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ACTON.....................1 (0.000%)
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| quotation attributed to an historian, Harold Acton, " | 100297 THE DEVINE SUCCESSION PART 2: THEOTROPY: Chapter 11: RELIGIOUS ELEMENTS IN SCIENCE - |
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ACTOR.....................24 (0.003%)
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| at a distance action, unit of actor, | 1352 QUANTAVOLUTION AND CATASTROPHE: PART 5: The Scope of Quantavolution - - - |
| be a genius and not an actor, | 6669 COSMIC HERETICS: PART 1: - Chapter 2: THE PRODIGAL ARCHIVE - |
| because he was a comedien, an actor, | 76147 HOMO SCHIZO II: - - Chapter 7: THE GOOD, THE TRUE, AND THE BEAUTIFUL : THE ORIGINS OF GOOD AND EVIL |
| schizo must be divided. Unless an actor repented on his death bed, | 76150 HOMO SCHIZO II: - - Chapter 7: THE GOOD, THE TRUE, AND THE BEAUTIFUL : THE ORIGINS OF GOOD AND EVIL |
| But, no, even a hypothetical blameless actor, | 76156 HOMO SCHIZO II: - - Chapter 7: THE GOOD, THE TRUE, AND THE BEAUTIFUL : THE ORIGINS OF GOOD AND EVIL |
| altogether. The goddess - impersonated by an actor - hid herself momentarily in the base of the tower that had been put at the disposition of the spectacle, | 77984 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 1: SACRED SCANDAL AND DISASTER Chapter 5: HOLY DREAMTIME : THE PIOUS DRAMATIST |
| and as she was the principal actor in the first two, | 78252 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 2: GODS, PLANETS, MADNESS Chapter 6: THE RAPE OF HELEN : THE INDESTRUCTIBLE LADY HELEN |
| she is once more the principal actor. | 78252 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 2: GODS, PLANETS, MADNESS Chapter 6: THE RAPE OF HELEN : THE INDESTRUCTIBLE LADY HELEN |
| of it recorded by a trained actor without the rhythms registering more than the serious, | 82984 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 3: THERAPY FOR GROUP FEAR Chapter 14: THE USES OF LANGUAGE : METER AND METAPHOR |
| the "pure" or obsessed type of actor in history.) | 96125 THE DEVINE SUCCESSION PART 1: THEOMACHY Chapter 1: THE GENESIS OF RELIGION - |
| first recorded tragedy. There was one actor, | 115390 KA: - - Chapter 8: SKY AND STAGE - |
| a musician playing a pipe. The actor, | 115400 KA: - - Chapter 8: SKY AND STAGE - |
| the original performers, but a second actor was introduced by Aeschylus in the 5th century, | 115402 KA: - - Chapter 8: SKY AND STAGE - |
| a third by Sophocles. The first actor was the protagonist, | 115403 KA: - - Chapter 8: SKY AND STAGE - |
| top, supporting a high wig. The actor wore cothornoi or buskins. | 115418 KA: - - Chapter 8: SKY AND STAGE - |
| would increase the height of the actor and help to give an imposing and even supernatural appearance. | 115419 KA: - - Chapter 8: SKY AND STAGE - |
| for a trimmer in politics. The actor wore a wig, | 115423 KA: - - Chapter 8: SKY AND STAGE - |
| Heraclean stone? You, the rhapsode and actor, | 115639 KA: - - Chapter 8: SKY AND STAGE : POETIC INSPIRATION |
| a striking erectile crest, a principal actor in the comedy The Birds of Aristophanes. | 117051 KA: - - Chapter 13: 'KA', AND EGYPTIAN MAGIC - |
| a link between the Etruscan thanasa, actor, | 118592 KA: - - Chapter 18: ROME AND THE ETRUSCANS : PANTOMIME |
| thanasa, actor, and histro, mime or actor, | 118592 KA: - - Chapter 18: ROME AND THE ETRUSCANS : PANTOMIME |
