| |
|
HERMETIC..................2 (0.000%)
|
| tendencies of a different sort, probably Hermetic (Thoth), | 91616 GODS FIRE: - - Chapter 6: THE CHARISMA OF MOSES : THE MANIAC SCIENTIST |
| to Yahweh did not eradicate the Hermetic qualities that took deep root during his Egyptian years. | 93638 GODS FIRE: - - Chapter 8: THE ELECTRIC GOD - |
| |
|
HERMETICISM...............1 (0.000%)
|
| in anything but the most mad hermeticism, | 99290 THE DEVINE SUCCESSION PART 2: THEOTROPY: Chapter 9: SACRAL VS. SECULAR MAN - |
| |
|
HERMIA....................37 (0.005%)
|
| and Demetrius, and two young women, Hermia and Helena, | 129312 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art |
| to the first pair, Lysander and Hermia, | 129315 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art |
| he does not love her, preferring Hermia instead. | 129318 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art |
| his authority challenged, hales his daughter Hermia and her lover Lysander before Duke Theseus and demands justice. | 129323 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art |
| Athens for the forest - Lysander and Hermia wishing to elope, | 129331 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art |
| told he must wait, Lysander wanting Hermia and being told by her father that he cannot marry her, | 129367 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art |
| the ruler in governing the tribe. Hermia must end up marrying Lysander, | 129513 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art |
| elopement to Sparta of Lysander and Hermia, | 129528 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art |
| the reader will recall, Lysander loves Hermia, | 129547 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art |
| while Helena loves Demetrius, who loves Hermia. | 129548 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art |
| to say, both young men love Hermia, | 129552 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art |
| Then, as we remember, Lysander and Hermia run off to the forest, | 129553 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art |
| the sleeping figures of Lysander and Hermia and sprinkles the juice on Lysander's eyes. | 129565 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art |
| her and pursues her offstage, abandoning Hermia, | 129569 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art |
| pleads his love to the bewildered Hermia, | 129575 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art |
| men had been in love with Hermia, | 129585 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art |
| love with Helena, and neither with Hermia. | 129586 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art |
| further aggravated by the arrival of Hermia. | 129589 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art |
| s eyes, so he will love Hermia once more. | 129595 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art |
| recall, the original pairings were Lysander-Hermia and Demetrius-Helena. | 129802 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art |
| on the wrong lover's eyes, Hermia is distressed to find Lysander gone and Demetrius in his place, | 129803 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art |
| of suitable equivalences may be Earth - Hermia Moon - Lysander Mars - Helena Venus - Demetrius Sun - Theseus Jupiter - Oberon - Zeus. | 129836 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art |
| begin by noting individual cosmic images. Hermia observes that Lysander is as true to her as the sun unto the day, | 129853 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art |
