| |
|
HOMECOMING................3 (0.000%)
|
| pulled out of the relaxation of homecoming when I visited Velikovsky. | 7543 COSMIC HERETICS: PART 1: - Chapter 3: CHEERS AND HISSES - |
| other miscellany from the piles of homecoming mail, | 7599 COSMIC HERETICS: PART 1: - Chapter 3: CHEERS AND HISSES - |
| Odysseus, shortly before the latter's homecoming in Ithaca. | 78510 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 2: GODS, PLANETS, MADNESS Chapter 7: CRAZY HEROES OF DARK TIMES : THE SAGE WHO BRIDGED THE DARK AGES |
| |
|
HOMELAND..................9 (0.001%)
|
| Holy Dreamtime Holy Ghost Holy Mountain" homeland of mankind homeopathy homeostasis Homer Homeric Age Homeric aristocracy Homeric heros Homeric language Hominid hominid reversion Homo erectus Homo sapiens Homo sapiens schizotypicus Homo schizo Homo schizo reformation homo sinemento Homo... | 3268 QUANTAVOLUTION AND CATASTROPHE: PART 5: The Scope of Quantavolution - - - |
| lands and a longing for the homeland and home. | 14079 COSMIC HERETICS: PART 4: - Chapter 12: THE THIRD WORLD OF SCIENCE - |
| that he would return to his homeland. | 29941 CHAOS AND CREATION: - - CHAPTER 10: VENUS AND MARS : WORSHIP OF MARS |
| by a further sinking of their homeland coasts. | 42182 THE LATELY TORTURED EARTH: PART IV: CRUSTAL TURBULENCE: Chapter 18 Sinking and Rising Lands - |
| of pre-history from the Lemurian homeland. | 42478 THE LATELY TORTURED EARTH: PART IV: CRUSTAL TURBULENCE: Chapter 18 Sinking and Rising Lands - |
| fled or been driven from the homeland. | 64849 HOMO SCHIZO I: - - Chapter 4: THE GESTALT OF CREATION : A PRIMORDIAL SCENARIO |
| true enough to be suggestive. The homeland of mankind cannot yet be ascertained, | 64885 HOMO SCHIZO I: - - Chapter 4: THE GESTALT OF CREATION : QUANTAVOLUTION AND HOLOGENESIS |
| earliest American depictions and myths. The homeland is postulated at a point not too far from the focus of Atlantean legends. | 64916 HOMO SCHIZO I: - - Chapter 4: THE GESTALT OF CREATION : QUANTAVOLUTION AND HOLOGENESIS |
| Atlantic Ocean, would be a likely homeland, | 65116 HOMO SCHIZO I: - - Chapter 5: CULTURAL REVOLUTION - |
| |
|
HOMELESS..................1 (0.000%)
|
| the amount of drift, loess and homeless clay. | 37761 THE LATELY TORTURED EARTH: PART II: EXOTERRESTRIAL DROPS: Chapter 10 Metals, Salt and Oil - |
| |
|
HOMELY....................1 (0.000%)
|
| to be untouched and unused, even homely objects like linens, | 78950 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 2: GODS, PLANETS, MADNESS Chapter 7: CRAZY HEROES OF DARK TIMES : SOCIETY IN SHOCK |
| |
|
HOMEMADE..................1 (0.000%)
|
| fine celebration after the meeting, proverbial homemade English pastry playing a nostalgic part; | 9323 COSMIC HERETICS: PART 1: - Chapter 5: THE BRITISH CONNECTION - |
| |
|
HOMEOPATHIC...............8 (0.001%)
|
| acceptance of Q tendencies? How do homeopathic practitioners rate? | 1230 QUANTAVOLUTION AND CATASTROPHE: PART 4: PROSPECTIVE CHANGES IN THE Q-C TEST - - - |
| celestial behavior; they were forms of homeopathic social medicine for the "great disease". | 55923 SOLARIA-BINARIA: PART 2: DESTRUCTION OF THE SOLAR BINARY: Chapter 14: THE GOLDEN AGE AND NOVA OF SUPER SATURN - |
| and slightly less 'mad' corpus of homeopathic medicine. | 67870 HOMO SCHIZO I: - - Chapter 7: PSYCHOPATHOLOGY OF HISTORY : SCHIZOID EPISODES IN ABUNDANCE |
| make one feel better. In the homeopathic mood a therapist might readily move into the finest sublimations, | 67874 HOMO SCHIZO I: - - Chapter 7: PSYCHOPATHOLOGY OF HISTORY : SCHIZOID EPISODES IN ABUNDANCE |
| universal association fallacy: "like" means "same." Homeopathic magic, | 75307 HOMO SCHIZO II: - - Chapter 7: THE GOOD, THE TRUE, AND THE BEAUTIFUL : SECRET WORDS AND PANRELATIONISM |
| like" means "same." Homeopathic magic, superstition, homeopathic medicine, | 75307 HOMO SCHIZO II: - - Chapter 7: THE GOOD, THE TRUE, AND THE BEAUTIFUL : SECRET WORDS AND PANRELATIONISM |
| led to the fabrication of Moses' homeopathic Serpent Rod of Brass, | 89003 GODS FIRE: - - Chapter 4: THE ARK IN ACTION : THE ARK'S END |
| else why so many? Why so homeopathic a solution as another fiery snake that is under control? | 90084 GODS FIRE: - - Chapter 5: LEGENDS AND MIRACLES : THE BRAZEN SERPENT AND OTHER RODS |
| |
|
HOMEOPATHY................3 (0.000%)
|
| Ghost Holy Mountain" homeland of mankind homeopathy homeostasis Homer Homeric Age Homeric aristocracy Homeric heros Homeric language Hominid hominid reversion Homo erectus Homo sapiens Homo sapiens schizotypicus Homo schizo Homo schizo reformation homo sinemento Homo... | 3269 QUANTAVOLUTION AND CATASTROPHE: PART 5: The Scope of Quantavolution - - - |
| quartz semiconductors? Are we dealing with homeopathy or homology?) | 37909 THE LATELY TORTURED EARTH: PART II: EXOTERRESTRIAL DROPS: Chapter 10 Metals, Salt and Oil - |
| fashions, or medicine without magic and homeopathy, | 100450 THE DEVINE SUCCESSION PART 2: THEOTROPY: Chapter 11: RELIGIOUS ELEMENTS IN SCIENCE - |
| |
|
HOMEOSTASIS...............4 (0.000%)
|
| Holy Mountain" homeland of mankind homeopathy homeostasis Homer Homeric Age Homeric aristocracy Homeric heros Homeric language Hominid hominid reversion Homo erectus Homo sapiens Homo sapiens schizotypicus Homo schizo Homo schizo reformation homo sinemento Homo... | 3270 QUANTAVOLUTION AND CATASTROPHE: PART 5: The Scope of Quantavolution - - - |
| the classical work of Cannon on homeostasis, | 47499 THE LATELY TORTURED EARTH: PART VI: BIOSPHERICS: Chapter 27 Genesis and Extinction - |
| forgets conveniently. A kind of mnemonic homeostasis occurs. | 127600 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 2: THE PALAETIOLOGY OF FEAR AND MEMORY : FORGETTING |
| This process may be called mnemonic homeostasis. | 127622 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 2: THE PALAETIOLOGY OF FEAR AND MEMORY : FORGETTING |
| |
|
HOMER.....................313 (0.039%)
|
| Mountain" homeland of mankind homeopathy homeostasis Homer Homeric Age Homeric aristocracy Homeric heros Homeric language Hominid hominid reversion Homo erectus Homo sapiens Homo sapiens schizotypicus Homo schizo Homo schizo reformation homo sinemento Homo... | 3271 QUANTAVOLUTION AND CATASTROPHE: PART 5: The Scope of Quantavolution - - - |
| s, and Robert Graves' identification of Homer's Aphrodite with Moon, | 9007 COSMIC HERETICS: PART 1: - Chapter 5: THE BRITISH CONNECTION - |
| the Odyssey, the epic poem of Homer. | 18604 COSMIC HERETICS: PART 5: - Chapter 15: THE KNOWLEDGE INDUSTRY - |
| the battle of the gods in Homer's Iliad 10 . | 21803 CHAOS AND CREATION: - - CHAPTER 01: COSMIC INSTABILITY : THE CLEAVAGE OF MARS: A PARTICULAR CASE |
| 1950). 29. 416-8. 30. Cf. Homer's Odyssey, | 22697 CHAOS AND CREATION: - - CHAPTER 02: HIGH ENERGY FROM SPACE : Notes (Chapter Two: High Energy from Space) |
| sought to report. The Odyssey of Homer, | 24990 CHAOS AND CREATION: - - CHAPTER 05: SOLARIA BINARIA : EARLY ASTRONOMICAL IDEAS |
| religion was abundantly evidenced. When, by Homer's time, | 27020 CHAOS AND CREATION: - - CHAPTER 07: EARTH PARTURITION AND MOON BIRTH : LUNAR WORSHIP |
| that the fables "were received by Homer in this corrupt and distorted form." | 27022 CHAOS AND CREATION: - - CHAPTER 07: EARTH PARTURITION AND MOON BIRTH : LUNAR WORSHIP |
| into a euphoric amnesiac sublimation. In Homer's epics, | 29428 CHAOS AND CREATION: - - CHAPTER 10: VENUS AND MARS : THE PLOT OF THE ILIAD |
| Pallas Athene) to her enemies in Homer's Iliad, | 29457 CHAOS AND CREATION: - - CHAPTER 10: VENUS AND MARS : THE PLOT OF THE ILIAD |
| the gods, in the language of Homer. | 29952 CHAOS AND CREATION: - - CHAPTER 10: VENUS AND MARS : WORSHIP OF MARS |
| the gods in the Iliad of Homer and with the Era of Nabonassar 80 . | 29966 CHAOS AND CREATION: - - CHAPTER 10: VENUS AND MARS : WORSHIP OF MARS |
| e No. 2 (Spring-Summer), centerfold. Homer, | 31714 CHAOS AND CREATION: - - - BIBLIOGRAPHY - |
