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| radiochronometry be deemed invalid. The major drawback of geochronology in regard to fossil man is that time is measured by evolution; | 62015 HOMO SCHIZO I: - - Chapter 2: HOMINIDS IN HOLOGENESIS : TIME UNNEEDED FOR CULTURE |
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| time to time. That invisibility had drawbacks is indicated by the Revolt of the Golden Calf when, | 87129 GODS FIRE: - - Chapter 3: CATASTROPHE AND DIVINE FIRES : THE CENSORED DESIGNS OF HEAVEN |
| gods. The psychological mechanism had its drawbacks; | 98465 THE DEVINE SUCCESSION PART 1: THEOMACHY Chapter 7: MAN'S DIVINE MIRROR - |
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| produced a statement out of his drawer of epigrams; " | 10427 COSMIC HERETICS: PART 2: - Chapter 8: HOMO SCHIZO MEETS GOD - |
| Winckler, gives Moses as "the Water-Drawer." | 90508 GODS FIRE: - - Chapter 6: THE CHARISMA OF MOSES : THE LOVE CHILD |
| and shut away in a little drawer. | 132525 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 7: LIVING WITH VELIKOVSKY: : CATASTROPHISM AS WORLD VIEW |
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| Poul Andriessen, is here in Naxos drawing samples for 40K-40A tests, | 8069 COSMIC HERETICS: PART 1: - Chapter 3: CHEERS AND HISSES - |
| figure 15a has been removed. This drawing is a famous archaeological figure and should not be tampered with. | 10064 COSMIC HERETICS: PART 2: - Chapter 7: FROM VENUS WITH LOVE - |
| me explain. You will recall this drawing was traced out by our artist from the original Xeroxed sheet you had sent, | 10076 COSMIC HERETICS: PART 2: - Chapter 7: FROM VENUS WITH LOVE - |
| work. To repeat, photograph the new drawing exactly as it is here, | 10093 COSMIC HERETICS: PART 2: - Chapter 7: FROM VENUS WITH LOVE - |
| and complication, finally succeeded yesterday in drawing upon it in crayon, | 11808 COSMIC HERETICS: PART 3: - Chapter 9: NEW FASHIONS IN CATASTROPHISM - |
| British edn. of M in A drawing attention to the Society. | 17438 COSMIC HERETICS: PART 4: - Chapter 14: THE FOIBLES OF HERETICS - |
| on the adjoining page from astronomical drawing and photographs. | 22352 CHAOS AND CREATION: - - CHAPTER 02: HIGH ENERGY FROM SPACE : PANDEMONIUM AND DARKNESS |
| 3, 17, 31, 32. Photographs and drawing by astronomers: | 22392 CHAOS AND CREATION: - - CHAPTER 02: HIGH ENERGY FROM SPACE : PANDEMONIUM AND DARKNESS |
| d. Swift-Tuttle Aug. 29, 1862 (drawing by Secchi); | 22394 CHAOS AND CREATION: - - CHAPTER 02: HIGH ENERGY FROM SPACE : PANDEMONIUM AND DARKNESS |
| e. Daniel 1907 IV M. Wolf (drawing); | 22395 CHAOS AND CREATION: - - CHAPTER 02: HIGH ENERGY FROM SPACE : PANDEMONIUM AND DARKNESS |
| f. Swift-Tuttle Aug. 27, 1862 (drawing by Schmidt); | 22395 CHAOS AND CREATION: - - CHAPTER 02: HIGH ENERGY FROM SPACE : PANDEMONIUM AND DARKNESS |
| g. Tebbutt July 4, 1861 II (drawing by Schmidt); | 22396 CHAOS AND CREATION: - - CHAPTER 02: HIGH ENERGY FROM SPACE : PANDEMONIUM AND DARKNESS |
| Schmidt); h. Tebbutt July 1, 1861 (drawing by Secchi). | 22396 CHAOS AND CREATION: - - CHAPTER 02: HIGH ENERGY FROM SPACE : PANDEMONIUM AND DARKNESS |
| to fit this model. In the drawing, | 24164 CHAOS AND CREATION: - - CHAPTER 04: A CATASTROPHIC CALENDAR : THE NUMBER OF CATASTROPHES |
| succeeded the creative gestalt. They require drawing tools, | 26133 CHAOS AND CREATION: - - CHAPTER 06: THE URANIANS : SIGNS OF URANIAN CULTURE |