| having been driven forcibly away while Hermia was sleeping, | 129855 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art |
| has been wounded, 59, pierced by Hermia's cruelty, | 129864 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art |
| can then derive more Velikovskian parallels. Hermia begs for Lysander back, | 129868 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art |
| will let his dogs eat him. Hermia cries Has thou slain him, | 129869 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art |
| one flood of connected imagery. Then Hermia, | 129885 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art |
| Lysander from his accustomed orbit around Hermia, | 129911 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art |
| her, Helena complains that she and Hermia had once been very close, | 129913 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art |
| 202-214, almost twins, and now Hermia has joined with the men to tear their former closeness apart, | 129914 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art |
| celestial goddess, 226-227, and neglecting Hermia-Earth. | 129921 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art |
| accused of having stolen Lysander from Hermia, | 129923 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art |
| Lysander from Hermia, at night, and Hermia is described as being small and hot when angry, | 129923 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art |
| Demetrius-Venus had become attracted to Hermia-Earth, | 129959 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art |
| power it is - my love to Hermia, | 130005 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art |
| are in love, like Lysander and Hermia, | 130107 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art |
| |
|
HERMION...................1 (0.000%)
|
| is a sanctuary of Klymenos at Hermion, | 113526 KA: - - Chapter 2: THE ELECTRIC ORACLES - |
| |
|
HERMIST...................2 (0.000%)
|
| Herakles Herculeneum heresy Hermes Hermes stone Hermist hero Herodotus Herois Hertzler, | 3222 QUANTAVOLUTION AND CATASTROPHE: PART 5: The Scope of Quantavolution - - - |
| what might be called a liberal Hermist, | 93637 GODS FIRE: - - Chapter 8: THE ELECTRIC GOD - |
| |
|
HERMIT....................1 (0.000%)
|
| Velikovsky has been more of the hermit scientist than of the hierarch, | 139857 THE VELIKOVSKY AFFAIR: PART 6: THE SCIENTIFIC RECEPTION SYSTEM - - - |
| |
|
HERMITS...................1 (0.000%)
|
| tradition of the blessed spirits -- the hermits who live in caves and on poles, | 7616 COSMIC HERETICS: PART 1: - Chapter 3: CHEERS AND HISSES - |
| |
|
HERN......................1 (0.000%)
|
| He is probably the same as Hern the Hunter in British folk lore. | 114873 KA: - - Chapter 6: SKY LINKS - |
| |
|
HERO......................106 (0.013%)
|
| Herculeneum heresy Hermes Hermes stone Hermist hero Herodotus Herois Hertzler, | 3223 QUANTAVOLUTION AND CATASTROPHE: PART 5: The Scope of Quantavolution - - - |
| should have been "sanctified" as heretical hero by the student radicals of the 1960's, | 8462 COSMIC HERETICS: PART 1: - Chapter 4: A PROPER RESPECT FOR AUTHORITY - |
| to be a heretic or a hero. | 8514 COSMIC HERETICS: PART 1: - Chapter 4: A PROPER RESPECT FOR AUTHORITY - |
| especially happy at becoming a petty hero. | 8598 COSMIC HERETICS: PART 1: - Chapter 4: A PROPER RESPECT FOR AUTHORITY - |
| nominate Zvi Rix to be the hero of this chapter, | 9442 COSMIC HERETICS: PART 2: - Chapter 6: HOLOCAUST AND AMNESIA - |
| German), is glorified by naming our hero one of her greatest representatives. | 9738 COSMIC HERETICS: PART 2: - Chapter 6: HOLOCAUST AND AMNESIA - |
| more than once, although a war hero, | 10328 COSMIC HERETICS: PART 2: - Chapter 7: FROM VENUS WITH LOVE - |