| plenum in our interpretation. According to Homer, | 39692 THE LATELY TORTURED EARTH: PART III: HYDROLOGY: Chapter 13 Deluges - |
| And Socrates in Theathetus says, "When Homer sings of the wonder of 'Ocean whence sprang the Gods and Mother Tethys' does not mean that all things are the offspring of flux and motion." | 39693 THE LATELY TORTURED EARTH: PART III: HYDROLOGY: Chapter 13 Deluges - |
| insignificant compared with the references accorded Homer's "Jupiter the Thunderbolter" alone. | 56258 SOLARIA-BINARIA: PART 2: DESTRUCTION OF THE SOLAR BINARY: Chapter 15: THE JUPITER ORDER - |
| brought into later times, along with Homer, | 56862 SOLARIA-BINARIA: PART 2: DESTRUCTION OF THE SOLAR BINARY: Chapter 16: VENUS AND MARS - |
| famous scene of the Iliad of Homer as an eyewitness account, | 57000 SOLARIA-BINARIA: PART 2: DESTRUCTION OF THE SOLAR BINARY: Chapter 16: VENUS AND MARS - |
| Macro 9 (Chicago), pp. 809-16 Homer, | 59603 SOLARIA-BINARIA: - - - BIBILIOGRAPHY - |
| 809-16 Homer, The Iliad of Homer, | 59603 SOLARIA-BINARIA: - - - BIBILIOGRAPHY - |
| are adjudged in the same range. Homer Rainey reports Johanson's estimates of 3 to 4 million years for the Afar Depression homo of 1975 an 2 to 6 million years for the R. | 61273 HOMO SCHIZO I: - - Chapter 1: SLIPPERY LADDERS OF EVOLUTION : WAVES OF EVOLUTION |
| divine' or at least 'highly sublimated' Homer. | 67914 HOMO SCHIZO I: - - Chapter 7: PSYCHOPATHOLOGY OF HISTORY : SCHIZOID EPISODES IN ABUNDANCE |
| radical contrast to the language of Homer. | 67925 HOMO SCHIZO I: - - Chapter 7: PSYCHOPATHOLOGY OF HISTORY : SCHIZOID EPISODES IN ABUNDANCE |
| contrast to the language of Homer. Homer had to convey a crazy message to the ordinary man, | 67925 HOMO SCHIZO I: - - Chapter 7: PSYCHOPATHOLOGY OF HISTORY : SCHIZOID EPISODES IN ABUNDANCE |
| of India; to the epics of Homer; | 68202 HOMO SCHIZO I: - - Chapter 7: PSYCHOPATHOLOGY OF HISTORY : NAZIS, STALINISTS, AND DEMOCRATS |
| do so again; they remain, in Homer's cliche, " | 75221 HOMO SCHIZO II: - - Chapter 7: THE GOOD, THE TRUE, AND THE BEAUTIFUL : THE OMNIPOTENCE OF THOUGHT |
| EARTHLY DESTRUCTION, AND DRAMATIC SUBLIMATION IN HOMER'S ODYSSEY: | 76390 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS - - - CELESTIAL SEX, EARTHLY DESTRUCTION, AND DRAMATIC SUBLIMATION IN HOMER'S ODYSSEY: - |
| EARTHLY DESTRUCTION, AND DRAMATIC SUBLIMATION IN HOMER'S ODYSSEY: | 76454 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS - - - TABLE OF CONTENTS - |
| USES OF LANGUAGE METER AND METAPHOR HOMER: | 76548 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS - - - TABLE OF CONTENTS - |
| SETTLED SKY AND UNSETTLED MIND WHAT HOMER REMEMBERED THE PROGRESS OF SCIENCE A CLAIM OF SUCCESS FROM SAVAGERY TO SUBLIMITY Appendix: | 76567 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS - - - TABLE OF CONTENTS - |
| bard, Demodocus, who, some say, is Homer's self-image. | 76621 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS - - - INTRODUCTION - |
| against Troy. The frank sexuality is Homer's, | 76623 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS - - - INTRODUCTION - |
| asked myself what spirit breathed into Homer and saw that it was the goddess Pallas Athena. | 76633 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS - - - INTRODUCTION - |
| seventh centuries before this era, and Homer's poetry (which I place later than is usual) shows both the effects of the disasters and the ways in which the Greeks recovered from them. | 76647 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS - - - INTRODUCTION - |
| world. I assign this Aphrodite of Homer to the Moon, | 76652 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS - - - INTRODUCTION - |
| forces may well have occurred during Homer's boyhood. | 76674 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS - - - INTRODUCTION - |
| of the Love Affair, and of Homer generally, | 76712 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS - - - INTRODUCTION - |
| achieved successfully through the Love Affair. Homer was probably an editor and publisher of such great myths. | 76717 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS - - - INTRODUCTION - |
| extract a dreamy bedroom comedy from Homer's Odyssey, | 76759 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS - - - FOREWORD - |
| unearthed. "Most vivid and alive of Homer's gods," | 76851 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 1: SACRED SCANDAL AND DISASTER Chapter 1: AN ATHENA PRODUCTION - |
| George Steiner and Robert Fagles, eds., Homer: | 76920 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 1: SACRED SCANDAL AND DISASTER Chapter 1: AN ATHENA PRODUCTION : Notes (Chapter 1: An Athena Production) |
| introduction. 4. A. T. Murray, translator, Homer: | 76924 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 1: SACRED SCANDAL AND DISASTER Chapter 1: AN ATHENA PRODUCTION : Notes (Chapter 1: An Athena Production) |
| reedited in the next century) of Homer's Odyssey, | 76959 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 1: SACRED SCANDAL AND DISASTER Chapter 2: THE SONG OF LOVE - |
| itself is a marvelous creation of Homer-Athena. | 77102 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 1: SACRED SCANDAL AND DISASTER Chapter 2: THE SONG OF LOVE : THE PHAEACIAN UTOPIA |
| greater strength to plague them", says Homer. | 77111 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 1: SACRED SCANDAL AND DISASTER Chapter 2: THE SONG OF LOVE : THE PHAEACIAN UTOPIA |
| extend into a bush-enclosed orchard. Homer is as respectful of women as anyone in this age of brutal male chauvinism. | 77159 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 1: SACRED SCANDAL AND DISASTER Chapter 2: THE SONG OF LOVE : THE PHAEACIAN UTOPIA |
| cit., I, 229. 6. Robert Fitzgerald, Homer: | 77203 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 1: SACRED SCANDAL AND DISASTER Chapter 2: THE SONG OF LOVE : Notes (Chapter 2: The Song of Love) |
| rend his garments. Not at all. Homer and he obviously did not feel any such connection between the performance and his plight. | 77728 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 1: SACRED SCANDAL AND DISASTER Chapter 5: HOLY DREAMTIME - |
| already entranced. He himself is blind; Homer, | 77732 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 1: SACRED SCANDAL AND DISASTER Chapter 5: HOLY DREAMTIME - |
| also called "the Blind." He is Homer's "good minstrel, | 77733 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 1: SACRED SCANDAL AND DISASTER Chapter 5: HOLY DREAMTIME - |
| Hephaestus traps the lovers, Pope's Homer sings: | 77788 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 1: SACRED SCANDAL AND DISASTER Chapter 5: HOLY DREAMTIME : THE SCANDALOUS LITTLE PIECE |
| who said that Hobbes' version of Homer was "too mean for criticism." | 77801 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 1: SACRED SCANDAL AND DISASTER Chapter 5: HOLY DREAMTIME : THE SCANDALOUS LITTLE PIECE |
| if beautifully rendered, the lines of Homer must read as the pale representation of their original pronouncement and context. | 77809 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 1: SACRED SCANDAL AND DISASTER Chapter 5: HOLY DREAMTIME : THE SCANDALOUS LITTLE PIECE |
| original pronouncement and context. Experts upon Homer have generally denied serious consideration to his song about a love affair. | 77812 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 1: SACRED SCANDAL AND DISASTER Chapter 5: HOLY DREAMTIME : THE SCANDALOUS LITTLE PIECE |
| in the famous Lay of Demodocus" Homer provides "a treatment that we can only regard as humorous." | 77831 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 1: SACRED SCANDAL AND DISASTER Chapter 5: HOLY DREAMTIME : THE SCANDALOUS LITTLE PIECE |
