIND: Chapter 15: COMPTINOLOGY AND TOHU-BOHU -
the god," and they made two images, 113792 KA: - - Chapter 3: DIONYSUS -
references in the Old Testament to images of Yahweh on the ark, 113908 KA: - - Chapter 4: AMBER, ARK, AND EL -
the mice of gold and the images of the emerods. 114060 KA: - - Chapter 4: AMBER, ARK, AND EL -
familiar with passages where he uses images of fire and light for poetry, 114306 KA: - - Chapter 5: DEITIES OF DELPHI -
were nine in number. They made images of the gods. 116482 KA: - - Chapter 12: MYSTERY RELIGIONS -
Myth has been compared to subconscious images and to dreams. 122884 - A FIRE NOT BLOWN: - - Chapter 11: CHANGING INTERPRETATIONS -
Thread may have some electrical significance. Images of ancestors were linked by thread in the atrium of a Roman house.123280 - A FIRE NOT BLOWN: - - Chapter 13: FIRE -
man's destiny is triggered by images which exist within the racial memory, 126547 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 1: CULTURAL AMNESIA : AMNESIA
tendency to see them as allegorical images that mean something quite different. 127917 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 3: PSYCHOLOGICAL ASPECTS OF THE WORK OF IMMANUEL VELIKOVSKY -
of years, of certain legends and images which seem to have exerted a curious fascination on the human mind.127956 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 3: PSYCHOLOGICAL ASPECTS OF THE WORK OF IMMANUEL VELIKOVSKY -
terms of more comfortable symbols and images. ( 128257 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 3: PSYCHOLOGICAL ASPECTS OF THE WORK OF IMMANUEL VELIKOVSKY -
associations to any of the visual images that he produced, " 128312 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 3: PSYCHOLOGICAL ASPECTS OF THE WORK OF IMMANUEL VELIKOVSKY -
Shakespeare, one of the most horrendous images he can think of to portray chaos is that of water swelling beyond its appointed limits and usurping the domain of the land. 129425 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art
derived the sort of cataclysmic worldwide images which we found in Titania's speech. 129826 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art
we begin by noting individual cosmic images. 129853 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art
set in a context of celestial images. 129942 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art
Cleopatra, a play saturated with catastrophic images and themes. 130315 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art
of Mars and Venus, the catastrophic images cluster most noticeably. 130577 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art
The Roman life is associated with images of straightness and stability, 130817 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art
straightness and stability, the Egyptian with images of fluidity (o'erflows'), 130818 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art
ambivalence is the product of opposed images. 130825 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art
45 . The second basic pattern of images associates Rome with the earth or land ... 130830 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art
than suffer 47 . Between these opposing images of water and earth, 130838 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art
earth, Shakespeare creates a series of images of the process of change. 130838 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art
The most important of these are images of earth melting into water, 130839 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art
mingling with water ... This pattern of images reinforces the sense of dissolution by perpetual movement between conflicting opposites that is so important a part of the structure 48 .130840 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art
process is radically different, for the images surrounding Cleopatra's death are conversely of steadiness and constancy 52 .130876 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art
a gift for speaking in primordial images, 131454 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art
exist. For most traditional anthropologists, the images derive from natural phenomena, 131485 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art
that a tendency to produce archetypal images or patterns exists in the human mind, 131506 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art
mind, or psyche, and that such images or patterns exert a perennial and universal power over human imaginative response. 131506 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art
must also carry into the fray images of a distant past when the world was ruined by immense disasters, 133878 THE VELIKOVSKY AFFAIR: - SCIENTISM VERSUS SCIENCE - INTRODUCTION TO THE 2ND EDITION -
whether or not they deny the images. 133879 THE VELIKOVSKY AFFAIR: - SCIENTISM VERSUS SCIENCE - INTRODUCTION TO THE 2ND EDITION -