| machine: Charles Darwin was an apt hero for nineteenth century biology and the public and scientific mentalities of the nineteenth century. | 10398 COSMIC HERETICS: PART 2: - Chapter 8: HOMO SCHIZO MEETS GOD - |
| gods was because God is a Hero. | 10788 COSMIC HERETICS: PART 2: - Chapter 8: HOMO SCHIZO MEETS GOD - |
| at the least he wanted a hero he should control, | 10790 COSMIC HERETICS: PART 2: - Chapter 8: HOMO SCHIZO MEETS GOD - |
| No "Ho-ho-ho." Pleasant, agreeable Hero of our times, " | 15407 COSMIC HERETICS: PART 4: - Chapter 12: THE THIRD WORLD OF SCIENCE - |
| keeping the spotlight, whether for the hero or the martyr, | 16426 COSMIC HERETICS: PART 4: - Chapter 13: THE EMPIRE STRIKES BACK - |
| acceptance of such a scientific-religious hero suggest a problem, | 17059 COSMIC HERETICS: PART 4: - Chapter 14: THE FOIBLES OF HERETICS - |
| the question of how big a hero was V. -- | 19220 COSMIC HERETICS: PART 5: - Chapter 16: PRECURSORS OF QUANTAVOLUTION - |
| Shapely, who had become the anti-hero of the Velikovskian sociological scenario, | 20819 COSMIC HERETICS: PART 5: - Chapter 17: THE ADVANCEMENT OF SCIENCE - |
| of tribal followers of the legendary hero-god Herakles..." | 29853 CHAOS AND CREATION: - - CHAPTER 10: VENUS AND MARS : CARPENTER'S "SOFT" CATASTROPHISM |
| vol. II. Campbell, Joseph (1949), The Hero with a Thousand Faces, | 31305 CHAOS AND CREATION: - - - BIBLIOGRAPHY - |
| the ground, a political and social hero, | 34011 THE LATELY TORTURED EARTH: PART I: ATMOSPHERICS: Chapter 3 Hurricanes and Cyclones - |
| and sometimes also to a god-hero who, | 65782 HOMO SCHIZO I: - - Chapter 5: CULTURAL REVOLUTION : ECUMENICAL CULTURE |
| 6. Apotheosis as king or messianic hero. | 67642 HOMO SCHIZO I: - - Chapter 7: PSYCHOPATHOLOGY OF HISTORY : A SICK JOURNEY |
| true, then homo schizo is the hero of all times and places. | 67706 HOMO SCHIZO I: - - Chapter 7: PSYCHOPATHOLOGY OF HISTORY : HISTORISM |
| masterpiece by that name; for his hero Bloom is a different kind of schizoid, | 67919 HOMO SCHIZO I: - - Chapter 7: PSYCHOPATHOLOGY OF HISTORY : SCHIZOID EPISODES IN ABUNDANCE |
| the beginnings. Hercules, the Greek god-hero, | 68000 HOMO SCHIZO I: - - Chapter 7: PSYCHOPATHOLOGY OF HISTORY : HELL |
| into 'primitive tribes. ' He is the hero of historiography. | 68023 HOMO SCHIZO I: - - Chapter 7: PSYCHOPATHOLOGY OF HISTORY : HELL |
| condemned as a traitor, became the hero of France in World War I, | 68194 HOMO SCHIZO I: - - Chapter 7: PSYCHOPATHOLOGY OF HISTORY : NAZIS, STALINISTS, AND DEMOCRATS |
| Myth and Madness, 80. 3. The Hero with a Thousand Faces, | 68518 HOMO SCHIZO I: - - Chapter 7: PSYCHOPATHOLOGY OF HISTORY : Notes (Chapter 7: Psychopathology of History) |
| a coward and who is a hero, | 72478 HOMO SCHIZO II: - - Chapter 3: BRAINWORK : MEMORY AND REPETITION |
| then there was the Persian folk hero, | 76045 HOMO SCHIZO II: - - Chapter 7: THE GOOD, THE TRUE, AND THE BEAUTIFUL : SUBLIMATION AS PREFERABLE DISPLACEMENTS |
| to his guest, Odysseus, or Ulysses, hero of the War against Troy. | 76622 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS - - - INTRODUCTION - |
| the citizens and retainers, and the Hero, | 77745 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 1: SACRED SCANDAL AND DISASTER Chapter 5: HOLY DREAMTIME - |
| created by Athena) or by a hero (cf. | 77901 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 1: SACRED SCANDAL AND DISASTER Chapter 5: HOLY DREAMTIME : BURLESQUE OR RELIGION? |
| totemic animal, a god, or a hero.) | 77906 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 1: SACRED SCANDAL AND DISASTER Chapter 5: HOLY DREAMTIME : BURLESQUE OR RELIGION? |