| personal, profound and polemical religiousity of Homer; | 77944 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 1: SACRED SCANDAL AND DISASTER Chapter 5: HOLY DREAMTIME : THE PIOUS DRAMATIST |
| 18 By this, Patroni means that Homer adores the ancient Great Goddess, | 77948 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 1: SACRED SCANDAL AND DISASTER Chapter 5: HOLY DREAMTIME : THE PIOUS DRAMATIST |
| influenced by the personal religion of Homer. | 77964 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 1: SACRED SCANDAL AND DISASTER Chapter 5: HOLY DREAMTIME : THE PIOUS DRAMATIST |
| informed visions of the dramaturgy of Homer are captivating. | 78004 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 1: SACRED SCANDAL AND DISASTER Chapter 5: HOLY DREAMTIME : THE PIOUS DRAMATIST |
| indigenous Australians. Patroni's assertions, that Homer was heir to the Minoan and Mycenaean theatre, | 78007 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 1: SACRED SCANDAL AND DISASTER Chapter 5: HOLY DREAMTIME : THE PIOUS DRAMATIST |
| were pulling themselves together. The divine Homer was striving to lead them. | 78030 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 1: SACRED SCANDAL AND DISASTER Chapter 5: HOLY DREAMTIME : THE PIOUS DRAMATIST |
| p. 135. 11. From Mycenae to Homer (New York: | 78062 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 1: SACRED SCANDAL AND DISASTER Chapter 5: HOLY DREAMTIME : Notes (Chapter 5: Holy Dreamtime) |
| 19. Richard Lattimore, The Iliad of Homer( Chicago: | 78082 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 1: SACRED SCANDAL AND DISASTER Chapter 5: HOLY DREAMTIME : Notes (Chapter 5: Holy Dreamtime) |
| Daily Life in the Time of Homer, | 78085 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 1: SACRED SCANDAL AND DISASTER Chapter 5: HOLY DREAMTIME : Notes (Chapter 5: Holy Dreamtime) |
| by an atmospheric conflagration. These, to Homer and his audiences, | 78148 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 2: GODS, PLANETS, MADNESS Chapter 6: THE RAPE OF HELEN - |
| as a nature myth, or by Homer's once comparing her appearance to that of Artemis. | 78207 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 2: GODS, PLANETS, MADNESS Chapter 6: THE RAPE OF HELEN : THE INDESTRUCTIBLE LADY HELEN |
| from the moon; and the late Homer commentator Eustathius (twelfth century A. | 78209 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 2: GODS, PLANETS, MADNESS Chapter 6: THE RAPE OF HELEN : THE INDESTRUCTIBLE LADY HELEN |
| Greeks who were set up by Homer to provide a counterforce to the Achaeans. | 78233 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 2: GODS, PLANETS, MADNESS Chapter 6: THE RAPE OF HELEN : THE INDESTRUCTIBLE LADY HELEN |
| For all of this we praise Homer and his kind. | 78260 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 2: GODS, PLANETS, MADNESS Chapter 6: THE RAPE OF HELEN : THE INDESTRUCTIBLE LADY HELEN |
| end of the period, there came Homer and Hesiod. | 78336 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 2: GODS, PLANETS, MADNESS Chapter 6: THE RAPE OF HELEN : THE AGE OF MARS |
| the Greek calendar, perhaps shortly after Homer and possibly around -600. | 78343 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 2: GODS, PLANETS, MADNESS Chapter 6: THE RAPE OF HELEN : THE AGE OF MARS |
| date would put the story that Homer writes down and Demodocus sings in the period of heavy Greek colonization of the Western Mediterranean. | 78364 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 2: GODS, PLANETS, MADNESS Chapter 6: THE RAPE OF HELEN : THE AGE OF MARS |
| Mars that creates the poetry of Homer." | 78373 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 2: GODS, PLANETS, MADNESS Chapter 6: THE RAPE OF HELEN : THE AGE OF MARS |
| be illuminated by the great poets, Homer and Hesiod, | 78574 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 2: GODS, PLANETS, MADNESS Chapter 7: CRAZY HEROES OF DARK TIMES : THE SAGE WHO BRIDGED THE DARK AGES |
| Pylos Falls (Last War of Gods); Homer Born. | 78622 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 2: GODS, PLANETS, MADNESS Chapter 7: CRAZY HEROES OF DARK TIMES : THE SAGE WHO BRIDGED THE DARK AGES |
| 630 - - Iliad Revised and Transcribed by Homer Present skies Odyessey Revised and Transcribed by Homer The six major intervals are 15 years each, | 78629 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 2: GODS, PLANETS, MADNESS Chapter 7: CRAZY HEROES OF DARK TIMES : THE SAGE WHO BRIDGED THE DARK AGES |
| skies Odyessey Revised and Transcribed by Homer The six major intervals are 15 years each, | 78630 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 2: GODS, PLANETS, MADNESS Chapter 7: CRAZY HEROES OF DARK TIMES : THE SAGE WHO BRIDGED THE DARK AGES |
| dropped to a mere dozen in Homer.) | 78770 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 2: GODS, PLANETS, MADNESS Chapter 7: CRAZY HEROES OF DARK TIMES : SOCIETY IN SHOCK |
| in short supply. So also communities. Homer "does not talk a great deal about tribes and groups and clans and sects and varieties of idealistic associations, | 78827 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 2: GODS, PLANETS, MADNESS Chapter 7: CRAZY HEROES OF DARK TIMES : SOCIETY IN SHOCK |
| associations, whether pacific or belligerent. What Homer does is to confine himself to the immediate family of the warrior in question." | 78829 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 2: GODS, PLANETS, MADNESS Chapter 7: CRAZY HEROES OF DARK TIMES : SOCIETY IN SHOCK |
| marked the separation of classes in Homer's time." | 78847 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 2: GODS, PLANETS, MADNESS Chapter 7: CRAZY HEROES OF DARK TIMES : SOCIETY IN SHOCK |
| of attitude haunt the passages of Homer. | 78863 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 2: GODS, PLANETS, MADNESS Chapter 7: CRAZY HEROES OF DARK TIMES : SOCIETY IN SHOCK |
| destruction of towns. The similes of Homer are overwhelmingly rural and pastoral. | 78864 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 2: GODS, PLANETS, MADNESS Chapter 7: CRAZY HEROES OF DARK TIMES : SOCIETY IN SHOCK |
| morality. Am I reading feelings into Homer's poetry that are not there? | 78872 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 2: GODS, PLANETS, MADNESS Chapter 7: CRAZY HEROES OF DARK TIMES : SOCIETY IN SHOCK |
| s concept of primitive man from Homer that one can believe so, | 78876 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 2: GODS, PLANETS, MADNESS Chapter 7: CRAZY HEROES OF DARK TIMES : SOCIETY IN SHOCK |
| its destruction by the Achaeans of Homer. | 78896 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 2: GODS, PLANETS, MADNESS Chapter 7: CRAZY HEROES OF DARK TIMES : SOCIETY IN SHOCK |
| navigators as were the Greeks of Homer's time." | 78937 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 2: GODS, PLANETS, MADNESS Chapter 7: CRAZY HEROES OF DARK TIMES : SOCIETY IN SHOCK |
| game, animals of the uplands. "For Homer fish is a detestable food, | 78939 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 2: GODS, PLANETS, MADNESS Chapter 7: CRAZY HEROES OF DARK TIMES : SOCIETY IN SHOCK |
| the Greeks had largely abandoned coinage. Homer mentions a gold talent of fixed value, | 78945 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 2: GODS, PLANETS, MADNESS Chapter 7: CRAZY HEROES OF DARK TIMES : SOCIETY IN SHOCK |
| and practices in the works of Homer. | 78958 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 2: GODS, PLANETS, MADNESS Chapter 7: CRAZY HEROES OF DARK TIMES : SOCIETY IN SHOCK |
| B. L. Webster 33 shows that Homer is indebted to Minoan and near East influences in plots, | 78962 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 2: GODS, PLANETS, MADNESS Chapter 7: CRAZY HEROES OF DARK TIMES : SOCIETY IN SHOCK |