| lees as if he were an actor, | 123083 - A FIRE NOT BLOWN: - - Chapter 12: CATASTROPHE, MYTH AND SKY - |
| land of the dead. The chief actor and choreographer was Larth Matves. | 123901 - A FIRE NOT BLOWN: - - Chapter 16: THE DANCE - |
| Etruscan mime, the tanasar, was an actor who might have worn a mask. | 125635 - A FIRE NOT BLOWN: - - Chapter 27: GLOSSARY - |
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ACTORS....................34 (0.004%)
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| CHAPTER SEVENTEEN THE ADVANCEMENT OF SCIENCE Actors in the dramas of science might learn certain precepts such as: | 19902 COSMIC HERETICS: PART 5: - Chapter 17: THE ADVANCEMENT OF SCIENCE - |
| the Great World Systems The real actors on the stage of the universe are very few if their adventures are many. | 21187 CHAOS AND CREATION: - - - TITLEPAGE - |
| gods were the arbitrators and major actors. | 25591 CHAOS AND CREATION: - - CHAPTER 06: THE URANIANS : RELIGIOUS BEGINNINGS |
| could be redone and the major actors tracked in the sky. | 29649 CHAOS AND CREATION: - - CHAPTER 10: VENUS AND MARS : A LONGER DAY |
| nitrogen and oxygen are the principal actors; | 33221 THE LATELY TORTURED EARTH: PART I: ATMOSPHERICS: Chapter 2 The Gaseous Complex - |
| the uniformitarian conviction that today's actors and roles are unchanged from eons ago. | 33258 THE LATELY TORTURED EARTH: PART I: ATMOSPHERICS: Chapter 2 The Gaseous Complex - |
| Earth itself is moving. The celestial actors in the scene are imposing or withdrawing forces. | 40083 THE LATELY TORTURED EARTH: PART III: HYDROLOGY: Chapter 14 Floods and Tides - |
| and pressure are probably the chief actors in late historical times. | 41830 THE LATELY TORTURED EARTH: PART IV: CRUSTAL TURBULENCE: Chapter 17 Volcanism - |
| are its principal themes. The leading actors in his tragedy on these themes are always gods of the heavens. | 55201 SOLARIA-BINARIA: PART 2: DESTRUCTION OF THE SOLAR BINARY: Chapter 12: QUANTAVOLUTION OF THE BIOSPHERE: HOMO SAPIENS - |
| of confusing the identities of the actors and the sets. | 57845 SOLARIA-BINARIA: PART 3: TECHNICAL NOTES: - TECHNICAL NOTE B: : ON COSMIC ELECTRICAL CHARGES |
| electron-deficient atom as the principal actors, | 57846 SOLARIA-BINARIA: PART 3: TECHNICAL NOTES: - TECHNICAL NOTE B: : ON COSMIC ELECTRICAL CHARGES |
| established configurations. 2 They are linked actors in ritual dramas found around the world -- Egypt, | 67630 HOMO SCHIZO I: - - Chapter 7: PSYCHOPATHOLOGY OF HISTORY : A SICK JOURNEY |
| mock battles are fought with warrior actors. | 67654 HOMO SCHIZO I: - - Chapter 7: PSYCHOPATHOLOGY OF HISTORY : A SICK JOURNEY |
| but often may not, believing, "Yes, actors are naughty and must repent their licentious and blasphemous lives." | 76155 HOMO SCHIZO II: - - Chapter 7: THE GOOD, THE TRUE, AND THE BEAUTIFUL : THE ORIGINS OF GOOD AND EVIL |
| the Sun is one of the actors, | 77236 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 1: SACRED SCANDAL AND DISASTER Chapter 3: THE LOVE AFFAIR AS THE MASK OF TRAGEDY - |
| course). Direct quotations are sung by actors, | 77979 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 1: SACRED SCANDAL AND DISASTER Chapter 5: HOLY DREAMTIME : THE PIOUS DRAMATIST |
| climax brings together all of the actors to determine the resolution of the plot, | 77980 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 1: SACRED SCANDAL AND DISASTER Chapter 5: HOLY DREAMTIME : THE PIOUS DRAMATIST |