| his youth, yet had become its hero. | 78504 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 2: GODS, PLANETS, MADNESS Chapter 7: CRAZY HEROES OF DARK TIMES : THE SAGE WHO BRIDGED THE DARK AGES |
| Elians Mars Earth-Moon (Nestor a Hero) 717 15 - Alkinous Becomes King of Phaeacia Mars Earth-Moon 702 15 45 Nestor and Odysseus at Troy Start of Trojan War Venus Mars Earth-Moon 698 - 55 Nestor at Troy; | 78609 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 2: GODS, PLANETS, MADNESS Chapter 7: CRAZY HEROES OF DARK TIMES : THE SAGE WHO BRIDGED THE DARK AGES |
| Jupiter, Athena and Hephaestus. Thyestes, a hero of the period, | 82793 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 2: GODS, PLANETS, MADNESS Chapter 13: HOW THE GODS FLY : ELECTRO-MECHANICS OF THE GODS |
| Thunderbolts strike on all sides. Our hero watches, | 83887 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 3: THERAPY FOR GROUP FEAR Chapter 15: THE BIRTH AND DEATH OF MEMORY : FORGETTING |
| the variety of traits of a hero or god in a given culture. | 84540 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 3: THERAPY FOR GROUP FEAR Chapter 16: THE TRANSFIGURATION OF TRAUMA : THE KERNELS OF HISTORY |
| merciless deeds have overcome. '" 8 The Hero resigns. | 84972 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS PART 3: THERAPY FOR GROUP FEAR Chapter 17: SETTLED SKY AND UNSETTLED MIND : FROM SAVAGERY TO SUBLIMITY |
| a self-portrait of Homer. Odysseus: Hero of Homer's Odyssey. | 85098 THE DISASTROUS LOVE AFFAIR OF MOON AND MARS - - APPENDIX CHARACTERS OF THE BOOK - |
| have proven. The learned Buber, a hero and good man in the terrible Nazi period, | 88385 GODS FIRE: - - Chapter 4: THE ARK IN ACTION : THE GOLDEN BOX |
| science, unconsciously emulate their Old Testament hero, | 90119 GODS FIRE: - - Chapter 5: LEGENDS AND MIRACLES : THE BRAZEN SERPENT AND OTHER RODS |
| is a typical birth of a hero in myth and legend. | 90482 GODS FIRE: - - Chapter 6: THE CHARISMA OF MOSES : THE LOVE CHILD |
| and precedents and that Moses, as hero, | 91107 GODS FIRE: - - Chapter 6: THE CHARISMA OF MOSES : SCIENTIST AND INVENTOR |
| pages, is suggested: if a great hero is killed and secretly buried by some of the very people to whom he is and will remain a hero, | 93266 GODS FIRE: - - Chapter 7: THE LEVITES AND THE REVOLTS : BETH PEOR |
| he is and will remain a hero, | 93267 GODS FIRE: - - Chapter 7: THE LEVITES AND THE REVOLTS : BETH PEOR |
| best of biblical scholars and a hero of resistance to the Nazis; | 95253 GODS FIRE: - - - APPENDIX : UNBELIEVING SCHOLARS |
| is regarded as merely a fanciful hero's tale, | 95698 GODS FIRE: - - - APPENDIX : THE PRAGMATICS OF LEGEND |
| becomes human, first as a god-hero; | 97296 THE DEVINE SUCCESSION PART 1: THEOMACHY Chapter 4: THE HEAVENLY HOST - |
| telling the universal plot of the hero found throughout the world from the most ancient times. | 97316 THE DEVINE SUCCESSION PART 1: THEOMACHY Chapter 4: THE HEAVENLY HOST - |
| of the mythological adventure of the hero is a magnification of the formula represented in the rites of passage: | 97318 THE DEVINE SUCCESSION PART 1: THEOMACHY Chapter 4: THE HEAVENLY HOST - |
| of passage: separation - initiation - return.... A hero ventures forth from the world of the common day into a region of supernatural wonder: | 97319 THE DEVINE SUCCESSION PART 1: THEOMACHY Chapter 4: THE HEAVENLY HOST - |
| a decisive victory is won: the hero comes back from this mysterious adventure with the power to bestow boons of his fellow men. | 97321 THE DEVINE SUCCESSION PART 1: THEOMACHY Chapter 4: THE HEAVENLY HOST - |
| return. Second, the world of the hero begins ordinarily, | 97326 THE DEVINE SUCCESSION PART 1: THEOMACHY Chapter 4: THE HEAVENLY HOST - |