| these influences happened so "early" and Homer came so late, | 78966 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 2: GODS, PLANETS, MADNESS Chapter 7: CRAZY HEROES OF DARK TIMES : SOCIETY IN SHOCK |
| VI and VIIa may have been Homer's Troy but it also appears now that the Trojans were akin to the Greeks and that the Trojan War( s) pitted Greek against Greek. | 78971 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 2: GODS, PLANETS, MADNESS Chapter 7: CRAZY HEROES OF DARK TIMES : SOCIETY IN SHOCK |
| War( s) pitted Greek against Greek. Homer probably stressed differences between Greeks and Trojans as a splendid device, | 78973 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 2: GODS, PLANETS, MADNESS Chapter 7: CRAZY HEROES OF DARK TIMES : SOCIETY IN SHOCK |
| by the genius of the bard. Homer used metaphors of the clearest and most ordinary kind, | 78992 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 2: GODS, PLANETS, MADNESS Chapter 7: CRAZY HEROES OF DARK TIMES : SOCIETY IN SHOCK |
| with rural and pastoral comparisons. Obviously Homer was not primitive, | 78997 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 2: GODS, PLANETS, MADNESS Chapter 7: CRAZY HEROES OF DARK TIMES : SOCIETY IN SHOCK |
| and time, whose language, that of Homer, | 79021 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 2: GODS, PLANETS, MADNESS Chapter 7: CRAZY HEROES OF DARK TIMES : SOCIETY IN SHOCK |
| its expanding front. The Greeks of Homer, | 79023 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 2: GODS, PLANETS, MADNESS Chapter 7: CRAZY HEROES OF DARK TIMES : SOCIETY IN SHOCK |
| very sophistication of the poets, like Homer and Hesiod, | 79032 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 2: GODS, PLANETS, MADNESS Chapter 7: CRAZY HEROES OF DARK TIMES : SOCIETY IN SHOCK |
| disciplined, informed, and stylized poet like Homer to write so sympathetically of his subjects, | 79036 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 2: GODS, PLANETS, MADNESS Chapter 7: CRAZY HEROES OF DARK TIMES : SOCIETY IN SHOCK |
| on the chaotic life that followed. Homer did his best to reassure the survivors and to set them on their way again. | 79053 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 2: GODS, PLANETS, MADNESS Chapter 7: CRAZY HEROES OF DARK TIMES : SOCIETY IN SHOCK |
| contrast with conventional historiography is obvious: Homer flourished in the middle seventh century. | 79069 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 2: GODS, PLANETS, MADNESS Chapter 7: CRAZY HEROES OF DARK TIMES : THE CART BEFORE THE HORSE |
| of the old tools and skills. Homer sang about them and their destroyed culture. | 79077 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 2: GODS, PLANETS, MADNESS Chapter 7: CRAZY HEROES OF DARK TIMES : THE CART BEFORE THE HORSE |
| most Homeric experts nowadays believe that Homer lived a century earlier, | 79086 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 2: GODS, PLANETS, MADNESS Chapter 7: CRAZY HEROES OF DARK TIMES : THE CART BEFORE THE HORSE |
| arrived at the stage of producing Homer and Hesiod. | 79093 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 2: GODS, PLANETS, MADNESS Chapter 7: CRAZY HEROES OF DARK TIMES : THE CART BEFORE THE HORSE |
| and found new tools and skills. Homer at this point sang about their deeds. | 79096 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 2: GODS, PLANETS, MADNESS Chapter 7: CRAZY HEROES OF DARK TIMES : THE CART BEFORE THE HORSE |
| 24. John Cowper Powys, "Preface to Homer and the Oether," | 79269 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 2: GODS, PLANETS, MADNESS Chapter 7: CRAZY HEROES OF DARK TIMES : Notes (Chapter 7: Crazy Heroes of Dark Times) |
| 368-9. 33. From Mycenae to Homer (1964), | 79290 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 2: GODS, PLANETS, MADNESS Chapter 7: CRAZY HEROES OF DARK TIMES : Notes (Chapter 7: Crazy Heroes of Dark Times) |
| Goddess Athena. If we look into Homer for the precise astronomical referents of Ares, | 79335 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 2: GODS, PLANETS, MADNESS Chapter 8: THE TWO FACES OF LOVE - |
| Hephaestus and Athena, we are disappointed. Homer does not say that the three sky bodies - planet mars, | 79336 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 2: GODS, PLANETS, MADNESS Chapter 8: THE TWO FACES OF LOVE - |
| A little while after Hesiod wrote, Homer worked, | 79392 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 2: GODS, PLANETS, MADNESS Chapter 8: THE TWO FACES OF LOVE : A MOST ANCIENT GODDESS |
| after Hesiod wrote, Homer worked, and Homer alludes to a second Aphrodite Pandemos, | 79392 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 2: GODS, PLANETS, MADNESS Chapter 8: THE TWO FACES OF LOVE : A MOST ANCIENT GODDESS |
| can be called: where are Hesiod, Homer, | 79838 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 2: GODS, PLANETS, MADNESS Chapter 8: THE TWO FACES OF LOVE : A MATCH OF SOURCES |
| Book VIII of the Odyssey of Homer. | 79889 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 2: GODS, PLANETS, MADNESS Chapter 8: THE TWO FACES OF LOVE : A MATCH OF SOURCES |
| Ares that creates the poetry of Homer, | 80028 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 2: GODS, PLANETS, MADNESS Chapter 8: THE TWO FACES OF LOVE : HOW TO NAME A PLANET? |
| is not a proof of what Homer meant or, | 80029 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 2: GODS, PLANETS, MADNESS Chapter 8: THE TWO FACES OF LOVE : HOW TO NAME A PLANET? |
| Homer meant or, regardless of what Homer meant, | 80030 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 2: GODS, PLANETS, MADNESS Chapter 8: THE TWO FACES OF LOVE : HOW TO NAME A PLANET? |
| Ares were allies, the epics of Homer could never have been plotted on the liaison or juncture of Ares and Athena. | 80034 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 2: GODS, PLANETS, MADNESS Chapter 8: THE TWO FACES OF LOVE : HOW TO NAME A PLANET? |
| allow that in the mind of Homer and Demodocus, | 80038 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 2: GODS, PLANETS, MADNESS Chapter 8: THE TWO FACES OF LOVE : HOW TO NAME A PLANET? |
| the Moon in the time of Homer. | 80414 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 2: GODS, PLANETS, MADNESS Chapter 9: THE RUINED FACE OF A CLASSIC BEAUTY : THE INNOCENT ASTRONAUTS |
| motions at the time of which Homer wrote. | 80420 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 2: GODS, PLANETS, MADNESS Chapter 9: THE RUINED FACE OF A CLASSIC BEAUTY : THE INNOCENT ASTRONAUTS |
| melting, such as the episode in Homer that occupies our attention. | 80495 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 2: GODS, PLANETS, MADNESS Chapter 9: THE RUINED FACE OF A CLASSIC BEAUTY : RADIOACTIVE CLOCKS |
| also possible that the lines of Homer may be a reference to a chain of colorful low mountains whose origin has baffled astrophysicists. | 80622 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 2: GODS, PLANETS, MADNESS Chapter 9: THE RUINED FACE OF A CLASSIC BEAUTY : THE RILLES OF MOON |
| the eighth century, when Zeus, through Homer's and Hesiod's work, | 80831 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 2: GODS, PLANETS, MADNESS Chapter 10: HE WHO SHINES BY DAY : THE EPITHETS OF VENUS |
| the sexually eager pursuers of women. Homer, | 81546 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 2: GODS, PLANETS, MADNESS Chapter 11: THE BLASTED CAREER OF THE MIGHTY SWORDSMAN : THE QUALITIES OF ARES |
| the strife of the Wargod." And Homer adds, | 81770 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 2: GODS, PLANETS, MADNESS Chapter 11: THE BLASTED CAREER OF THE MIGHTY SWORDSMAN : THE FATAL WOUND |
| of the Trojan War, too, when Homer says, | 82135 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 2: GODS, PLANETS, MADNESS Chapter 12: THE LAUGHING GODS : POSEIDON |