| poverty of the means, the few actors, | 79155 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 2: GODS, PLANETS, MADNESS Chapter 7: CRAZY HEROES OF DARK TIMES : THE CART BEFORE THE HORSE |
| disaster stretch their penumbra over the actors, | 83202 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 3: THERAPY FOR GROUP FEAR Chapter 14: THE USES OF LANGUAGE : HOMER: EDITOR AND PUBLISHER |
| and assigned family roles to junior actors, | 97112 THE DEVINE SUCCESSION PART 1: THEOMACHY Chapter 4: THE HEAVENLY HOST - |
| including even rewards and punishments for actors on the present scene, | 99022 THE DEVINE SUCCESSION PART 2: THEOTROPY: Chapter 9: SACRAL VS. SECULAR MAN - |
| sky, and so on. Now these actors, | 104919 THE BURNING OF TROY: PART 1: HISTORICAL DISTURBANCES: Chapter 8: THE OBLITERATION OF HUMAN SIGNS - |
| in which one, or sometimes two, actors introduced the subject of the play, | 115395 KA: - - Chapter 8: SKY AND STAGE - |
| entrance. The chorus, rather than solo actors, | 115402 KA: - - Chapter 8: SKY AND STAGE - |
| to follow the three tragedies. The actors wore masks. | 115412 KA: - - Chapter 8: SKY AND STAGE - |
| played by men. (In a comedy, actors wore a sisura, | 115424 KA: - - Chapter 8: SKY AND STAGE - |
| in a tragedy were scenes involving actors and chorus. | 115426 KA: - - Chapter 8: SKY AND STAGE - |
| Tartarus. The representation by chorus and actors was not only a matter of remembering great events, | 115501 KA: - - Chapter 8: SKY AND STAGE - |
| Philistines with their faces painted red, actors similarly, | 118050 KA: - - Chapter 17: BYWAYS OF ELECTRICITY - |
| floor to creating bull disguises for actors to wear. | 122472 - A FIRE NOT BLOWN: - - Chapter 08: THE BULL - |
| The Lydians were famous shoemakers. Cothurni, actors' boots, | 123913 - A FIRE NOT BLOWN: - - Chapter 16: THE DANCE - |
| burlesque spoofing the inadequacies of inferior actors and theatrical traditions. | 130099 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art |
| hear the full story. All the actors who were involved, | 134053 THE VELIKOVSKY AFFAIR: - SCIENTISM VERSUS SCIENCE - INTRODUCTION TO THE 2ND EDITION - |
| pro and con, including the group actors - the AAAS and the press -performed true to type. | 134053 THE VELIKOVSKY AFFAIR: - SCIENTISM VERSUS SCIENCE - INTRODUCTION TO THE 2ND EDITION - |
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ACTS......................64 (0.008%)
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| a small fraction of the sun, acts as an electrical pole exchanging charge with the sun along a current of electric fire, | 931 QUANTAVOLUTION AND CATASTROPHE: PART 3: A Comment on the Q-C Test and Its Individual Items - - - |
| not actually used. 45. Denials of acts of suppression, | 15613 COSMIC HERETICS: PART 4: - Chapter 13: THE EMPIRE STRIKES BACK - |
| out and touch someone." Highly special acts of terrorism increased around the world as highly general public opinion surveys showed the public to be regarding every group of leaders and every special group as untrustworthy, | 16935 COSMIC HERETICS: PART 4: - Chapter 14: THE FOIBLES OF HERETICS - |
| the monstrous species. The god Belus acts the part of a manifested Super-Uranus or of the Super-Saturn that succeeded the destruction of Uranus, | 27129 CHAOS AND CREATION: - - CHAPTER 07: EARTH PARTURITION AND MOON BIRTH : LEGENDARY CHAOS AND THE MOON |
| a host of incoming particles. It acts thus like the ozone layer and atmosphere in general, | 34374 THE LATELY TORTURED EARTH: PART I: ATMOSPHERICS: Chapter 4 Magnetism and Axial Tilts - |