| personalized natural forces beat against the hero, | 97329 THE DEVINE SUCCESSION PART 1: THEOMACHY Chapter 4: THE HEAVENLY HOST - |
| subsided or have been defeated, the hero returns to a stable social order upon which he bestows his moral and material gains. | 97331 THE DEVINE SUCCESSION PART 1: THEOMACHY Chapter 4: THE HEAVENLY HOST - |
| material gains. The career of the hero thus mirrors the career of the gods, | 97334 THE DEVINE SUCCESSION PART 1: THEOMACHY Chapter 4: THE HEAVENLY HOST - |
| fire to punish mankind; the god-hero Prometheus stole it and gave it back to man; | 98516 THE DEVINE SUCCESSION PART 1: THEOMACHY Chapter 7: MAN'S DIVINE MIRROR - |
| give birth to and nurture this hero (or assassin). | 99066 THE DEVINE SUCCESSION PART 2: THEOTROPY: Chapter 9: SACRAL VS. SECULAR MAN - |
| s name Fosso di Pratica). The hero, | 103479 THE BURNING OF TROY: PART 1: HISTORICAL DISTURBANCES: Chapter 3: THE FOUNDING OF ROME - |
| and tomb dedicated to the Trojan hero 13 . | 103489 THE BURNING OF TROY: PART 1: HISTORICAL DISTURBANCES: Chapter 3: THE FOUNDING OF ROME - |
| s collection and analysis of The Hero of a Thousand Faces. | 105096 THE BURNING OF TROY: PART 1: HISTORICAL DISTURBANCES: Chapter 9: ANCIENT ASTRONAUTS : Notes (Chapter 9: Ancient Astronauts) |
| assistant to the astronomer Meton, the Hero of the Golden Letters of 432 B. | 107303 THE BURNING OF TROY: PART 3: WORKING OF THE MIND: Chapter 17: MAKING MOONSHINE WITH HARD SCIENCE - |
| decline of the divine and tragic hero. | 107711 THE BURNING OF TROY: PART 3: WORKING OF THE MIND: Chapter 19: THE 'UNCONSCIOUS' AS A LITERARY REVOLT AGAINST SCIENCE - |
| Wolfe, 1976), one sees how the hero, | 107895 THE BURNING OF TROY: PART 3: WORKING OF THE MIND: Chapter 19: THE 'UNCONSCIOUS' AS A LITERARY REVOLT AGAINST SCIENCE : DETAILED EXPOSITION OF THE PROJECT |
| with prodigious manifestations of nature. The 'hero' in modern literature died in a way to satisfy the U paradigm. | 107896 THE BURNING OF TROY: PART 3: WORKING OF THE MIND: Chapter 19: THE 'UNCONSCIOUS' AS A LITERARY REVOLT AGAINST SCIENCE : DETAILED EXPOSITION OF THE PROJECT |
| to satisfy the U paradigm. The 'hero' has managed to stay alive in politics by causing his own catastrophes, | 107897 THE BURNING OF TROY: PART 3: WORKING OF THE MIND: Chapter 19: THE 'UNCONSCIOUS' AS A LITERARY REVOLT AGAINST SCIENCE : DETAILED EXPOSITION OF THE PROJECT |
| as uniformitarian belief systems. Stendhal's hero of Rouge et Noir rued that he was born too late for the Battle of Waterloo, | 107907 THE BURNING OF TROY: PART 3: WORKING OF THE MIND: Chapter 19: THE 'UNCONSCIOUS' AS A LITERARY REVOLT AGAINST SCIENCE : DETAILED EXPOSITION OF THE PROJECT |
| chrusaoros, with golden sword. The Trojan hero Hector is like an oulios aster, | 114191 KA: - - Chapter 5: DEITIES OF DELPHI - |
| was taboo for the legendary Irish hero Cuchulainn. | 114858 KA: - - Chapter 6: SKY LINKS - |
| clash with an opposing force (god, hero, | 115444 KA: - - Chapter 8: SKY AND STAGE - |
| in the character of the tragic hero is revealed. | 115445 KA: - - Chapter 8: SKY AND STAGE - |
| direction and fortune, the peripeteia. The hero who was successful and powerful is overthrown. | 115450 KA: - - Chapter 8: SKY AND STAGE - |
| in the character of the tragic hero. | 116586 KA: - - Chapter 12: MYSTERY RELIGIONS - |
| Question 23: "Who is the joint-hero in Argos, | 116648 KA: - - Chapter 12: MYSTERY RELIGIONS : PASSAGES REFERRING TO KABEIROI, DACTYLS, GREAT MOTHER, VARIOUS DEITIES |
| the Averters? They call Kastor joint-hero and think he is buried with them, | 116651 KA: - - Chapter 12: MYSTERY RELIGIONS : PASSAGES REFERRING TO KABEIROI, DACTYLS, GREAT MOTHER, VARIOUS DEITIES |