| perennial paradox. By the time of Homer, | 82239 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 2: GODS, PLANETS, MADNESS Chapter 12: THE LAUGHING GODS : A DIVINE SENSE OF HUMOR |
| be a Utopia, but positioned in Homer's mind in the west. | 82641 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 2: GODS, PLANETS, MADNESS Chapter 13: HOW THE GODS FLY : THE MOVEMENTS OF THE SCENARIO |
| for the mill. METER AND METAPHOR Homer's 28, | 82964 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 3: THERAPY FOR GROUP FEAR Chapter 14: THE USES OF LANGUAGE : METER AND METAPHOR |
| These all confirm the belief that Homer's 1 3 5 7 9 11 form is "advanced," | 82992 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 3: THERAPY FOR GROUP FEAR Chapter 14: THE USES OF LANGUAGE : METER AND METAPHOR |
| metaphor. W. B. Stanford writes that Homer generally engages heavily in metaphor but that his metaphors are ordinary and uninspired; " | 83000 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 3: THERAPY FOR GROUP FEAR Chapter 14: THE USES OF LANGUAGE : METER AND METAPHOR |
| uninspired; "with a very few exceptions, Homer seems always stilted and even deliberately archaistic liturgical in his use of metaphors." | 83002 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 3: THERAPY FOR GROUP FEAR Chapter 14: THE USES OF LANGUAGE : METER AND METAPHOR |
| Stanford was cited to have praised Homer's similes and depreciated his metaphors. " | 83029 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 3: THERAPY FOR GROUP FEAR Chapter 14: THE USES OF LANGUAGE : METER AND METAPHOR |
| his metaphors. "Why," one asks, "would Homer be apt to this criticism?" | 83030 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 3: THERAPY FOR GROUP FEAR Chapter 14: THE USES OF LANGUAGE : METER AND METAPHOR |
| Because words lacked precise definition in Homer's time, | 83039 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 3: THERAPY FOR GROUP FEAR Chapter 14: THE USES OF LANGUAGE : METER AND METAPHOR |
| precise definition in Homer's time, Homer could not, | 83039 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 3: THERAPY FOR GROUP FEAR Chapter 14: THE USES OF LANGUAGE : METER AND METAPHOR |
| his arguments in the typical manner. Homer was building a primitive language and savage customs into the dawn of Greek civilization. | 83044 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 3: THERAPY FOR GROUP FEAR Chapter 14: THE USES OF LANGUAGE : METER AND METAPHOR |
| C. M. Bowra who holds that Homer's language is clearly not primitive but "in other ways he employs a speech which has not settled to fixed forms and uses... | 83048 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 3: THERAPY FOR GROUP FEAR Chapter 14: THE USES OF LANGUAGE : METER AND METAPHOR |
| common experience of all readers of Homer. | 83051 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 3: THERAPY FOR GROUP FEAR Chapter 14: THE USES OF LANGUAGE : METER AND METAPHOR |
| 7 Demetrius long ago had written, "Homer impresses his hearers greatly by the employment of words descriptive of inarticulate sounds, | 83054 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 3: THERAPY FOR GROUP FEAR Chapter 14: THE USES OF LANGUAGE : METER AND METAPHOR |
| and by their novelty above all." Homer had to make the meaning of many words - "to combine," | 83056 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 3: THERAPY FOR GROUP FEAR Chapter 14: THE USES OF LANGUAGE : METER AND METAPHOR |
| appears, is resolved by our theory. Homer is too sophisticated to be a primitive minstrel, | 83059 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 3: THERAPY FOR GROUP FEAR Chapter 14: THE USES OF LANGUAGE : METER AND METAPHOR |
| times. These are largely resolved if Homer is regarded to be part of his times, | 83063 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 3: THERAPY FOR GROUP FEAR Chapter 14: THE USES OF LANGUAGE : METER AND METAPHOR |
| of recent natural and social disasters. HOMER: | 83071 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 3: THERAPY FOR GROUP FEAR Chapter 14: THE USES OF LANGUAGE : HOMER: EDITOR AND PUBLISHER |
| a fair concert of opinions about Homer. " | 83073 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 3: THERAPY FOR GROUP FEAR Chapter 14: THE USES OF LANGUAGE : HOMER: EDITOR AND PUBLISHER |
| Since it would be senseless for Homer to have put on a somewhat different vocabulary for each story, | 83075 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 3: THERAPY FOR GROUP FEAR Chapter 14: THE USES OF LANGUAGE : HOMER: EDITOR AND PUBLISHER |
| 400 years or 30 years before Homer. | 83090 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 3: THERAPY FOR GROUP FEAR Chapter 14: THE USES OF LANGUAGE : HOMER: EDITOR AND PUBLISHER |
| is that the shocked society of Homer carried various cultures within itself, | 83116 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 3: THERAPY FOR GROUP FEAR Chapter 14: THE USES OF LANGUAGE : HOMER: EDITOR AND PUBLISHER |
| not. C. M. Bowra believes of Homer "that since he himself was alive when the wonderful art of writing returned to the Greeks in the form of the Phoenician alphabet, | 83122 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 3: THERAPY FOR GROUP FEAR Chapter 14: THE USES OF LANGUAGE : HOMER: EDITOR AND PUBLISHER |
| The great literary historian, Aristarchus, places Homer some sixty years after the return of the Heraclids, | 83136 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 3: THERAPY FOR GROUP FEAR Chapter 14: THE USES OF LANGUAGE : HOMER: EDITOR AND PUBLISHER |
| this author, has reasonably calculated that Homer "lived somewhere between 715 and, | 83139 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 3: THERAPY FOR GROUP FEAR Chapter 14: THE USES OF LANGUAGE : HOMER: EDITOR AND PUBLISHER |
| let us say, 640;" he connects Homer with Archilochus, | 83139 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 3: THERAPY FOR GROUP FEAR Chapter 14: THE USES OF LANGUAGE : HOMER: EDITOR AND PUBLISHER |
| insistence upon the single identity of Homer, | 83144 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 3: THERAPY FOR GROUP FEAR Chapter 14: THE USES OF LANGUAGE : HOMER: EDITOR AND PUBLISHER |
| of the present study is that Homer was unique. | 83153 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 3: THERAPY FOR GROUP FEAR Chapter 14: THE USES OF LANGUAGE : HOMER: EDITOR AND PUBLISHER |
| this section and in this book. Homer was a trained Greek bard living in the seventh century in Asia Minor. | 83157 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 3: THERAPY FOR GROUP FEAR Chapter 14: THE USES OF LANGUAGE : HOMER: EDITOR AND PUBLISHER |
| and non- his; it mattered little. Homer was alert to the future. | 83161 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 3: THERAPY FOR GROUP FEAR Chapter 14: THE USES OF LANGUAGE : HOMER: EDITOR AND PUBLISHER |
| to the gods and muses. So Homer was the author. | 83172 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 3: THERAPY FOR GROUP FEAR Chapter 14: THE USES OF LANGUAGE : HOMER: EDITOR AND PUBLISHER |
| proportions to transcribe? There would be. Homer, | 83178 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 3: THERAPY FOR GROUP FEAR Chapter 14: THE USES OF LANGUAGE : HOMER: EDITOR AND PUBLISHER |
| would not be so familiar to Homer and a number of inconsistencies would escape his editorial scrutiny. | 83190 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 3: THERAPY FOR GROUP FEAR Chapter 14: THE USES OF LANGUAGE : HOMER: EDITOR AND PUBLISHER |
| ethics, theology, and philosophy scarcely exist. Homer may have made his greatest contributions here. | 83198 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 3: THERAPY FOR GROUP FEAR Chapter 14: THE USES OF LANGUAGE : HOMER: EDITOR AND PUBLISHER |