| the mantle around the world so acts as to stabilize the crustal surface. | 42946 THE LATELY TORTURED EARTH: PART IV: CRUSTAL TURBULENCE: Chapter 19 Expansion and Contraction - |
| as in a vacuum tube), and acts as a gatekeeper among the elements in and surrounding the cell and during mitosis. | 53807 SOLARIA-BINARIA: PART 1: ORIGIN AND DEVELOPMENT OF THE BINARY SYSTEM: Chapter 9: RADIANT GENESIS - |
| in Asia Minor contained a meteorite (Acts 19-35); | 54500 SOLARIA-BINARIA: PART 2: DESTRUCTION OF THE SOLAR BINARY: Chapter 11: ASTROBLEMES OF THE EARTH - |
| probably a devotee of Thoth, and acts towards Yahweh as Hermes towards Zeus (de Grazia, | 56422 SOLARIA-BINARIA: PART 2: DESTRUCTION OF THE SOLAR BINARY: Chapter 15: THE JUPITER ORDER - |
| atoms collide, electrical force between them acts to alter the energy state of the system compared to the energy which the two atoms posses when they are greatly separated and at rest, | 57968 SOLARIA-BINARIA: PART 3: TECHNICAL NOTES: - TECHNICAL NOTE C: : ON GRAVITATING ELECTRIFIED BODIES |
| also in line with other instinctive acts in that it is the goal of a special kind of appetitive behavior. | 64508 HOMO SCHIZO I: - - Chapter 4: THE GESTALT OF CREATION : MEMORY AND FORGETTING |
| F's' of the beast. Some acts of obsession and compulsion came to be called 'will, ' | 64647 HOMO SCHIZO I: - - Chapter 4: THE GESTALT OF CREATION : VOLUNTARISM |
| language in traditional oratory. The language acts to control the speaker 6 . | 66376 HOMO SCHIZO I: - - Chapter 6: SCHIZOID INSTITUTIONS : SPEECH AND LANGUAGE |
| is without innate distinction. The human acts in a merged internal and external context. | 66517 HOMO SCHIZO I: - - Chapter 6: SCHIZOID INSTITUTIONS : GROUP VS. INDIVIDUAL |
| EPISODES IN ABUNDANCE The human never acts according to a single factor in his complex, | 67801 HOMO SCHIZO I: - - Chapter 7: PSYCHOPATHOLOGY OF HISTORY : SCHIZOID EPISODES IN ABUNDANCE |
| and 'public' objects by displacements, and acts, | 68274 HOMO SCHIZO I: - - Chapter 7: PSYCHOPATHOLOGY OF HISTORY : NAZIS, STALINISTS, AND DEMOCRATS |
| insane. If everybody, at some time, acts a bit crazy, | 69268 HOMO SCHIZO II: - - Chapter 1: THE NORMALLY INSANE - |
| of science strive to segregate from acts of conspiracy, | 69506 HOMO SCHIZO II: - - Chapter 1: THE NORMALLY INSANE : S SAMPLING FOR THE NORMAL |
| gestalt) is evident when a human acts"? | 72799 HOMO SCHIZO II: - - Chapter 4: DISPLACEMENT AND OBSESSION - |
| is compelled to recall. Compulsions as acts are distinguishable from habit only by intensity. | 73163 HOMO SCHIZO II: - - Chapter 4: DISPLACEMENT AND OBSESSION : OBSESSIONS, COMPULSIONS, HABITS |
| these latter are better called impulsive acts. | 73230 HOMO SCHIZO II: - - Chapter 4: DISPLACEMENT AND OBSESSION : OBSESSIONS, COMPULSIONS, HABITS |
| is not a beast; no beast acts so; | 74094 HOMO SCHIZO II: - - Chapter 5: COPING WITH FEAR : ORGIES AND HOLOCAUSTS |
| scene of the Love Affair Aphrodite acts the role of the Moon and is so understood by the audience. | 80269 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 2: GODS, PLANETS, MADNESS Chapter 8: THE TWO FACES OF LOVE : THE ROMAN VENUS |
| drama represents a memory, then Aphrodite acts out this memory. | 80271 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 2: GODS, PLANETS, MADNESS Chapter 8: THE TWO FACES OF LOVE : THE ROMAN VENUS |
| events upon individuals. In addition, Apollo acts from a distance. | 82071 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 2: GODS, PLANETS, MADNESS Chapter 12: THE LAUGHING GODS : APOLLO |