| figures uphold the Saturn image. The drawing 25g shows an ancient Mayan figure from Uxmal, | 27909 CHAOS AND CREATION: - - CHAPTER 08: SATURN'S CHILDREN - |
| developed and replete with celestial references. Drawing and picture symbols occur. | 28061 CHAOS AND CREATION: - - CHAPTER 08: SATURN'S CHILDREN : THE "GOLDEN AGE" |
| delicate; it would amount to the drawing of a force along the Earth's path that would cause it to tip over while containing its spin, | 34212 THE LATELY TORTURED EARTH: PART I: ATMOSPHERICS: Chapter 4 Magnetism and Axial Tilts - |
| Mediterranean rifts are added to the drawing, | 43956 THE LATELY TORTURED EARTH: PART V: RIFTS, RAFTS AND BASINS: Chapter 21 Ocean Basins - |
| dozen millennia ago, allows for a drawing off of the atmosphere over half the world, | 49571 THE LATELY TORTURED EARTH: PART VII: DIMENSIONS OF QUANTAVOLUTION: Chapter 30 Intensity, Scope and Suddenness - |
| simple instrument depicting the process: his drawing of the critical stage of the fission is reproduced in Figure 31. | 55651 SOLARIA-BINARIA: PART 2: DESTRUCTION OF THE SOLAR BINARY: Chapter 13: NOVA OF SUPER URANUS AND EJECTION OF THE MOON - |
| a dozen bands, ruling these and drawing the remaining hominids for services, | 64837 HOMO SCHIZO I: - - Chapter 4: THE GESTALT OF CREATION : A PRIMORDIAL SCENARIO |
| lemonade outpourings of aestheticizing literati and drawing-room heroes. | 68173 HOMO SCHIZO I: - - Chapter 7: PSYCHOPATHOLOGY OF HISTORY : NAZIS, STALINISTS, AND DEMOCRATS |
| the right angle rule used in drawing. | 69335 HOMO SCHIZO II: - - Chapter 1: THE NORMALLY INSANE - |
| will be sent "back to the drawing boards." | 72282 HOMO SCHIZO II: - - Chapter 3: BRAINWORK : HANDEDNESS |
| then grammar becomes the rules for drawing upon the names. | 74444 HOMO SCHIZO II: - - Chapter 6: SYMBOLS AND SPEECH : NEUROLOGY OF SPEECH |
| experimented with "the power of points ... drawing off and throwing off the electrical fire." | 88128 GODS FIRE: - - Chapter 4: THE ARK IN ACTION - |
| steady the Ark when an ox drawing it on a wagon stumbles; | 95169 GODS FIRE: - - - APPENDIX : UNBELIEVING SCHOLARS |
| natural sculpting and determined, hard-lined drawing by tight, | 106314 THE BURNING OF TROY: PART 2: GEOLOGICAL ISSUES: Chapter 12: A FAILED EXCURSION TO THE CAVES OF AQUITAINE - |
| in no doubt that he was drawing a sandal-strap (somewhat stylized)" 1 . | 107136 THE BURNING OF TROY: PART 3: WORKING OF THE MIND: Chapter 16: SANDAL-STRAPS AND SEMIOLOGY - |
| rattling with as many shields and drawing as many swords as Jove hurled thunderbolts, | 114899 KA: - - Chapter 6: SKY LINKS - |
| in the sky and cross it, drawing their tresses after them in their flight. | 117421 KA: - - Chapter 14: BOLTS FROM THE BLUE - |
| Canadian male who utilized painting and drawing as an aspect of his therapy for neurosis. | 125884 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : - - - |
| blueprint of Armageddon is on the drawing boards, | 126821 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 1: CULTURAL AMNESIA : WAR |
| Canadian male who utilized painting and drawing as an aspect of his therapy. | 128258 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 3: PSYCHOLOGICAL ASPECTS OF THE WORK OF IMMANUEL VELIKOVSKY - |
| However, the same patient followed this drawing with another which carries his analogy still further (Plate 2). | 128283 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 3: PSYCHOLOGICAL ASPECTS OF THE WORK OF IMMANUEL VELIKOVSKY - |