| is a new age whose story Homer reorders and edits for publication, | 83204 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 3: THERAPY FOR GROUP FEAR Chapter 14: THE USES OF LANGUAGE : HOMER: EDITOR AND PUBLISHER |
| went to work, the language of Homer was quaint. | 83212 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 3: THERAPY FOR GROUP FEAR Chapter 14: THE USES OF LANGUAGE : TRADUTTORE TRADITTORE |
| shining" and "fire" are dear to Homer. | 83235 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 3: THERAPY FOR GROUP FEAR Chapter 14: THE USES OF LANGUAGE : TRADUTTORE TRADITTORE |
| simply "to go and come," and Homer uses almost no other word of movement. " | 83299 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 3: THERAPY FOR GROUP FEAR Chapter 14: THE USES OF LANGUAGE : TRADUTTORE TRADITTORE |
| fly'?" one asks, for, in general, Homer is fond of metaphors of birds and flight. | 83300 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 3: THERAPY FOR GROUP FEAR Chapter 14: THE USES OF LANGUAGE : TRADUTTORE TRADITTORE |
| singular romantic sense. One can imagine Homer himself, | 83317 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 3: THERAPY FOR GROUP FEAR Chapter 14: THE USES OF LANGUAGE : TRADUTTORE TRADITTORE |
| son. Among the several facets of Homer's genius is that he carried wars, | 83357 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 3: THERAPY FOR GROUP FEAR Chapter 14: THE USES OF LANGUAGE : THE THROES OF ORIGINAL PLOT |
| Love Affair would have taken hours; Homer cut it and shaped it to a new form of art, | 83402 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 3: THERAPY FOR GROUP FEAR Chapter 14: THE USES OF LANGUAGE : HUMAN STRESS AND LANGUAGE |
| p. 139. 11. "Problems Concerned with Homer and the Epics," | 83549 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 3: THERAPY FOR GROUP FEAR Chapter 14: THE USES OF LANGUAGE : Notes (Chapter 14: The Uses of Language) |
| So writes Hesiod, a contemporary of Homer in his Genealogy of the Gods. | 83625 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 3: THERAPY FOR GROUP FEAR Chapter 15: THE BIRTH AND DEATH OF MEMORY - |
| says forgetting. By the time of Homer, | 83784 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 3: THERAPY FOR GROUP FEAR Chapter 15: THE BIRTH AND DEATH OF MEMORY : THE RULES OF MEMORY |
| occurred perhaps only a generation before Homer, | 83872 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 3: THERAPY FOR GROUP FEAR Chapter 15: THE BIRTH AND DEATH OF MEMORY : FORGETTING |
| be offered as to why Hesiod, Homer, | 83967 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 3: THERAPY FOR GROUP FEAR Chapter 15: THE BIRTH AND DEATH OF MEMORY : AMNESIAC PHILOSOPHERS |
| still to the Greek-speaking area). Homer's Iliad is replete with accounts of god-enacted and god-caused disaster. | 83971 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 3: THERAPY FOR GROUP FEAR Chapter 15: THE BIRTH AND DEATH OF MEMORY : AMNESIAC PHILOSOPHERS |
| is angry at the "immorality" of Homer, | 83978 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 3: THERAPY FOR GROUP FEAR Chapter 15: THE BIRTH AND DEATH OF MEMORY : AMNESIAC PHILOSOPHERS |
| period began, over a century after Homer sang (seventh century). | 84026 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 3: THERAPY FOR GROUP FEAR Chapter 15: THE BIRTH AND DEATH OF MEMORY : AMNESIAC PHILOSOPHERS |
| as many a psychiatrist will attest. Homer tried his hand at it, | 84220 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 3: THERAPY FOR GROUP FEAR Chapter 16: THE TRANSFIGURATION OF TRAUMA : DREAMWORK |
| way. (Or can one believe that Homer was so extremely subtle as to make him here super-cunning?) | 84246 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 3: THERAPY FOR GROUP FEAR Chapter 16: THE TRANSFIGURATION OF TRAUMA : DREAMWORK |
| like the theater of the absurd. Homer had gone far, | 84277 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 3: THERAPY FOR GROUP FEAR Chapter 16: THE TRANSFIGURATION OF TRAUMA : DREAMWORK |
| on the original grand scale. WHAT HOMER REMEMBERED Earlier, | 84645 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 3: THERAPY FOR GROUP FEAR Chapter 17: SETTLED SKY AND UNSETTLED MIND : WHAT HOMER REMEMBERED |
| REMEMBERED Earlier, we decided to place Homer's "publication" of the Odyssey around 630 B. | 84647 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 3: THERAPY FOR GROUP FEAR Chapter 17: SETTLED SKY AND UNSETTLED MIND : WHAT HOMER REMEMBERED |
| the question gnaws at us: "Did Homer really not known of the disasters of the century before him?" | 84653 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 3: THERAPY FOR GROUP FEAR Chapter 17: SETTLED SKY AND UNSETTLED MIND : WHAT HOMER REMEMBERED |
| has history been totally obstructed. Therefore Homer must have had some means of knowing the catastrophic events of two generations earlier, | 84664 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 3: THERAPY FOR GROUP FEAR Chapter 17: SETTLED SKY AND UNSETTLED MIND : WHAT HOMER REMEMBERED |
| presumptions (hubris) of humans about them. Homer and other dramatists might also have agreed to a convention not to portray the gods in this manner. | 84674 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 3: THERAPY FOR GROUP FEAR Chapter 17: SETTLED SKY AND UNSETTLED MIND : WHAT HOMER REMEMBERED |
| this manner. On the subconscious level, Homer may have written of the gods in such a way as to display their natural histories, | 84678 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 3: THERAPY FOR GROUP FEAR Chapter 17: SETTLED SKY AND UNSETTLED MIND : WHAT HOMER REMEMBERED |
| experience. We conclude that, behaving typically, Homer could know both subconsciously and to a degree consciously of a horrendous history, | 84694 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 3: THERAPY FOR GROUP FEAR Chapter 17: SETTLED SKY AND UNSETTLED MIND : WHAT HOMER REMEMBERED |
| doubt me," we hear Demodocus and Homer crying, " | 84697 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 3: THERAPY FOR GROUP FEAR Chapter 17: SETTLED SKY AND UNSETTLED MIND : WHAT HOMER REMEMBERED |
| as occurring around the time of Homer. | 84814 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 3: THERAPY FOR GROUP FEAR Chapter 17: SETTLED SKY AND UNSETTLED MIND : A CLAIM OF SUCCESS |
| Song of Demodocus, it would be Homer's work, | 84845 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 3: THERAPY FOR GROUP FEAR Chapter 17: SETTLED SKY AND UNSETTLED MIND : A CLAIM OF SUCCESS |
| work, a work well known to Homer, | 84846 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 3: THERAPY FOR GROUP FEAR Chapter 17: SETTLED SKY AND UNSETTLED MIND : A CLAIM OF SUCCESS |
| and caused trouble for millennia before Homer. | 84852 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 3: THERAPY FOR GROUP FEAR Chapter 17: SETTLED SKY AND UNSETTLED MIND : A CLAIM OF SUCCESS |
| is no reason to believe that Homer had written (as Patroni insists) or knew of an original Opera Ballet of the Love Affair, | 84878 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 3: THERAPY FOR GROUP FEAR Chapter 17: SETTLED SKY AND UNSETTLED MIND : A CLAIM OF SUCCESS |
| from behind the lines. Assuming that Homer or another had presented the Opera Ballet before, | 84882 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 3: THERAPY FOR GROUP FEAR Chapter 17: SETTLED SKY AND UNSETTLED MIND : A CLAIM OF SUCCESS |
| were the work of a younger Homer. | 84884 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 3: THERAPY FOR GROUP FEAR Chapter 17: SETTLED SKY AND UNSETTLED MIND : A CLAIM OF SUCCESS |
| 7. Even if someone later than Homer wrote these last lines of the Odyssey (D. | 84998 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 3: THERAPY FOR GROUP FEAR Chapter 17: SETTLED SKY AND UNSETTLED MIND : Notes (Chapter 17: Settled Sky and Unsettled Mind) |