| he immediately goes hunting for the acts that provoked such mnemotechnics, | 83731 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 3: THERAPY FOR GROUP FEAR Chapter 15: THE BIRTH AND DEATH OF MEMORY : TRAUMATIC ORIGIN OF MEMORY |
| generally unkind and fearful environment of acts. | 83816 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 3: THERAPY FOR GROUP FEAR Chapter 15: THE BIRTH AND DEATH OF MEMORY : THE RULES OF MEMORY |
| nursery rhymes based upon atrocious political acts for an example. | 84651 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 3: THERAPY FOR GROUP FEAR Chapter 17: SETTLED SKY AND UNSETTLED MIND : WHAT HOMER REMEMBERED |
| special figure, distinct from Moses, who acts independently of Moses or freed from a priestly or editorial formula.) | 85655 GODS FIRE: - - Chapter 1: PLAGUES AND COMETS : COSMIC PLAGUES |
| indeed upon the very words and acts of Moses, | 87025 GODS FIRE: - - Chapter 3: CATASTROPHE AND DIVINE FIRES : WHOSE ANGEL? |
| to be frequently demonstrated by charismatic acts: | 91251 GODS FIRE: - - Chapter 6: THE CHARISMA OF MOSES : TALKING WITH GODS |
| dedicated person of magical powers who acts consistently in matters of political and religious organization, | 91311 GODS FIRE: - - Chapter 6: THE CHARISMA OF MOSES : TALKING WITH GODS |
| the main charge that he, Moses, acts as alone holy, | 92703 GODS FIRE: - - Chapter 7: THE LEVITES AND THE REVOLTS : KORAH'S REBELLION |
| nor commit all of the horrendous acts that are described or to be inferred. | 93056 GODS FIRE: - - Chapter 7: THE LEVITES AND THE REVOLTS : FREUD AND THE MURDER OF MOSES |
| diatribe against the Israelites, which he acts out. | 93113 GODS FIRE: - - Chapter 7: THE LEVITES AND THE REVOLTS : BETH PEOR |
| actions of Yahweh are described. Yahweh acts in categories set up almost always by his worshippers, | 93910 GODS FIRE: - - Chapter 8: THE ELECTRIC GOD : THE CHARACTER OF YAHWEH |
| they were condemned to commit these acts because of their disobedience to Yahweh. | 94239 GODS FIRE: - - Chapter 8: THE ELECTRIC GOD : SIN VS SCIENCE |
| experiences, as well as all his acts, | 96131 THE DEVINE SUCCESSION PART 1: THEOMACHY Chapter 1: THE GENESIS OF RELIGION - |
| up blockages of suppressed fear. It acts promiscuously, | 98563 THE DEVINE SUCCESSION PART 1: THEOMACHY Chapter 7: MAN'S DIVINE MIRROR - |
| executed religious observances among their first acts. | 98752 THE DEVINE SUCCESSION PART 1: THEOMACHY Chapter 8: INDISPENSABLE GODS - |
| government, cosmic government -- and science, which acts to supply better ways for cultures to fulfill these needs. | 100582 THE DEVINE SUCCESSION PART 2: THEOTROPY: Chapter 11: RELIGIOUS ELEMENTS IN SCIENCE - |
| 4) it provably (in human terms) acts so as to increase the aptitude and appropriate behaviors of the most promising existences (including humans) with the end in mind of reducing entropy and establishing theotropy as the dominating principle of the universe. | 100889 THE DEVINE SUCCESSION PART 2: THEOTROPY: Chapter 12: NEW PROOFS OF GOD - |
| a person have free will? One acts in accord with one's nature and circumstances; | 101182 THE DEVINE SUCCESSION PART 2: THEOTROPY: Chapter 13: CATECHISM - |
| is wherever it can be and acts so as to be. | 101361 THE DEVINE SUCCESSION PART 2: THEOTROPY: Chapter 13: CATECHISM - |
| climbed aboard the wagon? Everyone still acts as if they didn't need an automatic and standard calendar and now we're moving into the 19th year. | 107402 THE BURNING OF TROY: PART 3: WORKING OF THE MIND: Chapter 17: MAKING MOONSHINE WITH HARD SCIENCE - |