| and killing them all. Herakles as hero is a link not only between god and man, | 117838 KA: - - Chapter 16: HERAKLES AND HEROES - |
| the distinction between man and god. HERO WORSHIP The cult of heroes differs from the worship of gods, | 117924 KA: - - Chapter 16: HERAKLES AND HEROES - |
| made to the shade of a hero at his tomb. | 117929 KA: - - Chapter 16: HERAKLES AND HEROES - |
| worshipper at the shrine of a hero did not normally partake of a sacred meal, | 117931 KA: - - Chapter 16: HERAKLES AND HEROES - |
| of a shared meal. At a hero's tomb, | 117934 KA: - - Chapter 16: HERAKLES AND HEROES - |
| back to face the sky. The hero's altar, | 117936 KA: - - Chapter 16: HERAKLES AND HEROES - |
| of the year. There was a hero cult of Herakles at Sikyon in Greece which was an exception. | 117940 KA: - - Chapter 16: HERAKLES AND HEROES - |
| the Egyptians; he was a mortal hero to the Greeks, | 117945 KA: - - Chapter 16: HERAKLES AND HEROES - |
| common essence of god, man, and hero. | 117948 KA: - - Chapter 16: HERAKLES AND HEROES - |
| and hero. The Greek word for hero is similar to the Hebrew heron, | 117950 KA: - - Chapter 16: HERAKLES AND HEROES - |
| at any rate clear that a hero needed a divine parent in order to establish his bona fides. | 117951 KA: - - Chapter 16: HERAKLES AND HEROES - |
| to another aspect of the Greek hero cult. | 117955 KA: - - Chapter 16: HERAKLES AND HEROES - |
| of the soul of the dead hero. | 118008 KA: - - Chapter 16: HERAKLES AND HEROES - |
| body with the blood when a hero is killed in battle. | 119252 KA: - - Chapter 20: SANCTIFICATION AND RESURRECTION : SANCTIFICATION |
| as seen, for example, in the hero Odysseus. | 119539 KA: - - Chapter 21: THE DEATH OF KINGS - |
| arena, or labyrinth, so an Homeric hero or Celtic chief would wear a helmet, | 119726 KA: - - Chapter 22: LIVING WITH ELECTRICITY - |
| Heb. ari. Ariel, lion of god, hero, | 120988 KA: - - - GLOSSARY - |
| the Greek for a big shot, hero or warrior king, | 121529 - A FIRE NOT BLOWN: - - - INTRODUCTION - |
| the Athenians set up as a hero like Herakles, | 122164 - A FIRE NOT BLOWN: - - Chapter 06: ARIADNE - |
| strength, and the Etruscan word trin, hero, | 122527 - A FIRE NOT BLOWN: - - Chapter 08: THE BULL - |
| gbr. Gibor is Hebrew for a hero, | 123089 - A FIRE NOT BLOWN: - - Chapter 12: CATASTROPHE, MYTH AND SKY - |
| the thigh. The stories about the hero Gilgamesh date back to Sumer, | 123126 - A FIRE NOT BLOWN: - - Chapter 12: CATASTROPHE, MYTH AND SKY - |
| Greek for track or footprints. A hero was a man with powers so exceptional that they had to be attributed to divine parentage, | 123183 - A FIRE NOT BLOWN: - - Chapter 12: CATASTROPHE, MYTH AND SKY - |
| was a confrontation between two opponents, hero and Minotaur. | 124121 - A FIRE NOT BLOWN: - - Chapter 17: ROCKS - |
| the specialised sense of the Greek hero. | 124810 - A FIRE NOT BLOWN: - - Chapter 21: KINGS - |
| between human and divine. The word 'hero', | 124814 - A FIRE NOT BLOWN: - - Chapter 21: KINGS - |
| among split rocks. The Etruscan trin, hero, | 124823 - A FIRE NOT BLOWN: - - Chapter 21: KINGS - |
| In Wagner's opera Siegfried, the hero of that name has a conversation with a bird on his journey along the Rhine. | 125007 - A FIRE NOT BLOWN: - - Chapter 22: SACRED BIRDS - |
| Ar.; vrag, enemy, Slav. gibor leader, hero, | 125437 - A FIRE NOT BLOWN: - - Chapter 26: REVERSALS - |
| down up n all sides. Our hero watches. | 127537 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 2: THE PALAETIOLOGY OF FEAR AND MEMORY : FORGETTING |
| tragedy shows happening to the tragic hero. | 130792 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 5: SHAKESPEARE AND VELIKOVSKY : Catastrophic Theory and the Springs of Art |