| Father of the Olympian Gods in Homer. | 85076 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS - - APPENDIX CHARACTERS OF THE BOOK - |
| may be a self-portrait of Homer. | 85094 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS - - APPENDIX CHARACTERS OF THE BOOK - |
| portrait of Homer. Odysseus: Hero of Homer's Odyssey. | 85098 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS - - APPENDIX CHARACTERS OF THE BOOK - |
| the Western Mediterranean, but fictionalized by Homer. | 85134 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS - - APPENDIX CHARACTERS OF THE BOOK - |
| at which time there was no Homer to reassemble it. | 94960 GODS FIRE: - - - APPENDIX : THE LIMITS OF DISTORTION |
| of verse and prose (such as Homer's Iliad and other epic works) can be transmitted over generations and centuries. | 95018 GODS FIRE: - - - APPENDIX : THE LIMITS OF DISTORTION |
| given them back. The gods, sang Homer, | 98515 THE DEVINE SUCCESSION PART 1: THEOMACHY Chapter 7: MAN'S DIVINE MIRROR - |
| the City as the Troy of Homer is at issue here, | 102316 THE BURNING OF TROY: PART 1: HISTORICAL DISTURBANCES: Chapter 2: THE BURNING OF TROY : THE "BURNT CITY" OF TROY |
| 5 that the "Trojans of whom Homer sings" occupied a stratum of debris "from 7 to 10 meters, | 102318 THE BURNING OF TROY: PART 1: HISTORICAL DISTURBANCES: Chapter 2: THE BURNING OF TROY : THE "BURNT CITY" OF TROY |
| enclosing Wall, the construction of which Homer ascribes to Poseidon and Apollo; | 102322 THE BURNING OF TROY: PART 1: HISTORICAL DISTURBANCES: Chapter 2: THE BURNING OF TROY : THE "BURNT CITY" OF TROY |
| Athena; for, as we know from Homer, | 102339 THE BURNING OF TROY: PART 1: HISTORICAL DISTURBANCES: Chapter 2: THE BURNING OF TROY : THE "BURNT CITY" OF TROY |
| chest ... such as those mentioned by Homer as being in the palace of king Priam. | 102364 THE BURNING OF TROY: PART 1: HISTORICAL DISTURBANCES: Chapter 2: THE BURNING OF TROY : THE "BURNT CITY" OF TROY |
| volcanoes 21 . Mount Ida, famous in Homer, | 102586 THE BURNING OF TROY: PART 1: HISTORICAL DISTURBANCES: Chapter 2: THE BURNING OF TROY : THE "BURNT CITY" OF TROY |
| is well to remind ourselves that Homer, | 102604 THE BURNING OF TROY: PART 1: HISTORICAL DISTURBANCES: Chapter 2: THE BURNING OF TROY : THE "BURNT CITY" OF TROY |
| ages, c) the war of which Homer sang was possibly an image of several partially idealized wars, | 102623 THE BURNING OF TROY: PART 1: HISTORICAL DISTURBANCES: Chapter 2: THE BURNING OF TROY : THE "BURNT CITY" OF TROY |
| added: a meteoric fall or shower, Homer's "divine-kindled fire of stones." | 102669 THE BURNING OF TROY: PART 1: HISTORICAL DISTURBANCES: Chapter 2: THE BURNING OF TROY : THE "BURNT CITY" OF TROY |
| period when the war planet Mars, Homer's "bloodstained stormer of walls," | 103272 THE BURNING OF TROY: PART 1: HISTORICAL DISTURBANCES: Chapter 3: THE FOUNDING OF ROME - |
| early stage of the wars (which Homer combined into one for literary effect and from amnesiac causes), | 103552 THE BURNING OF TROY: PART 1: HISTORICAL DISTURBANCES: Chapter 3: THE FOUNDING OF ROME - |
| all good things flow, just like Homer sang, | 104208 THE BURNING OF TROY: PART 1: HISTORICAL DISTURBANCES: Chapter 5: THE CATASTROPHIC FINALE OF THE MIDDLE BRONZE AGE : A SCHEDULE OF CATASTROPHIC AGES |
| and Mycenean, catastrophe not among them. Homer and Hesiod do not employ the word, | 107060 THE BURNING OF TROY: PART 3: WORKING OF THE MIND: Chapter 16: SANDAL-STRAPS AND SEMIOLOGY - |
| is found in the Odyssey of Homer, | 110538 THE BURNING OF TROY: PART 5: COMMUNICATING A SCIENTIFIC MODEL: Chapter 27: A COSMIC DEBATE : III |
| Rig-Veda and early western epics (Homer, | 111298 THE BURNING OF TROY: PART 5: COMMUNICATING A SCIENTIFIC MODEL: Chapter 28: SYLLABI FOR QUANTAVOLUTION - |
| Affair of Moon and Mars (in Homer); | 111394 THE BURNING OF TROY: PART 5: COMMUNICATING A SCIENTIFIC MODEL: Chapter 28: SYLLABI FOR QUANTAVOLUTION - |
| happened to the young Romulus. In Homer, | 112707 KA: - - Chapter 1: AUGURY - |
| oracle, and only emerged at night. Homer describes them as never looked on by the sun, | 112851 KA: - - Chapter 1: AUGURY - |
| concerning omens and divination, starting with Homer's Iliad: | 112915 KA: - - Chapter 1: AUGURY - |
| his head and shoulders. VI: 76: Homer mentions Priam's son, | 112943 KA: - - Chapter 1: AUGURY - |
| Furies, checked its speech. Passages from Homer's Odyssey. | 112985 KA: - - Chapter 1: AUGURY - |
| they leave, cauldrons from Dodona, etc. Homer, | 113200 KA: - - Chapter 1: AUGURY - |
| Cicero: 'De Legibus II: 8 15. Homer: ' | 113249 KA: - - Chapter 1: AUGURY : Notes (Chapter One: Augury) |
| as at Delphi, would be helpful. Homer speaks of "rocky Pytho." | 113348 KA: - - Chapter 2: THE ELECTRIC ORACLES - |
| to: Dionysus, The Bacchae, fire, crowns. Homer, | 113761 KA: - - Chapter 3: DIONYSUS - |
| Four: Amber, Ark, and El) 1. Homer: ' | 114120 KA: - - Chapter 4: AMBER, ARK, AND EL : Notes (Chapter Four: Amber, Ark, and El) |
| 1. Homer: 'Iliad' XIX: 398 2. Homer: ' | 114122 KA: - - Chapter 4: AMBER, ARK, AND EL : Notes (Chapter Four: Amber, Ark, and El) |
| 2. Homer: 'Odyssey' XV: 460 3. Homer: ' | 114124 KA: - - Chapter 4: AMBER, ARK, AND EL : Notes (Chapter Four: Amber, Ark, and El) |
| 38 6. Psalm XXVIII: 2 7. Homer: ' | 114132 KA: - - Chapter 4: AMBER, ARK, AND EL : Notes (Chapter Four: Amber, Ark, and El) |
| 7. Homer: 'Odyssey' XII: 158 8. Homer: ' | 114134 KA: - - Chapter 4: AMBER, ARK, AND EL : Notes (Chapter Four: Amber, Ark, and El) |
| called Loxo, is referred to by Homer as eustephanos, | 114218 KA: - - Chapter 5: DEITIES OF DELPHI - |
| s sister Artemis was called by Homer Eustephanos, | 114244 KA: - - Chapter 5: DEITIES OF DELPHI - |
| hair, light, Apollo and kledons; from Homer, | 114309 KA: - - Chapter 5: DEITIES OF DELPHI - |
| began his song. The kithara, in Homer kitharis, | 114328 KA: - - Chapter 5: DEITIES OF DELPHI - |
| with four strings; later with seven. Homer does not mention it, | 114330 KA: - - Chapter 5: DEITIES OF DELPHI - |
| Chapter Five: Deities of Delphi) 1. Homer: ' | 114601 KA: - - Chapter 5: DEITIES OF DELPHI : Notes (Chapter Five: Deities of Delphi) |
| 511 2. Aeschylus: 'Agamemnon' 1085 3. Homer: ' | 114605 KA: - - Chapter 5: DEITIES OF DELPHI : Notes (Chapter Five: Deities of Delphi) |
| rate, they are mentioned together by Homer 1 . | 114677 KA: - - Chapter 6: SKY LINKS - |
| thalassa, two Greek words for sea. Homer, | 114758 KA: - - Chapter 6: SKY LINKS - |
| sky and the bull, many from Homer and Vergil, | 114878 KA: - - Chapter 6: SKY LINKS - |
| year in Crete. In Iliad XIV, Homer describes the seductive wiles of Hera when she distracts Zeus's attention so that Poseidon may help the Greeks. | 115014 KA: - - Chapter 6: SKY LINKS : LEVIATHAN. |
| Notes (Chapter Six: Sky Links) 1. Homer: ' | 115037 KA: - - Chapter 6: SKY LINKS : Notes (Chapter Six: Sky Links) |
| Old Testament: Isaiah, XXVII: l 4. Homer: ' | 115043 KA: - - Chapter 6: SKY LINKS : Notes (Chapter Six: Sky Links) |
| a cuttlefish. It is described by Homer: " | 115140 KA: - - Chapter 7: SACRIFICE : THE SACRIFICE OF GOATS. |
| round the altar. The Contest of Homer and Hesiod, | 115322 KA: - - Chapter 7: SACRIFICE : MAGIC; SACRIFICE: SOME RELEVANT PASSAGES. |
| of Homer and Hesiod, line 325: Homer crossed to Delos to the assembly (paneguris), | 115323 KA: - - Chapter 7: SACRIFICE : MAGIC; SACRIFICE: SOME RELEVANT PASSAGES. |
| 6. Plutarch: 'Quaestiones Graecae' 297 7. Homer: ' | 115344 KA: - - Chapter 7: SACRIFICE : Notes (Chapter Seven: Sacrifice) |
| this speaking well of yours about Homer is not a 'skill', | 115604 KA: - - Chapter 8: SKY AND STAGE : POETIC INSPIRATION |
| s deeds, as you do about Homer, | 115622 KA: - - Chapter 8: SKY AND STAGE : POETIC INSPIRATION |