| inevitable personal significance of such a drawing, | 128292 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 3: PSYCHOLOGICAL ASPECTS OF THE WORK OF IMMANUEL VELIKOVSKY - |
| fantasies of an infant but the drawing of an adult capable of utilizing experience and imagery drawn from an infinite variety of sources. | 128298 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 3: PSYCHOLOGICAL ASPECTS OF THE WORK OF IMMANUEL VELIKOVSKY - |
| parallels worth noting. Plate 2 Another drawing by the same patient reveals how the idea developed (Plate 3). | 128306 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 3: PSYCHOLOGICAL ASPECTS OF THE WORK OF IMMANUEL VELIKOVSKY - |
| performed by uniformitarians who shrink from drawing appropriate conclusions. | 134158 THE VELIKOVSKY AFFAIR: - SCIENTISM VERSUS SCIENCE - INTRODUCTION TO THE 2ND EDITION - |
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| and, finally, a set of maps, drawings, | 17824 COSMIC HERETICS: PART 5: - Chapter 15: THE KNOWLEDGE INDUSTRY - |
| with words, or at least with drawings, | 25752 CHAOS AND CREATION: - - CHAPTER 06: THE URANIANS : EJACULATIVE LANGUAGE |
| bison of the Franco-Spanish cave drawings and of archaic and ancient Chaldeans. | 26025 CHAOS AND CREATION: - - CHAPTER 06: THE URANIANS : CLIMATE CHANGES AND TIME |
| archaic and ancient Chaldeans. As the drawings of the Figure demonstrate the Chaldeans knew the bison (a) and depicted it anthropomorphically as "the heavenly bull." ( | 26025 CHAOS AND CREATION: - - CHAPTER 06: THE URANIANS : CLIMATE CHANGES AND TIME |
| as in the bison and hand drawings of the Dordogne Caves; | 26097 CHAOS AND CREATION: - - CHAPTER 06: THE URANIANS : SIGNS OF URANIAN CULTURE |
| Tiahuanacu 45 . In South Africa Bushman drawings carry snakes without precise heads or tails. | 26180 CHAOS AND CREATION: - - CHAPTER 06: THE URANIANS : HAND, ROD AND SNAKE |
| of the sky. In Talbott's drawings (Figure 25) we see it. | 27975 CHAOS AND CREATION: - - CHAPTER 08: SATURN'S CHILDREN : THE PLEIADES |
| shortly after being constructed. Clear, crude drawings and marks of the workers are left on its white limestone. | 28762 CHAOS AND CREATION: - - CHAPTER 09: THE OLYMPIAN RULERS : REPEATED DISASTERS |
| the jacket is one of several drawings by Leonardo da Vinci of the "Deluge." | 32613 THE LATELY TORTURED EARTH: - - - TITLEPAGE - |
| field as this is pictured in drawings of a textbook. | 33940 THE LATELY TORTURED EARTH: PART I: ATMOSPHERICS: Chapter 3 Hurricanes and Cyclones - |
| been found, since we have their drawings of the mammoth. | 37168 THE LATELY TORTURED EARTH: PART II: EXOTERRESTRIAL DROPS: Chapter 9 Gases, Poisons and Foods - |
| Americans, as judged by sculptures and drawings, | 42216 THE LATELY TORTURED EARTH: PART IV: CRUSTAL TURBULENCE: Chapter 18 Sinking and Rising Lands - |
| S. R. Rao has analyzed rock drawings of early Egypt found along the Red Sea coast and sees in their high-prowed, | 42524 THE LATELY TORTURED EARTH: PART IV: CRUSTAL TURBULENCE: Chapter 18 Sinking and Rising Lands - |
| career of historical monies. There are drawings in the American southwest of man and dinosaur; | 42721 THE LATELY TORTURED EARTH: PART IV: CRUSTAL TURBULENCE: Chapter 18 Sinking and Rising Lands - |