| of old personal associations. Every journal acts as if it alone existed and sufficed. | 109829 THE BURNING OF TROY: PART 4: POLEMICS AND PERSONAGES: Chapter 24: THE OUTLOOK OF SCIENTISTS : THE CHANGING COMMUNITY OF SCIENCE |
| in all Egyptian wisdom (New Testament, Acts VII: | 117228 KA: - - Chapter 13: 'KA', AND EGYPTIAN MAGIC : STATUES AND MUMMIES |
| is possible. Occasional upheavals, described as Acts of God, | 126177 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : - FOREWORD - |
| they compared the destructiveness of their acts to the devastations caused by the astral deities at the time of upheavals. | 126767 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 1: CULTURAL AMNESIA : PLANET GODS |
| he immediately goes hunting for the acts that provoked such mnemotechnics, | 127397 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 2: THE PALAETIOLOGY OF FEAR AND MEMORY : THE TRAUMATIC ORIGIN OF MEMORY AS SUCH |
| generally unkind and fearful environment of acts. | 127461 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 2: THE PALAETIOLOGY OF FEAR AND MEMORY : THE RULES OF MEMORY |
| world of immanent deity where the acts of the gods could be reenacted in a yearly cycle. | 128889 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 4: STRUCTURING THE APOCALYPSE: : Old and New World Variations |
| dropped into the impasse, and his acts set a chemical reaction in motion. | 129237 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art |
| waiting. The second, third, and fourth acts, | 129533 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art |
| forest. The second, third and fourth acts, | 129961 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art |
| In this play, he feels, the acts of the lovers take on, | 130759 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art |
| a primitive god. Because of his acts, | 131263 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art |
| monarchist Tory government instituted the "Six Acts" which curtailed the right of free speech and forbade the training of persons in the use of arms. | 132140 RECOLLECTIONS OF A FALLEN SKY - THE POLITICAL IMPLICATIONS OF EARLY 19TH CENTURY GEOLOGY Chapter 6: CATASTROPHISM AND UNIFORMITY : PART II: THE CAUSE |
| the last global upheaval. This interpretation acts as a great restorative to the effect of the sludge which the functional schools of interpretation have hardened over our understanding of world mythologies. | 132547 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 7: LIVING WITH VELIKOVSKY: : CATASTROPHISM AS WORLD VIEW |
| many fields the shadows cast by acts of repression and vilification seem darker than before. | 135458 THE VELIKOVSKY AFFAIR: PART 2: AFTERMATH TO EXPOSURE - - - |
| ranks with fellow scientists whose conspiratorial acts in suppression of Velikovsky had been publicly charged against them. | 135762 THE VELIKOVSKY AFFAIR: PART 2: AFTERMATH TO EXPOSURE - - - |
| of delay a memoir in the acts of the society 17 . | 136548 THE VELIKOVSKY AFFAIR: PART 3: THE INCONSTANT HEAVENS - - - |
| of monumental studies published in the acts of this academy, | 138050 THE VELIKOVSKY AFFAIR: PART 4: CUNEIFORM ASTRONOMICAL RECORDS AND CELESTIAL INSTABILITY - - - |
| substance of Velikovsky's work, it acts out of its obligation to present new scientific propositions and theories to the scientific world. | 139244 THE VELIKOVSKY AFFAIR: PART 6: THE SCIENTIFIC RECEPTION SYSTEM - - - |