| majority are possessed and held by Homer. | 115646 KA: - - Chapter 8: SKY AND STAGE : POETIC INSPIRATION |
| the use of the god Thor. Homer, | 115753 KA: - - Chapter 9: TRIPOD CAULDRONS - |
| Cauldrons) 1. Hesiod: Fragment XIII 2. Homer: ' | 115890 KA: - - Chapter 9: TRIPOD CAULDRONS : Notes (Chapter Nine: Tripod Cauldrons) |
| They ridiculed the anthropomorphic deities of Homer. | 116184 KA: - - Chapter 11: THE PRESOCRATIC PHILOSOPHERS - |
| to join the heavenly fire. In Homer, | 116212 KA: - - Chapter 11: THE PRESOCRATIC PHILOSOPHERS - |
| of the tripods of Hephaistos in Homer, | 116303 KA: - - Chapter 11: THE PRESOCRATIC PHILOSOPHERS - |
| the other Helen and Clytemnestra. In Homer, | 116474 KA: - - Chapter 12: MYSTERY RELIGIONS - |
| Heavenly' is in Greek 'ambrosios'. To Homer, | 116723 KA: - - Chapter 12: MYSTERY RELIGIONS : OKEANOS 2 |
| Palamaon. In Iliad 1: 577 ff., Homer tells us that Hephaestus is the son of Zeus and Hera, | 116827 KA: - - Chapter 12: MYSTERY RELIGIONS : HEPHAESTUS |
| CHAPTER THIRTEEN 'KA', AND EGYPTIAN MAGIC HOMER and the Greek tragic poets often use periphrasis when addressing people. | 116936 KA: - - Chapter 13: 'KA', AND EGYPTIAN MAGIC - |
| Herakles as "is bias Herakleies", and Homer refers to Telemachus as "hiere is Telemachoio", | 116941 KA: - - Chapter 13: 'KA', AND EGYPTIAN MAGIC - |
| light, is used as periphrasis by Homer. ( | 116951 KA: - - Chapter 13: 'KA', AND EGYPTIAN MAGIC - |
| breath or sign of life. In Homer, | 117029 KA: - - Chapter 13: 'KA', AND EGYPTIAN MAGIC - |
| is found in this sense in Homer. | 117032 KA: - - Chapter 13: 'KA', AND EGYPTIAN MAGIC - |
| translated as high or steep. In Homer it is always as an epithet of petre, | 117333 KA: - - Chapter 13: 'KA', AND EGYPTIAN MAGIC : STATUES AND MUMMIES |
| Thirteen: 'KA" and Egyptian magic) 1. Homer: | 117362 KA: - - Chapter 13: 'KA', AND EGYPTIAN MAGIC : Notes (Chapter Thirteen: 'KA" and Egyptian magic) |
| Old Testament, Isaiah: X: 24 4. Homer: | 117368 KA: - - Chapter 13: 'KA', AND EGYPTIAN MAGIC : Notes (Chapter Thirteen: 'KA" and Egyptian magic) |
| their flight. Vergil, Aeneid V: 522ff.. Homer, | 117424 KA: - - Chapter 14: BOLTS FROM THE BLUE - |
| Elaion is olive oil. EXAMPLES, FROM HOMER, | 117644 KA: - - Chapter 15: LOOKING LIKE A GOD : EXAMPLES, FROM HOMER, OF THE USE OF OLIVE OIL |
| be radiant. Odyssey VII: 81 ff.: Homer gives a description of the palace and gardens of King Alkinous. | 117772 KA: - - Chapter 15: LOOKING LIKE A GOD : BRONZE |
| k' followed by an aspirate. In Homer, | 118457 KA: - - Chapter 18: ROME AND THE ETRUSCANS : ROME, MONARCHY, AND THE GODS |
| Greek bomos, altar, is raised. In Homer, | 119053 KA: - - Chapter 20: SANCTIFICATION AND RESURRECTION - |
| on fleeces. The word used by Homer for cutting up the meat is mistullo. | 119146 KA: - - Chapter 20: SANCTIFICATION AND RESURRECTION : THE SACRIFICIAL FEAST |
| and Latin sto, I stand. In Homer, | 119251 KA: - - Chapter 20: SANCTIFICATION AND RESURRECTION : SANCTIFICATION |
| mean a hidden rock or reef. Homer mentions iron gates and a brazen threshold in Iliad VIII: | 119390 KA: - - Chapter 21: THE DEATH OF KINGS - |
| typically Greek and especially characteristic of Homer, | 119538 KA: - - Chapter 21: THE DEATH OF KINGS - |
| too suffered from blindness, for example Homer himself, | 119588 KA: - - Chapter 21: THE DEATH OF KINGS - |
| some facility on the kithara. But Homer stood on the altar at Delos to recite the Hymn to Apollo, | 119591 KA: - - Chapter 21: THE DEATH OF KINGS - |
| magic. In Iliad II: 594 ff., Homer mentions Thamyris, | 119599 KA: - - Chapter 21: THE DEATH OF KINGS - |
| same as the Greek attanon. In Homer, | 119834 KA: - - Chapter 22: LIVING WITH ELECTRICITY : ART |
| god Set. There are cases in Homer of deities, | 120079 KA: - - Chapter 22: LIVING WITH ELECTRICITY : MEDICINE |
| past (not necessarily a distant past). Homer's poetry was the Bible of the Greeks, | 120137 KA: - - Chapter 22: LIVING WITH ELECTRICITY : MUSIC |
| everything, without trouble, with his mind. Homer's gods live on Olympus, | 120157 KA: - - Chapter 22: LIVING WITH ELECTRICITY : PHILOSOPHY |
| chaplet. nail Gk. helos, nail, in Homer is only for ornament. | 121033 KA: - - - GLOSSARY - |
| or of a king (frequent in Homer). | 121291 KA: - - - GLOSSARY - |
| Prehistoric Crete, p. 134 and 169. Homer, | 121762 - A FIRE NOT BLOWN: - - Chapter 02: CRETE - |
| a frieze of hoopoes at Knosos. Homer refers to the 'divine Pelasgians'. ' | 121884 - A FIRE NOT BLOWN: - - Chapter 03: KATREUS - |
| container; per is Egyptian for 'house'. Homer writes that in Crete there were Achaeans. | 121898 - A FIRE NOT BLOWN: - - Chapter 03: KATREUS - |
| of the gods, who, according to Homer, | 121985 - A FIRE NOT BLOWN: - - Chapter 04: ZEUS - |
| may bring either life or death. Homer has the word kelethmos, | 122220 - A FIRE NOT BLOWN: - - Chapter 06: ARIADNE - |
| t', like 's', is sometimes dropped. Homer mentions Daedalus as the builder of a dancing floor for Ariadne. | 122350 - A FIRE NOT BLOWN: - - Chapter 07: THE LABYRINTH AND AXE - |
| resemblance to a cauldron, and in Homer the word bomos is either a chariot stand or an altar. | 122523 - A FIRE NOT BLOWN: - - Chapter 08: THE BULL - |
| anax is the usual word in Homer for a warrior leader, | 122613 - A FIRE NOT BLOWN: - - Chapter 09: NAXOS - |
| the dance at Knosos described by Homer, | 122715 - A FIRE NOT BLOWN: - - Chapter 09: NAXOS - |
| Naxos the Pelasgians were dioi in Homer, | 122729 - A FIRE NOT BLOWN: - - Chapter 09: NAXOS - |
| that emerges from a study of Homer and Thucydides. | 122772 - A FIRE NOT BLOWN: - - Chapter 10: CHRONOLOGY - |
| pottery. The Pelasgians, "divine" according to Homer, | 122793 - A FIRE NOT BLOWN: - - Chapter 10: CHRONOLOGY - |
| body. Perhaps the lotus eaters of Homer's Odyssey lost their memory as a result of electric shock. | 123706 - A FIRE NOT BLOWN: - - Chapter 14: THE GODDESS GAIA - |
| the dance at Knosos described by Homer, | 123996 - A FIRE NOT BLOWN: - - Chapter 16: THE DANCE - |
| wizards that peep and mutter..." When Homer describes the dance at the court of king Alkinous, | 124109 - A FIRE NOT BLOWN: - - Chapter 17: ROCKS - |
| Greek episteme, scientific knowledge, is in Homer intellectual power and artistic skill. | 124506 - A FIRE NOT BLOWN: - - Chapter 20: QUAIRO: RAISING THE KA - |
| divine authority of the basileus, and Homer refers to kings as diotrephees, | 124727 - A FIRE NOT BLOWN: - - Chapter 21: KINGS - |
| A Greek prince is described by Homer as skeptouchos, | 125221 - A FIRE NOT BLOWN: - - Chapter 24: THE NORTH - |
| the Pantheon by Plato and by Homer. | 126733 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 1: CULTURAL AMNESIA : SUPPRESSION AND REGRESSION |
| Affair of Ares and Aphrodite in Homer's Odyssey that mask world disasters, | 127311 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 2: THE PALAETIOLOGY OF FEAR AND MEMORY : PART II: MEMORY |
| the "bread." Hesiod, a contemporary of Homer, | 127331 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 2: THE PALAETIOLOGY OF FEAR AND MEMORY : PART II: MEMORY |
| says forgetting. By the time of Homer, | 127429 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 2: THE PALAETIOLOGY OF FEAR AND MEMORY : THE RULES OF MEMORY |
| of Demodokos in the Odyssey of Homer about an adulterous love among the gods attests to an approaching achievement of "perfect imperfection": | 127430 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 2: THE PALAETIOLOGY OF FEAR AND MEMORY : THE RULES OF MEMORY |
| occurred perhaps only a generation before Homer, | 127519 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 2: THE PALAETIOLOGY OF FEAR AND MEMORY : FORGETTING |
| described in Chapman's translation of Homer, | 131020 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art |
| of Demodocus from Book Eight of Homer's Odyssey, | 131062 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art |