| crustal rocks would be preserved." Skillful drawings enhance the text by showing some sediments being scraped off on the opposite side and other sediment being miscilated and conveyed below. | 45706 THE LATELY TORTURED EARTH: PART V: RIFTS, RAFTS AND BASINS: Chapter 24 Continental Tropism and Rafting - |
| rocks (Hava Supai Canyon, Colo.) produces drawings of dinosaurs, | 47562 THE LATELY TORTURED EARTH: PART VI: BIOSPHERICS: Chapter 27 Genesis and Extinction - |
| are proliferated". In the American West, drawings of dinosaurs have been found, | 54997 SOLARIA-BINARIA: PART 2: DESTRUCTION OF THE SOLAR BINARY: Chapter 12: QUANTAVOLUTION OF THE BIOSPHERE: HOMO SAPIENS - |
| the contrary notwithstanding. If the rock drawings of the Sahara and Southwest Africa are Upper Paleolithic, | 61343 HOMO SCHIZO I: - - Chapter 1: SLIPPERY LADDERS OF EVOLUTION : WAVES OF EVOLUTION |
| and later words for abstractions, then drawings, | 62803 HOMO SCHIZO I: - - Chapter 3: MECHANICS OF HUMANIZATION : QUANTAVOLUTION VS. EVOLUTION |
| Probably this is behind the Nazca drawings too, | 66719 HOMO SCHIZO I: - - Chapter 6: SCHIZOID INSTITUTIONS : MEGALITHS AND MEGALINES |
| Nazca drawings too, with their spectacular drawings of dragons and a large bird. | 66720 HOMO SCHIZO I: - - Chapter 6: SCHIZOID INSTITUTIONS : MEGALITHS AND MEGALINES |
| Chaos and Creation, figure 15). The drawings are so close in spirit that they may carry Cro-Magnon man down to the Old Kingdom of Egypt. | 66959 HOMO SCHIZO I: - - Chapter 6: SCHIZOID INSTITUTIONS : SEXUAL RAMIFICATIONS |
| parable, fiction, literature, fantasy, sacred relics, drawings, | 67613 HOMO SCHIZO I: - - Chapter 7: PSYCHOPATHOLOGY OF HISTORY : A SICK JOURNEY |
| Eissler calls Leonardo da Vinci's drawings of the end of the world by flood, | 74083 HOMO SCHIZO II: - - Chapter 5: COPING WITH FEAR : ORGIES AND HOLOCAUSTS |
| recent compendium of cometary photographs and drawings displays several such images. | 85510 GODS FIRE: - - Chapter 1: PLAGUES AND COMETS : COMETS AND ANGELS |
| fully charged 60 . A number of drawings of mass shockings are to be found. | 92816 GODS FIRE: - - Chapter 7: THE LEVITES AND THE REVOLTS : KORAH'S REBELLION |
| finally misunderstood over the centuries. The drawings we possess of Korah's rebels show them dying mysteriously, | 92820 GODS FIRE: - - Chapter 7: THE LEVITES AND THE REVOLTS : KORAH'S REBELLION |
| and by reference to surviving cave drawings and artifacts, | 97211 THE DEVINE SUCCESSION PART 1: THEOMACHY Chapter 4: THE HEAVENLY HOST - |
| 2). 1 should mention that these drawings were made prior to the publication of Worlds in Collision. | 128284 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 3: PSYCHOLOGICAL ASPECTS OF THE WORK OF IMMANUEL VELIKOVSKY - |
| an infinite variety of sources. Such drawings provide no proof, | 128299 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 3: PSYCHOLOGICAL ASPECTS OF THE WORK OF IMMANUEL VELIKOVSKY - |
| discuss the possible interpretation of these drawings because I feel that to do so would take us away from the problem of their phylogenetic component, | 128307 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 3: PSYCHOLOGICAL ASPECTS OF THE WORK OF IMMANUEL VELIKOVSKY - |
| personal and archetypal significance of the drawings, | 128615 RECOLLECTIONS OF A FALLEN SKY - VELIKOVSKY AND CULTURAL AMNESIA : Chapter 3: PSYCHOLOGICAL ASPECTS OF THE WORK OF IMMANUEL VELIKOVSKY : Notes (Psychological Aspects of the Work of Immanuel Velikovsky) |